mirror of https://github.com/nealey/Horrors2
5296 lines
174 KiB
TeX
5296 lines
174 KiB
TeX
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\by{ AYBraham}
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{\em artwork by Discount_Bees}
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As referred to in the epic Horrors by Ben Biddick thread,
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this thread is to serve as a Creative Writing contest for all
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goons.
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Your goal: Write a short story in the theme of Horrors, the
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collection of short stories written by Mr. Ben Beddick when he was
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13 years old. Each story is encouraged to feature the tragic
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protagonist Luke Bavarius, and must be more than 500 words each.
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Each story must show that ``kids need to be respected and listened
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to.''
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Your Judge: Mr. Ben Biddick himself. He's
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currently serving overseas in the Military, so the entries will be
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judged at his convenience.
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Prizes:
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First Place: Full account upgrades (Platinum, No Ads, Archives, and
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an Avatar Upgrade), a coupon to change any other user's avatar,
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{\bf and an autographed copy of Horrors.}
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Second Place: Full account upgrades (Platinum, No Ads, Archives,
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and an Avatar Upgrade).
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Third Place: One account upgrade of the winner's choice (Plat, No
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Ads, Archives, or an Avatar Upgrade).
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In addition, if Ben so chooses, the worst entry will subjected to a
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very, very malicious account name change & avatar change that
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can never be changed so as long as you are on the forums, unless I
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so deem it acceptable.
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Contest ends July 6th, 2009. Take your time with the entries.
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Commence with the brutality!
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%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
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\by{Mr. Bad Guy}
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Gonna deliver some pain at 55mph up in this bitch.
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\by{Batmanuel}
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{\bf The Stranger. Bavarious.}
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{\bf FOR MATURE READERS ONLY}
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``Whiskey.'' The stranger sat hunched over in the dark
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corner of the bar. I would have missed him if it weren't for
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my curiosity and his harsh cigarette tinged voice. I sat the glass
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down, opened the bottle and poured. ``Leave the
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bottle.''
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``What's troubling you, Mack?'' I asked as I pulled
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my hand away from the bottle. He didn't look up. I tended to
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pry, but I got the feeling that this guy wasn't someone to
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fuck with.
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Minutes passed and I forgot all about this stranger. Smoke hung
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aimlessly in the air as someone busted out a trick shot in the
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billiards game on the other side of the dark tavern. Maybe a fight
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would break out. The regulars hate it when new people come in with
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that slick shit. Almost right on cue, Jimmy Dean, a hulk of a man,
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grabbed the trick shot artist around the neck and slammed his face
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on to the table. This collision proved hard enough to send the
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balls rolling in every direction. In practically the same breath,
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the guy was thrown out onto the pavement. I let this shit happen.
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No cops. Justice prevails and everything returns to a despairing
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level of normality.
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I turn my attention back to the stranger only to find him gone and
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a fifty dollar gold coin on the bar. Under the coin was a business
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card with one word on it: Bavarious. How I missed a man dressed in
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all black, wearing a knee length black leather trench coat duster,
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walk right out the door is beyond me. He had to have crossed right
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in front of my field of vision, but I must have been too distracted
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by the fight to notice him leave. Whatever.
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I couldn't sleep that night. A feeling of uneasiness stuck
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with me after my brief encounter with the stranger. He just wanted
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a drink, right, lots of people do that, nothing weird about them.
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All I could think of was his name. Bavarious. What did it
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mean?
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The next day, I enter the shit hole and take over for the night. I
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expect much of the same. The regulars were already there and most
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likely drunk. The stale air welcomed me as I pushed through the
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wooden doors of the tavern. I felt a chill rush down my spine as I
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looked towards the end of the bar. I didn't even make it
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behind the bar before I heard a familiar voice that would remind me
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of exactly why I could not sleep.
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``Whiskey.'' Fuck. The stranger sat in the exact same
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spot. `Same shit, different night' I thought to myself.
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As if he didn't remember the minute details from the night
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before, his grizzled voice said, ``Leave the
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bottle.''
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``So, are you drowning your sorrows away?'' I tended to
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pry. He didn't look up, so I turned back to cleaning a yellow
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beer stained mug. My mind wandered and I began to picture a lost
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love. For some reason, I came to the conclusion that he fit the
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motif of a heartbroken pathetic being taking everything he did
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wrong out on himself. After this, he's probably going to the
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nearest bridge and tease ending it all by dangling one foot over
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the railing. Pathetic bitches never actually jump since
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they're always back the next day drinking the same drink. If
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not the bridge, he'll probably stare down the cold steel
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barrel of a Beretta. Visions of my ideal womanly being played in my
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head and I wanted to join him in downing the fuel of the unwanted.
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The poor bastard losing the dark haired, tan skinned, beauty
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running through a meadow on a sunny day, must be hell. I snapped
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back to reality, shook my head and spun around towards this guy
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with another bottle of whiskey. Almost exactly like the night
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before, I fail to see him leave and I'm left to wonder why he
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leaves the coin. One fucking tip.
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``Hey Marv, did you see that cowboy looking son of a bitch
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leave?'' Marv, the rat-faced bug-eyed shrew of a motherfucker,
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shook his head with a look of confusion. I didn't look too
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much into it, as the smoke hovering in the air tends to get to my
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head. Unlike the night before, I was able to thwart any thoughts on
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the guy. I mean, I was never the obsessive little bitch type. I
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tended to pry, but that was part of the job title. I had to talk to
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these characters while they drank the night away.
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These nights always seem to run together. The same rituals repeat
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themselves. The same poor saps gather in this shit hole. The same
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rain falls outside. Jimmy and his gang exchange the same stories.
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The same game of pool is played. The same fight breaks out. The
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same song plays on the jukebox in the corner. The same `out
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of service' sign hangs on the bathroom door. The same tourist
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loses a wheel on the same pothole and drags his scared wife
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who'd much rather stay in the car inside to use our phone.
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The same poor fools come and go like fucking clockwork. I
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can't complain.
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Every night for the past week, the Stranger sat in the same stool
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under the same shadow, said the same four words, drank the same
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whiskey, left the same goddamn coin and vanished the same way. If
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it weren't for the same bad vibes that surrounded him, I
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would not have even noticed him.
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I still have trouble sleeping at night. It's not that I
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don't want to sleep; it's just that I can't. I
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stopped trying. Techniques that bobble heads preach up and down to
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levels of total effectiveness fail. Pills don't work, lying
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in bed passively watching infomercial after infomercial have the
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effects of making me wonder what exactly will blend. When I am able
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to close my eyes, my mind begins to play a constant slide show of
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the worst things imaginable. Decapitations. Bodies buried in
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shallow graves. Houses burning. Screams fill my ears and I awake in
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a cold sweat. I can't breathe. These problems began the first
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night the stranger came into my dive.
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I find myself feeling nothing but disdain when I gaze upon my
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tattered reflection in the mirror. The unshaven man staring back is
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not me. Bloodshot eyes sunken deep into hollow cheeks. I lift my
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hand up and it shakes as if my blood created vibrations as it moved
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through my protruding veins. The mirror not only shows a vacant
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waste of a man, but also serves as a vessel for vengeful shadows
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that dance around in the dimness created by the talking heads on
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their soapboxes of lies. I look again at my shaking hand to find it
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in a tightly clenched fist flying towards the primitive zombie in
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the glass imprisonment. The glass shatters into a sea of red.
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``Whiskey.'' He's there. Right fucking there. No
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one knows where he comes from. No one even bothers to notice this
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motherfucker. ``Leave the bottle.''
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``You know, you've been coming in here for a while now
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and it's the same four fucking words.'' I tended to pry,
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but it has gotten to the point where this dude needs a crowbar
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upside the head! I wanted answers or just a simple response.
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``And man, you don't need to leave a fucking gold coin
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lying there. That's too much goddamn money.''
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As always, he finished off the bottle and left. As always, a
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dirtied gold coin was on the counter. It was right then that I came
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up with the worst idea of my life. Worse than moving out to this
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fucking desolate place. This dumbass decision is probably my only
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regret. Given the circumstances, this was a pretty sound idea and
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very simple in execution. I called on Jimmy Dean and his gang to
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rough the stranger up a bit. Easy as that. Not to really hurt him,
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but to serve as an initiation of sorts.
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Jimmy Dean was the type of brute that would fit in prison,
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professional wrestling or driving a truck for a repossession
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company. The brute, with his shoulder length hair, beard, sharply
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clad in leather and denim, carried himself with a high enough level
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of untapped fury that assured me that a show was just on the
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horizon. His gang lacked the size, and I'd say intelligence,
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but Jimmy aint exactly a member of Mensa. It was clear that the
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6'6'' tall Jimmy was the leader of the group. These
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hours of darkness were going to be something to remember.
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``Whiskey.'' Like clockwork. I couldn't help but
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crack a smile knowing that this dude was about to get fucked up.
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``Leave the bottle.''
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The jukebox in the corner began playing ``Here Comes the
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Sun.'' Jimmy Dean and his cronies approached the stranger.
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Unpromisingly, the green pained lights shuttered as the air became
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stale. Marv sat in the stool to the left of the stranger, the other
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guy behind him and Jimmy stood to his right. ``Who the fuck
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are you?'' Jimmy asked in a slow but forceful tone as he
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reached for the bottle. He picked it up, unscrewed the cap and took
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a swig. He set the bottle down in a violent enough motion to cause
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the liquid to splash on the bar. The stranger didn't flinch.
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Hands still clasped around the glass, eyes still looking down.
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``This isn't the a film noir. Hey asshole, I'm
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talking to you!''
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Jimmy reached out for the strangers collar. The temperature in the
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room rose, but I felt cold enough to see my breath. My spine felt
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severed as I fell back towards the wall behind me. Jimmy now had a
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fistful of shirt and was close to unleashing a mallet of a fist on
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this guy, when, in the blink of an eye, it was all over. The
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stranger threw a swift enough boot to Jimmy's kneecap that
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created a sound comparable to a thunderclap. As Jimmy doubled over
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in immense pain, the stranger swung his hand around grabbing the
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side of Jimmy's head, and, in a fluid motion, flung it down
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towards the bar. The hard wood surface of the bar gave way to the
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man's fucking head! The wood splintered around the hole that
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was now host to a man's head. A second later, the man
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standing behind the stranger took flight towards the pool tables,
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slammed into the wall and became one with a pool cue. Marv, the
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third man, suffered a brutal shot to the throat that sent blood
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flying out of his mouth. He collapsed to the floor clutching his
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sunken windpipe and gasping for air. I couldn't move.
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The stranger turned his gaze to me. His eyes created black holes
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amongst the leathery, sandblasted, sun damaged face. His black hair
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dangled in strands from under his black hat. He reached up, stroked
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the stubble on his chin and sighed. After surveying the
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destruction, he nonchalantly picked up his glass, downed it,
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reached into his pocket and pulled out a coin. His eyes never moved
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from mine, and then a moment of clarity came upon me. The
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uneasiness. I froze. I could see flames in the blackness. He stared
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a hole directly through my soul. The carnage still existed among an
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eerie peacefulness. He flipped the coin in the air, caught it with
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his right hand, smiled and placed it on the counter. He then tipped
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his hat and left. I remember seeing lights.
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%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
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\by{Torgo!}
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{\bf Brian}
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Brian hated the new house. Ever since his family moved in he could
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tell there was something not right about it. He especially hated
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his room. It was an old
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dusty old room that smelled like death. Their were cobwebs in his
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closet and the room smelled like many years gone by.
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The first few nights in the house came and went without any events.
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On the eighth night though Brian was awoken by a noise eminating
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from the closet. It sounded like a big dog was trapped inside. All
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Brian could hear was clawing and low grunts and what sounded like a
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big dog walking in circles in the closet. Brian cowered under the
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sheets afraid to peer out. After ten minutes or so the sounds went
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away. Brian lay awake the entire night.
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In the morning Brian told his parents about what had happened. They
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just told him that it's normal. That old houses have a way of
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making sounds like that. Brian didn't believe them though. He knew
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what he heard wasn't just a house. It was something else. Something
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unnartural.
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The next night Brian was awoken to the sounds again. As Brian lay
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under his sheets he heard what sounded like sniffing and pawing
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coming from the closet. He also heard something else this time.
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What sounded like the sharpest fangs tearing apart meat. He also
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heard chewing. As Brian peered out from under his sheets he saw a
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pool of blood forming under the door. He quickly leaped out of bed
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and down the hall to his parent's room. ``You've got to come quick
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to my room and look!'' His parents slowly lumbered to his room.
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``Their, in my closet!'' His Dad looked in the room but didn't see
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anything. He even went to the closet and looked in the door but
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didn't see anything.
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For the next few weeks nothing happened{\ldots}
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Today was Brian's Dad's birthday. Brian and his mom went to the
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local mall and picked out some nice presents to give to him. His
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mom bought him a toolset that had wrenches and screwdrivers and
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Brian got his dad a nice necklace. While Brian's dad was at work
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they made him his favorite meal and made a nice cake. Brian's dad
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really enjoyed his meal and wore the necklace all the time after
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that.
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Brian was a lot happier these days because he hadn't heard anything
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from the closet for a while.
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Another thing that happened is that Brian and his family decided to
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start raising rabbits. They had started with 5 five rabbits but now
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they had 9.
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One day Brian went outside to feed them and was shocked because
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there only 3 left. The fence had been broken into and their were
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large tracks.
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Soon after this Brian started hearing noises from his closet again.
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It was the same as before. All Brian could do was cower under the
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sheets until the morning light returned.
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One dark and wintery night Brian was hiding under the blankets
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while he heard the rustling from his closet. As Brian shook and
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shivered the noises were growing louder and more violent. Suddenly
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he heard the creature burst forth! It shattered through the closet
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and crashed into the opposing wall. Brian was now paralyzed with
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fear. He dared not look out from his sheets. He could hear the
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creature walking towards him, its claws clacking on the floor. He
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could hear the beast sniff his sheets. Suddenly he felt the
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creature leap onto his bed. Through the weaving of his sheets he
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could see glowing red eyes and a large grimacing mouth full of
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fangs. But the most shocking thing of all is that he could just
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make out the glimmering of something hanging from the creatures
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neck in the moonlight. It was the necklace he bought his
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father!
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``You were always my child'', the creature snarled to him. ``And now I
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will give you the Dark Gift!'' ``After all like Father like son!'' The
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creature then bit Brian on the face and the transformation began.
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%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
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\by{Mincher}
|
||
|
|
||
|
|
||
|
This thread is too hot to handle!
|
||
|
|
||
|
|
||
|
|
||
|
Good luck to all you goons going hard at it.
|
||
|
|
||
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|
||
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|
||
|
|
||
|
|
||
|
%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
|
||
|
\by{Dr. Mulholland}
|
||
|
|
||
|
|
||
|
{\bf The Horrid Assignment}
|
||
|
|
||
|
|
||
|
|
||
|
Luke Bavarious walked through the front doors of the police
|
||
|
station. He pushed the doors open. Inside was his boss, Johnny
|
||
|
Zepeder.
|
||
|
|
||
|
|
||
|
|
||
|
``Bavarious!''
|
||
|
|
||
|
``What do you want Johnny.'' Bavarious said.
|
||
|
|
||
|
``I have a new assignement for you! I hope you will take this new
|
||
|
assignment!''
|
||
|
|
||
|
|
||
|
|
||
|
Luke Bavarious took the new assignment and opened the manilla
|
||
|
envellope like a kid ripping apart a Christmas present that the kid
|
||
|
had been waiting for. Inside the manilla envellope was a new
|
||
|
assignment: Kill the local mafia boss.
|
||
|
|
||
|
|
||
|
|
||
|
Bavarious looked up from his new assignment at his boss.
|
||
|
``Johnny.''
|
||
|
|
||
|
|
||
|
|
||
|
``What is it, Bavarious?''
|
||
|
|
||
|
``This doesn't sound like-{\ldots}''
|
||
|
|
||
|
|
||
|
|
||
|
Bavarious keeled over and from his mouth cascaded a river of vomit.
|
||
|
His eyes vomited tears too. The tears and vomit he was vomiting
|
||
|
pooled on the floor in a horrible cocktail of tears and
|
||
|
vomit.
|
||
|
|
||
|
|
||
|
|
||
|
``Bavarious!''
|
||
|
|
||
|
|
||
|
|
||
|
Bavarious could say nothing. The cocktail kept pouring out of his
|
||
|
mouth.
|
||
|
|
||
|
|
||
|
|
||
|
``Dear God, I'll get a doc-''
|
||
|
|
||
|
|
||
|
|
||
|
Johnny's neck exploded with blood vomiting out of the veins.
|
||
|
Bavarious screamed. He turned around and screamed again. He raised
|
||
|
his Baretta (all New York detectives have one.).
|
||
|
|
||
|
|
||
|
|
||
|
Bavarious turned around and looked at his boss. ``I'm quite sorry,''
|
||
|
Bavarious said. Johnny said 'you'd b-better b-be`` and belched out
|
||
|
one last spray of blood stained vomit. Bavarious turned and walked
|
||
|
out the doors, pushing the doors aside to get through.
|
||
|
|
||
|
|
||
|
|
||
|
Bavarious looked at his new assignment that he just got. Kill the
|
||
|
mob boss. But why? Bavarious was not a killer. He was a good man, a
|
||
|
good Christian man. But he has a Baretta. Barettas are for killing.
|
||
|
He must kill the boss. He grabbed his Baretta and loaded it and got
|
||
|
in his car and hit the gas.
|
||
|
|
||
|
|
||
|
|
||
|
Bavarious arrived at the mob boss's house. He got out of his car
|
||
|
and shut the door behind him and then locked it. He walked to the
|
||
|
front door and knocked on it three times. Then he realized. The
|
||
|
house had been abandoned since the horrid tragedy that had happened
|
||
|
there 50 years ago. He saw it in his mind{\ldots}
|
||
|
|
||
|
|
||
|
|
||
|
''Hi, Daddy`` said the kid. The kid smiled. Kids are so wonderful and
|
||
|
carefree in this terrible world.
|
||
|
|
||
|
''Hi there kiddo`` said the dad. The dad looked to be about 35 and
|
||
|
had a beer gut.
|
||
|
|
||
|
The dad turned around and walked out of the house, pushing the
|
||
|
door, opening it, and then pulling it, closing it. The kid turned
|
||
|
around and turned on the TV to get out of the horrors of this
|
||
|
wretched life. It was 1959. The kid just got the TV as a birthday
|
||
|
present. His birthday was yesterday.
|
||
|
|
||
|
|
||
|
|
||
|
The kid heard horrid noises from outside. He got up and opened the
|
||
|
door. His dad was lying on the ground with a silhouette on him. He
|
||
|
looked up at the man who was casting the silhouette. He had a can
|
||
|
of beer in his right hand and a Baretta in the other. Suddenly a
|
||
|
semi drove across their front lawn at the speed of fifty five miles
|
||
|
an hour, running the man and his dad over at the same time. Blood
|
||
|
vomited all over the front of the semi and all over the nice clean
|
||
|
green cut grass.
|
||
|
|
||
|
|
||
|
|
||
|
|
||
|
|
||
|
Bavarious woke up. He had fallen asleep. He had dreamed of what
|
||
|
happened in the mob bosses house 50 years ago. Then he realized. He
|
||
|
was the kid of his dreams. Bavarious let out a scream and turned
|
||
|
and ran and went out the front door. He tried to open the door on
|
||
|
his Ford Contour but it wouldn't open. Suddenly, a headless corpse
|
||
|
with a can of Coors walked across the lawn towards him. Getting
|
||
|
closer and closer. Bavarious screamed. He got out his Baretta and
|
||
|
fired. And fired again. The bullets punched bulletholes through his
|
||
|
rotting stinky flesh but they didn't hurt him.
|
||
|
|
||
|
|
||
|
|
||
|
Bavarious screamed and vomited again. The remainders of his lunch
|
||
|
floated around in a blood tinged mess all over his Ford Contour.
|
||
|
The Coors holding headless man kept getting closer. Bavarious could
|
||
|
only do one thing. This was the only option. His father would have
|
||
|
wanted it this way. He stuck the Baretta into his mouth and pulled
|
||
|
the trigger. But he had used all of his bullets. He vomited again,
|
||
|
pouring vomit down the barrel of his gun. He screamed. Finally the
|
||
|
Coors man was two feet away from him{\ldots}
|
||
|
|
||
|
|
||
|
|
||
|
''Luke Bavarious, why did you hate me?``
|
||
|
|
||
|
''Who, who are you?``
|
||
|
|
||
|
''I am an artist. I am the man who killed your father in a
|
||
|
semi."
|
||
|
|
||
|
He screamed.
|
||
|
|
||
|
|
||
|
|
||
|
|
||
|
%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
|
||
|
\by{The Iron Fury}
|
||
|
|
||
|
|
||
|
This entry picks up immediately after The Horrid Reflection ends
|
||
|
and I fully intend to keep it going into a Luke Bavarious
|
||
|
mini-series. If anyone likes it, I will post more. If not, I will
|
||
|
accept all the ridicule humbly.
|
||
|
|
||
|
|
||
|
|
||
|
The Horrid Refraction:
|
||
|
|
||
|
|
||
|
|
||
|
Suddenly, I was sobbing. Once the tears ceased leaping from my
|
||
|
blood-drenched sockets, I took a moment to recollect myself. My
|
||
|
muscles tensed. I looked down at the dark, mangled body next to me.
|
||
|
What the fuck, I thought. I still had glass in my face. My head
|
||
|
throbbed. I rolled the corpse onto its back. And vomited. I vomited
|
||
|
so hard, so long, that a vessel burst in my eye, coloring it red as
|
||
|
Satan's ass. Its body had dissolved into phlegmy puss. The alley
|
||
|
stunk of fear and sweat and blood. And now vomit.
|
||
|
|
||
|
The glow of some unspeakable evil hung heavy, looming over the dark
|
||
|
corridor. It pulsated. I had to get out of there. I had to think
|
||
|
about what just happened.
|
||
|
|
||
|
I got to my lodgings and cleaned up. As I was picking glass out of
|
||
|
my shattered skull, a knock sounded. Heavy- angry almost- on the
|
||
|
thick wooden door. Inching to the corner of the room, I determined
|
||
|
to wait them out. I had darker matters to attend to. What was that
|
||
|
thing I had glimpsed in that dim alley? Why did it wear my badge?
|
||
|
Why was it--
|
||
|
|
||
|
``Bavarious! I know you're there!'' a feminine voice bellowed. I
|
||
|
could sense there would be no introspective pondering for me this
|
||
|
evening. I edged to the door. Skin standing at attention, hairs all
|
||
|
prickle, I passed my hairy appendage over the door knob. Slowly, I
|
||
|
creaked it open. Standing before me was a person I had thought,
|
||
|
hell, hoped I would never see again.
|
||
|
|
||
|
Nora Fury. A halo of fiery red curls cascaded about her, wild and
|
||
|
unrestrained. Just like she was. A single cigarette smouldered in
|
||
|
her claw-like grasp. As soon as she was in the dank room, a slap
|
||
|
encircled my raw face. Blazed like the fury for which she was aptly
|
||
|
named.
|
||
|
|
||
|
``How dare you leave me in Mexico,'' she sneered. I sneered back at
|
||
|
her sneer.
|
||
|
|
||
|
``How dare you shack up with that drug lord,'' I returned with equal
|
||
|
disdain. ``Can't we just move on? You're a tough dame. I knew you
|
||
|
would come out on top. Here, lemme pour you a drink.''
|
||
|
|
||
|
I knew that when Nora was mad, she was a hellcat under the covers.
|
||
|
Maybe a nice distraction would ease my beleaguered mind. I turned
|
||
|
to the crimson cabinet behind my desk and my hands found their way
|
||
|
to two glasses and a bottle of whiskey.
|
||
|
|
||
|
``So what d'ya need from me, Sugar?'' I smarmed, holding out the
|
||
|
stiff libation. It dropped to the floor, shattering at my feet.
|
||
|
There was no one in the room.
|
||
|
|
||
|
|
||
|
|
||
|
Edit, whoops, I thought it said ``Entries must be NO more than 500
|
||
|
words.'' So, can I add more? Or am I now disqualified?
|
||
|
|
||
|
|
||
|
|
||
|
|
||
|
|
||
|
%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
|
||
|
\by{bagrada}
|
||
|
|
||
|
|
||
|
{\bf The Earache}
|
||
|
|
||
|
(edited from previous post to meet the theme)
|
||
|
|
||
|
|
||
|
|
||
|
The night was dark and muggy, the heat weighing down on me like a
|
||
|
heavy winter jacket in the spring. The ringing in my dull aching
|
||
|
ear was the only sound. I stuck in my pinky and wiggled it, then
|
||
|
frowned at the sticky piss-yellow wax left on my finger. Not for
|
||
|
the first time, I thought about seeing a doctor. I shook my head.
|
||
|
My ear has never been right since that day in the pond, so long
|
||
|
ago. Time enough for doctors in the morning. Tonight, I had a girl
|
||
|
to save.
|
||
|
|
||
|
|
||
|
|
||
|
``You have to help our friend, Mr. Bavarious!'' the kids
|
||
|
had said. ``She's been kidnapped by some freaky
|
||
|
cult!'' The cops didn't believe them. Neither did their
|
||
|
parents. But I did. I knew the dangers of not listening to kids. My
|
||
|
sister{\ldots} if I'd listened to her she'd still be
|
||
|
alive today. I'd told her she was just a kid too, that I
|
||
|
didn't have to listen to her, that I could swim where ever I
|
||
|
want. I almost died that day. Instead she died, died much too
|
||
|
young, died saving me. I loaded my beretta and nodded to them.
|
||
|
``Don't worry; I'll bring your sis{\ldots} I mean
|
||
|
your friend back to you.'' The boy shook his head sadly and
|
||
|
looked at me as I left.
|
||
|
|
||
|
|
||
|
|
||
|
As I approached the abandoned warehouse where they said their
|
||
|
friend was taken, I glanced to the stars and felt a shiver run down
|
||
|
my spine as they seemed to blink in the night sky. A coppery rusty
|
||
|
scent floated on the stale breeze. I was close. I walked up to the
|
||
|
old wooden door, with my finger on the trigger, and kicked it open.
|
||
|
LIGHT. Bright searing light. Red rusty light. Purple smoky light.
|
||
|
Spirally yellow light. Grey and black and white colorless light. I
|
||
|
didn't hear the broken door clatter to the ground in front of
|
||
|
me or the vomit that suddenly projected from my throat, just the
|
||
|
constant droning ringing in my ear, louder now.
|
||
|
|
||
|
|
||
|
|
||
|
The lights faded as I tried to blink through the afterimages to
|
||
|
look around the room. All around an old stone altar were the
|
||
|
cultists, theirs eyes bleeding, their robes coated in glistening
|
||
|
puke, their mouths slack in death. On the altar floated the
|
||
|
girl{\ldots} or parts of her. She was split in two; her eyes still
|
||
|
smoking, her hands still raised to the sky in prayer. The left side
|
||
|
of her mouth opened in a bright smile, while a few feet away the
|
||
|
right side gaped wider as if she were screaming. She was pinned in
|
||
|
the air like a butterfly to an insect spreading board. In between
|
||
|
her two halves, something moved, then the world ended around
|
||
|
me.
|
||
|
|
||
|
|
||
|
|
||
|
The air became thick, muddy and gritty, like I was back beneath the
|
||
|
pond again that awful day. The lights returned{\ldots} rusty red,
|
||
|
black and white, vomit green. The horrible spiraling yellow. The
|
||
|
girl melted away, her long blonde hair splashing to the floor, and
|
||
|
I felt the air shift as something floated towards me. The ringing
|
||
|
in my ears was now the tolling of great bells, driving me to my
|
||
|
knees as my gut heaved and tried in vain to find something else,
|
||
|
anything more, to throw up. I felt something bitingly cold and
|
||
|
scalding hot brush my arm as the colors floated past me, and then
|
||
|
my arm wasn't there anymore. It floated off into the lights
|
||
|
which were now many bright balloons, all painted with crying faces
|
||
|
I could almost recognize. I blinked and the balloons popped
|
||
|
revealing a swarm of fireflies, each with a uniquely colored light.
|
||
|
So beautiful and horrible as they flew by me towards the door,
|
||
|
their lights blinking in a pattern my mind fought not to
|
||
|
understand. The tolling of the bells was now a tinkling song that
|
||
|
made me want to float along with it, if only I could recognize the
|
||
|
tune. The fireflies were floating spiders, then darting fish, then
|
||
|
the drowning faces of my dead sister. I staggered to my feet and
|
||
|
turned towards the door as the colors wafted through and became
|
||
|
dark. I took a few stumbling steps after them but stopped when my
|
||
|
foot kicked something metal and heavy{\ldots} the beretta I'd
|
||
|
dropped. Whispers suddenly, in my ear. My little sister.
|
||
|
``Breathe, Luke.''
|
||
|
|
||
|
|
||
|
|
||
|
I gasped for air, realizing I hadn't taken a breath since
|
||
|
kicking the door, and fought my way to the center of the room,
|
||
|
kicking the bodies of the cultists aside, and then gathering the
|
||
|
messy blonde hair and other unrecognizable bits into a clump in the
|
||
|
crook of my remaining arm. ``It's okay.'' I said.
|
||
|
``I've got you.'' With the smell of rusty blood in
|
||
|
my nose, the taste of bile and vomit in my mouth, the ghost of my
|
||
|
left arm screaming that it's still with me, the afterimages
|
||
|
of the wondrous lights seared into the back of my eyes, and the
|
||
|
constant and steady ringing in my ears keeping me company, I
|
||
|
staggered out into the now starless night. ``Don't worry
|
||
|
sis. I'll get you home.''
|
||
|
|
||
|
|
||
|
|
||
|
|
||
|
%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
|
||
|
\by{Unununium}
|
||
|
|
||
|
|
||
|
This is revised from the other thread
|
||
|
|
||
|
|
||
|
|
||
|
The Scarecrow
|
||
|
|
||
|
Luke parked his car at the side of the road. He walked over to the
|
||
|
massive corn field and squinted. Somewhere out there was his big
|
||
|
break. If the legend held true, he knew he'd have it set. Trying to
|
||
|
be silent, Luke pulled apart rows of corn and began to make his way
|
||
|
to the center of the field. Looking out, he knew he had a long way
|
||
|
to go. His revolver sat snuggly in his jean pockets. He wasn't
|
||
|
afraid to use it if he was heard.
|
||
|
|
||
|
Luke's sneakers sunk into the moist soil, as he crept through the
|
||
|
corn field. He knew something was up. The full moon shined brightly
|
||
|
into the center of the corn field. In the center of the field stood
|
||
|
a mounted scarecrow. Its eyes beamed like an illuminating light,
|
||
|
and the straw covering its bare body poked out through seams on its
|
||
|
clothing. Luke was here for a purpose. As an FBI investigator, it
|
||
|
was his job to trot through this corn field to investigate the
|
||
|
claim that underneath the rugged clothing of this lifeless
|
||
|
scarecrow lays a corpse. He barged through a petite opening in the
|
||
|
corn field, and reached the scarecrow. The scarecrow was a morbid
|
||
|
mass of lifeless straw. A knife was tied into the scarecrows hand
|
||
|
with a piece of string. Luke unfastened the rope holding the
|
||
|
scarecrow unto the cross. The scarecrow then toppled over, landing
|
||
|
on Luke. It was heavier then he imagined. Luke rolled over, getting
|
||
|
out from underneath the scarecrow.
|
||
|
|
||
|
Luke looked out into the corn field. It was an infinite abyss of
|
||
|
yellow and green plants. From his viewpoint, he couldn't see out of
|
||
|
the corn field. Luke turned back, and noticed in shock that the
|
||
|
scarecrow was now standing. Luke took a step back, but the
|
||
|
scarecrow moved in closer. With one luxurious swipe, the monument
|
||
|
of hay and straw sliced through Luke's neck with its knife. Luke
|
||
|
vomited wildly through his neck while disturbing and tremendously
|
||
|
rust colored blood came out through the same orifice. A stream of
|
||
|
strawberry-red blood dripped from the scarecrows metallic and
|
||
|
majestic knife, that soon entered into Luke's head. Luke dropped to
|
||
|
his knees. He gurgled like a drowning infant as he struggled to
|
||
|
breathe. Luke vomited blood through the hole in his head as
|
||
|
bubble-gum colored brain matter and blood exited Luke's head with
|
||
|
the scarecrows knife. Luke wasn't quite dead yet, he slowly crawled
|
||
|
away from the deadly straw body, but it was too late. A gust of
|
||
|
wind and magic picked Luke's body up into the air. Like quills, the
|
||
|
scarecrows straw exited his body and pierced into Luke's flesh.
|
||
|
Luke let out one final scream, before he died. Luke's lifeless body
|
||
|
floated magically to the brown wooden cross. As the lifeless
|
||
|
scarecrow soon faded into the ground, Luke's body strapped onto the
|
||
|
cross. The scarecrow was now gone, but a new scarecrow has come to
|
||
|
take its place.
|
||
|
|
||
|
|
||
|
|
||
|
|
||
|
%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
|
||
|
\by{THE WORST DOCTOR}
|
||
|
|
||
|
|
||
|
{\bf The Snake Lady}
|
||
|
|
||
|
|
||
|
|
||
|
There was a kid who came up to me one evening after I had left my
|
||
|
precinct, sniffling and tugging on the left leg of my pants. He had
|
||
|
snot all over his face and I was pretty disgusted. But my job is to
|
||
|
help people, not to pass judgment, so I decided to give him the
|
||
|
benefit of the doubt. Maybe he had cash on him.
|
||
|
|
||
|
``What's wrong, kid?'' I asked. An ominous breeze
|
||
|
blew from the south. It was going to rain. I didn't ask him
|
||
|
why he was by the bar at such an age. A kid's gotta do what a
|
||
|
kid's gotta do.
|
||
|
|
||
|
``Some lady stole my candy,'' he told me, wiping the snot
|
||
|
from his nose and the tears in his eyes in an upward motion. Both
|
||
|
bodily fluids ended up on his forehead.
|
||
|
|
||
|
``Well,'' I said, popping the collar of my Armani jacket.
|
||
|
``I can handle that. Stay here, sport.''
|
||
|
|
||
|
I gave him a pat on the head, not unlike the pats my father used to
|
||
|
give me when I hadn't completely screwed everything up, and
|
||
|
went into the building.
|
||
|
|
||
|
|
||
|
|
||
|
There was nothing in there that was particularly special, save for
|
||
|
a few local drunks hanging out in the corner. The bartender gave me
|
||
|
a nod, a knowing one; he could tell from my hat and flashy badge
|
||
|
that I meant business. That's what it is to be a private
|
||
|
detective, after all. I sidled up to the bar and took a seat on a
|
||
|
rickety barstool, ordering my usual: an appletini. A girl at the
|
||
|
bar eyed me. She looked like a bitch. I knew I had found my
|
||
|
target.
|
||
|
|
||
|
|
||
|
|
||
|
``Hi,'' she said once I got my drink. The light leaked
|
||
|
from the neon signs that said ``PARADISE''. I chuckled as
|
||
|
I sipped my cocktail gingerly. How ironic.
|
||
|
|
||
|
``What can I do you for,'' I asked. I didn't mean
|
||
|
it the way I made it sound.
|
||
|
|
||
|
``It's not often a man like you comes to town,''
|
||
|
She said, giggling. I noticed she was wearing a rusty
|
||
|
necklace.
|
||
|
|
||
|
``Yes,'' I said simply. I don't like to waste
|
||
|
words. She put her hand on my arm and looked at me with glimmering
|
||
|
eyes. I said nothing.
|
||
|
|
||
|
Suddenly she was grabbing onto my arm and digging her horrid nails
|
||
|
into my flesh. I cried out. My skin was on fire. She drew blood and
|
||
|
laughed like my grandmother used to.
|
||
|
|
||
|
At that moment I knew I hated her.
|
||
|
|
||
|
|
||
|
|
||
|
``You're a thief and a liar!'' I yelled, kicking my
|
||
|
barstool into her lower half. She fell down and brought my
|
||
|
appletini with her as she tried in vain to grab the bar for
|
||
|
support. The people around us piled out of the bar while screaming
|
||
|
and running. I was glad they knew enough to leave at this moment.
|
||
|
It was going to get ugly.
|
||
|
|
||
|
``Bavarioussssss,'' she quipped, her tongue long and thin
|
||
|
like a snake. Her rusty necklace was rusted. Even more rusted than
|
||
|
before. She had no legs now. She was like a snake on the bottom.
|
||
|
Cruel and unforgiving. She was going to squeeze me. I knew
|
||
|
it.
|
||
|
|
||
|
|
||
|
|
||
|
I felt like vomiting. A thin stream spluttered from my mouth. It
|
||
|
got all over my new boots. I was blind with seething rage as I dove
|
||
|
toward her, knocking over bottles of Jack Daniels. I began to punch
|
||
|
and punch and punch. I was screaming though I didn't know
|
||
|
why. She fought back feebly. She tried to kick me but she had no
|
||
|
legs anymore. I laughed. How unfortunate.
|
||
|
|
||
|
|
||
|
|
||
|
She was bleeding a lot. It got all over me. Luckily I had tucked my
|
||
|
tie into my belt. It wouldn't get in my way. She scratched at
|
||
|
me again and called me mean things. There was blood, awful blood,
|
||
|
leaking from her eyes. It was red. Dark red. The color of a heart
|
||
|
after it's been taken out of a body. I was going to take her
|
||
|
heart out of her body. Then I thought against it. Too messy.
|
||
|
|
||
|
|
||
|
|
||
|
Finally I drove the rusty necklace into her. She died of rust
|
||
|
poisoning. She giggled one last time at me before slumping onto the
|
||
|
floor. Then she disappeared in a cloud of smoke.
|
||
|
|
||
|
``Should've gotten your tetanus shot,'' I
|
||
|
commented. I gathered up the kid's candy, colorful wrappers
|
||
|
that may as well have contained pure cane sugar, and went
|
||
|
outside.
|
||
|
|
||
|
|
||
|
|
||
|
The kid was there, snot dried in his hair. He was wringing his
|
||
|
shirt with his grubby little hands when he saw me, fearing the
|
||
|
worst. I dropped the candy on the ground in front of him, and lit a
|
||
|
cigarette for myself.
|
||
|
|
||
|
``Don't let it happen again, champ,'' I said. He
|
||
|
nodded and understood. As he walked away, munching on his dental
|
||
|
problem candy, I was reminded a little bit of myself. Life before I
|
||
|
became a detective. A simple, idle life with no worries. But that
|
||
|
was all behind me now.
|
||
|
|
||
|
|
||
|
|
||
|
I'm Luke Bavarious, detective extraordinaire.
|
||
|
|
||
|
|
||
|
|
||
|
|
||
|
|
||
|
%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
|
||
|
\by{Tufty}
|
||
|
|
||
|
|
||
|
{\bf Dames, they're all the Same - a Luke Bavarious detective story
|
||
|
inspired by the works of Ben Biddick.}
|
||
|
|
||
|
|
||
|
|
||
|
I'm a private detective. Luke Bavarious is my name. Bavarious by
|
||
|
name, Bavarious by nature. I own this city. The feds think they've
|
||
|
got this place locked up tight, but the criminal scum of the
|
||
|
underworld run rampant through the darkened streets committing
|
||
|
crimes and vandalism. This is where I come in. My name is Luke
|
||
|
Bavarious, and I'm a private detective.
|
||
|
|
||
|
|
||
|
|
||
|
I'm a man with nothing to live for and nothing to lose, and there's
|
||
|
only two things in my life that I wouldn't want to lose, and
|
||
|
they're both Berettas. One is a gun, and I keep it locked and
|
||
|
loaded in my desk drawer, and the other is my sexy secretary, Gina
|
||
|
Beretta. An Italian seductress packing a big chest, tiny waist, and
|
||
|
a loaded gun. There's nothing sexier than a woman with a gun.
|
||
|
|
||
|
|
||
|
|
||
|
The phone on my desk rings, I pick it up. It's Gina. ``There's
|
||
|
someone here to see you.'' says Gina. ``Send them in.'' I reply. Into
|
||
|
my room walks the most gorgeous dame I've ever seen in my life. I'm
|
||
|
talking beautiful - tall, brunette, and an ass like a couple of
|
||
|
melons. Says she has a job for me - the big one, my ticket out of
|
||
|
this hell hole they call a city. She tells me that a couple of big
|
||
|
time crooks are planning a heist on the New York City Bank, and she
|
||
|
wants me to stop them. ``But how do you know this, and why are you
|
||
|
telling me?'' I ask. ``One of those jerks is my ex-boyfriend, and the
|
||
|
idiot left the bank's blueprints and a copy of their plan at my
|
||
|
place before he dumped me.'' ``Hmmm{\ldots} that does sound stupid. I'll
|
||
|
take the job.''
|
||
|
|
||
|
|
||
|
|
||
|
Fast forward to a week later and I'm waiting outside the New York
|
||
|
City Bank. According to the plans, the crooks should be here any
|
||
|
minute. I lean against a street light and light up a smoke, the
|
||
|
wispy trail of smoke rises into the cool night air. I hear a click
|
||
|
like the sound of a cockroach being squashed, and I feel a cold,
|
||
|
hard object poke against my back. ``Don't move, Bavarious'' says a
|
||
|
rough voice filled with pure and utter hatred. The dame set me up!
|
||
|
I knew I never should have trusted her, dames are all the same.
|
||
|
With the lightning-quick speed of a cobra I kick my leg backwards
|
||
|
and send the gun flying out of my assailant's hand. It lands on the
|
||
|
road before skidding down a drain into the sewers. Before my
|
||
|
attacker could even react I've drawn my gun and spun around.
|
||
|
Suddenly, with shock and disbelief I see that the face of my
|
||
|
attacker is actually that of the dame who hired me for this job!
|
||
|
She must have been changing her voice to fool me. She looks
|
||
|
different this time, her eyes are as red as freshly spilt blood and
|
||
|
her skin has a greyish twinge, like a freshly embalmed corpse. ``Why
|
||
|
did you try to set me up?'' I ask her, pressing the gun into her
|
||
|
chest. ``Because{\ldots}'' I press the gun harder into her chest,
|
||
|
impatient for an answer. ``Because, Luke{\ldots} I am your sister.'' My
|
||
|
head reels as my world comes crashing down around me. My sister? I
|
||
|
have a sister? I think back to my childhood and don't remember
|
||
|
having a sister. Thinking of his troubled past and childhood caused
|
||
|
Bavarious to vomit. He did not like to think about his past. As the
|
||
|
vomit pooled on the floor, he could see the reflection of the dame,
|
||
|
his supposed sister, in the slick surface of the pool of vomit. The
|
||
|
sight of her like that brought it all back to me, but in my
|
||
|
distracted state, the dame gives me her best right hook right in my
|
||
|
jaw, and the world turns black{\ldots}
|
||
|
|
||
|
|
||
|
|
||
|
|
||
|
%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
|
||
|
\by{leb388}
|
||
|
|
||
|
|
||
|
{\bf The Girl}
|
||
|
|
||
|
|
||
|
|
||
|
The night was cool and dark, unusual for summer. But then again, it
|
||
|
was a night for unusual things. Slashes of rain whipped at my face
|
||
|
as I navigated the alley. Fireworks vomited sparks of blue and red
|
||
|
into the sky. The booms sounded more like gunshots from Berettas. I
|
||
|
should know; I have one. I am a private detective.
|
||
|
|
||
|
|
||
|
|
||
|
My name is Bavarious. Luke Bavarious.
|
||
|
|
||
|
|
||
|
|
||
|
I'd been at the bar, kicking back a few martinis, when I got a call
|
||
|
about a noise complaint. I work every night if I have to, even the
|
||
|
Fourth of July. The job sounded easy enough, and after all, the
|
||
|
people need me. I am their protector. I am Luke Bavarious.
|
||
|
|
||
|
|
||
|
|
||
|
But on this night, I wasn't as alone as I thought. As I walked
|
||
|
along, I heard the sound of footsteps. I stopped. ``Who's there?'' I
|
||
|
yelled, raising my Beretta.
|
||
|
|
||
|
|
||
|
|
||
|
No response.
|
||
|
|
||
|
|
||
|
|
||
|
I tensed. ``Come out where I can see you,'' I ordered. ``Now.''
|
||
|
|
||
|
|
||
|
|
||
|
A child stepped out of the shadows and into the trashy street. I
|
||
|
say that because the street was littered with trash. The people
|
||
|
there were usually nice.
|
||
|
|
||
|
|
||
|
|
||
|
Most of the time.
|
||
|
|
||
|
|
||
|
|
||
|
I holstered the Beretta, at ease. The girl looked young. Maybe six,
|
||
|
could even be seven. Who knows, in this town. Probably lost. She
|
||
|
clutched a doll and wore a dark raincoat. Not like that was any
|
||
|
help, in this torrential weather.
|
||
|
|
||
|
|
||
|
|
||
|
``Are you okay?'' I asked her. ``Do you need help?''
|
||
|
|
||
|
|
||
|
|
||
|
``I need to find my mommy,'' she whimpered. She was crying.
|
||
|
|
||
|
|
||
|
|
||
|
A girl that young shouldn't be alone in an alley off 42nd St. in
|
||
|
New York. Especially on a night like tonight. I pulled out my phone
|
||
|
to call to see if anyone reported her missing, but something was
|
||
|
wrong. I looked up at the sky. Fireworks still going at it like
|
||
|
crazy missiles exploding in the air. That's what they were.
|
||
|
Missiles. And that's when I saw it. The creature. The item the girl
|
||
|
was holding wasn't a doll after all--it was a monster. It had
|
||
|
buttons for eyes. There was no mouth, just stitches. The hair was
|
||
|
yarn.
|
||
|
|
||
|
|
||
|
|
||
|
``Get out of here, fiend of hell!'' I screamed.
|
||
|
|
||
|
|
||
|
|
||
|
I grabbed it. If you can call it an it. The hands were soft. At
|
||
|
least until I flung it into the puddle. Then they were wet. I
|
||
|
screamed, shooting at it with my Beretta. I felt a fear no one
|
||
|
should ever have to experience, a fear of the worst possible
|
||
|
things, a fear of death and everything around it. It was taking
|
||
|
hold of me, drowning me, and I kept spinning and spinning in the
|
||
|
abyss of its grip. I felt like vomiting. Maybe that was just from
|
||
|
the martinis. I shot it again and again, and so on. And then I
|
||
|
stopped.
|
||
|
|
||
|
|
||
|
|
||
|
A flash of light made me see its face. Kind. Adorable. Just a doll
|
||
|
after all.
|
||
|
|
||
|
|
||
|
|
||
|
Why do I always investigate noise complaints when I'm drunk?
|
||
|
Suddenly, the girl was sobbing. And I felt like an asshole.
|
||
|
|
||
|
|
||
|
|
||
|
|
||
|
|
||
|
%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
|
||
|
\by{scarycactusjunior}
|
||
|
|
||
|
|
||
|
Okay, I'm game.
|
||
|
|
||
|
|
||
|
|
||
|
|
||
|
|
||
|
|
||
|
|
||
|
|
||
|
|
||
|
|
||
|
|
||
|
The Runaway.
|
||
|
|
||
|
|
||
|
|
||
|
|
||
|
|
||
|
|
||
|
|
||
|
Jimbo hawked a giant ball of phlegm between his dangling feet off
|
||
|
the boat dock and stared into the murky water as he watched his
|
||
|
creation sink to the murky inky depths of the lake. Watching it, he
|
||
|
thought long and hard about his current situation with his Pa. Pa
|
||
|
was starting to frighten him with his publicly known alcoholism.
|
||
|
Every horrible night Pa would sit on the porch of the rustic swamp
|
||
|
cabin in the wicker rocking chair by the front door and drink his
|
||
|
Coors repeatedly for hours. And then, with his eyes horridly
|
||
|
bloodshot he would come stomping back into the cabin and find Jimbo
|
||
|
for the nightly beating. Sometimes the beatings were so bad they
|
||
|
would leave Jimbo in a sobbing heap, his blood and tears mixing
|
||
|
together on his lips. Pa wasn't always like this, Jimbo had
|
||
|
vague memories of happier times; the sunshine days of his early
|
||
|
childhood when his mother was still alive and Pa hadn't drank
|
||
|
so much.
|
||
|
|
||
|
Jimbo heard the front door of the cabin slam, followed by
|
||
|
Pa's heavy, booted footfalls. The wicker rocker began to
|
||
|
creak. Jimbo noticed that the sun was rapidly sinking, the drinking
|
||
|
would begin soon, followed by the almost ritualistic beating.
|
||
|
|
||
|
Jimbo thought to himself. He thought that he didn't have to
|
||
|
return to the cabin. He could make Pa come looking for him in the
|
||
|
swamp, at night, while drunk. Decided, Jimbo arose and proceeded to
|
||
|
make his way deep into the swamp, trying to get as far away from
|
||
|
the cabin before full dark made it impossible to find his way
|
||
|
through the swamp. He tried not to think of how the cypress trees
|
||
|
looked like forlorn entities locked forever in their torment
|
||
|
because of the way the fading daylight lit them, or of the stories
|
||
|
his friend Benny used to tell about the Swamp Creature.
|
||
|
|
||
|
The Swamp Creature was said to be a being of such hideous
|
||
|
countenance that it would drive any who were unfortunate to see its
|
||
|
horrible face completely and totally insane. Privately Jimbo
|
||
|
thought it was the thing that had made the crocodile eat his mother
|
||
|
all those years ago. Jimbo remembered the sight of all that blood
|
||
|
on the water; red blood on black water that boiled and roiled like
|
||
|
a vicious tempest. Jimbo shuddered and tried to push those thoughts
|
||
|
out of his mind.
|
||
|
|
||
|
Distracted as he was, Jimbo slipped on a patch of slimy mud and
|
||
|
slid on his buttocks a little way into the swamp-water. He jumped
|
||
|
up quickly and stared wild-eyed around him, looking out for crocs.
|
||
|
His heart was pounding; he could feel the blood pounding in his
|
||
|
ears. Suddenly, he was very afraid. He fought the sob welling up
|
||
|
within him and went on his way. It was too late to turn back.
|
||
|
|
||
|
He saw something then, a glint of gold in the reeds. Bending down
|
||
|
to get a closer look, he noticed it was a badge of some sort. Jimbo
|
||
|
picked it up and felt a feeling dread wash over him; it was a
|
||
|
slightly tarnished police badge. Jimbo read the name on it
|
||
|
aloud.
|
||
|
|
||
|
``Bavarius{\ldots}''
|
||
|
|
||
|
There was a squelching sound behind him, and Jimbo turned around to
|
||
|
come face-to-face with a creature straight out of nightmares. It
|
||
|
looked like it had been a man once, but now it had no eyes and only
|
||
|
one shriveled ear remained. It looked almost half-melted and
|
||
|
inhuman.
|
||
|
|
||
|
Jimbo vomited great jets of putrid vomit into the swamp. Some of it
|
||
|
landed on the Creature and made it even more horrendous to look at.
|
||
|
Jimbo vomited again until he could vomit no more. Tears sprang into
|
||
|
his eyes and he sobbed loudly, vainly. The Swamp Creature moved its
|
||
|
stumpy arm to catch the paralyzed Jimbo and crush him into the
|
||
|
once-chest. It breathed its foul swampy breath into Jimbo's
|
||
|
face as it spoke.
|
||
|
|
||
|
``I am Luke Bavarius.''
|
||
|
|
||
|
At only thirteen years old, young Jimbo went instantly
|
||
|
insane.
|
||
|
|
||
|
|
||
|
|
||
|
Two days later, there was an article in the newspaper about a
|
||
|
bizarre murder that had happened out at Old Man James's
|
||
|
cabin. Old Man James had been found dead in his wicker rocking
|
||
|
chair, a brass police badge shoved into his jugular. He had not
|
||
|
even dropped the beer he had been holding. On the cabin walls
|
||
|
behind him, written in blood and vomit was a single cryptic word
|
||
|
scrawled over and over: ``Bavarius''. Police searched the
|
||
|
cabin and found James's son rocking on his heels in the back
|
||
|
room, wearing only urine-stained briefs and giggling softly to
|
||
|
himself. He was taken into custody and placed in the State mental
|
||
|
hospital, where he remains to this day singing softly to himself
|
||
|
over and over.
|
||
|
|
||
|
``Bavarius.''
|
||
|
|
||
|
|
||
|
|
||
|
|
||
|
%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
|
||
|
\by{mboger}
|
||
|
|
||
|
|
||
|
{\bf Luke From Payroll}
|
||
|
|
||
|
|
||
|
|
||
|
I sat down at my desk. The sound had come again. It was my phone
|
||
|
ringing. My hand shook slightly with the heavy receiver in my hand.
|
||
|
The sleek receiver was transmitting and receiving, ready to take
|
||
|
the call. I work in the payroll department. My name is Luke
|
||
|
Bavarious. I hate my fucking job.
|
||
|
|
||
|
|
||
|
|
||
|
People had been complaining about discrepancies in their paychecks
|
||
|
for about a year now, so I finally decided to execute the plan I
|
||
|
had been working on for as long as I can remember. I was assigned
|
||
|
to raise the Demon Lord Gol'Sothog from the fiery pits of
|
||
|
hell.
|
||
|
|
||
|
|
||
|
|
||
|
I spoke into the phone, ``Payroll, this is Bavarious. Luke
|
||
|
Bavarious.''
|
||
|
|
||
|
|
||
|
|
||
|
On the other end of the line, ``Hey, Lou, this is Bill Taylor over
|
||
|
in{\ldots}''
|
||
|
|
||
|
|
||
|
|
||
|
``Luke,'' I interrupted. ``The name is Luke Bavarious.''
|
||
|
|
||
|
|
||
|
|
||
|
``Ok, sorry. Whatever. The reason I'm calling is{\ldots}''
|
||
|
|
||
|
|
||
|
|
||
|
``Say it,'' I interrupted again.
|
||
|
|
||
|
|
||
|
|
||
|
``What?''
|
||
|
|
||
|
|
||
|
|
||
|
I was starting to lose my cool. ``Luke. Bavarious. LUKE! FUCKING!
|
||
|
BAVARIOUS!''
|
||
|
|
||
|
|
||
|
|
||
|
``Jesus, Luke! Sorry! Luke Bavarious, Luke Bavarious, Luke
|
||
|
Bavarious,'' Bill sniveled into the phone. He doesn't deserve to
|
||
|
live and it was then I made up my mind. ``Man, you need to switch to
|
||
|
decaf. Listen, -Luke-. I have a problem on my last paycheck. I had
|
||
|
3 hours of overtime last week that I wasn't paid for and Debbie
|
||
|
over in HR told me to take it up with you.''
|
||
|
|
||
|
|
||
|
|
||
|
Over the last year or so, I, Luke Bavarious, have been slowly
|
||
|
syphoning money out of employee paychecks to fund my Demon Lord
|
||
|
Gol'Sothog sacrificial altar. Twenty bucks here, fifty bucks there.
|
||
|
It adds up.
|
||
|
|
||
|
|
||
|
|
||
|
``Not a problem, Bob,'' intentionally mistaking his name and then
|
||
|
pausing for him to respond. He doesn't. He's so pathetic, he makes
|
||
|
me vomit in my mouth a little bit and then I have to force myself
|
||
|
to swallow it down. He's barely worthy of sacrificing to
|
||
|
Gol'Thogthog, but he'll do. And because he made me swallow my own
|
||
|
vomit, his sacrifice will be slow and painful. ``I see the missing
|
||
|
hours here. Why don't you come up to my office and I'll square you
|
||
|
away.''
|
||
|
|
||
|
|
||
|
|
||
|
``Sounds good. I'll be right up!'' The phone disconnects.
|
||
|
|
||
|
|
||
|
|
||
|
He's fallen for my ruse. Hook. Line. And Sinker. And Luke
|
||
|
Bavarious.
|
||
|
|
||
|
|
||
|
|
||
|
I have about two minutes to prepare, but that's two more minutes
|
||
|
than I need. I'm Luke Bavarious, always prepared. I'm hiding behind
|
||
|
the door with a syringe full of knock-out serum when Bill enters my
|
||
|
office. He doesn't even put up a struggle as I slide the syringe
|
||
|
into his neck, the needle vomiting forth sweet slumber into his
|
||
|
veins.
|
||
|
|
||
|
|
||
|
|
||
|
Bill doesn't wake up until just after midnight. I had waited until
|
||
|
everyone had left the office for the night before loading Bill into
|
||
|
the back of my Dodge SRT-4. A lot of people think the SRT-4 is just
|
||
|
a Dodge Neon with a turbo, but fuck those guys, I love this car. I
|
||
|
drove my totally sweet SRT-4 to the secret location of the Demon
|
||
|
Lord Gol'Sahblah sacrificial altar and waited.
|
||
|
|
||
|
|
||
|
|
||
|
Bill's eyes open and he tries to speak, but he can't. Did I mention
|
||
|
that my knock-out serum was also a paralyzing toxin? Bavarious!
|
||
|
Bill is laying on a solid gold altar, surrounded by dark, fiendish
|
||
|
incense burners. Expensive incense. I had to import it from
|
||
|
Thailand and everything. This is why I was skimming money from
|
||
|
paychecks. Have you ever priced a solid gold sacrificial altar? I
|
||
|
mean, it's not like you can just walk into Bed Bath and Beyond and
|
||
|
pick one out. This shit is expensive.
|
||
|
|
||
|
|
||
|
|
||
|
I raise the jewel encrusted ceremonial sacrificial dagger over
|
||
|
Bill's body. His eyes widen in terror. It's the only movement he's
|
||
|
capable of making, thanks to the knock-out/paralyzing toxic serum,
|
||
|
which also wasn't cheap, by the way. I can't stress enough how much
|
||
|
money this whole thing has set me back.
|
||
|
|
||
|
|
||
|
|
||
|
I began chanting. With each long forgotten word uttered, I can feel
|
||
|
the power in the room increasing. A dark mist begins to swirl and
|
||
|
in that mist I see another dimension. Closer, closer, two worlds
|
||
|
are becoming one. There is only one last thing left to do. I plunge
|
||
|
the dagger into Bill's heart and the ever so slowly twist the
|
||
|
blade. I lean over and whisper into Bill's hear, ``Bavarious.''
|
||
|
|
||
|
|
||
|
|
||
|
I'm then instantly thrown to the ground as an interdimensional rift
|
||
|
opens, unleashing the Demon Lord Gol'Sobeys from his hellish
|
||
|
prison. The Demon Lord smiles at me and I smile back.
|
||
|
|
||
|
|
||
|
|
||
|
``YOU HAVE DONE WELL, LUKE BAVARIOUS. NOW THAT I AM FREE, THERE WILL
|
||
|
BE NO STOPPING ME. I WILL RULE THIS WORLD AND EVERYONE WHO INHABITS
|
||
|
IT.''
|
||
|
|
||
|
|
||
|
|
||
|
``All glory be to Gol'Bladder!,'' I shout.
|
||
|
|
||
|
|
||
|
|
||
|
``YOU HAVE SHOWN YOURSELF TO BE A FAITHFUL SERVANT. AS SUCH, YOU
|
||
|
SHALL BE REWARDED. YOU WILL BE MY RIGHT HAND WHEN I ENSLAVE THIS
|
||
|
PUNY WORLD. YOU WILL HOLD THE HIGHEST RANK IN MY ARMY. THE RANK OF
|
||
|
PAYROLL ADMINISTRATOR.''
|
||
|
|
||
|
|
||
|
|
||
|
I staggered backwards and fell onto a desk that had materialized
|
||
|
behind me. A nameplate sparkled on the side of the desk. Bavarious.
|
||
|
I picked up the phone and heard a horrible ring tone. Suddenly, I
|
||
|
was sobbing.
|
||
|
|
||
|
|
||
|
|
||
|
The moral of the story: Kids should be respected and listened
|
||
|
to.
|
||
|
|
||
|
|
||
|
|
||
|
Edit: Shit! I wrote this earlier before the whole ``kids need to be
|
||
|
respected'' rule. Sorry, AYB!
|
||
|
|
||
|
|
||
|
|
||
|
|
||
|
%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
|
||
|
\by{Smokey}
|
||
|
|
||
|
|
||
|
{\bf Thursday}
|
||
|
|
||
|
|
||
|
|
||
|
{\bf Chapter 1}
|
||
|
|
||
|
Luke Bavarious sat on the sidelines feeling completely helpless as
|
||
|
he watched his team lose yet another game to their cross town
|
||
|
rivals, the Anencephaly High Babies. ``That Dan thinks he's soooo
|
||
|
good at basketball, but one day I'll show him!'' he silently
|
||
|
mouthed to a passerby who made the unfortunate mistake of making
|
||
|
eye contact with him. He decided he had seen enough and couldn't
|
||
|
watch anymore, mainly due to the fact that the game was over.
|
||
|
Suddenly, he had to poop.
|
||
|
|
||
|
|
||
|
|
||
|
Luke made his way to the dumpster behind the gymnasium. As he
|
||
|
pulled his overalls down to relieve himself, he noticed a pair of
|
||
|
girls walking along a path about 25 feet to the right of him . ``I
|
||
|
must have sex to those girls!'' Luke yelled at the birds flying over
|
||
|
head. He quickly finished his business and tossed his diaper into a
|
||
|
nearby tree.
|
||
|
|
||
|
|
||
|
|
||
|
``Oh, you like those girls do you?'' a deep voice boomed from
|
||
|
above.
|
||
|
|
||
|
|
||
|
|
||
|
Luke looked up and saw a large, muscular black man sitting in a
|
||
|
tree branch directly above him. The man hopped down and immediately
|
||
|
began dribbling a basketball with both hands, or ``double dribbling''
|
||
|
as it's referred to in the NBA.
|
||
|
|
||
|
|
||
|
|
||
|
``Sure, I like those girls and I want to lose my virginity by
|
||
|
carefully placing me boner inside of their girl boners, what do you
|
||
|
think about that!'' answered Luke.
|
||
|
|
||
|
|
||
|
|
||
|
''You know what you'd like better than losing your virginity?''
|
||
|
the man coyly asked. ``Never having sex, that's what!``
|
||
|
|
||
|
|
||
|
|
||
|
``Wow I never thought about it like that! Heeeey{\ldots}what's your
|
||
|
name anyhow mister?'' asked Luke.
|
||
|
|
||
|
|
||
|
|
||
|
``My name is AC Green, and i'm a virgin.''
|
||
|
|
||
|
|
||
|
|
||
|
{\bf Chapter 2}
|
||
|
|
||
|
The next morning, AC picked Luke up in his light blue 2003 Dodge
|
||
|
Caravan. They whistled the theme song to ``The Adams
|
||
|
Family'' in perfect unison as they headed to the karate dojo
|
||
|
to learn some much needed self defense.
|
||
|
|
||
|
|
||
|
|
||
|
``You're going to eventually find that women will try
|
||
|
and make you do things you don't want to do Luke, and that
|
||
|
sometimes the word ``NO'' just isn't enough to stop
|
||
|
them from hassling you.'' AC said, his eyes searching for a
|
||
|
parking spot the entire time. ``That's why we're
|
||
|
going to learn some self defense moves today''.
|
||
|
|
||
|
|
||
|
|
||
|
They spent the next 4 hours rolling around the matt and throwing
|
||
|
nasty elbows and flying jump kicks at invisible female assailants,
|
||
|
the rest of the class watching in awe and slight confusion as AC
|
||
|
and Luke kept yelling ``No means no lady!'' and
|
||
|
``That's my penis! You leave him be woman!''
|
||
|
|
||
|
|
||
|
|
||
|
An hour later, as Luke was exiting the police car, he turned and
|
||
|
asked the officer, ``What's gonna happen to him? What
|
||
|
will you do with AC?''
|
||
|
|
||
|
|
||
|
|
||
|
``He's a dangerous man and we've been after him for a long
|
||
|
time. You should thank your lucky stars we caught him before he did
|
||
|
anything to you kid!'' shouted the policeman back at
|
||
|
Luke.
|
||
|
|
||
|
|
||
|
|
||
|
``Well at least he'll stay abstinent in prison!''
|
||
|
Luke said.
|
||
|
|
||
|
|
||
|
|
||
|
Their laughter echoed throughout the otherwise quiet
|
||
|
neighborhood.
|
||
|
|
||
|
|
||
|
|
||
|
e: kids need to be respected too! (Didn't see that part,
|
||
|
sorry!)
|
||
|
|
||
|
{\bf The End}
|
||
|
|
||
|
|
||
|
|
||
|
|
||
|
%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
|
||
|
\by{Barometer}
|
||
|
|
||
|
|
||
|
My contribution; L.B;V.H.E. (the extended directors cut, with
|
||
|
deleted scenes)
|
||
|
|
||
|
|
||
|
|
||
|
Luke sat in the dimly lighted corner of an underused and
|
||
|
over-bright bar.
|
||
|
|
||
|
``Almost noon'' he thought to himself ``they should be fast asleep by
|
||
|
now.''
|
||
|
|
||
|
Shifting his considerable bulk, he managed to stand on his one good
|
||
|
leg, supporting himself with a hand on the table while his other
|
||
|
hand reached for his cane; an old waking cane bought form a dealer
|
||
|
in Soho many years past.
|
||
|
|
||
|
``God I've really let myself go since the accident'' he whispered to
|
||
|
no-one ``maybe I'll look into that Pilates shit{\ldots}or
|
||
|
something.''
|
||
|
|
||
|
He rolled his one good eye towards the pretty barmaid, a buxom
|
||
|
blonde who was eyeing him suspiciously. His meaty paw fished out a
|
||
|
couple of bills and dropped them unceremoniously onto the wet
|
||
|
tabletop, next to his three empty glasses.
|
||
|
|
||
|
``Hurr'' he spewed ``That'll teach her not to return my
|
||
|
flirtations{\ldots}uppity bitch.'' He gave her a smile that would wither
|
||
|
a rose, showing his rotten teeth that were green and yellow as
|
||
|
vomit.
|
||
|
|
||
|
Lurching forward like some hellish zombie, he headed for the
|
||
|
door.
|
||
|
|
||
|
Once outside, on the street, he shielded his eyes from the bright
|
||
|
sunshine ``Jesus I hate Kansas!'' he shouted, and a couple of elderly
|
||
|
people strolling by averted their gaze. He snarled at them, like
|
||
|
some wild animal that had been too long held in a cage and was only
|
||
|
now getting it's first taste of sweet freedom. ``fuckers'' he
|
||
|
mumbled.
|
||
|
|
||
|
Luke was an old man now, even though he was only forty. He had seen
|
||
|
so much; things that would make your skin crawl right off your
|
||
|
body. Things that could curdle milk by just being discussed. Luke
|
||
|
was a Vampire hunter, in the classical sense. Luke was very, very
|
||
|
good at his job.Checking the swordcane with a swift motion, and
|
||
|
satisfying himself that it was still good and sharp and made of the
|
||
|
finest ebony, he trundled down the street towards the old Biddick
|
||
|
Mansion looking like some undead pimp, rolling towards his best
|
||
|
girl.
|
||
|
|
||
|
``Those goddamn Vampires'll be vomiting blood from their throats,
|
||
|
ere this day is finished'' he vowed to heaven above ``Or my name's
|
||
|
not; Luke Bavarious, Vampire Hunter Extraordinaire!''
|
||
|
|
||
|
A boy of about 12 happened to be standing nearby, and when he heard
|
||
|
this his eyes sparkled with a devilish glee.
|
||
|
|
||
|
``Hey, mister{\ldots}you goin' up to the ol Biddick place?''
|
||
|
|
||
|
``So what if I am, you little shit?'' Luke gnashed his rotten
|
||
|
teeth
|
||
|
|
||
|
``Better not, I hear them folks is crazy{\ldots}and they got some kinda
|
||
|
dawg that wanders the grounds during the daytime. Never see 'em
|
||
|
lessen it's nighttime.''
|
||
|
|
||
|
Bavarious gave the tyke a once-over, and answered ``Izzat
|
||
|
right{\ldots}well, guess it's a good thing I have this Beretta then,
|
||
|
huh?'' as he spoke, Luke eased his brown courdory overcoat aside,
|
||
|
showing off a holstered Beretta 9mm, worn gunslinger style, with
|
||
|
the butt facing forward. ``I imagine THIS will take care of that old
|
||
|
DAWG'' he imitated the boys thick accent. He swooned a bit form the
|
||
|
heat, and sweating copiusly, continued his roll down the street.
|
||
|
Following at a short distance, the boy followed, shoeless and
|
||
|
dressed only in blue coveralls, worn form use and neglect. His bare
|
||
|
feet were covered in sores and wounds garnered from his time
|
||
|
playing in the dirt and rocks surrounding the little no-name town
|
||
|
they were in. His eyes were wide, and full of anticipation. He had
|
||
|
never before seen a man this grossly overweight, and was
|
||
|
intrigued.
|
||
|
|
||
|
After a few minutes, Luke felt as if the eyes of Satan himself were
|
||
|
upon him, so he swung around fiercely, whipping out his sidearm
|
||
|
``WHO DAT?!'' he cried his good eye searching and looking crazily
|
||
|
around until it alighted on the small figure in front of him.
|
||
|
|
||
|
The boy jumped from fright, and for a moment he felt as if his his
|
||
|
heart was going to burst from his chest, spewing crimson blood
|
||
|
across the dusty sidewalk ``IT'S JUST ME MISTER'' he shouted,
|
||
|
thinking the geezer must be hard of hearing if he had not noticed
|
||
|
him following by then ``I WANNA HELP, MISTER!''
|
||
|
|
||
|
``HELP?'' Shouted Luke, unconsciously imitating the boy and shouting
|
||
|
back;``I DON'T--'' he suddenly realised he was shouting, and dropped
|
||
|
his voice seeing that another couple across the street were
|
||
|
watching, intently`` I Don't need your help, kid{\ldots}now, buzz
|
||
|
off{\ldots}get lost{\ldots}scram. Comprende?''
|
||
|
|
||
|
The nameless waif wondered what the hell ``Comprende'' meant, but the
|
||
|
rest of the message was clear enough. ``Fine, you ol' bastard{\ldots}go
|
||
|
on, get yourself killed, see if I care!'' and with that, he ran
|
||
|
off.
|
||
|
|
||
|
It took Luke another ten minutes of lurching to gain the front gate
|
||
|
of the fenced in yard surrounding the mansion. ``Hmmmm, I don't SEE
|
||
|
any big dog'' He continued to roll his single, jaundiced eye back
|
||
|
and forth, looking in vain for any sign of a guard dog. Satisfied
|
||
|
that there was no sign of such a beast, he opened the gate and
|
||
|
hobbled up the front path to the stairs leading onto the porch. He
|
||
|
unintentionally farted. Once in front of the massive oak
|
||
|
double-doors, he swung his eye around for another look. Again,
|
||
|
there was nothing to challenge him, and as he considered knocking,
|
||
|
the doors parted of their own accord, affording him access to the
|
||
|
darkened foyer of the seemingly uninhabited mansion.
|
||
|
|
||
|
``CREEEEEEEEEAK'' went the doors, and when they were fully apart,
|
||
|
L.B. (As his one and only friend called him) took stock of the room
|
||
|
revealed before his eye.
|
||
|
|
||
|
It was a small room, comfortable and sparsly decorated. There were
|
||
|
a couple cameos on the wall, and a small desk, covered in what
|
||
|
looked to be unopened mail. L.B. knew there were Vampires in this
|
||
|
place, he could smell the stink of hell itself in this place and he
|
||
|
figured that like all of their ilk, they would be holed up in the
|
||
|
basement, sleeping their undead sleep in coffins filled with the
|
||
|
dirt of their original resting places.
|
||
|
|
||
|
He shifted his weight ``God-DAMN it I gotta lose some poundage'' he
|
||
|
cursed. After a cursory search of the downstairs, he found what
|
||
|
appeared to be a locked door to the basement, and he put his left
|
||
|
ear up to it and listened.
|
||
|
|
||
|
``Hmmmmm, sounds like a heart beating{\ldots}that's odd'' He tried the
|
||
|
door, but as he had surmised; it was locked!
|
||
|
|
||
|
Suddenly the door came crashing in on him, and the portal vomited
|
||
|
forth a huge, black dog{\ldots}some kind of mutant Great Dane he thought
|
||
|
fleetingly, as it quickly bit into his neck, tearing out his
|
||
|
windpipe and causing Luke to make the most horrid sounds even he,
|
||
|
in his long career of monster slaying, had ever heard.
|
||
|
|
||
|
Somehow, his fat right hand had reacted instinctively and the
|
||
|
Beretta was alive in his hand! Bullets tore through the monstrous
|
||
|
dogs body, knocking it backwards and slamming it against the wall.
|
||
|
As it writhed in its death throes, Luke attempted to staunch his
|
||
|
wound, but he knew it was too late his plump hands could find no
|
||
|
purchase, and the wound was surely a mortal one. His vision was
|
||
|
blurring to the point that he could barely make out the small shape
|
||
|
coming up from the basement.
|
||
|
|
||
|
``You shoulda listened to me, mister'' Said the boy in a quiet tone
|
||
|
``I woulda showed you the cellar door, and then ol Blackwood there
|
||
|
woulda never bit ya!''
|
||
|
|
||
|
``Gurgle..cough, spit'' was all Luke could get out, and as the life
|
||
|
ebbed from him, laying on that dirty linoleum kitchen floor, all he
|
||
|
could think was; ``Shit, why didn't I listen to that kid?'' The boy
|
||
|
crouched down in front of him, and just as his eye glazed over he
|
||
|
caught sight of a family portrait on the wall{\ldots}some cheesy mall
|
||
|
photobooth picture, enlarged, of the boy{\ldots}with the name ``Ben'' in
|
||
|
faux spraypaint letters and some other bling he couldn't quite make
|
||
|
out, before the Angel of Death took him.
|
||
|
|
||
|
``Ma and Pa are gonna be SO PISSED that you killed Blackwood{\ldots}''
|
||
|
said the boy to the corpse, glancing over to the lifeless dog
|
||
|
``Maybe ma will raise ya, so they can punish ya!'' again his eyes
|
||
|
filled with an evil gleam.
|
||
|
|
||
|
With that, he gave a shrill laugh, and ran as fast as he could back
|
||
|
down the stairs, anticipation bubbling forth like boiling coffee.
|
||
|
|
||
|
|
||
|
|
||
|
|
||
|
|
||
|
%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
|
||
|
\by{Hamelin}
|
||
|
|
||
|
|
||
|
{\bf The Painter}
|
||
|
|
||
|
|
||
|
|
||
|
The boy who wanted to be a painter stared at his canvas. His canvas
|
||
|
was blank and it stared back at him. He had many other blank
|
||
|
canvasses and they also stared at him. All the big squares of white
|
||
|
were empty like his mind. He could think of nothing to paint onto
|
||
|
the canvas. It drove him crazy. He would never be popular if he had
|
||
|
nothing but blank canvasses! All of his friends told him that he
|
||
|
would never be a painter. He knew he would show them.
|
||
|
|
||
|
|
||
|
|
||
|
Since there were no ideas in his head the wannabe painter put on
|
||
|
his jacket and went to the art museum. There were a lot of
|
||
|
paintings at the art museum. The difference between these paintings
|
||
|
and his were that these paintings existed and his didn't.
|
||
|
|
||
|
``I wish I could paint paintings like these!'' The boy said out loud
|
||
|
to no one.
|
||
|
|
||
|
``Paintings like these huh?'' A tall shadow suddenly appeared over
|
||
|
the boy's head.
|
||
|
|
||
|
``Would you like to have paintings like these in this museum?'' The
|
||
|
shadow continued.
|
||
|
|
||
|
The boy spun around and standing there blocking light was a tall
|
||
|
gentleman. He was wearing a black overcoat over a black suit. The
|
||
|
gentleman smiled.
|
||
|
|
||
|
``Yes! Yes I would! Can you help?'' The desperate wanna be painter
|
||
|
clapped his hands together with joy.
|
||
|
|
||
|
From the gentleman's overcoat the gentleman grabbed a small wooden
|
||
|
box and handed it over. The box was made of dark wood and was very
|
||
|
smooth.
|
||
|
|
||
|
``Take this box home, what is in it will help you put everything
|
||
|
onto your canvas.''
|
||
|
|
||
|
``Really? Thank you sir!'' The boy jumped up and down
|
||
|
with joy.
|
||
|
|
||
|
The tall gentleman walked away without another word.
|
||
|
|
||
|
|
||
|
|
||
|
Before he knew it the boy was home again. He locked the door and
|
||
|
excitedly opened the box. Inside the box was a paintbrush. The boy
|
||
|
took the paintbrush into his hand and it gave him an idea. He
|
||
|
started to paint. He painted and painted. The sun went down while
|
||
|
he painted, the sun came up and he was still painting. He painted
|
||
|
on every single canvas in his home until he could paint no
|
||
|
more.
|
||
|
|
||
|
|
||
|
|
||
|
Days passed and no one heard anything from the painter. He didn't
|
||
|
show up to school. No one saw him at the park. After a week a group
|
||
|
of his friends broke into his house. They wanted to know if the boy
|
||
|
was ok. What they saw when they broke down the door were hundreds
|
||
|
of canvasses in an empty house. Paintings of furniture, paintings
|
||
|
of household objects, paintings of carpets, paintings of his
|
||
|
parents. Paintings of everything that would be in a house but none
|
||
|
of those things. As they dug through house they found the painter's
|
||
|
last painting sitting on his easel. It was a painting of the
|
||
|
painter himself.
|
||
|
|
||
|
|
||
|
|
||
|
Most of the paintings were put in the art museum. Everyone in the
|
||
|
town was impressed by the paintings. Everyone wanted to meet the
|
||
|
boy who painted all the amazing paintings. They would ask the
|
||
|
museum employees about him. They would only say that no one knew
|
||
|
where he was. They only found his paintings in his house.
|
||
|
|
||
|
|
||
|
|
||
|
|
||
|
|
||
|
%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
|
||
|
\by{gigz}
|
||
|
|
||
|
|
||
|
I'm game, what up?
|
||
|
|
||
|
|
||
|
|
||
|
{\bf What Went Wrong}
|
||
|
|
||
|
|
||
|
|
||
|
There is blood everywhere. My clothes are drenched with it, my
|
||
|
hands slippery. I look down at the dead body of Mrs. Trencher, her
|
||
|
throat still gurgling as she gasps for a final breath. The pencil
|
||
|
in my hand is a dark crimson. Slowly beads of her blood fall to the
|
||
|
already massive pool of blood on the floor. I look up and see that
|
||
|
everyone is staring in horror. It then occurs to me that I am
|
||
|
laughing harder than I ever have in my life.
|
||
|
|
||
|
Flash.
|
||
|
|
||
|
I wake up with a start, scared out of my mind. I am gripping my
|
||
|
pencil so hard I can hear the cheap wood start to splinter. It was
|
||
|
a dream. That's all it was. Hell of a dream though. My name
|
||
|
is Luke Bavarious. I am seventeen years old, and a senior in high
|
||
|
school. I am not shut-in, I am not excluded by my peers, and I am
|
||
|
not ridiculed and mocked. Frankly, people just like me and I get
|
||
|
along with everybody. I think something has happened to me. I just
|
||
|
have no idea what.
|
||
|
|
||
|
Mrs. Trencher is my English Literature professor. I have never
|
||
|
harbored any sort of ill-will towards her. Her tests can be a
|
||
|
bitch, but she is not a disagreeable person. Her classroom habits
|
||
|
don't evoke the anger of any student. She is all-around well
|
||
|
liked and respected. She gives us candy when we study for tests as
|
||
|
a class. She gives us candy when we aren't studying.
|
||
|
|
||
|
There is no reason that dream should have happened. I got plenty of
|
||
|
sleep last night. I wasn't up late, and I fell asleep right
|
||
|
away. I woke up on time, I had a bowl of cereal and a glass of
|
||
|
orange juice, and I made it to school without being rushed.
|
||
|
|
||
|
It's 11:32. Class is continuing as normal, and Mrs. Trencher
|
||
|
didn't notice me sleeping. Then again, she is the type of
|
||
|
professor that continues on with her lesson with, or without, your
|
||
|
participation. If you miss the material, it is your own fault. I
|
||
|
shake my head and continue copying her lecture notes into my
|
||
|
notebook. At this point, I have zoned out and am copying the notes
|
||
|
without paying any attention to what they are. I'll read them
|
||
|
over lunch, so I at least know what she is talking about.
|
||
|
|
||
|
``The elements of gothic fiction are easy to identify. In
|
||
|
almost all of them, a woman is trapped in a circumstance she cannot
|
||
|
escape from. This is usually a house. She has little time before
|
||
|
she suffers `a fate worse than death.' There is
|
||
|
something or someone keeping her in the house, by means of force or
|
||
|
obligation. Somewhere in the text, her savior will enter the house,
|
||
|
learn of the situation and save her from that Hellish
|
||
|
fate.''
|
||
|
|
||
|
|
||
|
|
||
|
Flash.
|
||
|
|
||
|
|
||
|
|
||
|
I look up from my notebook, and see the blonde pony-tail of the
|
||
|
classmate in front of me. With my face torn in a bloodthirsty rage,
|
||
|
I reach forward and grab a hold of it. I yank it back towards me,
|
||
|
her face now staring at the ceiling in pain and confusion. Without
|
||
|
a word, I lunge forward and plunge my pencil deep into her left
|
||
|
eye. She screams. I scream. She is screaming from the pain, I am
|
||
|
screaming because I am delighted. I twist the pencil deeper into
|
||
|
her eye-socket. She convulses, and I hold fast. I stand up, leaving
|
||
|
Jenny to writhe in her chair. I look at my hand. I slowly drag my
|
||
|
tongue across my middle finger, savoring the taste of her
|
||
|
blood.
|
||
|
|
||
|
I laugh harder than I have ever laughed in my life.
|
||
|
|
||
|
|
||
|
|
||
|
Flash.
|
||
|
|
||
|
|
||
|
|
||
|
I wake up on the floor next to my desk, tears stinging my eyes.
|
||
|
Everyone is crowded around me; Mrs. Trencher has sent Jenny off for
|
||
|
the nurse. Her eye is fine. I look up at the concerned faces
|
||
|
hovering over me.
|
||
|
|
||
|
``I'm fine; really{\ldots}I've just been feeling a
|
||
|
little ill. That's all.'' The words have to be choked
|
||
|
out through the tears. I try to stand, only to find a hand on my
|
||
|
shoulder, keeping me at my position on the ground.
|
||
|
|
||
|
``Francis, are you sure you're okay? You shouldn't
|
||
|
try to move. Jenny went to get the nurse, just sit tight.''
|
||
|
Mrs. Trencher's voice is thick with worry. She was one of the
|
||
|
few who cared about her students. For a split second, at the
|
||
|
mention of Jenny's name, I had the image of my pencil twisted
|
||
|
deep into her cornea. I almost throw-up.
|
||
|
|
||
|
``N-no, I'm okay, really{\ldots}''I pull myself to
|
||
|
my feet, using my desk as a crutch. I'm not really okay as I
|
||
|
say I am. I am unsure on my feet, and my vision is blurry.
|
||
|
Everything is swimming, but at least there isn't any blood. I
|
||
|
look around at my classmates; every one of them is staring at me
|
||
|
horrified. I'm not the first person to faint in class.
|
||
|
Melissa did two weeks ago in Biology. We were dissecting frogs, and
|
||
|
she is squeamish. As it turns out, I had screamed in absolute
|
||
|
terror, fallen out of my desk, and laid on the floor convulsing in
|
||
|
tears.
|
||
|
|
||
|
Jenny walks through the classroom door, a very scared looking Ms.
|
||
|
Surough, the school nurse, in tow. I look up at Jenny, tears still
|
||
|
fresh in my eyes. Ms. Surough sets an arm around my shoulders and
|
||
|
leads me out of the room. I numbly follow her direction towards the
|
||
|
nurse's office. Something is wrong with me, and I don't
|
||
|
know what.
|
||
|
|
||
|
Ms. Surough tells me to lie down on the couch in her office. I
|
||
|
happily oblige.
|
||
|
|
||
|
``So, what happened, Francis? Are you okay?'' Her voice
|
||
|
stays level, but you can tell she is concerned. You can see it in
|
||
|
her eyes. The only thing I can think of when I look at her is the
|
||
|
image of my brutally attacking Jenny. What the fuck is
|
||
|
happening?
|
||
|
|
||
|
``I'm fine, really. I just think I'm
|
||
|
overtired{\ldots}I didn't eat this morning. I think
|
||
|
that's it. Just overtired and a little stressed from work.
|
||
|
Really, I'm okay.'' I'm trying to convince myself
|
||
|
more so than Ms. Surough.
|
||
|
|
||
|
That's it, really. I'm just stressed from work. I guess
|
||
|
I did go to bed too late, and didn't eat enough for
|
||
|
breakfast. I'm okay. Really, I'm O.K.
|
||
|
|
||
|
I am O.K.
|
||
|
|
||
|
|
||
|
|
||
|
|
||
|
%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
|
||
|
\by{KryonikMessiah}
|
||
|
|
||
|
|
||
|
The Ninjas
|
||
|
|
||
|
|
||
|
|
||
|
Luke Bavarious was walking through a busy street, the landscape
|
||
|
riddled with urban decay. A building here, windows shattered, foul
|
||
|
smoke emitting from it's fetid chimney. A rusted out car
|
||
|
there, looking as if it had been sitting there for a good decade or
|
||
|
five. And all around was the constant buzz of midday traffic.
|
||
|
Bavarious, however, had other plans on his mind, as he walked into
|
||
|
a building. The building was tall{\ldots}{\ldots}.too tall.
|
||
|
|
||
|
|
||
|
|
||
|
`This building is tall{\ldots}.TOO tall', Bavarious
|
||
|
thought to himself, one hand clutched to a Smith and Wesson .44 in
|
||
|
his pants and the other holding a beer. Suddenly, out of the corner
|
||
|
of his eyes, Bavarious saw a flash! As he turned around to
|
||
|
investigate, a ninja appeared! ``Come on, you commie
|
||
|
scum!'' said Bavarious, as he fired at the ninja. But the
|
||
|
ninja cut the bullet in half! Bavarious jumped back and stared the
|
||
|
ninja straight in the face as they began circling each other in
|
||
|
this old, decrepit factory.
|
||
|
|
||
|
|
||
|
|
||
|
Bavarious narrowed his eyes. These ninjas were a tricky sort. Just
|
||
|
as he narrowed his eyes, a board broke over the back of his head.
|
||
|
Turning around, Luke Bavarious glared at another ninja in anger,
|
||
|
who was shivering with fear, a wet spot covering the crotch of his
|
||
|
costume as he held the piece of a broken board. Bavarious snatched
|
||
|
the pants right off the ninja, and turned around just in time as
|
||
|
the other ninja was leaping at him with a karate kick. Bavarious
|
||
|
wrapped the pants around his face, and he fell to the ground
|
||
|
choking, but then the other ninja made his move!
|
||
|
|
||
|
|
||
|
|
||
|
Bavarious found a knife in his shoulder, which began spraying green
|
||
|
vomit and blood all over the Ninja, and he pulled it out and turned
|
||
|
around, only to duck the broken board. He stabbed the knife into
|
||
|
the ninja's hand, nailing it to the ground, and picked up the
|
||
|
broken piece of board, driving it through the Ninja's head in
|
||
|
one fell swoop, and it exploded into a spray of brains and blood!
|
||
|
Luke Bavarious was on the lookout for more ninjas, when suddenly he
|
||
|
saw two children, a little boy and a little girl, standing maybe
|
||
|
ten feet away from him. A dead ninja was on the ground, and the two
|
||
|
kids were happily tearing his eyeballs out of his skull. Luke
|
||
|
Bavarious grimaced at this, when suddenly, he realized his gun was
|
||
|
missing just as another ninja burst through the wall.
|
||
|
|
||
|
|
||
|
|
||
|
That, however, was fine. The little girl picked up a pistol off the
|
||
|
ground, which went un-noticed by the ninja, who sworded out his
|
||
|
katana at great attack. Taking a chop at the little boy, he was
|
||
|
stopped in his tracks as Luke Bavarious tossed a vomit covered
|
||
|
pillow at him, which struck him in the face, and the little girl
|
||
|
accidentally pulled the trigger, shooting the ninja square between
|
||
|
his legs.
|
||
|
|
||
|
|
||
|
|
||
|
The next day, all ninjas fled the city. Their three brothers in
|
||
|
arms had fallen, and no ninja was mighty enough to stand up to Luke
|
||
|
Bavarious. Children the world over rejoiced.
|
||
|
|
||
|
|
||
|
|
||
|
The End.
|
||
|
|
||
|
|
||
|
|
||
|
|
||
|
%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
|
||
|
\by{IShallRiseAgain}
|
||
|
|
||
|
|
||
|
{\bf The School}
|
||
|
|
||
|
John Jones was your average every-day student at Livingston Middle
|
||
|
School. He was also very late. He hurried into his classroom for
|
||
|
the gifted students of which he was the smartest and coolest. He
|
||
|
hated his teacher, Miss Diabloclous, she was always giving them
|
||
|
homework and pop quizzes. ``Your late, John Jones! You get a
|
||
|
detention!'' shrieked Miss Diabloclous. ``Third one this
|
||
|
week'' thought John as he sat down with a smirk.
|
||
|
|
||
|
|
||
|
|
||
|
When school was over he headed over to Miss Diablocluos's
|
||
|
room. Another student, George Smith, was already there. ``You
|
||
|
boys have been behaving badly, and we can't have that can
|
||
|
we?'' proclaimed Miss Diabloclous. Suddenly her face started
|
||
|
stretching and contorting, and she grew ghastly fangs. George was
|
||
|
screaming and vomiting at the same time. Her jaws stretched, and
|
||
|
she bit off the head of George. His arteries started spewing
|
||
|
copious amounts of blood all over the place. Licking the blood off
|
||
|
her face, Miss Diablocluos shouted ``Your next!'' John
|
||
|
was ready though and pulled out his berretta. ``Pop Quiz time,
|
||
|
what happens when I shoot a bullet through your brain?'', he
|
||
|
exclaimed and then unleashed a hail of bullets into her head.
|
||
|
|
||
|
|
||
|
|
||
|
A police officer rushed in to see what was going on. Upon seeing
|
||
|
the grotesque body of Miss Diablocluos, he turned to John.
|
||
|
Expecting praise for killing the abomination of nature, he was
|
||
|
surprised when the officer unloaded a full clip into him with his
|
||
|
own berretta. Sighing the officer stated, ``Damn public
|
||
|
schools!''.
|
||
|
|
||
|
|
||
|
|
||
|
|
||
|
%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
|
||
|
\by{Paracetamol Boy}
|
||
|
|
||
|
|
||
|
{\bf The Smile}
|
||
|
|
||
|
Narrated by Luke Bavarius
|
||
|
|
||
|
|
||
|
|
||
|
I woke to a darkened room. The streetlights outside my window cast
|
||
|
eerie shadows onto the floor. My mouth tasted carpet. My entire
|
||
|
body was immobilised with searing pain. I managed, with great
|
||
|
difficulty, to turn my swollen face toward my left. The living area
|
||
|
was littered with broken furniture.
|
||
|
|
||
|
|
||
|
|
||
|
So it had come to this. My wife had taken the kids and left me for
|
||
|
dead in what was once our family apartment in the central hub of
|
||
|
New York City. Blood seeped out the open wounds of my trunk and
|
||
|
saturated my dark blue clothing with an even darker sheen. There
|
||
|
the knife lay still, blade digging into the carpet in front of my
|
||
|
face. My own knife, that my own wife had turned on me.
|
||
|
|
||
|
|
||
|
|
||
|
I could hear the soft wails of the police sirens from the streets
|
||
|
below. That was the least of my worries. Despite my dizzied state,
|
||
|
my thoughts drifted to my lovely kids, Johnny and Sasha. I wondered
|
||
|
if I would see them again, if they were safe. The steadily
|
||
|
loudening sirens registered faintly in the back of my mind{\ldots}
|
||
|
|
||
|
|
||
|
|
||
|
Suddenly, I had a flash of mental clarity. It was the insight of a
|
||
|
dying man. I could not fight to live. I had lost too much blood,
|
||
|
the evidence of this mixing with the contents of my voided bladder
|
||
|
and slowly pooling around me like a seeping fountain of death. I
|
||
|
was a broken man. There was the chance an arterial bypass would
|
||
|
keep me alive, but even if I lived there was nothing to live for. I
|
||
|
didn't want to let anyone else think otherwise for me.
|
||
|
|
||
|
|
||
|
|
||
|
The knife was only inches from my face. My good arm, my left arm,
|
||
|
could move but only with mind-numbing pain. Slowly, agonizingly, I
|
||
|
brought the arm closer and closer toward the knife. I grasped its
|
||
|
handle and lifted it from the carpet. Each action was excruciating.
|
||
|
But pain is only temporary, for in death there is the ultimate
|
||
|
release. My thoughts drifted again to Johnny and Sasha, as I used
|
||
|
every ounce of my remaining strength to roll onto my back. I
|
||
|
positioned the knife in front of my chest and closed my
|
||
|
eyes{\ldots}
|
||
|
|
||
|
|
||
|
|
||
|
``Daddy.'' I recognised the voice and opened my eyes. In the dark, I
|
||
|
could see two small silhouettes sitting cross-legged beside
|
||
|
me.
|
||
|
|
||
|
``Johnny?''
|
||
|
|
||
|
The silhouette on the left nodded at me and smiled. The smile had
|
||
|
no lips, only teeth. I shook.
|
||
|
|
||
|
``Daddy, what are you doing?'' the shadow on the right enquired
|
||
|
meekly. Sasha?
|
||
|
|
||
|
``Daddy{\ldots}daddy's going away for a while,'' I whispered. The knife
|
||
|
was still in my hand, in front of my chest, frozen in place.
|
||
|
|
||
|
``Look{\ldots}daddy can't be with you guys for very long anymore. I won't
|
||
|
be alive for long{\ldots}I must go.''
|
||
|
|
||
|
``But you can't go, Daddy.'' The silhouette on the left was still
|
||
|
smiling, the white of his teeth glowing eerily in the darkness. ``If
|
||
|
you go{\ldots}I'll eat Sasha.'' The teeth spread to a grin.
|
||
|
|
||
|
|
||
|
|
||
|
``Johnny{\ldots}'' I gasped. As I looked on, Johnny's grin seemed to grow
|
||
|
wider and wider. The rows of teeth separated to form a hole between
|
||
|
them, and the hole widened to a yawning chasm of unfathomable
|
||
|
darkness. A different voice emanated from the hole. ``Daddy,'' it
|
||
|
drawled. ``If you go{\ldots}I'll eat Sasha.''
|
||
|
|
||
|
|
||
|
|
||
|
Still in immense pain, I balked, speechless, at the two shadows in
|
||
|
front of me, one sitting silently, the other leering at me, teeth
|
||
|
as far apart as a basketball, face torn apart by a chasm.
|
||
|
|
||
|
My vision blurred and it became increasingly difficult to breathe.
|
||
|
The knife dropped from my hand. Between ragged breaths, I gasped
|
||
|
weakly. ``Johnny{\ldots}you have your mother's smile.''
|
||
|
|
||
|
|
||
|
|
||
|
Then, as suddenly as they had appeared, the silhouettes were gone,
|
||
|
leaving only the space they had occupied.
|
||
|
|
||
|
|
||
|
|
||
|
I wept bitterly.
|
||
|
|
||
|
|
||
|
|
||
|
|
||
|
%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
|
||
|
\by{ack!}
|
||
|
|
||
|
|
||
|
{\bf The Dock}
|
||
|
|
||
|
This lake seemed ordinary enough. The drive to this lake seemed
|
||
|
also ordinary enough, though the road was windy and tedious. The
|
||
|
unfortunate youngest child of the Bavarius family, Luke, endured
|
||
|
riding in the very back seat of the Buick station wagon. With each
|
||
|
twist on the windy road to the lake, Luke suppressed his twisting
|
||
|
stomachs urge to purge and vomit due to the car sickness his seat
|
||
|
on this ride caused him. ``I hate this drive and I told them
|
||
|
we shouldn't go this year. I hate being the youngest. I
|
||
|
always have to sit back here and get car sick, but that
|
||
|
doesn't matter to anyone, especially my dad who never listens
|
||
|
to me'', Luke thought while feeling the bile raise to his
|
||
|
throat. ``This ride better end soon'' he wished, but the
|
||
|
ride was really just beginning.
|
||
|
|
||
|
|
||
|
|
||
|
Upon reaching the cabin at the lake they drove to, Luke's
|
||
|
family unpacked for a week's vacation during the summer break
|
||
|
from school. Luke ran to catch up to his older siblings who were
|
||
|
faster than him as they each ran to claim their bunks in the cabin.
|
||
|
The ride left him more nauseas than ever and he had no hope of
|
||
|
getting a bunk in the main room. As usual, his bunk would be the
|
||
|
one in the back room at the back of the house. Once again he found
|
||
|
himself at the back of it all in the most uncomfortable place and
|
||
|
anything he said about it would go unnoticed and uncared about.
|
||
|
Needing fresh air to clear his head and most importantly, his
|
||
|
churning stomach of suppressed oral violence which was nearing
|
||
|
critical mass, Luke ventured outside, alone. He knew this trip
|
||
|
would be bad and the start was proving it.
|
||
|
|
||
|
|
||
|
|
||
|
Behind the cabin was a trail. Dreary and barren, this trail had
|
||
|
seen no visitors all year. Vines grew across its misshapen
|
||
|
cobblestones. He tried to skip as children do, but the uneven
|
||
|
stones reached up to trip him. Even the ground he walked on tried
|
||
|
to make his life miserable. Luke pressed on.
|
||
|
|
||
|
|
||
|
|
||
|
At the end of the trail, which led from the house to the lake, a
|
||
|
dock that rivaled an elderly woman's wrinkled and cracked
|
||
|
skin wound its way above the lake's depths. No one knew the
|
||
|
origins of the dock, but it had endured every frigid winter and
|
||
|
every scorching summer since its birth. Neglected and uncared
|
||
|
without a repairman's hands to repair it, the dock barely
|
||
|
held together with each board twisting and splintering.
|
||
|
|
||
|
|
||
|
|
||
|
Creeping like a silent cat on the hunt for its prey, Luke crept
|
||
|
onto the dock. Engulfed in the mist of the lake which surrounded
|
||
|
him like a funeral curtain, he made his way to the end where he sat
|
||
|
on the end of the dock and put his feet into the water. The
|
||
|
coolness felt good to him and made his stomach settle and no more
|
||
|
churn like a vile popcorn machine ready to spew forth a vomit of
|
||
|
undigested cheese and crackers that was his only meal for the
|
||
|
day.
|
||
|
|
||
|
|
||
|
|
||
|
Peering into the waters, Luke was surprised at the stillness and
|
||
|
the clearness of the lake. As the cruel world spun around him, he
|
||
|
could see through the very depths to the bottom which shimmered. He
|
||
|
could see his reflection coming in and out of shape. As he stared,
|
||
|
it seems time froze and the world stopped turning. His face became
|
||
|
without a shape and disappeared entirely. The faces of his siblings
|
||
|
floated by instead, pushing him out of the way. Then after that,
|
||
|
the faces of his parents, who never listened or cared for their
|
||
|
youngest child mocked him in his place.
|
||
|
|
||
|
|
||
|
|
||
|
Feeling colder than ever before, Luke felt a fiery fury explode in
|
||
|
his blood boiling heart. His mind spun deeper and darker than the
|
||
|
largest tornados in Kansas. His eyes bulged, each vain throbbing
|
||
|
and pumping their purple liquid to increase his vision. The real
|
||
|
picture began to form. This lake was a mirror, a portal, a crystal
|
||
|
ball to show his life, show his future.
|
||
|
|
||
|
|
||
|
|
||
|
The water's blue gave way to rust as each body flowed by
|
||
|
while blood drained from within. ``This is my life'',
|
||
|
Luke realized, ``this is my work. Whoever won't listen,
|
||
|
whoever won't get out of the way, this is where I must put
|
||
|
them, this is where they will pay''.
|
||
|
|
||
|
|
||
|
|
||
|
Snapping awake, Luke glared at his aged reflection in the window
|
||
|
lighted by the moonlight in the night sky. His thoughts settled as
|
||
|
his memory cleared and the pain rose burning and bright like the
|
||
|
devouring flares of the Sun.
|
||
|
|
||
|
``No!! This was not me!!``
|
||
|
|
||
|
|
||
|
|
||
|
''You did this, Horace Manslasher. You took my family that day while
|
||
|
I was at the dock and no one would join me. Now I'm coming
|
||
|
for you.''
|
||
|
|
||
|
|
||
|
|
||
|
|
||
|
%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
|
||
|
\by{rinski}
|
||
|
|
||
|
|
||
|
{\bf The Mansion of Horror}
|
||
|
|
||
|
|
||
|
|
||
|
Luke Bavarius stood before the haunted mansion of GhostRaven
|
||
|
Mansion. Black bats circled above, haloing the yellow moon. Luke
|
||
|
reached into his pocket. The cold steel of his Baretta reassured
|
||
|
him.
|
||
|
|
||
|
|
||
|
|
||
|
Legend had it the mansion contained untold riches. Luke liked the
|
||
|
sound of that.
|
||
|
|
||
|
|
||
|
|
||
|
Earlier that day a local kid had tried to stop Luke.
|
||
|
|
||
|
``Don't go to the haunted mansion. It's too
|
||
|
dangerous. It kills people. It never loses.''
|
||
|
|
||
|
``I think I can handle myself, kid.'' Luke said,
|
||
|
smirking.
|
||
|
|
||
|
|
||
|
|
||
|
THUD! Luke kicked the mansion's heavy wooden doors open. He
|
||
|
was in a large living room, 50 feet wide. All the furniture was
|
||
|
covered with ghostly white sheets and a chandelier hung ominously
|
||
|
overhead. There were lit torches on the walls.
|
||
|
|
||
|
|
||
|
|
||
|
Suddenly, all of the furniture exploded. Luke shielded his face
|
||
|
with his arms. Splinters tore at his leather jacket. The splinters
|
||
|
reformed into a giant wood golem. The golem surged to life.
|
||
|
It's eyes glowed with arcane evil.
|
||
|
|
||
|
|
||
|
|
||
|
Luke smirked.
|
||
|
|
||
|
|
||
|
|
||
|
He grabbed a torch from the wall. He threw it. The wooden giant
|
||
|
burst into blue flames. It burned as though it were made of tinder
|
||
|
and lighter fluid. The giant fell to its knees in wooden agony and
|
||
|
then unexploded back into furniture. The haunted white sheets flew
|
||
|
back to again cover the furniture.
|
||
|
|
||
|
|
||
|
|
||
|
``Getting the treasure from this haunted mansion will be a
|
||
|
breeze.'' Luke asserted, smirking.
|
||
|
|
||
|
|
||
|
|
||
|
The next room was a gigantic ball room with chandeliers and a
|
||
|
wooden floor. One wall was covered in old oil paintings. The other
|
||
|
wall was a gigantic window with giant red curtains. He could see
|
||
|
the garden. The hedges looked ominous. ``Probably plant
|
||
|
monsters.'' Luke murmured. He took a step into the room.
|
||
|
Suddenly, zombies were clawing their way out of the wooden floor.
|
||
|
Their empty eye sockets were slick with green rot. It glinted
|
||
|
sickly in the moon light. Luke's nostrils were attacked by
|
||
|
the zombie's horrid stench.
|
||
|
|
||
|
|
||
|
|
||
|
Then Luke was attacked by the zombies themselves.
|
||
|
|
||
|
|
||
|
|
||
|
Luke pulled out his Baretta. He emptied a few bullets into the
|
||
|
mushy heads of the advancing undead army. The bullet wounds oozed
|
||
|
blood and pus but the zombies just kept coming.
|
||
|
|
||
|
|
||
|
|
||
|
``They just keep coming!'' Luke joked, smirking.
|
||
|
|
||
|
|
||
|
|
||
|
He had to act fast. He ran around the zombies and their zombie
|
||
|
holes so he wouldn't trip. Zombies dove at him. Luke dodged
|
||
|
the deft attacks. Zombies dove left and right. Barely, Luke made it
|
||
|
to the other side of the room. As soon as he stepped out of the
|
||
|
room there was a flash. All the zombies disappeared and the floor
|
||
|
grew back. The room looked exactly as it did initially. Luke was
|
||
|
astonished. He stepped back into the room. Zombies poured from the
|
||
|
floor like oozing pus. Luke stepped back. The zombies disappeared.
|
||
|
Luke chuckled. He did this for one minute then moved to the next
|
||
|
room.
|
||
|
|
||
|
|
||
|
|
||
|
The next room was the kitchen. Immediately, all of the knives flew
|
||
|
out of the drawers. The knives hovered lazily in the air. Then the
|
||
|
knives flew at him. They cut through the air. Literally. Blood
|
||
|
droplets condensed out of the air. Luke dodged out of the way of
|
||
|
the knives attack. The knives flew past him into the meat locker,
|
||
|
killing the monster that was hiding inside. The knives made quick
|
||
|
work of the monster, then turned to attack Luke once again. Luke
|
||
|
simply shut the meat locker's door. The knives clattered
|
||
|
against the solid iron door. Luke smirked.
|
||
|
|
||
|
|
||
|
|
||
|
Luke entered the hallway out of the kitchen and was immediately
|
||
|
attacked by a giant spider monster. ``What the!'' Luke
|
||
|
uttered. But before he'd even finished uttering, the spider
|
||
|
lurched forward. It's poison jaws opened. They tried to clamp
|
||
|
closed on Luke's arm. Luke dodged backwards as the jaws
|
||
|
clamped shut. The jaws etched a wound in Luke's arm, but were
|
||
|
unable to deliver their venomous payload. In one fluid motion Luke
|
||
|
drew his Baretta. He shot two bullets into the spider's
|
||
|
bulging bug eyes. Two bullet casings clattered on the floor. The
|
||
|
wound belched forth a thick green blood. The blood hissed as it hit
|
||
|
the floor, dissolving it. The spider recoiled. Its insectoid brain
|
||
|
was riddled with pain and fear and two bullets. But it was too
|
||
|
late. Luke grabbed a sword from the wall. He brought it down on the
|
||
|
spider monster's neck. The head was cleanly sliced off of the
|
||
|
twitching body. The spider collapsed in a heap of bloody legs. The
|
||
|
wounds vomited their acidic syrup and the floor kept
|
||
|
dissolving.
|
||
|
|
||
|
|
||
|
|
||
|
``I'd better get out of here.'' Luke intoned,
|
||
|
smirking.
|
||
|
|
||
|
|
||
|
|
||
|
As Luke was escaping down the hall, he saw a room filled to the
|
||
|
brim with treasure. He stood there, mouth agape. He was going to be
|
||
|
rich. He ran into the room. Suddenly, the room shimmered and
|
||
|
disappeared. Luke fell into a void. He screamed. At the bottom of
|
||
|
the void, as far as the eye could see in every direction, was an
|
||
|
unspeakably horrid beast. It was made of mouths and eyestalks and
|
||
|
tentacles. It covered the entire floor in every direction.
|
||
|
|
||
|
|
||
|
|
||
|
Luke retched a scream. He tumbled towards the gaping maw of the
|
||
|
horrible creature. There was no escape. As Luke fell, a figure
|
||
|
appeared in front of him. It was the boy from before.
|
||
|
|
||
|
|
||
|
|
||
|
``The mansion never loses.'' The boy said, watching Luke
|
||
|
fall.
|
||
|
|
||
|
|
||
|
|
||
|
Luke choked on a sob. It was the last sound he ever made. As Luke
|
||
|
fell into the giant open mouth, the monster started biting him
|
||
|
lightning fast. The bites were so fast that the teeth broke the
|
||
|
sound barrier. Luke was dead before he knew it. He exploded into
|
||
|
bloody slices that fell down into the beast's stomach
|
||
|
acid.
|
||
|
|
||
|
|
||
|
|
||
|
``The mansion never loses.'' The boy repeated. He
|
||
|
smirked. Then he disappeared.
|
||
|
|
||
|
|
||
|
|
||
|
|
||
|
|
||
|
|
||
|
%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
|
||
|
\by{Syphilicious!}
|
||
|
|
||
|
|
||
|
WHAT LURKS BEHIND OUR EYES/THE HORRID REFLECTION REVISITED
|
||
|
|
||
|
|
||
|
|
||
|
Thursday night, and everything is quiet. Unusual for me, but in my
|
||
|
current settings it should be expected; instead of walking my beat
|
||
|
in the thug-infested alleys of our dear city, I am far out in the
|
||
|
country, at Old Woman McCannshire's place, engaged in a staring
|
||
|
contest with the termites that crawl in and out of the floor of her
|
||
|
porch as I wait for her to answer the door. The middle of nowhere
|
||
|
does not properly describe my location; I'd been driving so long
|
||
|
that I'm probably already halfway out. My name is Luke Bavarius,
|
||
|
and I'm a detective, but tonight I appear to be the guy that drives
|
||
|
around checking under old biddies' beds for monsters.
|
||
|
|
||
|
|
||
|
|
||
|
Even the pranks get men sent out these days. A prank is what I
|
||
|
would have thought this would be, if I didn't know the old woman
|
||
|
calling was too addled to even have a teenager's sense of humor.
|
||
|
McCannshire thinks her house is haunted by spirits, and wants one
|
||
|
of us ``wonderful young men you have working down there'' to come
|
||
|
check it out. I'm almost glad I forgot to bring my spare ammunition
|
||
|
for my Beretta out here; I've used that thing enough today
|
||
|
considering my nerves are just about as shot as those three bank
|
||
|
robbers, and if this goose chase got any more boring I'd probably
|
||
|
put it in my mouth and make brain gumbo.
|
||
|
|
||
|
|
||
|
|
||
|
The unlatching of bolts awakens me from my reverie, and my head
|
||
|
snaps back up into the proper position. ``You win this time,
|
||
|
termites,'' I mutter, wiping a thin string of drool from my chin.
|
||
|
Slowly, the door creaks open, and I am treated to the sight of Mrs.
|
||
|
McCannshire in a wispy white nightgown. Perhaps in the prime of her
|
||
|
youth this might have been something I could have tolerated or even
|
||
|
enjoyed, but the broad has long been in her more tender years of
|
||
|
age, her face has more wrinkles than the wandering Jew's underwear,
|
||
|
and her nightgown is greasy with the mysterious secretions of the
|
||
|
elderly. I try to focus on the mangy grey poodle she cradles in one
|
||
|
arm, a dirty little mutt that she probably pampers like nobody's
|
||
|
business. She really fits the picture of an old bag of bones, and
|
||
|
as soon as she opens her mouth I can tell how far gone she really
|
||
|
she is.
|
||
|
|
||
|
|
||
|
|
||
|
``Are you the detective Officer Dent sent over to help with the
|
||
|
spirits in my house?'' She speaks slowly and clearly, her eyes twin
|
||
|
moons of gawkish innocence. I don't know which kind of dementia
|
||
|
would be worse: the flavor Mrs. McCannshire possesses where one is
|
||
|
magically returned to the age of nine or the other one where you
|
||
|
think the walls are talking to you. Although, considering why I was
|
||
|
here, it's possible she suffered from the latter too.
|
||
|
|
||
|
|
||
|
|
||
|
``Uh{\ldots}yes. Yes, ma'am. Officer Dent is my, uh, superior.'' I stepped
|
||
|
past her and walked inside, trying to ignore the subdued growl the
|
||
|
mutt in her hands had started up upon sight of me. The place was
|
||
|
clean to a point; there were numerous tables and shelves bedecked
|
||
|
with pictures and family heirlooms, all meticulously dusted, but
|
||
|
the carpet was smeared with dirty pawprints and general dust and
|
||
|
filth, it's frayed and ragged material likely not blessed by the
|
||
|
gentle touch of a vaccuum cleaner for years. The carpet and walls
|
||
|
were an ugly matching beige and all the miscellaneous objects,
|
||
|
despite constant care, had lost their luster. The only sign of real
|
||
|
color came from the bathroom behind the door opposite the one I had
|
||
|
come in, wherein an even more hideous bright lime green covered the
|
||
|
small amount of wall I could see around the door.
|
||
|
|
||
|
|
||
|
|
||
|
I turned to face her, reaching into the folds of my trenchcoat and
|
||
|
drawing out a pack of cigarettes and my lighter. ``Now, what seems
|
||
|
to be the problem here?'' A lazy puff of smoke floated serenely past
|
||
|
my raised eyebrow from my now lit cigarette.
|
||
|
|
||
|
|
||
|
|
||
|
``Well,'' she said, setting the dog down onto the carpet where it did
|
||
|
an annoying little dance around our legs, barking and whining,
|
||
|
``I've been noticing things for several days now, but only this
|
||
|
morning did it get really bad. You see, every time I use the
|
||
|
bathroom I feel someone is watching me.''
|
||
|
|
||
|
|
||
|
|
||
|
``How can you tell?''
|
||
|
|
||
|
|
||
|
|
||
|
``Well, at first it was just an uneasy feeling. But then I started
|
||
|
hearing voices that would say things that I couldn't make out. Then
|
||
|
I started seeing faces out of the corner of my eye or in a
|
||
|
reflection. And this is happening quite often, mind you. It's
|
||
|
happened every time I go in there, and these days I tend to{\ldots}oh,
|
||
|
how should I say it{\ldots}do my business more often, mostly because
|
||
|
my--''
|
||
|
|
||
|
|
||
|
|
||
|
``I understand, I understand,'' I said hurriedly. ``Please,
|
||
|
continue.''
|
||
|
|
||
|
|
||
|
|
||
|
``Well, uh, this morning, I saw a face in the mirror behind me. And
|
||
|
I didn't just see it, either; it was directly behind me, an entire
|
||
|
person, and he didn't go away until I turned round.''
|
||
|
|
||
|
|
||
|
|
||
|
My eyebrow, which had just started to head home for the day, turned
|
||
|
right back around and marched up my forehead. This sounded
|
||
|
legitimately interesting. Whatever had actually happened, seeing a
|
||
|
person plain as day was a lot better than imaginary sounds or
|
||
|
tricks of light that even happened to people who weren't sitting
|
||
|
outside Death's doorstep in motorized wheelchairs. There was really
|
||
|
only one thing to do.
|
||
|
|
||
|
|
||
|
|
||
|
``Well, I guess you'll have to show me the bathroom then, Mrs.
|
||
|
McCannshire.''
|
||
|
|
||
|
|
||
|
|
||
|
``Right you are, dear.'' She seems to notice that my gaze had strayed
|
||
|
to the pictures on the small table next to the front door, and as
|
||
|
she hobbles past me towards the bathroom she begins to talk about
|
||
|
her dead husband. Half listening to her talk about the dangers of
|
||
|
late term prostate cancer and wincing at the intimate descriptions
|
||
|
she gives of the times she went with him for his checkups, I search
|
||
|
for an ashtray and find one nestled in between boxes of tissue and
|
||
|
stack of gardening books. I rub the flame out and leave the stub,
|
||
|
resolving not to smoke any more until I leave the house. The old
|
||
|
woman doesn't need all that smoke.
|
||
|
|
||
|
|
||
|
|
||
|
As I join her in the bathroom, I see that her poodle has the same
|
||
|
idea. It flies past me and sits whining at her feet until she
|
||
|
relents and picks it up again. I stand next to her and look around
|
||
|
the room. The mirror is old but clean, and the porcelain throne in
|
||
|
the corner is the same. I look into the sink, and from the short,
|
||
|
curly gray hairs lining the rim I deduce that she washes the dog in
|
||
|
it; either that or she's more up on the trends of women of today
|
||
|
than you'd think of a gal her age.
|
||
|
|
||
|
|
||
|
|
||
|
The horror of the thought further distracts me, and I begin to
|
||
|
develop that thousand yard stare as she tells me about the various
|
||
|
scary encounters she has experienced while voiding her bowels,
|
||
|
unnecessarily clueing me in on the second part in her stories too.
|
||
|
Technically I am looking at the hot water handle, but I am miles
|
||
|
away, back on a real cop's beat or in the arms of a good woman,
|
||
|
whichever one does a better job of distracting me from her current
|
||
|
tale of a mysterious voice whispering in what she thinks is Latin
|
||
|
and the effects of the creamed corn she had with lunch two days
|
||
|
ago. Suddenly I spy in the reflection from the mirror that the dog
|
||
|
has the same idea. The yappy little thing now sits silent and
|
||
|
unmoving in her arms, staring intently into the eyes of its
|
||
|
reflection.
|
||
|
|
||
|
|
||
|
|
||
|
At first I am grateful for the relative silence that its new object
|
||
|
of interest has provided, but after a minute it begins to make my
|
||
|
skin go all goosey. I've never seen a dog sit that still for
|
||
|
anything. I slowly move my hand in front of its face, nodding to
|
||
|
show Mrs. McCannshire I am listening at a pause in her latest story
|
||
|
involving the cupboard swinging open and almost hitting her in the
|
||
|
head and how the fright really helped ``loosen things, down there''.
|
||
|
I pass my hand back in forth in front of the dog's vision to no
|
||
|
effect. In a moment of clarity I drudge up the dog's name out of
|
||
|
its owner's ramblings.
|
||
|
|
||
|
|
||
|
|
||
|
``Jasper! Hey, Jasper!'' At once the dog is a flurry of motion,
|
||
|
leaping out of her hands and latching onto the watch around my
|
||
|
wrist with its teeth. I stumble backwards into the main room and
|
||
|
fall to the floor, frantically batting at the hideous ball of fur
|
||
|
as it growls like a recently castrated bear. Instinct takes over;
|
||
|
my mind recognizes when I am in a fight for my life even when the
|
||
|
opponent is a 15-pound owl pellet. Without thinking I wrap the palm
|
||
|
of the hand it grips around its head and bash it repeatedly against
|
||
|
the edge of a bookshelf next to me, then stagger to my feet and
|
||
|
swing it around the room, screaming to match its rabid cries. All
|
||
|
of a sudden it flies free with a high pitched yelp and collides
|
||
|
with the table on which the ashtray rested and the table and its
|
||
|
contents tumble to the ground.
|
||
|
|
||
|
|
||
|
|
||
|
I approach cautiously, waiting for my opponent to make some sign of
|
||
|
life. At once the small pile of picture frames and knicknacks
|
||
|
erupts as Jasper flies straight towards my face.
|
||
|
|
||
|
|
||
|
|
||
|
I have anticipated it; it passes fruitlessly over my head as I lean
|
||
|
backwards almost parallel to the floor, and I hear its frenzied
|
||
|
growling suddenly muffled. I push my spine back into place with one
|
||
|
hand and spin around only to see Jasper hanging from the ledge of a
|
||
|
desk, his jaw wrapped around it and his teeth grinding into it as
|
||
|
if he imagined it to be my arm. I act quickly, sparing no mercy.
|
||
|
With several steps I come upon the helpless creature and I lift a
|
||
|
booted foot to hover a foot away from the back of its skull.
|
||
|
|
||
|
|
||
|
|
||
|
``Chew on this, pooch.''
|
||
|
|
||
|
|
||
|
|
||
|
There is a loud, wet crack as its skull explodes like a balloon
|
||
|
filled with bones and blood. It's corpse falls silently to the
|
||
|
floor, followed by the lower half of his jaw and head. The top half
|
||
|
rests on top of the desk, firmly embedded into the wood. I curse
|
||
|
silently to myself and wipe my foot off on the carpet, leaving
|
||
|
behind a red smear flecked with hair and bits of bone.
|
||
|
|
||
|
|
||
|
|
||
|
All at once I come to my senses, and I turn to see Mrs. McCannshire
|
||
|
standing at the bathroom door. For a second we both stand staring
|
||
|
wordlessly at each other, then she utters a soft cry and flees back
|
||
|
into the bathroom. I hear a soft click as she locks the door behind
|
||
|
her.
|
||
|
|
||
|
|
||
|
|
||
|
I sigh and walk over, knocking on the door. ``Mrs. McCannshire, I'm
|
||
|
sorry about Jasper, okay? I shouldn't have{\ldots}done that, but he was,
|
||
|
I mean he was attacking me. There was nothing else I could
|
||
|
do.''
|
||
|
|
||
|
|
||
|
|
||
|
I continued to apologize while I listened to her sobs, trying to
|
||
|
look anywhere but back at that head, or that part of it, those
|
||
|
sightless eyes silently judging me. I've killed people before in my
|
||
|
line of work, and I see their faces when I close my eyes, but now
|
||
|
this mutt was getting to me more than any of them ever did. It was
|
||
|
an irritable little thing, but why did it up and attack me like
|
||
|
that? What did it see in that mirror?
|
||
|
|
||
|
|
||
|
|
||
|
I notice that the crying on the other side of the door has stopped,
|
||
|
and for a moment I feel relief. ``Mrs. McCannshire, if you can just
|
||
|
come out here we can talk about this. Again, I'm sorry about your
|
||
|
dog, but--''
|
||
|
|
||
|
|
||
|
|
||
|
I am interrupted by the click of the lock, and as the door slowly
|
||
|
comes ajar I help her open it. She stands there, head down, and she
|
||
|
looks so depressed that I can't help but resume my apologies. ``If
|
||
|
there's anything I can do to pay you back for what I did, you name
|
||
|
it. I really can't tell you how sorry I am, I'll get you a new dog,
|
||
|
whatever you want. I'm sure I{\ldots}could{\ldots}uh{\ldots}''
|
||
|
|
||
|
|
||
|
|
||
|
The look in her eyes when she raises her head is different than
|
||
|
what you'd think a hysterical old woman would have. They're more
|
||
|
intelligent than they were before, those eyes, and they seem to
|
||
|
possess more menace than I assume an old lady like that would be
|
||
|
able to muster.
|
||
|
|
||
|
|
||
|
|
||
|
One bony hand wraps around my throat with otherworldy strength,
|
||
|
choking off the rest of the sentence. She lifts me off my feet,
|
||
|
pulls back, and for a brief moment everything is serene.
|
||
|
|
||
|
|
||
|
|
||
|
Then I hit the wall. I slide down next to the open front door, and
|
||
|
after my eyes uncross and the black in front of my eyes goes away I
|
||
|
use the knob to pull myself up. I check for broken bones and don't
|
||
|
find good news in the ribs area, but other than that I am fine, if
|
||
|
bruised.
|
||
|
|
||
|
|
||
|
|
||
|
``Well, you've got a good arm, I have to give you that.'' I think
|
||
|
over my options, running my tongue over my teeth. I can't hurt her;
|
||
|
she's obviously just possessed by whateve possessed that dog in the
|
||
|
mirror. I have to get the spirit out of her, or incapacitate her,
|
||
|
but I don't know how to perform exorcisms and at her age a gust of
|
||
|
wind could kill her. Although if she's able to throw like that
|
||
|
maybe she's a lot stronger in other ways too. What if I tied her
|
||
|
up?
|
||
|
|
||
|
|
||
|
|
||
|
Something makes my train of thought come to a screeching halt. It
|
||
|
hasn't reached the station, it's gone straight off the tracks.
|
||
|
There were no survivors.
|
||
|
|
||
|
|
||
|
|
||
|
My brain is recieving messages my tongue shouldn't be sending. It's
|
||
|
not finding something that should be there. I grab a polished
|
||
|
silver cup off a table and flash my teeth at my reflection. There's
|
||
|
a black square where there should be a nice little white one.
|
||
|
|
||
|
|
||
|
|
||
|
I've lost a tooth.
|
||
|
|
||
|
|
||
|
|
||
|
This bitch is going to die.
|
||
|
|
||
|
|
||
|
|
||
|
I toss the cup and pull my piece, my finger already on the trigger.
|
||
|
Worse men talk about how their guns sing songs that only ever have
|
||
|
a few notes; that's played out, and anyway my Beretta never saw the
|
||
|
appeal in singing. It yells, and it only ever needs to raise its
|
||
|
voice once to win an argument with someone.
|
||
|
|
||
|
|
||
|
|
||
|
As I aim down the sights at the old girl now barrelling towards me
|
||
|
from accross the room with a horrifying screech, I recall something
|
||
|
about not having ammunition, and I anticipate the empty little
|
||
|
click. Cursing wildly, I hurl the gun at her, and it bounces off
|
||
|
her forehead ineffectively. I reach for the knife strapped to my
|
||
|
leg down at my ankle, but it is too late; she knocks it out of my
|
||
|
hand with one swift strike just as I am bringing it up and it
|
||
|
clatters against the wall. She slams me up against the same patch
|
||
|
of wall that I'd said hello to twenty seconds ago and holds me at
|
||
|
arm's length against the wall, my head more than two feet higher
|
||
|
than hers and my feet off the ground clattering against the wall.
|
||
|
Both hands are wrapped around my neck and I am rapidly losing
|
||
|
oxygen. You need to do something now, I think. Or you're done,
|
||
|
Luke. You're done.
|
||
|
|
||
|
|
||
|
|
||
|
Frantically my hands search for something, anything, to fight her
|
||
|
off with, finding nothing. I'm simply too far off the ground to
|
||
|
reach anything. I turn my head as much as her steel fingers allow,
|
||
|
and through my darkening vision I can barely see an umbrella stand
|
||
|
with one large black umbrella in it. In vain I stretch my left hand
|
||
|
towards the handle, my fingers finding air and then brushing the
|
||
|
handle. I strain as hard as I can as the pain advances and my sight
|
||
|
blackens, and suddenly I have a grip, I grasp it with the very tips
|
||
|
of my fingers, bring it up to my hand. She is laughing now,
|
||
|
piercing and mocking, delighting in her triumph. She doesn't keep
|
||
|
it up for long. I raise the umbrella high above my head then stab
|
||
|
it down into her open mouth and throat, pushing it into her
|
||
|
esophagus as she spits and gurgles, her hands clutching even
|
||
|
tighter at my neck. The handle is just past her teeth, my hand
|
||
|
gripping it firmly even as she bites into my wrist. I use my thumb
|
||
|
to find the release and push it up.
|
||
|
|
||
|
|
||
|
|
||
|
The umbrella is spring operated, the fabric edged with sharp metal.
|
||
|
Her neck evaporates in a cloud of blood and her head shoots up into
|
||
|
the hair, twirling in the air like a basketball and falling to the
|
||
|
ground with I and the rest of her body.
|
||
|
|
||
|
|
||
|
|
||
|
After a while, coughing and wheezing, I push her corpse off of me
|
||
|
and use the blood-soaked umbrella to stand up. As soon as I try to
|
||
|
walk towards the nearest chair, I stumble and trip over her head.
|
||
|
Standing up again, I look back down at the bloody mess on the
|
||
|
carpet and on me. I feel bile rising in my throat, and I turn to
|
||
|
run to the bathroom.
|
||
|
|
||
|
|
||
|
|
||
|
I push past the door and stagger to the sink, where I vomit noisily
|
||
|
and stand for a while, staring into this puddle of my own sick.
|
||
|
After what seems like forever I look up and into my reflection in
|
||
|
the mirror. I am hunched over the sink, my hands still grasping the
|
||
|
sides, my mouth hanging open and a thin trail of vomit hanging from
|
||
|
my lower lip. My eyes are wet with tears from the choking and the
|
||
|
vomiting.
|
||
|
|
||
|
|
||
|
|
||
|
Truly I am a pitiful sight. I give myself a weak smile, as if it
|
||
|
will cheer me up. I can't help but notice that something is off in
|
||
|
my reflection, but I can't think what. Then I tongue the gap where
|
||
|
my tooth used to be. My reflection does not. It still has the full
|
||
|
set.
|
||
|
|
||
|
|
||
|
|
||
|
The reflection straightens its back and wipes the vomit away, dries
|
||
|
its eyes with the sleeve of its shirt, and all I can do is stare in
|
||
|
dumb incomprehension. It is the same short black hair, the same
|
||
|
baby blue eyes, the same trenchcoat, the same man, yet it moves of
|
||
|
its own free will. It is me and yet it is not me.
|
||
|
|
||
|
|
||
|
|
||
|
It has an almost condecending look in its eyes as it reaches down
|
||
|
below the sink, to its ankle. It comes back up, my knife in its
|
||
|
hands, its knife, and I cannot move a muscle.
|
||
|
|
||
|
|
||
|
|
||
|
There is a flash of metal. He cuts through my throat like
|
||
|
cheesecake. The arterial spray gives a good portion of the shitty
|
||
|
green paint job a new coat from the opposite side of the color
|
||
|
wheel. There is a brief sense of motion, and I taste ceramic, my
|
||
|
body thudding to the bathroom floor. I move my mouth wordlessly as
|
||
|
red begins to creep along the grout in between the white tiles. I
|
||
|
hear a shuffle of fabic as my other self steps through the mirror
|
||
|
and lowers himself from the sink to the floor. He steps over my
|
||
|
body, taking care to not step in the advancing pool of blood.
|
||
|
|
||
|
|
||
|
|
||
|
My vision begins to cloud for the last time as he casts the knife
|
||
|
absentmindedly down in front me. It slides to a halt next to my
|
||
|
forehead. He begins to walk towards the front door, then stops,
|
||
|
turns around. He walks cooly back to me, crouches in front of me,
|
||
|
grimacing at the blood that is in danger of soiling the knee of his
|
||
|
pants. He looks me in the eyes, and begins to say something, then
|
||
|
thinks better of it. He does nothing for a second, simply watches
|
||
|
me dying, then reaches over, placing an index and middle finger on
|
||
|
my eyelids, and then he slides them shut.
|
||
|
|
||
|
|
||
|
|
||
|
``Good night, Luke.''
|
||
|
|
||
|
|
||
|
|
||
|
|
||
|
%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
|
||
|
\by{Rummanging}
|
||
|
|
||
|
|
||
|
{\bf Nebulous Cupboard}
|
||
|
|
||
|
|
||
|
|
||
|
This city is my mistress; it is my wife; it is my secretary. All
|
||
|
that one can feel about a city, I feel it about this one, and more.
|
||
|
My best friend. I watch the public stream past my window, like a
|
||
|
river flowing past rocks, the rocks being my small 1 bedroom
|
||
|
apartment, which was by now dirty and neglected.
|
||
|
|
||
|
|
||
|
|
||
|
When I leave for my patrol, I do not check for my gun. It is as
|
||
|
much a part of me as my toenails are of me. I am forced to bring as
|
||
|
well, my cellular phone. In an ideal world, I could never talk to
|
||
|
anybody, and all would be good, but it is not so I must. As the
|
||
|
rickety door rickets behind me as I leave, I cycle though my
|
||
|
address book.
|
||
|
|
||
|
|
||
|
|
||
|
{\em ABE
|
||
|
|
||
|
|
||
|
|
||
|
CYNTHIA
|
||
|
|
||
|
|
||
|
|
||
|
MOM
|
||
|
|
||
|
|
||
|
|
||
|
PIZZA HUT
|
||
|
|
||
|
|
||
|
|
||
|
>DIRECTORIES
|
||
|
|
||
|
|
||
|
|
||
|
>INFO HOTLINE}
|
||
|
|
||
|
|
||
|
|
||
|
I ring for ``Abe'', as I am accustomed to doing. A gruff
|
||
|
New York accent shrieks in my ear.
|
||
|
|
||
|
|
||
|
|
||
|
``Bavarious! Thank Christ you rang, something's not
|
||
|
right, need your help immediately! It's coming for me Luke,
|
||
|
it's COMIII --- ``. I interrupt him. ``Abe,
|
||
|
what is this? Where are You?''. I can tell from the tone of
|
||
|
his voice something isn't right. ``Why didn't you
|
||
|
phone ME if something's wrong!'' I said.
|
||
|
|
||
|
|
||
|
|
||
|
``Dammit Bavarious, I ran out of credit, now get your ass over
|
||
|
here!''. I slapped the phone shut like the jaws of an
|
||
|
overprotective crocodile, and sprinted for Abe's hut. It
|
||
|
would be a long run from here, but I can tell he needed me.
|
||
|
|
||
|
|
||
|
|
||
|
His wooden hut was hidden deep in the forest, the outside seemed
|
||
|
normal, well as normal as it could seem, Abe being an
|
||
|
unconventional character to say the least. In one slick
|
||
|
simultaneuous motion, I kicked the door forcefully, sending the
|
||
|
thing flying inwards, and swept my Beretta up from my ankle
|
||
|
holster, a task made significantly more difficult from the kick.
|
||
|
The lights were all not on, leaving the place shrouded in darkness.
|
||
|
I heard a noise from a closet, and rushed to meet the source. The
|
||
|
thin door was locked, so I shot 6 holes in it, allowing me to see
|
||
|
inside. There was nothing inside but my bullets. I carried on with
|
||
|
my sweep.
|
||
|
|
||
|
|
||
|
|
||
|
The lounge: empty. The kitchen: empty. The bathroom: empty, save
|
||
|
for one poo in the bowl. The Stench was fresh, and strong. Whatever
|
||
|
left this vile gift was still here. I turn my head to check my
|
||
|
countenance in the mirror. I am entranced, until I hear a scream
|
||
|
from upstairs, distinctly Abe. I dart out of the room, and it
|
||
|
lumbers after me, slowly and scarily. I find Abe's shrouded
|
||
|
figure huddled in the corner of a blackened room. ``Abe, is
|
||
|
that you, have you been drinking again? You said you'd
|
||
|
quit{\ldots}'' I enquired. He looked me in the eye, and raised his
|
||
|
other hand. The light was so poor, I could not tell what was in it.
|
||
|
Until he flicked the lighter on. The small light illuminated his
|
||
|
tear soaked face, running down his cheeks, carving streams through
|
||
|
the dirt caked on his face. The dirty rag of material hanging from
|
||
|
the bottle neck became visible. ``I'm sorry
|
||
|
Bavarious'' he whimpered, and before I had the time to react,
|
||
|
to light the rag and tossed the bottle high in the air, shattering
|
||
|
on the ceiling above him. Shards of glass and licks of flame fell
|
||
|
down like hell fire onto his crumpled body. The house was wooden,
|
||
|
and the fire spread like wildfire. ``AAAAABBBBEEEEEEE'' I
|
||
|
cried, crying for the loss of a friend. I was forced to vacate the
|
||
|
house as fast as I could, the flames consuming the hut like the
|
||
|
mouth of Lucifer. Just as I was maybe 20 feet from the hut, it
|
||
|
exploded, sending shrapnel every which way. Something rock hard
|
||
|
struck my head, I hit the floor like a rock, out cold.
|
||
|
|
||
|
|
||
|
|
||
|
Some unknown time later, the black mist tentatively receded from my
|
||
|
vision, allowing me to see. It took moments before I recalled where
|
||
|
I was, and I quickly looked back behind me. Nought but a single
|
||
|
cupboard stood. I crawled to it, my legs too burned to work.
|
||
|
Scrambling through the debris, I reached the un-charred doors,
|
||
|
pock-marked by 6 familiar bullet holes. I tried the doors, now
|
||
|
inexplicably unlocked. As the doors swung open, the bloodied corpse
|
||
|
of a small child fell outwards onto me, still clutching his
|
||
|
teddy-bear. I held the child as he held the bear, desperate for
|
||
|
solace in our final moments. I jerked my head back and screamed to
|
||
|
the heavens, and the skies opened.
|
||
|
|
||
|
|
||
|
|
||
|
|
||
|
%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
|
||
|
\by{antiloquax}
|
||
|
|
||
|
|
||
|
{\bf The Unexpected Shocking Surprise}
|
||
|
|
||
|
|
||
|
|
||
|
Luke Bavarious didn't know why he was called to an abandoned
|
||
|
church. But he had been called. By the man who had killed his
|
||
|
father. And it was the church where his father was murdered.
|
||
|
|
||
|
|
||
|
|
||
|
As he approached the crumbling iron gates of the church, a pale
|
||
|
white boy with black eyes from out of nowhere tugged at his tan
|
||
|
rain jacket.
|
||
|
|
||
|
|
||
|
|
||
|
``Do not go in there, mister,'' said the young boy.
|
||
|
|
||
|
|
||
|
|
||
|
``Nonsense!'' laughed Luke Bavarious haughtily.
|
||
|
|
||
|
|
||
|
|
||
|
``What is in there will destroy you!'' said the young
|
||
|
boy.
|
||
|
|
||
|
|
||
|
|
||
|
Luke Bavarious pulled out his Colt Python and pointed it at the
|
||
|
boys pale white head that was now sweaty with perspiration and
|
||
|
fear. ``I said nonsense,'' said Luke Bavarious.
|
||
|
|
||
|
|
||
|
|
||
|
But fear and bile clung to Luke's throat as he entered the
|
||
|
church. He plunged through the rusty wooden oak doors and reached
|
||
|
for his gun. Then he remembered he was already holding his gun.
|
||
|
Then he crept along the church.
|
||
|
|
||
|
|
||
|
|
||
|
As he tiptoed quietly through the rotting, crumbling church, he saw
|
||
|
that everything was black except for places that were illuminated
|
||
|
by the pale blue light of the moon. It was a full moon. A full moon
|
||
|
just like the night his father died.
|
||
|
|
||
|
|
||
|
|
||
|
At the altar of the church there was a shadow. Luke Bavarious
|
||
|
cocked his pistol and pointed it at the figure. The figure was tall
|
||
|
and intimidating and terrifying. But Luke Bavarious had seen worse
|
||
|
in his time.
|
||
|
|
||
|
|
||
|
|
||
|
``Stop! Show yourself!'' said Luke Bavarious. But the
|
||
|
shadowy figure did not show itself. It was still a shadow.
|
||
|
|
||
|
|
||
|
|
||
|
Blam. That was the sound of Luke Bavarious' gun as he shot
|
||
|
the shadow and killed it. Even in the moonlight, he could see the
|
||
|
glistening red blood shimmer in the moonlight as it spewed upward
|
||
|
and outward and everywhere else and covered the old and rotting
|
||
|
crucifix with gore and rust colored blood.
|
||
|
|
||
|
|
||
|
|
||
|
Luke Bavarious wanted to vomit, but not because of the head that
|
||
|
had exploded and the brains that were on his clothes, but because
|
||
|
he had finally killed the man who had killed his father. The man
|
||
|
who had killed his father had never been caught.
|
||
|
|
||
|
|
||
|
|
||
|
Until that night.
|
||
|
|
||
|
|
||
|
|
||
|
But suddenly the echoing sound of the gunshot was interrupted by
|
||
|
clapping. Clapping hands. Clapping hands of the man who had really
|
||
|
killed Luke Bavarious' father. Luke Bavarius had shot the
|
||
|
wrong man.
|
||
|
|
||
|
|
||
|
|
||
|
``Well done,'' said a voice that belonged to the rough
|
||
|
clapping hands. ``You have passed the test, Luke Bavarious. I
|
||
|
have been waiting for you.''
|
||
|
|
||
|
|
||
|
|
||
|
As Luke Bavarious began to feel the enormity of what he had just
|
||
|
done, the walls begin to spin. Madness and insanity tried to clasp
|
||
|
their hands on Luke's soul and he fell to his knees and
|
||
|
vomited sickly sweet bile and whiskey. His eyes blurred with rage
|
||
|
and tears. And the tears of rage too. And he didn't know what
|
||
|
he could do.
|
||
|
|
||
|
|
||
|
|
||
|
``Luke Bavarious, I killed your father!'' said a mocking
|
||
|
voice.
|
||
|
|
||
|
|
||
|
|
||
|
Blam.
|
||
|
|
||
|
|
||
|
|
||
|
This was not Luke Bavarious' gun. It was the gun of the man
|
||
|
he had just killed.
|
||
|
|
||
|
|
||
|
|
||
|
``What!?'' screamed the voice in the dark.
|
||
|
|
||
|
|
||
|
|
||
|
The man Luke Bavarious thought he had killed was still alive and
|
||
|
had been waiting to shoot the third man who was the man in the
|
||
|
dark.
|
||
|
|
||
|
|
||
|
|
||
|
``No!'' cried the voice in the dark. Luke could see now
|
||
|
and saw that it was the body of his old friend from school who had
|
||
|
grown up with him. Now he was dead. The man who had killed his
|
||
|
father was dead. And so was the other man, who had succumbed to his
|
||
|
injuries.
|
||
|
|
||
|
|
||
|
|
||
|
``Well,'' said Luke Bavarius to no one in particular,
|
||
|
``I should go home.''
|
||
|
|
||
|
|
||
|
|
||
|
As he left, Luke Bavarious again met the pale white boy. But now
|
||
|
the pale white boy was covered in urine and feces because he was
|
||
|
terrified. But what was this? He was also smiling. Smiling the
|
||
|
smiling smile of a child who had lost a battle but won a different
|
||
|
battle.
|
||
|
|
||
|
|
||
|
|
||
|
``Such nonsense you little children believe,'' laughed
|
||
|
Luke Bavarious mockingly.
|
||
|
|
||
|
|
||
|
|
||
|
And Luke left the church forever. But as he left he could feel
|
||
|
someone watching him. It was the eyes of a third man. The man who
|
||
|
had really killed his father.
|
||
|
|
||
|
|
||
|
|
||
|
|
||
|
%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
|
||
|
\by{benitocereno}
|
||
|
|
||
|
|
||
|
{\bf THE BEGINNING} (V2, revised for contest rules!)
|
||
|
|
||
|
|
||
|
|
||
|
Minutes later, to the sound of gunshots, Rogue Davix awoke from his
|
||
|
horrible dream. The lumps, all of the lumps, were nothing more than
|
||
|
a satanic vision. The dreams were always the same. Aliens,
|
||
|
darkness, another world. If he didn't have amnesia maybe he
|
||
|
would have had some clue as to why he was haunted every night. But
|
||
|
it was a dark and dangerous secret, only willing to unlock itself
|
||
|
when he proved himself worthy.
|
||
|
|
||
|
|
||
|
|
||
|
He brushed it off because he was not sleeping well. There were
|
||
|
strange noises outside of his apartment at night. Evil noises.
|
||
|
Noises so black they could snuff out the light of decency in the
|
||
|
strongest of men. He complained several times but no one would take
|
||
|
care of it. That is why he decided to hire Luke Bavarious,
|
||
|
PI.
|
||
|
|
||
|
|
||
|
|
||
|
Rogue jumped out of bed and ran to his window. Luke Bavarious had
|
||
|
unloaded his Beretta into a stumbling ghoul, but the ghoul would
|
||
|
not stop. Luke struggled but was not able to stop the monsters
|
||
|
advances. They were coming towards Rogue's window!
|
||
|
|
||
|
|
||
|
|
||
|
{\em Crash!} The window splintered into a thousand fragments and
|
||
|
flew everywhere. The muscular fighters traded blows. Blood and vile
|
||
|
fluid splattered everywhere. After minutes of fighting it finally
|
||
|
seemed that Luke was the winner- the ghoul fell to the ground and
|
||
|
cocked his head to the side, his bile vomited across the floor.
|
||
|
Luke collapsed to the floor and began to sob, his face disfigured
|
||
|
by the shattered glass and powerful blows delivered by the now
|
||
|
fallen ghoul, the evil merchant of pain. Rogue ran over to help him
|
||
|
up.
|
||
|
|
||
|
|
||
|
|
||
|
``Luke, it's okay, you won.'' Rogue said, trying to
|
||
|
comfort him.
|
||
|
|
||
|
``No, it's just{\ldots} no, I'm one of
|
||
|
them!'' Luke screamed as he looked into a mirrored
|
||
|
fragment.
|
||
|
|
||
|
``No you're not, it's not what you have on the
|
||
|
outside that matters Luke; it's what's on the inside.
|
||
|
And we both know what you are. You're Luke
|
||
|
Bavarious.''
|
||
|
|
||
|
``You{\ldots} you're right. But we can't stay
|
||
|
here.'' He pulled himself together and stood up, triumphantly,
|
||
|
defying the gods trying to keep him down.
|
||
|
|
||
|
|
||
|
|
||
|
Luke was right, outside more sounds began to stir. The ghouls could
|
||
|
smell the evil cocktail of blood and vomit through the broken
|
||
|
window, and they were hungry. Luke handed Rogue his spare
|
||
|
Beretta.
|
||
|
|
||
|
|
||
|
|
||
|
``I hope you know how to use this thing,'' he snarled
|
||
|
through his clenched teeth. Rogue popped the safety off.
|
||
|
|
||
|
|
||
|
|
||
|
The ghouls poured in through the window. Luke kicked open the
|
||
|
apartment door and they both ran to the fire escape.
|
||
|
``We're gonna have to go up!'' Rogue said as he saw
|
||
|
the advancing horde of darkness.
|
||
|
|
||
|
|
||
|
|
||
|
``What's causing this!? Why is this happening?''
|
||
|
Rogue panicked as he fired into the ghouls while climbing the
|
||
|
stairs. His bullets landed in their limbs, barely slowing them
|
||
|
down.
|
||
|
|
||
|
|
||
|
|
||
|
``I don't know, but some people say it's the
|
||
|
Ozone! Without it, people are transforming into these{\ldots}
|
||
|
things! More and more lately! Either that or you just {\em really}
|
||
|
pissed someone off!'' Luke unloaded a clip into the closest
|
||
|
ghoul's skull; brains flew out of the back of its head like a
|
||
|
playdoh press. Images of the horrible dream flashed through
|
||
|
Rogue's head.
|
||
|
|
||
|
|
||
|
|
||
|
They circled the top of the fire escape and stepped onto the
|
||
|
rooftop. Once there Luke turned his trusted Beretta onto the fire
|
||
|
escape itself. {\em Bam, bam, bam,} he shot the retaining bolts
|
||
|
loose. With one swift kick he dislodged the staircase, sending it
|
||
|
and its undead inhabitants to the ground stories below. It was then
|
||
|
that they observed their situation.
|
||
|
|
||
|
|
||
|
|
||
|
The rooftops across the horizon, hundreds of them, were covered in
|
||
|
ghouls. It wouldn't be long until they found a way onto their
|
||
|
roof. The blood red sun rose in the distance, casting the shadows
|
||
|
of the ghouls across the rooftops, giving them an intangible bridge
|
||
|
to their goal. The flesh of Luke Bavarious and Rogue Davix.
|
||
|
|
||
|
Rogue admired his gun with a thousand yard stare.
|
||
|
|
||
|
|
||
|
|
||
|
``Two bullets left{\ldots} I guess we're lucky,'' Rogue
|
||
|
sighed.
|
||
|
|
||
|
``That's two more than we're going to need,''
|
||
|
Luke smirked.
|
||
|
|
||
|
``What do you mean?''
|
||
|
|
||
|
``You saved my life back there when I was ready to throw in
|
||
|
the towel. Now it's time I save yours. You don't remember a thing,
|
||
|
do you?`` Luke paused{\ldots} ''we're getting off of this
|
||
|
planet.'' Luke shot his Beretta into the air, but the bullet
|
||
|
stopped inches from where it left the barrel and resonated with a
|
||
|
metallic thud.
|
||
|
|
||
|
|
||
|
|
||
|
Luke's ship appeared from the naked air, the bullet held in
|
||
|
place by its force field, an impressive blue craft from the
|
||
|
stars.
|
||
|
|
||
|
|
||
|
|
||
|
``Is this{\ldots} the end of Earth?'' Rogue asked.
|
||
|
|
||
|
``No, no son. This is only the beginning.''
|
||
|
|
||
|
|
||
|
|
||
|
Basking in the clarity of the moment, the fog lifted, Rogue grabbed
|
||
|
onto his father's hand as he pulled him into the ship. Luke
|
||
|
hit the burners just as the monsters made their way onto the roof,
|
||
|
turning them into clouds of flying pink mist, their screams silent
|
||
|
against the engines' roar.
|
||
|
|
||
|
|
||
|
|
||
|
They had a lot of zombies to kill, it was time to get to work.
|
||
|
|
||
|
|
||
|
|
||
|
|
||
|
|
||
|
%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
|
||
|
\by{A Child's Letter}
|
||
|
|
||
|
|
||
|
Crap! My previous story had nothing to do with children! So here's
|
||
|
this other one instead:
|
||
|
|
||
|
|
||
|
|
||
|
{\bf Yellow Eyes}
|
||
|
|
||
|
|
||
|
|
||
|
``I'm not lying, Daddy!'' whimpered Kaitilin Axelplax, a six-year old
|
||
|
girl with an admittedly active imagination. ``I promise
|
||
|
you---{\em promise} you---that I saw it again! Saw
|
||
|
{\em them} again!''
|
||
|
|
||
|
|
||
|
|
||
|
Hubert Axelplax smiled his sick and twisted smile while
|
||
|
nonchalantly wiping the rust-colored tobacco drippings oozing down
|
||
|
his chin. Delicately, he set his Coors on ane Igloo cooler doubling
|
||
|
as an end table.
|
||
|
|
||
|
|
||
|
|
||
|
``Kai, what've I told you 'bout {\em lyin',} you little
|
||
|
{\em bitch!''} Without warning---though she knew it was
|
||
|
coming---Hubert, with speed belying his significantly
|
||
|
overweight frame, backhanded Kaitilin, sending her flying into the
|
||
|
wall. She collapsed in a heap, knocking over a floor lamp in the
|
||
|
process.
|
||
|
|
||
|
|
||
|
|
||
|
She stood, fought to find her balance, then, reeling from the blow,
|
||
|
vomited profusely all over the threadbare couch. Rust-colored blood
|
||
|
seeped wistfully from her gashed eyebrow.
|
||
|
|
||
|
|
||
|
|
||
|
``I {\em swear,} Daddy! I saw the thing with yellow eyes! It was in
|
||
|
the mirror!'' Again, she threw up. Hubert took three long strides
|
||
|
towards his daughter's trembling form and unbuckled his belt in one
|
||
|
fluid motion.
|
||
|
|
||
|
|
||
|
|
||
|
``You're {\em just} like her, you know that? Just like that
|
||
|
{\em whore} of a mother of yours!''
|
||
|
|
||
|
|
||
|
|
||
|
He raised the heavy leather strap above his wickedly grinning head
|
||
|
and---
|
||
|
|
||
|
|
||
|
|
||
|
* * *
|
||
|
|
||
|
|
||
|
|
||
|
Luke Bavarious' radio cackled to life: {\em All units, we've got a
|
||
|
10-34 near Forty-second and somewhere near Dyer. Possible 10-45;
|
||
|
10-52.}
|
||
|
|
||
|
|
||
|
|
||
|
Distractedly, Bavarious holstered his Beretta, taking a moment to
|
||
|
admire its clean lines, its intoxicating heaviness.
|
||
|
|
||
|
|
||
|
|
||
|
Suicide would have to wait.
|
||
|
|
||
|
|
||
|
|
||
|
He took one last, long drag on his cigarette, then tossed the
|
||
|
remainder out the window of his car. Baravious picked up his radio
|
||
|
and responded, ``Dispatch, this is Bavarious. I'm in the vinicity;
|
||
|
10-76. I'll check it out. Over.''
|
||
|
|
||
|
|
||
|
|
||
|
{\em 10-4, Bavarious. Out.}
|
||
|
|
||
|
|
||
|
|
||
|
For the first time in a long time, Bavarious smiled. Nothing like
|
||
|
an old fashioned assault with possibly fatalities to enliven the
|
||
|
night. He had to admit it: he liked this work.
|
||
|
|
||
|
|
||
|
|
||
|
Within minutes, Bavarious arrived at his destination. He parked in
|
||
|
an alley and realized he must be the first officer on the scene.
|
||
|
Everything seemed eerily quiet---especially for New York. Like
|
||
|
liquid, with practiced movement, he unholstered his sidearm and
|
||
|
kicked in the door.
|
||
|
|
||
|
|
||
|
|
||
|
The apartment building's lobby was empty. Bavarious involuntarily
|
||
|
shivered, then made his way up the first flight of stairs. As he
|
||
|
walked gingerly through the halls, when he was just outside of
|
||
|
apartment 209, he thought he heard muffled giggling. He realized it
|
||
|
was the only sound he'd heard since entering the structure.
|
||
|
Adopting a professional demeanor, he knocked.
|
||
|
|
||
|
|
||
|
|
||
|
No one answered.
|
||
|
|
||
|
|
||
|
|
||
|
He knocked again and followed with: ``Police! Open up!''
|
||
|
|
||
|
|
||
|
|
||
|
He thought he could faintly make out the sounds of a children's
|
||
|
program, probably coming from a television. The giggling subsided,
|
||
|
replaced with whispered commands. Something ponderous within the
|
||
|
apartment dragged---or was dragged---across the
|
||
|
floor.
|
||
|
|
||
|
|
||
|
|
||
|
Then, silence.
|
||
|
|
||
|
|
||
|
|
||
|
Bavarious was about to knock again when, suddenly, the door opened,
|
||
|
and a little girl---no more than six or seven, answered.
|
||
|
|
||
|
|
||
|
|
||
|
``Hello, Officer!'' she giggled. Bavarious surveyed her quizzically,
|
||
|
noted the poorly bandaged laceration above her eye, then looked
|
||
|
past her into the depths of the apartment's foyer. He thought he
|
||
|
glimpsed something twist subtly in the shadows. He blinked.
|
||
|
|
||
|
|
||
|
|
||
|
``Uh, good evening, Miss. Are your parents home?''
|
||
|
|
||
|
|
||
|
|
||
|
``I don't h---I mean, no, officer, they're not. My mama died
|
||
|
when I was little, and my daddy, he's{\ldots}um{\ldots}he's---''
|
||
|
|
||
|
|
||
|
|
||
|
She seemed to cock her head, as though hearing an inaudible
|
||
|
voice.
|
||
|
|
||
|
|
||
|
|
||
|
``---he's out buying more beer.'' She suppressed a laugh.
|
||
|
|
||
|
|
||
|
|
||
|
``Is he?'' mused Bavarious. ``Miss, what happened to your
|
||
|
forehead?''
|
||
|
|
||
|
|
||
|
|
||
|
Suddenly, the girl's demeanor changed, plunging from sunny to
|
||
|
downright icy.
|
||
|
|
||
|
|
||
|
|
||
|
``Officer, it's past my bedtime. I need to---you need to
|
||
|
leave.''
|
||
|
|
||
|
|
||
|
|
||
|
``Mi---''
|
||
|
|
||
|
|
||
|
|
||
|
``{\em Right} now.''
|
||
|
|
||
|
|
||
|
|
||
|
Though he couldn't explain it, Bavarious sensed an impossible
|
||
|
authority in her voice. An authority that hadn't been there moments
|
||
|
ago. He glanced at her again and thought for a moment her eyes were
|
||
|
glowing, yellow, bending his will to hers. He shook his head and
|
||
|
looked back into the apartment---anything to get away from that
|
||
|
jaundiced gaze! That's when he noticed what appeared to be a
|
||
|
rust-colored trail leading from an overturned Igloo cooler toward
|
||
|
another room in the apartment.
|
||
|
|
||
|
|
||
|
|
||
|
``I'm afraid I can't do that, Miss,'' he intoned as he brushed past
|
||
|
her, intently avoiding her piercing eyes.
|
||
|
|
||
|
|
||
|
|
||
|
Curiously, she said nothing.
|
||
|
|
||
|
|
||
|
|
||
|
His Beretta held out before him, a talisman against the darkness,
|
||
|
he followed the trail into a bathroom. There, in the tub and amid
|
||
|
the stink of beer and feces, lay the body of what Bavarious assumed
|
||
|
was the little girl's father. The man's belt was still clutched in
|
||
|
his hand.
|
||
|
|
||
|
|
||
|
|
||
|
The man's hand was resting on the countertop, a good seven or eight
|
||
|
feet away from the rest of him.
|
||
|
|
||
|
|
||
|
|
||
|
Unable to control his emotions, Bavarious puked all over the fetid
|
||
|
corpse, displacing several flies. As the chunks rolled slowly down
|
||
|
the disemboweled form, giggling erupted from behind him. He
|
||
|
jumped.
|
||
|
|
||
|
|
||
|
|
||
|
``I told you you needed to leave,'' breathed the little girl, whose
|
||
|
eyes had ceased glowing and now positively {\em surged} with
|
||
|
wicked yellow light. He noticed for the first time that her hands
|
||
|
were the color of rust.
|
||
|
|
||
|
|
||
|
|
||
|
Bewitched, Bavarious could do nothing as her arms shimmered and
|
||
|
became a writhing mass of tentacles. He told his brain to send an
|
||
|
impulse to his trigger finger, but it wouldn't obey him. It had a
|
||
|
new master now.
|
||
|
|
||
|
|
||
|
|
||
|
{\em Good night, Officer Bavarious.} projected the little
|
||
|
gi---
|
||
|
|
||
|
|
||
|
|
||
|
{\em Her name is Kaitilin. How do I know that? How d---}
|
||
|
|
||
|
|
||
|
|
||
|
{\em I---yes, good night, Kaitilin. I'll{\ldots}be{\ldots}going{\ldots}now.
|
||
|
If{\ldots}if that's all right{\ldots}}
|
||
|
|
||
|
|
||
|
|
||
|
* * *
|
||
|
|
||
|
|
||
|
|
||
|
Luke Bavarious awoke outside of an apartment building somewhere
|
||
|
near Forty-second Street and Dyer Avenue, sprawled across the hood
|
||
|
of his car. The sun had just begun to rise above the tangled mass
|
||
|
of skyscrapers all around him. His mouth tasted like vinegar, and
|
||
|
he smelled like a slaughterhouse.
|
||
|
|
||
|
|
||
|
|
||
|
``What am I doing here,'' he wondered aloud.
|
||
|
|
||
|
|
||
|
|
||
|
The sun thrust a glinting beam of radiance through a break in the
|
||
|
buildings; it fell with purpose on a second-story window of the
|
||
|
apartments in front him. Following its path, he thought for a
|
||
|
moment he saw two points of yellow light blink, then vanish.
|
||
|
|
||
|
|
||
|
|
||
|
``Weird,'' he muttered.
|
||
|
|
||
|
|
||
|
|
||
|
|
||
|
%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
|
||
|
\by{Decatur Fist}
|
||
|
|
||
|
|
||
|
The Last Night of Luke Bavarious
|
||
|
|
||
|
|
||
|
|
||
|
|
||
|
|
||
|
Check the machine. No missed calls. No word from Davix.
|
||
|
Nothing.
|
||
|
|
||
|
|
||
|
|
||
|
With a sigh that poured from his mouth with a torrent of non-amused
|
||
|
frustration
|
||
|
|
||
|
Luke Bavarious pulled a small slip of paper from his pocket and
|
||
|
wadded it up and tossed it into the waste receptacle with the
|
||
|
precision of a black man that shoots basketball in a Lakers jersey.
|
||
|
As a fan of black culture Bavarious was known for his hoop skills.
|
||
|
They had even saved his life once and then again on another
|
||
|
separate occasion.
|
||
|
|
||
|
|
||
|
|
||
|
Davix was dead, and that was that. There was no sugar coating any
|
||
|
longer. It must have been brutal. When you're surrounded by a
|
||
|
cacophony of death you think about death a lot. Davix had even said
|
||
|
during a haunting and stormy night that he hoped that he would go
|
||
|
in his sleep.
|
||
|
|
||
|
|
||
|
|
||
|
It didn't happen like that. Luke Bavarious could envision in
|
||
|
his head a vision of Davix dying by the hands of that beast.
|
||
|
Bavarious could see the hand of the beast smashing into
|
||
|
Davix' face terribly powerful. It was a bodacious site. One
|
||
|
to be remembered for an eternity of doomsdays.
|
||
|
|
||
|
|
||
|
|
||
|
You need a drink. Clear your mind. Stay on guard.
|
||
|
|
||
|
|
||
|
|
||
|
Something strange had happened earlier today, it was why Luke
|
||
|
Bavarious now had the small piece of paper that he had just wadded
|
||
|
up and thrown away just moments ago before the ticking sounds of
|
||
|
the clock hauntingly swept its hand across the face of the clock
|
||
|
bringing time forward to this moment.
|
||
|
|
||
|
|
||
|
|
||
|
The boy had told him that Davix would die, and Bavarious too if he
|
||
|
didn't listen. Bavarious had laughed a laugh and chortled a
|
||
|
chuckle at the thought of him and Davix going out on the same day.
|
||
|
However, it looked like the boy was batting half of a perfect
|
||
|
batting average now.
|
||
|
|
||
|
|
||
|
|
||
|
He had shown up on Market Street and followed him all the way down
|
||
|
Pine, up West, and finally had the courage to talk to him once
|
||
|
stopping on Center. He was wearing a grey hoodie and seemed to be
|
||
|
no more than 13. He had dark stormy and haunting eyes, and you
|
||
|
could tell he wanted to be taken seriously.
|
||
|
|
||
|
|
||
|
|
||
|
He had a pension for horror and a knack for stories. He claimed to
|
||
|
be the creator and destructor. His name was Biddick. He was to be
|
||
|
taken seriously by all accounts.
|
||
|
|
||
|
|
||
|
|
||
|
Bavarious had told the boy that he didn't have time for him,
|
||
|
and that he needed to leave, but there was a thirst that needed to
|
||
|
be quenched that longed for the answer of why the boy would show up
|
||
|
after following him and then having the balls that were big enough
|
||
|
to make him say such nonsense to him.
|
||
|
|
||
|
|
||
|
|
||
|
The boy told Bavarious he would be sorry. Bavarious ignored him and
|
||
|
ordered a tuna on wheat.
|
||
|
|
||
|
|
||
|
|
||
|
|
||
|
|
||
|
Alone.
|
||
|
|
||
|
|
||
|
|
||
|
The sounds came slowly at first, but then with a quickening of
|
||
|
rapid speed. Claws clawing razor sharp against banana peel soft
|
||
|
skin. There was a sound of terrible nursing. Like wounds being
|
||
|
cauterized by the flame of a thousand dying invalids.
|
||
|
|
||
|
|
||
|
|
||
|
They were here for Bavarious. He laughed a strange giggling laugh
|
||
|
that sounded like a maniac pumping gas into a Ford Fairlane. He
|
||
|
opened the window and let them vomit into the window and take
|
||
|
him.
|
||
|
|
||
|
|
||
|
|
||
|
They took him with a great brutality.
|
||
|
|
||
|
|
||
|
|
||
|
|
||
|
|
||
|
%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
|
||
|
\by{Brolita}
|
||
|
|
||
|
|
||
|
{\bf Mac}
|
||
|
|
||
|
|
||
|
|
||
|
This morning, I woke up to find myself dead.
|
||
|
|
||
|
|
||
|
|
||
|
I don't know how it happened, or why. That's why I'm here. Easy
|
||
|
G's, a dive on the bad side of town. Mac, the guy who runs the
|
||
|
place, is a good friend of mine. Always around to lend an ear.
|
||
|
Tonight, I hope he has two.
|
||
|
|
||
|
|
||
|
|
||
|
My name is Luke. Luke ``Lucky'' Bavarious. I'm a private dick. At
|
||
|
least, I was, before I died. My dad was a cop. A cop that didn't
|
||
|
play by the rules. That's how he died. He broke the rules. Then the
|
||
|
rules broke him.
|
||
|
|
||
|
|
||
|
|
||
|
My dad died when I was 13. He didn't listen to me. I knew the
|
||
|
streets. He thought, because he was old, because he was
|
||
|
experienced, that he knew more about the dark realities of the city
|
||
|
than I did. I tried to warn him. He didn't listen to me.
|
||
|
|
||
|
|
||
|
|
||
|
It was a night just like tonight. Except both of us were still
|
||
|
alive. At least, for now. My dad was called in to investigate a
|
||
|
shooting. Prescott Avenue. The worst street in the worst
|
||
|
neighborhood in the worst city. I remember him drinking when he got
|
||
|
the call. He didn't always drink. Only when he {\em knew}. When he
|
||
|
knew something was going down. When he knew he would be cheating
|
||
|
Death. When he knew that one drink may be his last. He {\em knew}.
|
||
|
And {\em I knew}.
|
||
|
|
||
|
|
||
|
|
||
|
I've blamed myself for my father's death. I've blamed him. I've
|
||
|
blamed the alcohol. I've blamed it all. But the one thing I can't
|
||
|
blame is the person who killed him. I can't do that, because I
|
||
|
don't know who it is. I've spent my life searching for him. I
|
||
|
became a cop, because I thought I could find him. I couldn't. I was
|
||
|
fired for using excessive force on a drunk one day. Served him
|
||
|
right, the swine.
|
||
|
|
||
|
|
||
|
|
||
|
Tonight, maybe, I'll find who I'm looking for.
|
||
|
|
||
|
|
||
|
|
||
|
I breeze into the bar like a shadow. That's pretty much all I am
|
||
|
now. A shadow. A shadow to my father, who is now a shadow himself.
|
||
|
The world is full of shadows, shadows that we don't see until it's
|
||
|
too late. I've been through a lot of crap in my time, seen a lot of
|
||
|
things a sane man would be better off without seeing. Luckily for
|
||
|
me, I'm not a sane man. I guess that's why they call me
|
||
|
Lucky.
|
||
|
|
||
|
|
||
|
|
||
|
Mac's behind the bar. I slam some money down. ``I'll need a strong
|
||
|
one tonight, Mac. Gimme a Screwdriver.'' I wince at the sound of the
|
||
|
word. I killed a man once. Stabbed him through the head with a
|
||
|
screwdriver. Phillips head. Poor Phillip.
|
||
|
|
||
|
|
||
|
|
||
|
Mac pours me a stiff one. ``Rough day?'' He asks. ``I'm just getting
|
||
|
started,'' I say, lighting up a cigarette. Red Apples. Menthol. It
|
||
|
stings like fibreglass, and I almost want to vomit. I take a drink
|
||
|
to cool down my throat. ``Mac,'' I say, my hands shaking, ``I'm
|
||
|
dead.''
|
||
|
|
||
|
|
||
|
|
||
|
Mac looks up at me. To my astonishment, he's not surprised. He
|
||
|
knows.
|
||
|
|
||
|
|
||
|
|
||
|
``I know,'' he says. ``I'm the one that killed you.''
|
||
|
|
||
|
|
||
|
|
||
|
My shaking hands curl into shaking fists. Mac. My friend. My
|
||
|
brother. My killer. I lunge across the bar. ``You ROTTEN MURDERER!''
|
||
|
I scream at him. I can't think. I can't breathe. My cigarette falls
|
||
|
out of my mouth.
|
||
|
|
||
|
|
||
|
|
||
|
I grab his neck. From my holster, I pull my baretta.
|
||
|
|
||
|
|
||
|
|
||
|
I don't even hear him laughing as I pull the trigger.
|
||
|
|
||
|
|
||
|
|
||
|
|
||
|
|
||
|
%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
|
||
|
\by{nmg}
|
||
|
|
||
|
|
||
|
{\bf The Horrid in the Arcade}
|
||
|
|
||
|
Bavarius woke with a startle. He had a hangover from the 3 Coors
|
||
|
beers he drank last night to help him relax and his head was
|
||
|
horrific with vomit and pain. Suddenly he remembered what happened
|
||
|
yesterday. It was his worse case yet ever.
|
||
|
|
||
|
|
||
|
|
||
|
It all started yesterday when he got a telephone call from the
|
||
|
Chief. ``Bavarius I need you to go down to the arcade to investigate
|
||
|
a noise complaint'' he said. ``OK'' said Bavarius.
|
||
|
|
||
|
|
||
|
|
||
|
His head and heart pounding like a drill, Bavarius loaded a clip
|
||
|
into his Barretta and fingered the safety. Nervously he went to his
|
||
|
Chevy Camero and hit the ignition. He punched the gas then realized
|
||
|
his car needed more gas. ``That's fine'' he thought. I have enough
|
||
|
gas to make it to the arcade.
|
||
|
|
||
|
|
||
|
|
||
|
He peeled out of his driveway and sped down the street doing 55
|
||
|
miles per hour. Suddenly he arrived at the arcade. He opened the
|
||
|
door and went inside expecting what he did not find. Instead he
|
||
|
found what he did not expect to find. What he found was a horrific
|
||
|
site.
|
||
|
|
||
|
|
||
|
|
||
|
Blood and vomit and tears streaked the walls and the Space
|
||
|
Invaders. There were kids bodies laying everywhere, torn apart and
|
||
|
still bleeding blood. ``Who could do this.'' thought Bavarius. ``I am
|
||
|
going to catch who did this and find out how he could do this.'' So
|
||
|
he looked around.
|
||
|
|
||
|
|
||
|
|
||
|
Suddenly he heard a movement. It sounded like wet vomit scraping on
|
||
|
sand paper. In a flash he drew his Baratta and loaded a clip. Then
|
||
|
he spun around to face the noise. ``Whoever you are, I have a Bereta
|
||
|
and know how to use it, scum.'' he said.
|
||
|
|
||
|
|
||
|
|
||
|
Suddenly he saw movement. A man or what was once a man or woman
|
||
|
came dashing out from behind Missile Command. ``OUT.. OF..
|
||
|
CREDITS..!!!'' it screeched in a slow southern drawl. ``No monster,
|
||
|
you're out of life'' said Bavarius as he squeezed the trigger
|
||
|
rapidly and deliberately.
|
||
|
|
||
|
|
||
|
|
||
|
One shot to the head, two in each hand, and one in the heart for
|
||
|
good measure. Also he shot the thing in the legs and nose.
|
||
|
|
||
|
|
||
|
|
||
|
The woman howled and fell back then started licking up blood and
|
||
|
vomit. It seemed to give him strength. So Bavarius emptied the rest
|
||
|
of his clip into the thing's head then reloaded. He blew out her
|
||
|
brains so bad that it exploded in a cloud of vomit and regret.
|
||
|
She's not coming back from that, he thought to himself. Frozen with
|
||
|
guilt, the man slowly began to run.
|
||
|
|
||
|
|
||
|
|
||
|
Then he called the Chief and said ``cased closed.'' as he walked out
|
||
|
to his Camarro. He tried to start it but it was out of gas so he
|
||
|
walked to the gas station and bought some gas and put it in a gas
|
||
|
can then walked back and filled up his car with gas.
|
||
|
|
||
|
|
||
|
|
||
|
|
||
|
|
||
|
%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
|
||
|
\by{Ghost Hat}
|
||
|
|
||
|
|
||
|
EDIT: Shit, I didn't see the note on using Luke Bavarious. Gonna
|
||
|
write another one.
|
||
|
|
||
|
|
||
|
|
||
|
{\bf Invisible Monsters}
|
||
|
|
||
|
|
||
|
|
||
|
Nobody could see! Nobody could see! It was a nightmare. Abby ran
|
||
|
for her life, as hard as she possibly could. What else was there to
|
||
|
do when a monster was chasing you? Her lungs gasped for air already
|
||
|
and her limps burned with exhaustion, but that thing didn't even
|
||
|
breath hard.
|
||
|
|
||
|
|
||
|
|
||
|
It wasn't the monster chasing her that frightened her the most
|
||
|
though. It was the fact that she was the only one who could see
|
||
|
it.
|
||
|
|
||
|
|
||
|
|
||
|
Lurking about the corners. Hiding in the shadows. She thought it
|
||
|
was her imagination. She thought she had been going insane. They
|
||
|
said you showed the first signs of schizophrenia when you became a
|
||
|
teenager. But then, it must have slipped up, for she had seen it
|
||
|
squarely, with both eyes. What's more, it knew.
|
||
|
|
||
|
|
||
|
|
||
|
And then it gave chase.
|
||
|
|
||
|
|
||
|
|
||
|
Down the sidewalks, across the streets despite the busy roads. She
|
||
|
must have been nearly killed five times by squealing cars. She
|
||
|
barely kept herself from tripping several times down the steep
|
||
|
hills. And still it chased her, it seemed to like watching her run.
|
||
|
Enjoying itself perhaps. It loped in plain sight.
|
||
|
|
||
|
|
||
|
|
||
|
But only she saw! Only Abby saw the monster. Everybody else saw a
|
||
|
crazed girl running through the streets, no thought for her own or
|
||
|
others' safety. How did Abby know this? Nobody had believed her
|
||
|
when she said she was seeing things. Nobody screamed and ran
|
||
|
despite the fact a monster ran loose upon the same streets. Maybe
|
||
|
she {\em was} crazy, but she wasn't going to stop long enough to
|
||
|
find out.
|
||
|
|
||
|
|
||
|
|
||
|
How she had wished she had paid better attention! Though even if
|
||
|
she had spotted the creature earlier she would not have known how
|
||
|
to defend herself against it. It had been following her for weeks
|
||
|
though. Weeks in which some shadowy thing had been watching her,
|
||
|
plotting against her{\ldots}
|
||
|
|
||
|
|
||
|
|
||
|
No time! Abby ran.
|
||
|
|
||
|
|
||
|
|
||
|
``You stupid kid!'' some guy screamed as Abby swerved past him. The
|
||
|
streets were full of people, making it hard for Abby to run at full
|
||
|
speed. She had to slow to dive and jump between and around them.
|
||
|
And there were carts everywhere. The beast! The beast was catching
|
||
|
up! Run! Run!
|
||
|
|
||
|
|
||
|
|
||
|
An alleyway. Not a place she would normally go. That's wear drug
|
||
|
addicts and homeless people hung out, but it meant there would be
|
||
|
no people. No people meant no obstacles. Abby ra! She ran down the
|
||
|
alleyway.
|
||
|
|
||
|
|
||
|
|
||
|
It took a moment for Abby to realize her mistakes. People might
|
||
|
have noticed if the monster had jumped her in front of them. Even
|
||
|
if they couldn't see it, they would see that something wrong with
|
||
|
her. With no people around, it could kill her in privacy. That was
|
||
|
her first mistake. The other was that this alley ended with a brick
|
||
|
wall. 10 feet high.
|
||
|
|
||
|
|
||
|
|
||
|
{\em Oh no,} Abby thought, gasping for breath so hard she couldn't
|
||
|
speak. She had enough to scream however. She felt the wind rushing
|
||
|
by as the monster swooped in on wings of black. So close now that
|
||
|
she could see purple in those leathery wings. So close she could
|
||
|
see its gleaming yellow eyes. No pupils. Just shimmering metallic
|
||
|
yellow.
|
||
|
|
||
|
|
||
|
|
||
|
It swooped in and landed with a great gust of wind on the cement
|
||
|
ground. It stood on two legs, like a man. But it was no man. Abby
|
||
|
was suddenly trapped between the brick wall and it. And then it
|
||
|
opened its mouth wide and inside it were hundreds of sharp, silver
|
||
|
teeth. It hissed and Abby screamed as it bent forth to devour
|
||
|
her.
|
||
|
|
||
|
|
||
|
|
||
|
Another rush of air, but from behind the creature. A sudden blur
|
||
|
and then the creature was on the ground, wings spread flat. It
|
||
|
screamed a terrible scream and Abby covered her ears in terror.
|
||
|
Animal instincts took over and she hid behind a dumpster, eyes
|
||
|
squeezed shut, hands clamped over ears. She would never leave this
|
||
|
place. She would stay, stay and hide forever.
|
||
|
|
||
|
|
||
|
|
||
|
She did not see what had overcome the creature. All a blur. She did
|
||
|
not see the man who had saved her until he tapped her on the
|
||
|
shoulder, and then pulled her out much to her horror. It had to be
|
||
|
that creature! That awful creature!
|
||
|
|
||
|
|
||
|
|
||
|
``Agggh!'' she screamed as loudly as she could. Abby writhed and
|
||
|
tried to break free, still blind. Still crazy. Still insane with
|
||
|
fear.
|
||
|
|
||
|
|
||
|
|
||
|
``Stop crying. You've been saved,'' said a voice. Abby
|
||
|
looked up, blinking heavy tears from her eyes, and found a man. An
|
||
|
ordinary man.
|
||
|
|
||
|
|
||
|
|
||
|
Abby was silent, just staring in disbelief. Just a man. And behind
|
||
|
him. Nothing. The creature was suddenly gone. As if it had never
|
||
|
been there in the first place. She panted, sweating, hair a mess,
|
||
|
skin as white as snow. Just a man. And yet. ''You saw it? You saw
|
||
|
it?" she hissed, horrified for what the answer could be.
|
||
|
|
||
|
|
||
|
|
||
|
``Of course I did,'' the man said in a voice as soothing
|
||
|
as butter. ``And it's gone now. It will never bother you
|
||
|
again.''
|
||
|
|
||
|
|
||
|
|
||
|
Abby gave a choke of laughter and could not help but hug the man,
|
||
|
her entire body trembling. The ordinary man reciprocated with one
|
||
|
arm, his other sliding towards his back pocket. He thought, in a
|
||
|
distant sort of way, that the child in his arms was warm. But the
|
||
|
blood from her throat would be warmer.
|
||
|
|
||
|
|
||
|
|
||
|
|
||
|
|
||
|
%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
|
||
|
\by{SummerGlaucoma}
|
||
|
|
||
|
|
||
|
{\em my entry}:
|
||
|
|
||
|
|
||
|
|
||
|
[AUTHOR'S NOTE: It will rapidly become clear that I do not know
|
||
|
anything about the Army, except that the food is bad and the
|
||
|
soldiers are awesome and protect my worthless ass and my right to
|
||
|
write goony stuff like the forgoing.]
|
||
|
|
||
|
|
||
|
|
||
|
|
||
|
|
||
|
{\bf {\em BAVARIOUS REASONS}}
|
||
|
|
||
|
|
||
|
|
||
|
|
||
|
|
||
|
|
||
|
|
||
|
I am stuck here, in this place of must and yellowed paper. The
|
||
|
place holds over my face a page, a urine-stained billow. My mouth,
|
||
|
a tool of evil and destruction, vomits bile, blood and
|
||
|
giggles.
|
||
|
|
||
|
|
||
|
|
||
|
{\em Who am I?} I thought, trying to hug the thought as hard as
|
||
|
humanly possible.
|
||
|
|
||
|
|
||
|
|
||
|
{\em Who am I? Who amI? whoami?whoamiwhoam--}
|
||
|
|
||
|
|
||
|
|
||
|
|
||
|
|
||
|
My name is Luke Bavarious. I'm a cop. I like the work.
|
||
|
|
||
|
|
||
|
|
||
|
I have a barrette. I keep it with me in case I've got to put up my
|
||
|
1990s supercop hockey mullet and think real hard.
|
||
|
|
||
|
|
||
|
|
||
|
I'm thinking now. What kind of name is Bavarious? It is the steam,
|
||
|
the steam from the Fatherland's best beer region? And why Luke?
|
||
|
Cool hands, warm heart? Or do I walk in the sky, over to
|
||
|
GRAN-ND-PA's arms, my left leg caught, with my seven-league boots,
|
||
|
in The Barn?
|
||
|
|
||
|
|
||
|
|
||
|
I know we all in this book live in a library basement. Our book is
|
||
|
next to some new kind of backwards comic book from Japan.
|
||
|
|
||
|
|
||
|
|
||
|
When it rains, The Artists' ink runs and lets us visit, and let me
|
||
|
tell you, it's nice to get a furlough -- Okay, fine, that kid who
|
||
|
made us didn't specify breaks. I'm AWOL most of the time. So sue
|
||
|
me! -- in the more -- ahem! -- adult, of those comics. That kid
|
||
|
didn't make any single dames.
|
||
|
|
||
|
|
||
|
|
||
|
Bavarious. Hmf. I don't even know what continent my people live on.
|
||
|
Maybe it's a cover name.
|
||
|
|
||
|
|
||
|
|
||
|
Bavarious.
|
||
|
|
||
|
|
||
|
|
||
|
Bavarious.
|
||
|
|
||
|
|
||
|
|
||
|
Bavarious.
|
||
|
|
||
|
|
||
|
|
||
|
An idea sneaks into my head, slashing its way in through my waxy
|
||
|
ear canal.
|
||
|
|
||
|
|
||
|
|
||
|
I am emitting an evil smirk.
|
||
|
|
||
|
|
||
|
|
||
|
I need to borrow something from Ken-wa over there in Samurai
|
||
|
Land.
|
||
|
|
||
|
|
||
|
|
||
|
{\bf NEXT WEEK, IRAQ, BEN'S P.O.V.}
|
||
|
|
||
|
|
||
|
|
||
|
My name is Ben Biddick. I'm a soldier. Do I like my work? Well,
|
||
|
that depends. I don't like gritty food. I don't like being away
|
||
|
from my parents (they're great -- I'll have to tell you some time
|
||
|
when we get a weekend pass about the time I wrote a book of crappy,
|
||
|
embarrassing stories, and they got it published with this vanity
|
||
|
press! Nope. No shit. None here, anyway). But I am proud of what
|
||
|
I'm doing here, for the Iraqi people, and for the freedoms I
|
||
|
love.
|
||
|
|
||
|
|
||
|
|
||
|
Besides, you guys are the tightest buds I could ever wish for. Shut
|
||
|
up, Johnston! Yeah, well, you too!
|
||
|
|
||
|
|
||
|
|
||
|
Oh, rad! Mail call!
|
||
|
|
||
|
|
||
|
|
||
|
It's a package from that Internet forum that told me about how they
|
||
|
loved my stories. Yeah! I'll show you guys later. It's rad.
|
||
|
|
||
|
|
||
|
|
||
|
Weird. Oh, well. I guess the only copy that Abe dude could find was
|
||
|
this soggy thing. I guess it'll dry out pretty fast here once I
|
||
|
take off the bubble wrap.
|
||
|
|
||
|
|
||
|
|
||
|
Why do I feel so -- uneasy?
|
||
|
|
||
|
|
||
|
|
||
|
What was that flicker -- did Abe put some confetti in with this?
|
||
|
Awesome!
|
||
|
|
||
|
|
||
|
|
||
|
{\em But confetti doesn't wear its hair in a blond, barretted
|
||
|
ponytail.
|
||
|
|
||
|
|
||
|
|
||
|
Good Christ--} (he thought)
|
||
|
|
||
|
|
||
|
|
||
|
No, Johnston! Only {\em your} mom sends nudes. My mom is a
|
||
|
saint.
|
||
|
|
||
|
|
||
|
|
||
|
{\em Yeah? Well, you'd look worried, too. If--}
|
||
|
|
||
|
|
||
|
|
||
|
[a small figure darts towards me, swinging the hundred-times-folded
|
||
|
Kyoto steel with maniacal glee]
|
||
|
|
||
|
|
||
|
|
||
|
Luke Bavarious?
|
||
|
|
||
|
|
||
|
|
||
|
``Why yes{\ldots}! ''
|
||
|
|
||
|
|
||
|
|
||
|
But, Luke: How-- Why do you even {\em own} a katana?
|
||
|
|
||
|
|
||
|
|
||
|
``For Bavarious Reasons!''
|
||
|
|
||
|
|
||
|
|
||
|
Look there! {\em I am pointing to the page. A -- How did a he-she
|
||
|
from Japan get there? A he-she with a Samurai House's
|
||
|
medallion--?!}
|
||
|
|
||
|
|
||
|
|
||
|
Luke says some magic words in some prehistoric Asian language,
|
||
|
pointing the sword at me.
|
||
|
|
||
|
|
||
|
|
||
|
I started to shrink and grow more illustrationlike.
|
||
|
|
||
|
|
||
|
|
||
|
I am drawn to the page, as much as I was when I was a kid. But for
|
||
|
not the same reasons. The child walks towards the page. I am
|
||
|
little. I am dressed in the same faux-b-baller shit I dressed in as
|
||
|
a little kid. I am a G.I. Joe-sized High-Topped Son of a
|
||
|
Bitch.
|
||
|
|
||
|
|
||
|
|
||
|
Bavarious is full size now and god is he ugly as a real human. ``I'm
|
||
|
Luke Bavarious,'' he says to my buddies, ``and I'm a cop. Now, let's
|
||
|
see about this noise disturbance -- Where's this horrid Al Q.
|
||
|
Aida?''
|
||
|
|
||
|
|
||
|
|
||
|
Amid the predictable laughter, I hear the Simoom begin to blow. The
|
||
|
book slams shut.
|
||
|
|
||
|
|
||
|
|
||
|
My name is Ben Biddick. I'm a cop. I like my work.
|
||
|
|
||
|
|
||
|
|
||
|
|
||
|
|
||
|
Suddenly, I was sobbing.
|
||
|
|
||
|
|
||
|
|
||
|
|
||
|
%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
|
||
|
\by{LesterGroans}
|
||
|
|
||
|
|
||
|
{\bf Dream Hyena: A Bavarius Tale}
|
||
|
|
||
|
|
||
|
|
||
|
Luke Bavarius checked his watch and rolled his eyes as the radio
|
||
|
vomited some Stones track that the kids listened to these days. He
|
||
|
tapped his foot mindlessly on the gas pedal and honked his horn
|
||
|
again.
|
||
|
|
||
|
|
||
|
|
||
|
``Dammit, woman,'' he mumbled to himself. His ex-wife had promised to
|
||
|
have their kid waiting for them when he got there. It would be the
|
||
|
first time he'd see the little brat in weeks. It was hard being a
|
||
|
cop, even harder having a home life when you were one.
|
||
|
|
||
|
|
||
|
|
||
|
Bavarius grunted like an ape and got out of his Camaro, rounding it
|
||
|
to the suburban sidewalk and up the stone walkway to Carrie
|
||
|
Bavarius's bungalow. He knocked on the door.
|
||
|
|
||
|
|
||
|
|
||
|
``Let's go, champ. Kids who are late don't get ice cream,'' Bavarius
|
||
|
called through the door. Still no answer.
|
||
|
|
||
|
|
||
|
|
||
|
A thick, meaty thumping came from inside, like a pudding-stuffed
|
||
|
side of beef was being smacked against a milk bag. Bavarius
|
||
|
furrowed his expansive brow and rubbed his chin, stubbled and
|
||
|
gritty like the streets he swore to protect.
|
||
|
|
||
|
|
||
|
|
||
|
He kicked the door in, it splintered against the far wall. His
|
||
|
Baretta was out faster than a synapse as he lunged into the
|
||
|
foyer.
|
||
|
|
||
|
|
||
|
|
||
|
There were smears of body ketchup leading down the hall. Bavarius's
|
||
|
eyes narrowed, he started to sweat.
|
||
|
|
||
|
|
||
|
|
||
|
``Carrie?! Lukie Junior?!'' He called out, steadying his firing hand
|
||
|
as he moved down the hall. The walls were streaked with scratch
|
||
|
marks. There were gouges in the wall up to an inch deep -- two
|
||
|
inches in some places. Three inches in others.
|
||
|
|
||
|
|
||
|
|
||
|
As he passed a four inch deep scratch mark he rounded the corner
|
||
|
and there, at the end of the hall, was a thing that could only be
|
||
|
described as a dream hyena. It was on two legs, a scorpion tail
|
||
|
jutting from its distended, mangy belly, wiggling towards Bavarius.
|
||
|
Its jaw hung loose, almost broken, vomiting sickly metal smelling
|
||
|
saliva onto the floor, ruining the hardwood. Its eyes were gone, in
|
||
|
their place were throbbing boils of pus, what looked like a
|
||
|
cockroach had been stuck in the festering eye-wound, its leg
|
||
|
twitching out the side of it.
|
||
|
|
||
|
|
||
|
|
||
|
The sharp scorpion tail had made fast work of Carrie, dicing her
|
||
|
body into so many pieces. Her entrails hung from sconces, the dream
|
||
|
hyena was wearing her hands on the top of its heads like the horns
|
||
|
of Pan.
|
||
|
|
||
|
|
||
|
|
||
|
Bavarius gulped, his adam's apple bobbing. He took a stance and
|
||
|
made sure his voice was steady before calling out, ``You're under
|
||
|
arrest!''
|
||
|
|
||
|
|
||
|
|
||
|
The dream hyena didn't respond. It lurched forward, its legs moving
|
||
|
awkwardly, its clawed hands dicking gouges into the wall, the pads
|
||
|
of its feet squeaking on the glugging, bubbling blood bile that
|
||
|
spewed from Carrie's severed throat. It was already scabbing in
|
||
|
gobs around her neck{\ldots} not the kind of necklace she used to pester
|
||
|
Luke for, that's for sure.
|
||
|
|
||
|
|
||
|
|
||
|
``Where's Lukie?'' Bavarius asked, holding his ground as the thing
|
||
|
lurched again, the umbilical scorpion tail wiggling hypnotically.
|
||
|
Bavarius smirked, ``You don't scare me{\ldots} bringing in punks like you
|
||
|
is my Baretta and butta!''
|
||
|
|
||
|
|
||
|
|
||
|
He opened fire, ripping apart the dream hyena's belly. It hissed as
|
||
|
it vomited disgusting, rotten entrails and a thick gaseous smell
|
||
|
like someone had run over a dead raccoon in a lawnmower.
|
||
|
|
||
|
|
||
|
|
||
|
The dream hyena fell to the floor and darkness flooded over
|
||
|
Bavarius. He blinked, stepping back, dropping his gun. What was
|
||
|
going on?
|
||
|
|
||
|
|
||
|
|
||
|
When he opened his eyes he looked at the floor in front of him.
|
||
|
Little Lukie Bavarius lay holding in his guts as they tried to
|
||
|
snake out of his grasp like loose Swedish sausages.
|
||
|
|
||
|
|
||
|
|
||
|
Bavarius's neck was thick with corded veins, his eyes so wide they
|
||
|
almost blew out of their sockets. He dropped down beside Lukie,
|
||
|
cradling him in his arms, hearing the plopping splash of more guts
|
||
|
tumbling from Lukie's belly.
|
||
|
|
||
|
|
||
|
|
||
|
``Daddy?'' Lukie looked up, his pale face round and innocent. He
|
||
|
looked so wise now. ``I just wanted to see you more, daddy? Y-You
|
||
|
always said you were too busy finding the bad men{\ldots} I-I thought
|
||
|
maybe you'd come if you had one to find here{\ldots}''
|
||
|
|
||
|
|
||
|
|
||
|
Lukie's lower half tore off like wet tissue as Bavarius tried to
|
||
|
pick him up. He held his son's top half like a broken pinata and
|
||
|
sobbed into his son's collar.
|
||
|
|
||
|
|
||
|
|
||
|
This was a helluva thing.
|
||
|
|
||
|
|
||
|
|
||
|
|
||
|
%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
|
||
|
\by{murdered by owls}
|
||
|
|
||
|
|
||
|
Think turgid Ben Biddick fan fiction written by Franz Kafka.
|
||
|
|
||
|
|
||
|
|
||
|
{\bf The One Act Remaining To Me In This World}
|
||
|
|
||
|
|
||
|
|
||
|
I'm not sure how it is possible for me to sit here, outwardly
|
||
|
so calm, while a tornado is whipping around inside my brain,
|
||
|
flinging emotions about like bits of debris left over from an
|
||
|
explosion in a sex shop. The definition of surreal: digging dildo
|
||
|
shards out of your ears{\ldots} if only metaphorically.
|
||
|
|
||
|
|
||
|
|
||
|
I glance out the window of the break room of the factory where I
|
||
|
work, and notice that the moon is full, gravid with cold
|
||
|
purple-white light. Why does it seem to be calling me? I want to
|
||
|
understand what it is trying to tell me. I know it's telling
|
||
|
me something, if only I could hear it through the endless,
|
||
|
soundless muttering of a million dying souls. They're everywhere.
|
||
|
Their sighs fill my head like a swarm of crocheted bees.
|
||
|
|
||
|
|
||
|
|
||
|
My coffee is very hot, and tastes of metal, or perhaps the tears of
|
||
|
molested children. I'm not sure why that comes to mind. How
|
||
|
would I know what molested child tears taste like? A trivial
|
||
|
mystery to which I am unlikely ever to find an answer{\ldots}
|
||
|
|
||
|
|
||
|
|
||
|
There is a part of me, deep inside, that is like a tiger with
|
||
|
foot-long blades for claws, and it wants to attack and rip and
|
||
|
destroy this violent feeling of whirligig that raves and rages and
|
||
|
rapes the rest of my brain like a lunatic conquistador. But the
|
||
|
tiger cannot fight an opponent so vague and ephemeral. It's
|
||
|
like trying to grapple with a fart, or wage war against a cloud of
|
||
|
gnats armed only with a Beretta or a bag of tulips.
|
||
|
|
||
|
|
||
|
|
||
|
A solemn fog has grown out of the river just to the north of us,
|
||
|
and it is as though someone has thrown a gray blanket across the
|
||
|
fields surrounding the factory. The moon looks down on all this,
|
||
|
benign, but also wild and terrible, the face of a pagan goddess
|
||
|
with a cold and clear eye. This is somehow comforting.
|
||
|
|
||
|
|
||
|
|
||
|
Two of my fellow night shift machine operators walk in the room,
|
||
|
get their coffee and candy bars, and sit down at the other side of
|
||
|
the room, not speaking a word. We ignore each other testily. The
|
||
|
silence between us is a sacred bond, unrelenting, immutable. It is
|
||
|
more than just mute testimony to our deep and abiding wariness, it
|
||
|
is a black and shapeless ocean, seeming to drown the words we do
|
||
|
not speak.
|
||
|
|
||
|
|
||
|
|
||
|
It is all right; I have grown indifferent.
|
||
|
|
||
|
|
||
|
|
||
|
As I pick up the sports page from the table, I feel a sudden surge
|
||
|
of terror, coming from nowhere and everywhere, as if I had been
|
||
|
shaving in front of the bathroom mirror and seen a reflection of
|
||
|
the tiger streaking towards the back of my neck with deadly, fluid
|
||
|
speed, claws outstretched to rend and destroy.
|
||
|
|
||
|
|
||
|
|
||
|
Outside, I show nothing.
|
||
|
|
||
|
|
||
|
|
||
|
I sip my coffee.
|
||
|
|
||
|
|
||
|
|
||
|
My cock is hard as steel.
|
||
|
|
||
|
|
||
|
|
||
|
Ten minutes later, I am once again at the controls of my machine.
|
||
|
It vomits polyurethane airmail envelopes in an endless stream. The
|
||
|
stink of burning hot melt has settled into my clothing, and can be
|
||
|
sensed faintly anywhere I go, like the ghost of cheap aftershave on
|
||
|
a shirt the day after a date. Here, in the factory, the odor is
|
||
|
strong and almost palpable, with a kind of chewy, yellow
|
||
|
resonance.
|
||
|
|
||
|
|
||
|
|
||
|
My bagger stands at the far end of the monolithic, hissing metal
|
||
|
apparition and collects the envelopes as they are expectorated by
|
||
|
the machine onto a small table. He executes a kind of dance, the
|
||
|
steps repeating every thirty seconds or so. He watches the counter
|
||
|
over the cutter bar, and when it reaches 100, he snatches the pile
|
||
|
out from under the next envelope with greedy, clutching fingers and
|
||
|
slams it into the cardboard flat he has prepared. He folds the top
|
||
|
over, slaps a strip of tape over the seam, and stamps the side with
|
||
|
the date and shift, all in one long, fluid movement. He bends and
|
||
|
twirls, deftly slipping the flat into a bigger box on a pallet.
|
||
|
Then he returns to the table at the end of the machine and prepares
|
||
|
another flat with economical, practiced motions, and places it
|
||
|
before him, ready to enshroud the next stack of the machine's
|
||
|
ejecta. Waiting the next few seconds for the next stack to be
|
||
|
ready, he waits completely motionless, head down, his hands spread
|
||
|
out before him on the table.
|
||
|
|
||
|
|
||
|
|
||
|
I watch him carefully out of the corner of my eye as I run my
|
||
|
machine, and I wonder if he knows he is dancing. Could his
|
||
|
insensate eyes, half-closed and empty, simply be looking within,
|
||
|
seeing himself on some shadowy stage upon which he turns and
|
||
|
leaps?
|
||
|
|
||
|
|
||
|
|
||
|
Actually, I think he's dead, and like a freshly decapitated
|
||
|
chicken, he just hasn't noticed it yet. He's dancing,
|
||
|
all right, but it's the same kind of dance a fresh corpse
|
||
|
executes at the end of a rope after dropping through the trap door.
|
||
|
The ballet of the damned.
|
||
|
|
||
|
|
||
|
|
||
|
When the sun comes up outside, near the end of the shift, it always
|
||
|
seems to me like the whole factory and the buildings and fields
|
||
|
that surround it have been cruising all night through another
|
||
|
dimension, like a spaceship that goes through some kind of time
|
||
|
warp and then reemerges, unharmed and unchanged, at the exact
|
||
|
moment from which it departed. Nothing has changed in the world of
|
||
|
our origin, nothing has changed in our isolated pocket of reality,
|
||
|
but we have gone somewhere and come back nonetheless.
|
||
|
|
||
|
|
||
|
|
||
|
I know that when I leave the factory and drive home in my car, I
|
||
|
will feel like an unknown astronaut quietly and without fanfare
|
||
|
returning home after spending years alone in my ship. I will listen
|
||
|
to the sound of no crowds cheering and watch as no tickertape falls
|
||
|
to celebrate my arrival as I drive through still-slumbering
|
||
|
streets.
|
||
|
|
||
|
|
||
|
|
||
|
I am home, but I am still isolated and alone.
|
||
|
|
||
|
|
||
|
|
||
|
When I walk out the front door, the fog is still there. It writhes
|
||
|
its way down the length of the river, enclosing and concealing it
|
||
|
entirely. I idly speculate that there could be some strange things
|
||
|
going on in there, and nobody would ever know.
|
||
|
|
||
|
|
||
|
|
||
|
Anything could be hiding down there.
|
||
|
|
||
|
|
||
|
|
||
|
There's nothing there, of course. It's just idle
|
||
|
speculation.
|
||
|
|
||
|
|
||
|
|
||
|
I throw a rock down there as I walk past, just to be sure.
|
||
|
|
||
|
|
||
|
|
||
|
Nothing happens. I stand for a moment, listening, and then laugh
|
||
|
nervously and walk on.
|
||
|
|
||
|
|
||
|
|
||
|
I can feel the moon up there, smiling at me, even though it has
|
||
|
disappeared behind the trees. That's one thing about the
|
||
|
moon; you can count on it being there, even if you can't see
|
||
|
it.
|
||
|
|
||
|
|
||
|
|
||
|
If you saw me now, a nondescript man calmly walking to his
|
||
|
nondescript car at the end of another day at his nondescript job,
|
||
|
you would never guess that I'm going insane.
|
||
|
|
||
|
|
||
|
|
||
|
The impending death of my rationality is overtaking me like the
|
||
|
approach of a black hole, and within days, hours{\ldots} minutes,
|
||
|
maybe, I'm going to cross the event horizon and succumb to
|
||
|
the raging storm of gravitation spinning like a top within that
|
||
|
infinite silken darkness.
|
||
|
|
||
|
|
||
|
|
||
|
But before the dissonance of that crazy awakening reaches its
|
||
|
crescendo, I'm going to perform the one act remaining for me
|
||
|
in this world.
|
||
|
|
||
|
|
||
|
|
||
|
I'm going to wear a pair of Jessica Alba's
|
||
|
panties.
|
||
|
|
||
|
|
||
|
|
||
|
Then I can finally die.
|
||
|
|
||
|
|
||
|
|
||
|
|
||
|
%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
|
||
|
\by{fishguzzler}
|
||
|
|
||
|
|
||
|
Son of a bitch, there's a storm on --- no lightning, so I
|
||
|
do this little dance between the light switch and the bed, partly
|
||
|
because my room is just too dark, no light leaking in through the
|
||
|
levelors, and partly because I can't let my mom see the light
|
||
|
on when she trundles past for another batch of rainbow cookies
|
||
|
--- six neat little rows by five in the box, and four at a time
|
||
|
carefully arranged on a little white saucer-plate, and about a box
|
||
|
and a half gone by the end of the night, which means at least
|
||
|
eleven trips down the hall past my room to the kitchen on a night
|
||
|
when she's watching HBO in bed, pretty much every night
|
||
|
--- but mostly because there's a mad badger in my closet,
|
||
|
an evil monster with beady little eyes glowing faintly green.
|
||
|
Actually, I don't really know what `beady' means.
|
||
|
But I know what a monster is, even if, come to think of it, I
|
||
|
actually don't know what a badger looks like. But I imagine
|
||
|
it looks just like this little bastard in the closet. Maybe not so
|
||
|
mean.
|
||
|
|
||
|
I can hear the television from the next room, though the walls are
|
||
|
ancient and incredibly thick --- I once put my fist into one,
|
||
|
broke through the new plaster, and then through something brittle
|
||
|
and white, until I sliced my whole hand open on a rough mixture of
|
||
|
sand and antique horse-hair that exploded into powder even as it
|
||
|
broke my left pinky and the knuckle of my pointer finger. I can
|
||
|
hear the television because of the heating vent on the wall between
|
||
|
the closet and my bureau, which conducts the voices from the
|
||
|
television with perfect clarity into my room and provides me with
|
||
|
fair warning every time there's a commercial break.
|
||
|
That's when I make my move. I'm fifteen, and I may be a
|
||
|
little pudgy, or maybe a little more than a little, but I'm
|
||
|
extremely light-footed, so I leap down from the bed and tip-toe
|
||
|
sprint to the door as my mother's clomping footsteps
|
||
|
reverberate back and forth in my little acoustic capsule ---
|
||
|
it's not because she's monstrously overweight, though
|
||
|
she must have gained over two-hundred pounds in the last three
|
||
|
years, it's just that she's such a hard stepper. I fly
|
||
|
barefoot across mathematically smooth and cold wood flooring that,
|
||
|
I know, I wouldn't feel if I could really fly. I keep my eyes
|
||
|
trained on the door of the closet and flick off the light,
|
||
|
crouching with my left hand poised on the light switch and my right
|
||
|
hand gripping the doorknob, white-knuckled, the scar where I split
|
||
|
the shit open standing out whitest, crisp even in the
|
||
|
near-blackness as I glare past it into that shadowed crevice with
|
||
|
the mad chittering sounds coming from inside. But it always quiets
|
||
|
as she passes my door, as though it doesn't want to be heard;
|
||
|
I still don't know how she doesn't hear it through the
|
||
|
walls when she's in her room. Stupid old cow.
|
||
|
|
||
|
But tonight she's doing alright, I think, because she's
|
||
|
only made three trips down the hall to the kitchen, three trips
|
||
|
lasting three to five minutes each over the course of three hours,
|
||
|
which is a real record-low for her since things got bad, like maybe
|
||
|
now she's finally getting over it --- or maybe
|
||
|
she's just gotten too fat to walk and decided to start
|
||
|
bringing the box with her from now on. Either way, I've still
|
||
|
had to squat here three times so far in the dark, smelling that
|
||
|
musty yellow odor like rotten tomatoes mixed with, I don't
|
||
|
know, curry or something, listening to that thing cackle and
|
||
|
scratch at the back of the closet door, swinging it open millimeter
|
||
|
by millimeter, because I never dare to leave it closed ---
|
||
|
I'm too scared not to try and hear what he's doing in
|
||
|
there, plus I know perfectly well that he knows we both know that
|
||
|
he can open the fucking door if he wants to. I've seen him do
|
||
|
it, not in minute, scratching increments, but fast.
|
||
|
|
||
|
Tonight the door has stayed put, and I haven't heard a sound
|
||
|
from the little monster. Even his stink, the one everyone else
|
||
|
can't smell, seems to be receding. Normally it hits me at odd
|
||
|
points during the day because it's burned into my fucking
|
||
|
skin, but tonight it seems to be clearing away, the dissipating
|
||
|
pestilential fog.
|
||
|
|
||
|
I hear my mother put down her dish in the kitchen, but the cupboard
|
||
|
does not creak open. The sink splashes on instead, a sound I hear
|
||
|
more through the pipes in the walls than through the air. Is she
|
||
|
washing the dish already, packing it in, with so much less than a
|
||
|
box consumed? Maybe she is getting over it, at least realizing that
|
||
|
a box and a half of delicious rainbow cookies per evening
|
||
|
won't help --- but more likely, she's probably just
|
||
|
got a stomach virus or something. I hear her stomp into the
|
||
|
bathroom, even whistling the tune we all used to sing, ``Your
|
||
|
Face is All over the Place'', which is sung to the tune of
|
||
|
``Your Kiss is what I Miss''. I smile in the dark, no
|
||
|
fear now, thinking it's gone, and maybe this will be the time
|
||
|
it doesn't come back.
|
||
|
|
||
|
There is a muffled thud from the bathroom, and a short, sharp cry
|
||
|
from mom. It brings to mind an image of my mother, beached, prone
|
||
|
in her fuzzy white robe on the bathroom floor, writhing in pain and
|
||
|
as-yet half-realized fear, the muscles in her neck bulging, showing
|
||
|
clearly for the first time in almost two years, as that little
|
||
|
fucker chews through cotton and into her chest. Blood spattering.
|
||
|
Chimp-like, upright badger-monster body, head like a nasty little
|
||
|
dog, Chihuahua or something, only with a cerrated nose like an
|
||
|
alligator, or one of those colorful baboon-things. Snarling bubbles
|
||
|
into the blood welling through the shorn muscle and cracked bone of
|
||
|
her left breast like a child with his chocolate milk{\ldots} Chittering.
|
||
|
Laughing at us. Oh my god her heart.
|
||
|
|
||
|
Instead of flinging the door open and running to the bathroom, I
|
||
|
smack the light on and sprint to the closet door, throw it open and
|
||
|
freeze, staring right into those unforgiving dog-black but
|
||
|
compassionless spheres. So it rears before me, wipes it's
|
||
|
dripping chin with a bony little wrist. Cackles. Now you're
|
||
|
mother is dead too. First him, now her. First him, now her.
|
||
|
|
||
|
|
||
|
|
||
|
|
||
|
|
||
|
%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
|
||
|
\by{TheElectronicOne}
|
||
|
|
||
|
|
||
|
{\bf {\em In the Mirror}}
|
||
|
|
||
|
|
||
|
|
||
|
Out of the darkness came Rothard Mavalero. Grunting and thumping,
|
||
|
he was the city undertaker. It was not a job many would like but he
|
||
|
had kept it for fifty years. Some people thought that was unnatural
|
||
|
but they did not know the half of it. And if they knew the whole of
|
||
|
it they would have run in terror. Bodies interested him. He liked
|
||
|
the way they looked. He liked the way they felt. But most of all he
|
||
|
liked the way they tasted.
|
||
|
|
||
|
|
||
|
|
||
|
Today it was Mavalero's favorite kind of body. A floater from the
|
||
|
river. It was still fresh, like a recently caught fish. The coroner
|
||
|
wasn't at work yet. Nobody would know what he was doing. He dragged
|
||
|
the bloated corpse and looked into its eyes. Suddenly, he began to
|
||
|
pry the eyeball from its socket. A sweet ``snap'' sound happened as
|
||
|
the elastic snapped. He licked the slimy eyeball, savoring the
|
||
|
salty taste. Then, as the deceased's other eye seemed to watch him,
|
||
|
he bit into the juicy retina. It tasted chewy and meaty, just like
|
||
|
he had expected.
|
||
|
|
||
|
|
||
|
|
||
|
Mavalero looked down at the body tauntingly. Blood was oozing from
|
||
|
the empty socket. He liked that it was helpless. He stabbed at the
|
||
|
face to make more blood come out, then dipped his finger into the
|
||
|
blood-filled socket and tested the quality of the victim. When he
|
||
|
was done with the little game, he started to pry at the other eye.
|
||
|
This one did not come out so easily. It felt like it was glued into
|
||
|
the socket, and he had to tug and tug. But finally, with the help
|
||
|
of his pocket knife, it came loose. The eye stared Mavalero in the
|
||
|
face. He did not care. Rothard Mavalero was a very bad man. He
|
||
|
downed the second eye with pride, smacking his lips as he smiled in
|
||
|
his conquest.
|
||
|
|
||
|
|
||
|
|
||
|
But as he began to ponder what he would eat next he saw something
|
||
|
in the corner of his eye. He didn't know what it was. His heart
|
||
|
raced like a galloping horse. He turned slowly towards what he had
|
||
|
seen. Then he sighed with relief, because it was just the mirror.
|
||
|
He had seen his own reflection.
|
||
|
|
||
|
|
||
|
|
||
|
{\em {\ldots}or did he?}
|
||
|
|
||
|
|
||
|
|
||
|
He looked at the reflection, but his face looked unfamiliar. He
|
||
|
turned his head, and his mirror self seemed to delay a little bit
|
||
|
before copying him. With a piercing, inhuman scream, Rothard
|
||
|
Mavalero realized what he was seeing. It was not a mirror, but a
|
||
|
window into a room that had been cleverly copied to resemble his
|
||
|
evil laboratory in every respect. The man was not his reflection,
|
||
|
but the young but hardened detective Luke Bavarius in disguise.
|
||
|
Bavarius had seen everything: the body, the eye eating, the
|
||
|
blood.
|
||
|
|
||
|
|
||
|
|
||
|
He felt a nervousness arise in his throat. He struggled to hold his
|
||
|
posture as he waited for his certain death at the hands of the
|
||
|
private eye. Vomitus dribbled out the mouth of Rothard Mavalero.
|
||
|
Then, as he watched, Bavarius reached through the glass and
|
||
|
strangled him alive.
|
||
|
|
||
|
|
||
|
|
||
|
|
||
|
%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
|
||
|
\by{WhereTheFishLives}
|
||
|
|
||
|
|
||
|
{\bf The Horrid Lighter}
|
||
|
|
||
|
|
||
|
|
||
|
This is a long story about Luke Bavarius when he saw the shadows in
|
||
|
the world when he was younger in 7th grade. Bavarius is me. I saw
|
||
|
the them, the shadows. And it has turned my brain into darkness. I
|
||
|
was walking with my best friend Victor and Praeton when we found
|
||
|
the terrible thing. A sickly sparkle flashed the corner of my eye
|
||
|
and caused me to turn instinctively towards it. It was a silver
|
||
|
lighter, but not any silver lighter you've ever seen. It has a
|
||
|
skull on it with a eye made of ruby pressed into it. ``Cool'' said
|
||
|
Victor as he brushed the dust and soil from the lighter that was
|
||
|
buried centuries ago. It had a certain look that cut to my soul and
|
||
|
made my stomach tighten on its contents.
|
||
|
|
||
|
|
||
|
|
||
|
Victor shifted it open and his expression changed to one of evil.
|
||
|
My teeth clenched as I could feel scaredness take me over. Praeton
|
||
|
began to tremor in delerium as sickly vomit shot from his mouth
|
||
|
like a giant waterfall. Once the vomit was spent, a terrible white
|
||
|
cloud came from the eyes and from his face. The cloud had Praeton's
|
||
|
face. Praeton's face had a certain shocked and unhappy expression.
|
||
|
It would be soon be too late for Praeton. The soul was sucked into
|
||
|
the lighter like an evil waterfall. And the lighter's fire was
|
||
|
switched out for a red indescribable flame as the soul went in into
|
||
|
it.
|
||
|
|
||
|
|
||
|
|
||
|
``Praeton, No!'' I shouted from fear. It was too late, though. I
|
||
|
could tell. He was already changed in a certain way. So I ran away
|
||
|
from the evil duo.
|
||
|
|
||
|
|
||
|
|
||
|
My fearful brain didn't know what else to do. It told my rubbery
|
||
|
legs to run and they did run. The shock of the pounding of my feet
|
||
|
on the ground went up through me. Up through my knees and then my
|
||
|
legs. Then my chest and my soul and then into my brain with a
|
||
|
terrible power. The power shot through me like an jackhammer. My
|
||
|
adreniline squeezed my jaw tighter and yet tighter to fight back my
|
||
|
morning breakfast. Which was prevented from being vomited out by my
|
||
|
teeth. The wind felt strongly against my face. Blinding me. But I
|
||
|
didn't have time to notice. I only had time to run.
|
||
|
|
||
|
|
||
|
|
||
|
All of a sudden I was already at the door of my house when i burst
|
||
|
through it. ``Grand-nd dad? Help!'' I shouted! As I shot slowly like
|
||
|
a bullet from a gun through a sea of adrenaline. But there was no
|
||
|
Grandad, only Praeton who was already there. The silence was
|
||
|
deafening. The only sound was the horrid lighter clicking
|
||
|
deafeningly. I was in an abundance of shock.
|
||
|
|
||
|
|
||
|
|
||
|
``Where's my grandad fiend?!''
|
||
|
|
||
|
|
||
|
|
||
|
``He's in here with us'' Praton made a grand gesture to the lighter
|
||
|
in his hand.
|
||
|
|
||
|
|
||
|
|
||
|
``N-N-No,'' I stammered as I went to the closet and got out the
|
||
|
Baretta. The black gun metal was cool against the palm of my hand.
|
||
|
The blackness of the gun matched my heart's darkness as I aimed at
|
||
|
Praeton.
|
||
|
|
||
|
``I'm gonna take you out!''
|
||
|
|
||
|
``Ha Ha Ha Ha ha'' he laughed. ``Bullets can't hurt me!'' he said
|
||
|
smirkingly. I knew I only had one clip with which to dispatch this
|
||
|
wretched thing. To back to wherever it came from. I fired and a
|
||
|
bullet went directly between his eyes but didn't stop him. Again I
|
||
|
fired, and again, and again I fired a total of 14 times.
|
||
|
|
||
|
|
||
|
|
||
|
``Looks like someone's out of bullets!'' He cackled devilishly. Now
|
||
|
it was my turn to laugh
|
||
|
|
||
|
|
||
|
|
||
|
``Hahahaha! Looks like someone doesn't know anything about the
|
||
|
Beretta M9!'' I triumphantly shouted. With my last bullet I fired.
|
||
|
The 9mm bullet slickly exploded from the barrel and into the
|
||
|
demonic lighter which was still in his hand. While the bullet
|
||
|
struck, metal on metal, the souls were vomited all out of the
|
||
|
it.
|
||
|
|
||
|
|
||
|
|
||
|
``Nooooo!'' cried the thing as he turned to rust. ``It's all over
|
||
|
now.'' While the Beretta fell to the ground in slow motion I was
|
||
|
instantly {\em insane}.
|
||
|
|
||
|
|
||
|
|
||
|
|
||
|
%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
|
||
|
\by{on time for once}
|
||
|
|
||
|
|
||
|
{\bf The Playground}
|
||
|
|
||
|
|
||
|
|
||
|
When I awoke I was tied up in a dark basement and the little boy
|
||
|
was standing over me. The first time I saw him I had laughed at him
|
||
|
because he was constantly vomiting, the putrid liquid pouring out
|
||
|
of his mouth and nose as if he were a water fountain of vomit. It
|
||
|
didn't seem so funny now.
|
||
|
|
||
|
|
||
|
|
||
|
Now that I was tied up, he seemed much more threatening. He stepped
|
||
|
closer. His warm vomit was now hitting me in the crotch. Where was
|
||
|
it all coming from, anyway? There was so much of it I
|
||
|
couldn't believe it could possibly have all been inside this
|
||
|
small child. Was his face a portal to a parallel dimension? A
|
||
|
parallel dimension of vomit?
|
||
|
|
||
|
|
||
|
|
||
|
As he pistol whipped me with my own Beretta I choked and giggled
|
||
|
and thought about how I, Luke Bavarious, private detective, had
|
||
|
ended up in this situation.
|
||
|
|
||
|
|
||
|
|
||
|
It had started because the children's playground was always
|
||
|
covered in blood and vomit. Every day it would be cleaned, but
|
||
|
every morning it would be covered in blood and vomit again. This
|
||
|
had been going on for several years now and we had finally decided
|
||
|
to see what was going on. I was assigned to stop the blood and
|
||
|
vomit.
|
||
|
|
||
|
|
||
|
|
||
|
I went to the playground one evening and hid under a slide with my
|
||
|
Beretta and my night vision goggles. It wasn't quite dark yet
|
||
|
and there were a few children still playing. One of them was the
|
||
|
vomiting boy, which explained the vomit. Oh, how I laughed.
|
||
|
Hopefully there would be an equally mundane explanation for the
|
||
|
blood. Perhaps the boy had a beautiful blood-vomiting mother. I
|
||
|
would have to talk to her and ask them to clean the playground
|
||
|
themselves after they were finished using it so the city would not
|
||
|
have to pay so many cleaners. I would offer to help her clean the
|
||
|
playground, and maybe we would end up doing sex on a swing. I like
|
||
|
swings.
|
||
|
|
||
|
|
||
|
|
||
|
I was distracted by my fantasy and forgot to watch the playground
|
||
|
for a few minutes. When I looked up again the blood was there and
|
||
|
the children were gone. I got out from under the slide and glanced
|
||
|
around. What had happened? Where was the beautiful woman? Suddenly
|
||
|
something hit me in the back and vomit sprayed over my head. The
|
||
|
boy! The vomiting boy! He must have been on the slide I was hiding
|
||
|
under, and now he had jumped off it onto my back! I tried to get
|
||
|
him off me but he held a urine stained pillow over my face until I
|
||
|
passed out.
|
||
|
|
||
|
|
||
|
|
||
|
And now here I was, in this basement. I could see now that under
|
||
|
the vomit the boy's face and clothes were covered in blood.
|
||
|
And so were his teeth, his sharp horrible teeth. I knew then that
|
||
|
he had eaten the other children. Now he was going to eat me.
|
||
|
Suddenly, I was sobbing.
|
||
|
|
||
|
|
||
|
|
||
|
A man in a lab coat ran in. He was also vomiting.
|
||
|
|
||
|
|
||
|
|
||
|
``Daddy!'' vomited the boy excitedly.
|
||
|
|
||
|
|
||
|
|
||
|
``Son!'' the man vomited, running over to his son,
|
||
|
``Stop! This one is not like the others!''
|
||
|
|
||
|
|
||
|
|
||
|
He injected me with something. Suddenly, I was vomiting. The man
|
||
|
collected some of my vomit in a beaker then poured it into a
|
||
|
machine. Writing in a language I couldn't read appeared on
|
||
|
the machine's screen.
|
||
|
|
||
|
|
||
|
|
||
|
``See, son?'' vomited the man, pointing at the screen,
|
||
|
``This one is not like the others. It will not grow up to be
|
||
|
evil. The strange results you got were not because it will be even
|
||
|
worse than the others but because it is already too old for your
|
||
|
tests to be accurate!''
|
||
|
|
||
|
|
||
|
|
||
|
``You're right, daddy!'' the boy vomited,
|
||
|
``Let's put it back!'' He injected me with
|
||
|
something else and I passed out. As I lost consciousness I heard
|
||
|
him vomit ``We should try another playground, they seem to
|
||
|
have noticed what we are doing here.''
|
||
|
|
||
|
|
||
|
|
||
|
The next morning I woke up under the slide in a puddle of vomit,
|
||
|
with a bad headache and no memory of what had happened. For some
|
||
|
reason, though, I felt certain that this playground would remain
|
||
|
clean from now on.
|
||
|
|
||
|
|
||
|
|
||
|
|
||
|
%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
|
||
|
\by{overnightmike}
|
||
|
|
||
|
|
||
|
May I humbly submit a gritty work of horror:
|
||
|
|
||
|
|
||
|
|
||
|
The Exploding Curse
|
||
|
|
||
|
|
||
|
|
||
|
A dark night filled with trial and unrestiness was ahead. The bar
|
||
|
tender said unimportant things which I heard. A vague feeling was
|
||
|
consuming me like I was consuming alcoholic beverages. When? When
|
||
|
will the signs come again and would they let me live? Being a
|
||
|
gritty person himself the bartender did not question my long
|
||
|
drinking mainly because I am a very mature person. I could not
|
||
|
shake the vague feeling. It was everywhere.
|
||
|
|
||
|
|
||
|
|
||
|
I felt like vomiting but did not. Instead I was glad I had a
|
||
|
large-caliber handgun.
|
||
|
|
||
|
|
||
|
|
||
|
The door to the tavern burst open, but the bartender never saw who
|
||
|
walked into the door because he had died of fright. I saw his rusty
|
||
|
blood. He was the lucky one of the two of us, who were the only two
|
||
|
people in the bar. Besides the signs, which had arrived. At least I
|
||
|
didn't have to wonder anymore. My legs burst open in a liquid
|
||
|
explosion.
|
||
|
|
||
|
|
||
|
|
||
|
My whole being was pain. Excruciating on the floor of a bad bar in
|
||
|
a skid-row section of town. The signs had left but their work was
|
||
|
completed. For now.
|
||
|
|
||
|
|
||
|
|
||
|
I passed out from the pain of having exploded legs. But I woke up
|
||
|
sometime later and poured some booze on them to make the pain stop,
|
||
|
I could not walk, so I wrapped them in dirty, booze soaked bar
|
||
|
towels, which were plentiful behind the bar. I was left to lay in
|
||
|
the bar with the dead bartender who was putrid with corpse-stink.
|
||
|
That was My Fate. My Punishment. My Own Prison.
|
||
|
|
||
|
|
||
|
|
||
|
Everything was quiet. The dead bartender said, ``What's your name,
|
||
|
cursed one?''
|
||
|
|
||
|
|
||
|
|
||
|
``Burke Dreadnought,'' I said, quivering in fear at the talking
|
||
|
abomination from hell.
|
||
|
|
||
|
|
||
|
|
||
|
``Do you know why you are here at this time, do you know what pain
|
||
|
really is?'' the corpse hissed at me, spraying me and everything
|
||
|
with green putrid goo while the words garbled out.
|
||
|
|
||
|
|
||
|
|
||
|
``My legs exploded so I think I can talk about pain,'' I wiped the
|
||
|
blood off of my gratuitous chin stubble while saying.
|
||
|
|
||
|
|
||
|
|
||
|
``Oh yeah, not yet you can't!'' The corpse began levitating and
|
||
|
suddenly I remembered. Bavarious! The curse all of a sudden made
|
||
|
sense!
|
||
|
|
||
|
|
||
|
|
||
|
Summer 1967. I'm a rookie cop, green and not jaded at all and Luke
|
||
|
Bavarious is showing me the ropes of the hard, rain-slicked streets
|
||
|
of Miami. The Haunted House Murder Case. Fourteen people dead in
|
||
|
the span of one night. Bavarious wasn't assigned to the case but he
|
||
|
was the first one to the scene with me in tow. He growled out
|
||
|
instructions, brazenly brandishing his large-caliber handgun like
|
||
|
he always did. We found a kid. Left at the scene. Not murdered
|
||
|
thankfully.
|
||
|
|
||
|
|
||
|
|
||
|
``The Haunting will follow you unless you put an end to the cure,''
|
||
|
the kid said while shaking because he had vomited so much. ``The
|
||
|
curse must be lifted by giving the bones in the basement a proper
|
||
|
burial. There were ritual murders here back in prohibition times by
|
||
|
an evil bootlegger. Now he haunts the house by killing everyone in
|
||
|
it all the time!''
|
||
|
|
||
|
|
||
|
|
||
|
Bavarious growled, ``You make me want to puke! I'm here to get to
|
||
|
the bottom of this!''
|
||
|
|
||
|
|
||
|
|
||
|
After we left the scene I said meekly to the scowling Bavarious, ``I
|
||
|
think we should give those bones a proper burial bacause kids
|
||
|
should be listened to.''
|
||
|
|
||
|
|
||
|
|
||
|
``Ha! Let's go catch some scumbags!'' Bavarious put on his sunglasses
|
||
|
and went back to his squad car. Six years later I quit the force
|
||
|
and started drinking. That was when the signs came to the bar to
|
||
|
remind me of the curse and the kid I should have listened to.
|
||
|
|
||
|
|
||
|
|
||
|
My legs were spewing gore trails all over and I finally remember
|
||
|
that I always carry a large-caliber handgun. I shot the
|
||
|
curse-zombie bartender right between his red devilish eyes. His
|
||
|
last words were, ``Soon, soon you will know the horrible depths of
|
||
|
hell as I know them, Burke Dreadnought!''
|
||
|
|
||
|
|
||
|
|
||
|
I am in the bar still. I will die here but if I could walk I would
|
||
|
go into a basement in Miami, and dig up the remains of the mad
|
||
|
bootlegger's victims and give them a proper burial. I would dig
|
||
|
them out of the same basement they found Luke Bavarious in last
|
||
|
year, raving about curses to this day in a mental asylum.
|
||
|
|
||
|
|
||
|
|
||
|
The End?
|
||
|
|
||
|
|
||
|
|
||
|
|
||
|
|
||
|
Ben Biddick you are a worthy fellow, thanks for this contest.
|
||
|
|
||
|
|
||
|
|
||
|
|
||
|
|