mirror of https://github.com/nealey/Horrors2
4640 lines
138 KiB
TeX
4640 lines
138 KiB
TeX
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\by{VelvetEvoker}
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{\bf Station 666}
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Tommy and his best friend Bobby were twelve years old. They lived
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in a small town that reeked of pestilence and a terrible oldness.
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Bobby's parents were very strict with their son and
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wouldn't even get him a television, so all they had was an
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old antique radio that once belonged to Bobby's
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grandpa.
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Tommy and Bobby knew there was something wrong with the radio, but
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no one would listen. Many times they had asked an adult to come
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take a closer look at the radio, because they knew if anyone else
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got the same feeling they were getting they'd burn the radio
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any bury the remains. Many times Tommy and Bobby tried to throw it
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out, but it was too heavy for the children to carry and the adults
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would not let them throw it away because it was their old
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grandpa's antique.
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One night when Tommy was sleeping over at Bobby's house, he
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noticed something strange. No matter where it was left the day
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before, the dial would start turning and eventually it'd end
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up on the frequency of 666. Tommy tried turning it as low as it
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would go, and in a few hours it'd be back at 666. It was the
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same thing if he tried to turn it higher.
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Later that night they turned the radio on while it was at station
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666, but it did not seem to be an active station. Nothing but
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static spewed forth from the speakers, but in the static was the
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sound of dread. Bobby's mom said that it was odd but it must
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just be the dial's default setting, so still nothing could be
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done about the radio.
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The next day at school Tommy agreed to sleep over at Bobby's
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house and leave the station on all night to see if anything
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happened. However, nothing happened all night and they were tired
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so they began to fall asleep. They were awoken again at exactly
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midnight by a terrible screeching noise, followed by a voice.
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The voice spoke in an unknown language that was possibly even older
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than the radio. It was such a terrible voice that it sounded like
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nails on a chalkboard and both boys had to cover their ears. Bobby
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took his hand off of his ears and they were covered in blood, but
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Tommy wasn't bleeding.
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Suddenly Bobby leaned over as if he was about to vomit, but instead
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of puke a clawed hand came out of his mouth. The hand continued to
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emerge, followed by a shoulder, until Bobby's mouth could
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take it no more and his head split in two, with his brains slopping
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down his back and his jaw trailing down his stomach.
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Finally the demon had emerged, covered in Bobby's blood and
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stomach fluids. ``I am Xavid Viarabous, and no one has
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survived the sound of my voice for a thousand years.''
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Suddenly Tommy reached into his sleeping bag and pulled out an old
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Beretta he found in the field. On it were the initials
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`L.B.'. ``I survived.'' he said. Then he shot
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the demon.
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The radio was still not thrown out for two days. Tommy turned it to
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station 666, and from midnight to 12:01 he could hear Bobby
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screaming.
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%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
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\by{Donde Esta}
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{\bf The Promise}
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5 A.M. is a shitty time for burnt coffee.
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As I, Luke Bavarious, stared in to my barren mug and gently touched
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the still fresh wound on the side of my head, a reflection in the
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still slick bottom forced a sob from the trenches of my gut.
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It was him.
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That night in the alley way, four sleepless and coffee spurn nights
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ago, I saw something that can only be described as awful, and I
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shot it. I shot it dead.
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He came at me and he came at me hard, but Ol' Betsy finally
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laid him to rest. As he slumped over my side, covered in warm
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oozing liquid, I caught a reflection of something far worse than
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the disfigured wretch I had just put down. It was him; the man of
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my non-existent nightmares.
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I caught his reflection in the broken glass and he was smiling,
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smiling an unnatural and hideous grin. I was in no position to
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defend myself. While I might be able to load a Beretta faster than
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anyone else this side of the Hudson, being in his presence, time
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seemed to slow to a halt.
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His wild arms flapped about as if the cool alleyway breeze had been
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given life. Entirely too tall and entirely too pale to be human,
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only one thing came to mind: Slender Man.
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Two weeks before that, I had gotten a call from an extremely upset
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and distraught mother. She said that her son came home and he
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wouldn't stop talking about how the ``Slender Man''
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had just played with him and some of the other children at Bryant
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Park just off of W 41st St.
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Her son went on to tell her how ``Slendy'', as the boy
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had nicknamed him, had taken a particular interest in Suzy Carlton.
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He said that Slendy took her into the alleyway and she came back
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with a strange purple mark on her arm. She thought it was awesome
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and all the other children wanted one too, but Slendy said that
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they would have to wait and that he, ``Would be back for
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everyone!'' Her son was the only one who was scared of
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him.
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I scoffed at the lady and told her that I had more important things
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to do than investigate some street performer handing out stickers
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to children in the park. I didn't care if her kid got stiffed
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a purple tattoo from some freak. I hung up on her.
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I shouldn't have hung up on her.
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As I laid in the street, looking at the piece of glass I was
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terrified. Sobbing, making all the connections in my mind, I stared
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at him. Stared into his devilish eyes, wondering what it was that
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he wanted from me.
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As he approached me, arms dangling all around, he bent down in a
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way that a human should not be able to and stuck his face nearly an
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inch from mine.
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In that moment, the only thing I wished for was death; quick and
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sudden death. Instead, the Slender Man would give me something much
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worse: a promise.
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He looked me in the eyes and with a smile he whispered in a voice
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which came out in chortles, ``Don't
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worry{\ldots}Bavarious{\ldots}I'll be back for you
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too.'' It was a promise which kept me awake for four nights,
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and a promise I expected him to keep.
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Now, looking into my cup, I watched as he stood behind me. I did my
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best not to show my fear.
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I looked at the badge lying out on the table. A gold shield made of
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brass and time. It wasn't much, just a symbol, but it gave me
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the courage to speak.
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``Mr. Slender, why'd you go after those children?''
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I asked, trying to sound as calm as possible.
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``The children give me{\ldots}'' it sounded now as if it
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were trying to speak while a river of maple syrup ran through its
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throat, ``{\ldots}they give me lifeeeeeee''.
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``So why are you here{\ldots}Slendy?'' I asked
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cautiously, doing my best to distract him while positioned my hand
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on the holster under my robe.
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``Little{\ldots}David Sanders{\ldots}didn't last very
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long{\ldots}and his mother{\ldots}was{\ldots}lacking,'' he
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said smugly.
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``Well Slendy, that night in the alleyway, you should have
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taken your chance because now I'm ready for you,'' I
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barked, as I spun around and emptied a whole clip into his
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chest.
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He shrieked and recoiled as black, viscous liquid leaked out onto
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my kitchen floor and ate away at it like acid.
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With his defenses down I fought through the mess of flailing arms
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and pistol whipped him with the still burning hot barrel of my
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Berretta.
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``You shouldn't have fucked with those kids, Slendy. You
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shouldn't have fucked with Luke Bavarious,'' I yelled at
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him.
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He wasn't done. Despite my damage, he was still functioning,
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though severely wounded.
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``I'll be{\ldots}back
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for{\ldots}you{\ldots}Bavarious,'' he coughed out, between
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sputters of demon blood.
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He dashed out the door and before I could get to it, the thing was
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out of sight.
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With a little boy's death that could have been prevented on
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my conscience, I now know my purpose in life. If I had only
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listened to him.
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The Slender Man may have just made me a promise, but I'm
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going to beat him to it. Luke Bavarious is now on the case.
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%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
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\by{henpod}
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Fuck man whoever reads all these stories is going to be vomiting
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blood like no tomorrow
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%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
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\by{BoldFrankensteinMir}
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{\bf Johnny the Knifer}
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I stopped short at the counter. I sat down. Coffee poured out the
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coffee pot and into my cup, like a pot of brown bullets shooting
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into my cup and splashing in coffee. The waitress was very pretty.
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She said ``would you like some coffee''? My name is Luke Bavarious. I
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like coffee. And I am a detective.
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It was my favorite restaurant. It was on 756th street in Manhattan.
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New York. The waitress was very pretty, and the coffee was just as
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good. ``How do you like your coffee Luke Bavarious'' she said. ``Sweet
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like you'' I winked. She winked back. There was something about the
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way she winked at me and the way she poured my coffee. My heart
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beat double the blood suddenly, but I was in control. In control of
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my blood.
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``How is that kid you have'' I said romantically. The waitress
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blushed. ``Johnny is a good kid but I'm afraid he's falling in with
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a bad crowd'' she cried. I comforted her, my shoulder soaking up her
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sweet sad woman tears that she cried from those pretty eyes.
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Suddenly, three men walked into the restaurant. ``Well Well Well
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Luke Bavarious'' said the first man. He was horrible and tall and
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ugliness all wrapped into a tall horrible suit. ``You better run
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Luke Bavarious after you ruined our drug crime this morning!'' he
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said. Then he said it again. With his guns. And his bullets.
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I jumped behind the counter. The waitress cried ``don't let them
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shoot the restaurant I have a kid'' so I jumped in front of the
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counter. The mobsters cackled a sick crackling laugh that bled in
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waves out of their toothy horror mouths. ``The great Luke Bavarious''
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laughed Jimmy the Knifer. ``Hiding behind a woman! Laughable!'' he
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said and proved it with more laughs.
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``Not so fast!'' I yelled and reached for my sleek silver loaded
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Beretta with my name engraved in the gun and on the bullets too. I
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realized my gun was gone! I had to think fast.
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``Not so fast!'' I yelled and grabbed the pot of coffee. I splashed
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it at Jimmy the Knifer and his goons. The goons ran, missing the
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terrible shower of deadly boiling coffee. The coffee splashed into
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Jimmy the Knifer's hands and face. I recoiled in horrible terror as
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he screamed.
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``NO'' screamed Jimmy the Knifer. He fell to the ground, the tears of
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pain mixing with the steaming sweet coffee as the veins in his
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forehead popped open like firecrackers in hot coffee and tears.
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Blood and tears and hair and coffee spilled into the coffee puddles
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on the floor and he screamed as his skin went into the puddles too.
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``NO'' he screamed again. ``NO''.
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I turned to have my sandwich that I also ordered and the waitress
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had brought to me before the mobsters came in. Tears were on her
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face just as surprise was on mine because of hers. ``What's wrong
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Suzie'' I said. ``We're in New York the city that never sleeps, of
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course there's gonna be a little crime but I'm Luke
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Bavarious''.
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``NO!'' screamed Suzie. She ran to Jimmy the Knifer! What is
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happening?
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``I told you he was in with a bad crowd'' she sobbed through tears of
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grieving for her dead mobster son. I recoiled in horror from my
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sandwich. If I had known! But Jimmy the Knifer was not a
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child!
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``He looks older because of makeup so adults would take him
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seriously!'' she cried at me. I looked now at Jimmy. A kid! The
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makeup was melting off in the blood and coffee and boiled skin and
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it was a kid! The sandwich dropped from my hands and the coffee pot
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shattered all over my shoes also. How could I have known?
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Jimmy the Knifer looked at me with blood eyes and tears coughed
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from his dying words. ``Who's the big man now{\ldots} Luke{\ldots}
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Bavarious{\ldots}'' he said, and in his hand was the baseball card I had
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given his mom to give him for his birthday just a week before. That
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made it even more incredibly sad.
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``NO'' I screamed and they took me away for murder, on two counts of
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homicidal killings. Johnny the Knifer{\ldots} and Johnny the Boy.
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%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
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\by{lemonlime}
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A BUTTER KNIFE
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Martin Boswell was always required to remain at table until Mr.
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Boswell dismissed him. Some nights Martin would sit in his creaky
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old wooden chair, picking at a tattered and threadbare corner of
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its cushion, until long past midnight. Since eating his supper
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never took more than an hour, Martin would be left with a very long
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time in which to sit, pick at his lumpy old cushion and watch his
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father watching the butter knife. This knife was dull, scratched
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stainless steel with a rounded tip and a very slight serration; no
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different than any other butter knife that might grace another,
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happier supper table.
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At first Mr. Boswell would turn it around and around, so that the
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lamplight flashed off its blade hypnotically. Then, holding the
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handle lightly between his thumb and all four fingers, as one would
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hold the bow of a cello, he would run that knife's dainty little
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teeth slowly up and down the length of his forearm, occasionally
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pausing to turn tight little circles over the network of veins
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decorating the inside of his wrist and displaying to all the
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precarious restraint in which his very life's blood was held.
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Martin had used his father's butter knife once when Mr. Boswell was
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at work; from that day forth, seeing his father's shivers never
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failed to provoke an answering shiver in himself.
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Then Mr. Boswell would turn the butter knife's attentions to his
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scarred, scabbed hands, those stained and stinking hands which had
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fired the little gun that shot Martin's mother in the back as she
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tried to run for the last time. He would drag those hateful smiling
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teeth back and forth across the back of his hand as though
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buttering an english muffin, hour after hour, until the skin began
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to abrade and swell and eventually bleed.
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At first the wound was a minor one. But after being kept open by
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Mr. Boswell's nightly ritual for the better part of a year it began
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to grow wider and deeper. His flesh became purple and black and the
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stench of putrefaction was so strong that no one would willingly go
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near Mr. Boswell except for Luke Bavarious, a former police
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detective turned bodyguard, and Martin.
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One night, around 11 o'clock, Martin saw bone. Not even the memory
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of the four days of torment his mother suffered in the root cellar
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as she died of her gunshot wounds could keep him in his chair then.
|
||
|
In his bedroom, Martin stripped off his soiled clothes and set them
|
||
|
to soak in the bathtub, then opened the window to clear the odor
|
||
|
and began to wonder whether a jump would really kill him. He didn't
|
||
|
feel like adding to the number buried in that grisly root cellar,
|
||
|
yet he knew that if he tried to creep out of any of the doors he'd
|
||
|
be instantly caught by the keen eye of Bavarious.
|
||
|
|
||
|
|
||
|
|
||
|
There was a knock at his bedroom door and then it opened. Luke
|
||
|
Bavarious stood there and he said, ``I'm sorry, Kid, what you're
|
||
|
gotta live with is wrong. Just run back as quick as you can. Get in
|
||
|
your chair and I'll come in a bit later to shake him out of it. I
|
||
|
promise I'll hurry.''
|
||
|
|
||
|
|
||
|
|
||
|
Martin threw on a clean set of clothes and dashed back downstairs.
|
||
|
His father never even looked at him as he took his seat as quietly
|
||
|
as he left it. Mr. Boswell did not shift his attention from the
|
||
|
butter knife until Bavarious walked into the dining room, claiming
|
||
|
to have seen an intruder across the courtyard. Martin was
|
||
|
immediately ordered to his bedroom for the night, and as he left
|
||
|
the table Martin felt a gratitude and devotion for Luke Bavarious
|
||
|
that he could never have imagined just fifteen minutes
|
||
|
before.
|
||
|
|
||
|
|
||
|
|
||
|
That night taught Martin that while Mr. Boswell was watching his
|
||
|
butter knife, he could go anywhere and do anything without his
|
||
|
father seeing him. Only Luke Bavarious could keep him from leaving
|
||
|
during those times. One night, as Mr. Boswell sat mesmerized by the
|
||
|
clean red blood that seeped from his corrupted flesh, Martin went
|
||
|
to the linen closet and pulled out a backpack in which he'd stashed
|
||
|
clothing, food and a little money. Bavarious met him at the
|
||
|
door.
|
||
|
|
||
|
|
||
|
|
||
|
``Let me go, Luke, please,'' Martin begged. ``You know he'll kill me
|
||
|
too, as soon as he sees that I want to leave.''
|
||
|
|
||
|
|
||
|
|
||
|
After looking at Martin for a moment, Luke said, ``I know, kid.
|
||
|
After what he did to your Mom, I knew that I'd only leave this
|
||
|
house when I was dead. Mr. Boswell, he'd kill me in a second if he
|
||
|
knew I was standing here talking to you and not killing you. No way
|
||
|
can I let you stay here. Your father doesn't love or respect you.
|
||
|
But he was a good man once, and I can't bear to live with having
|
||
|
done something to betray his trust in me. No, there's only one way
|
||
|
it's gotta be.''
|
||
|
|
||
|
|
||
|
|
||
|
With that, Luke Bavarious pulled out the Beretta he'd carried since
|
||
|
early childhood, applied the muzzle to his temple and squeezed the
|
||
|
trigger. A scalding wave of blood drenched Martin's face as he
|
||
|
stood frozen there. He turned suddenly and ran away into the
|
||
|
night.
|
||
|
|
||
|
|
||
|
|
||
|
It would be a long time before Martin Boswell stopped running. He
|
||
|
crossed oceans and traversed lands stranger than he'd ever imagined
|
||
|
during the long empty hours sitting at his father's dining room
|
||
|
table. During that time, Martin was a beggar, a slave and a whore.
|
||
|
When he woke up one morning in a place where the air was so thick
|
||
|
it could be used as a sandwich spread and the rain fell as warm as
|
||
|
blood, he knew he was home.
|
||
|
|
||
|
|
||
|
|
||
|
Martin would forget, sometimes, why he'd run. He'd be eating supper
|
||
|
at a cafe and the light shining off one of the diners' butter
|
||
|
knives would make him shiver with some dark lust. But none of that
|
||
|
mattered. Every time he felt the hot rain wash down his face Martin
|
||
|
would feel the blood Luke Bavarious had shed, the sacrifice he'd
|
||
|
make of his own body, so that Martin could be reborn into a new
|
||
|
life.
|
||
|
|
||
|
|
||
|
|
||
|
|
||
|
%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
|
||
|
\by{King Plum the Nth}
|
||
|
|
||
|
|
||
|
I'm beginning to feel a bit self conscious about the lack of vomit
|
||
|
in my entry. vomity vomiting vomit which vomits more vomit
|
||
|
from it's oozy vomitous depths. Hmmm{\ldots}
|
||
|
|
||
|
|
||
|
|
||
|
|
||
|
|
||
|
%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
|
||
|
\by{BoldFrankensteinMir}
|
||
|
|
||
|
|
||
|
For some weird reason I just keep imagining Luke Bavarius as
|
||
|
halfway between Luke Cage and Benny Hill's toymaker character from
|
||
|
Chitty Chitty Bang Bang. Am I{\ldots} completely off the mark here, or
|
||
|
what?
|
||
|
|
||
|
|
||
|
|
||
|
|
||
|
%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
|
||
|
\by{henpod}
|
||
|
|
||
|
|
||
|
I see Bavarious as a Max Payne film noir type detective, but with
|
||
|
loads more vomit and suddenly.
|
||
|
|
||
|
|
||
|
|
||
|
|
||
|
%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
|
||
|
\by{Monkey Trouble}
|
||
|
|
||
|
|
||
|
{\bf The Cave}
|
||
|
|
||
|
|
||
|
|
||
|
The name's Bavarious. Luke Bavarious, P.I.
|
||
|
|
||
|
|
||
|
|
||
|
My morning began with a mysterious phonecall. An unidentifiable
|
||
|
voice, wracked with sobbing, incoherently pleading for help. The
|
||
|
only words I was able to decipher were ``help'', ``old cave'' ``outside
|
||
|
town''. That could only mean the old, disused coal mine on the
|
||
|
outskirts of town. Whoever the poor shmuck was, I decided to
|
||
|
investigate.
|
||
|
|
||
|
|
||
|
|
||
|
I followed the overgrown dirt track from the edge of town, until I
|
||
|
was staring into the dark, gaping mouth of the cave. As I clicked
|
||
|
on my flashlight, I heard a voice behind me.
|
||
|
|
||
|
|
||
|
|
||
|
``Mister. Hey, Mister.''
|
||
|
|
||
|
|
||
|
|
||
|
There was a small blond-haired boy on a rusted red bicycle behind
|
||
|
me.
|
||
|
|
||
|
|
||
|
|
||
|
``You shouldn't go in there, it's dangerous.'' he said.
|
||
|
|
||
|
|
||
|
|
||
|
``Beat it, kid, you shouldn't be messing around out here.'' I said
|
||
|
gruffly.
|
||
|
|
||
|
|
||
|
|
||
|
A small smile twitched at the corner of his mouth. ``Ok, but don't
|
||
|
say I didn't warn you.''
|
||
|
|
||
|
|
||
|
|
||
|
I watched him turn the bike around and ride off. As I stood at the
|
||
|
cave entrance, I felt a strange itching sensation on my right hand.
|
||
|
Looking down, I saw a wart I hadn't noticed before right next to my
|
||
|
index finger. Dismissing it, I drew my beretta and headed into the
|
||
|
darkness of the cave.
|
||
|
|
||
|
|
||
|
|
||
|
|
||
|
|
||
|
As I shone my flashlight into the murky depths of the cave, I could
|
||
|
see it went on for miles in front of me. The itching sensation had
|
||
|
started to travel all over my body, getting more intense. I was
|
||
|
eager to find whoever was in trouble and get the hell out of
|
||
|
here.
|
||
|
|
||
|
|
||
|
|
||
|
{\em BANG.} A gunshot cut through the air like a knife. I hit the
|
||
|
deck, rolling behind a pile of rocks and scanning my surroundings
|
||
|
for my would-be attacker. It was only then that I realised the shot
|
||
|
had come from my own gun.
|
||
|
|
||
|
|
||
|
|
||
|
I looked down at my gun hand, and recoiled in horror. Where the
|
||
|
wart had been, there was now a fully grown finger{\ldots}{\em and it was
|
||
|
curled around the trigger!}I swiped at it with my other hand and
|
||
|
it responded by trying to turn my own gun on me.
|
||
|
|
||
|
|
||
|
|
||
|
Seeing no other choice, I dropped my flashlight and grabbed my
|
||
|
knife from my pocket and started to saw into the strange digit. I
|
||
|
vomited in pain as the blood flowed from the cut. My flashlight lay
|
||
|
on the floor, casting it's light onto me, and I watched as the
|
||
|
finger continued to grow even as it hit the floor. The flesh
|
||
|
writhed and I realised it was growing into a hand, then an
|
||
|
arm!
|
||
|
|
||
|
|
||
|
|
||
|
The itching sensation suddenly wracked my whole body, and I ripped
|
||
|
open my shirt to reveal several pairs of hands growing from my
|
||
|
chest! I vomited again in disgust, once again going to work with
|
||
|
the knife, vomiting blood and vomit from all over me. Suddenly I
|
||
|
was sobbing.
|
||
|
|
||
|
|
||
|
|
||
|
As the piles of bloody flesh on the floor surrounding me continued
|
||
|
to grow, I felt a hand clamp down on my shoulder, and I was spun
|
||
|
around to face{\ldots}myself. I gazed in horror around me as I realised
|
||
|
all of the parts I had chopped off were growing into other versions
|
||
|
of me!
|
||
|
|
||
|
|
||
|
|
||
|
This{\ldots}is the dawning of the age of Bavarious.
|
||
|
|
||
|
|
||
|
|
||
|
The End{\ldots}?
|
||
|
|
||
|
|
||
|
|
||
|
|
||
|
%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
|
||
|
\by{Hired Gun}
|
||
|
|
||
|
|
||
|
{\bf The Bodies of Bavarii}
|
||
|
|
||
|
|
||
|
|
||
|
It was a haunting and horrid night in the city. Luke Bavarious sat
|
||
|
at the bar. He knew that nights like these only brought trouble.
|
||
|
All night, he had been feeling like he was being followed. He
|
||
|
sipped his drink and sighed. If only he was back at home with his
|
||
|
family. His wife and son had been killed in a tragic Beretta
|
||
|
incident. Thinking of their deaths made Bavarious want to vomit.
|
||
|
Instead, he had another drink. This was his fourth one
|
||
|
tonight.
|
||
|
|
||
|
|
||
|
|
||
|
After paying for his drinks, Bavarious put on his jacket and walked
|
||
|
out onto the dark street. He knew that every alley and dark corner
|
||
|
could be hiding a horrifying secret. He still felt the presence
|
||
|
following him, but he put it out of his mind. Cautiously yet
|
||
|
fearlessly, Bavarious began the five block walk to his apartment. A
|
||
|
few minutes later, he suddenly heard the unmistakably terrible
|
||
|
sounds of screams. These were no ordinary screams. These were
|
||
|
screams of murder. Bavarious ran into the alley, his Beretta in
|
||
|
hand. It was so dark that he couldn't see anything. He also
|
||
|
suddenly felt that he was no longer being followed.
|
||
|
|
||
|
|
||
|
|
||
|
Suddenly a flash of lightning lit up the sky and illuminated the
|
||
|
scene in the alley. Bavarious could barely stop himself from
|
||
|
vomiting when he realized that there was blood everywhere. And he
|
||
|
was covered in it. Each drop of rain smeared the blood into his
|
||
|
face and his clothes. Another flash of lightning revealed the true
|
||
|
horror of the alley. The blood came from two bodies. The bodies of
|
||
|
his wife and son. Their deaths were no accident after all.
|
||
|
Bavarious stared at his Beretta. He noticed that half the clip was
|
||
|
empty.
|
||
|
|
||
|
|
||
|
|
||
|
As sirens rang in the distance, Bavarious knew he had no other
|
||
|
choice. As blood and vomit flowed down the alley, the sound of one
|
||
|
final gunshot pierced the night. The body of Luke Bavarious fell
|
||
|
next to his son. For a moment, the two pairs of dead eyes met.
|
||
|
|
||
|
|
||
|
|
||
|
|
||
|
|
||
|
%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
|
||
|
\by{Danger408}
|
||
|
|
||
|
|
||
|
{\bf The Torrid Connection}
|
||
|
|
||
|
|
||
|
|
||
|
Cleaning his Beretta for the third time that day, and taking a swig
|
||
|
of cheap whiskey, Luke Bavarious pondered his current case.
|
||
|
|
||
|
|
||
|
|
||
|
``This is going nowhere'' he thought. The case was
|
||
|
different, it wasn't about helping others --- it was
|
||
|
about helping himself. After seeing the face, the one so much like
|
||
|
his own, yet so different; things had changed. He tried to forget,
|
||
|
but all he could remember was the blood, all of the blood, the
|
||
|
blood everywhere. ``Was that really me?'' He didn't
|
||
|
know.
|
||
|
|
||
|
|
||
|
|
||
|
He glanced down at the picture of his son he always had on his
|
||
|
desk. The divorce had been rough, and he hadn't seen him in
|
||
|
while. Taking another swig from his bottle, suddenly he turned as
|
||
|
he heard a knock at the door, followed by two more in quick
|
||
|
succession. He hid the bottle behind his desk, hoping to appear a
|
||
|
bit more professional.
|
||
|
|
||
|
|
||
|
|
||
|
He didn't have to respond however, as the mystery person had
|
||
|
already opened the door.
|
||
|
|
||
|
|
||
|
|
||
|
``Hello,'' A beautiful woman started, ``I need your
|
||
|
help.''
|
||
|
|
||
|
|
||
|
|
||
|
``Have we met?'' He asked.
|
||
|
|
||
|
|
||
|
|
||
|
``I don't believe we have,'' she replied. ''I
|
||
|
got your name from a friend. It's doesn't matter though
|
||
|
- I have a case for you. My husband is missing. I need you to find
|
||
|
him, and I hear you're the best at what you do.''
|
||
|
|
||
|
|
||
|
|
||
|
``I'm not taking any more cases{\ldots} I have a lot of
|
||
|
personal shit to deal with. Besides, you really don't want me
|
||
|
to take the case.'' He paused for a moment. She looked
|
||
|
familiar, a face he knew he had seen, perhaps in another life, but
|
||
|
couldn't put his finger on who it was. She looked good
|
||
|
though.
|
||
|
|
||
|
|
||
|
|
||
|
``I'll do anything.'' She pleaded as she removed
|
||
|
her shirt. Luke had always prided himself as being a man of ethics,
|
||
|
but ethics only went so far. As he removed his shirt, he added,
|
||
|
``I'll take the case!''
|
||
|
|
||
|
|
||
|
|
||
|
They commenced sexuality. It had been a long time for both of them,
|
||
|
too long in fact, as it seemed like it would be over before they
|
||
|
even started.
|
||
|
|
||
|
|
||
|
|
||
|
As he lit up a pair of cigarettes, he once again got the feeling
|
||
|
that he knew her from somewhere. He knew her named started with an
|
||
|
``L'' but he couldn't remember the rest.
|
||
|
|
||
|
|
||
|
|
||
|
``Are you sure we haven't met before?'' He
|
||
|
asked.
|
||
|
|
||
|
|
||
|
|
||
|
``Now that you mention it, I think we have.'' She added
|
||
|
as she began to pull at her face.
|
||
|
|
||
|
|
||
|
|
||
|
She stretched and tugged, as vomit-like ooze poured out of her. She
|
||
|
tore away pieces of herself, discarding them on the floor like a
|
||
|
used condom. It seemed that the only thing left was a bloody mess
|
||
|
--- until she wiped it off, revealing a familiar face{\ldots}
|
||
|
His own.
|
||
|
|
||
|
|
||
|
|
||
|
Scared half to death, and knowing that the other half would soon be
|
||
|
complete, he managed to say, ``Listen to me{\ldots} Whatever
|
||
|
you do{\ldots} Don't touch my son{\ldots}'' He knew he
|
||
|
should have spent more time with the kid.
|
||
|
|
||
|
|
||
|
|
||
|
Finishing him off in more ways the one, the once-woman's
|
||
|
transformation was complete. Dressing in his cloths, and putting on
|
||
|
his badge, she was the new Luke Bavarious. Was it a monster? Or
|
||
|
could the real Luke from the future? Some questions aren't
|
||
|
meant to be answered.
|
||
|
|
||
|
|
||
|
|
||
|
|
||
|
%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
|
||
|
\by{Safe Driver}
|
||
|
|
||
|
|
||
|
These stories are great!
|
||
|
|
||
|
|
||
|
|
||
|
{\bf Hell Cab}
|
||
|
|
||
|
|
||
|
|
||
|
``Wake up, Bavarius! Wake up! Wake up!'' The
|
||
|
dispatcher's voice screeched through the radio.
|
||
|
|
||
|
|
||
|
|
||
|
Luke Bavarius was asleep behind the wheel again.
|
||
|
|
||
|
|
||
|
|
||
|
``Wasn't sleeping, just resting my eyes.''
|
||
|
|
||
|
The radio buzzed back ``{\ldots}1977 Ruminate Way, pick
|
||
|
up.''
|
||
|
|
||
|
|
||
|
|
||
|
At night the fares usually tip well. Mostly it's vomiting
|
||
|
drunks with wallets that are just as loose as their mouths.
|
||
|
Luke's been pulling a lot of late shifts driving his taxi.
|
||
|
They help keep his mind occupied from the hand life dealt him. His
|
||
|
wife is gone now; it's just Luke. The cancer came out of
|
||
|
nowhere. It cashed in his wife's last chips. It ate her up
|
||
|
from the inside, destroying their lives. All Luke could do was pray
|
||
|
and make empty promises as the doctors ran their constant tests and
|
||
|
hooked up more tubes everyday. It never went back to being right,
|
||
|
she never got better.
|
||
|
|
||
|
|
||
|
|
||
|
With all of his time being devoted to his dying wife, Luke
|
||
|
ostracized everyone else around him. Even their only child, Bryson
|
||
|
Bavarius was ostracized {\ldots} ostracized with extreme prejudice
|
||
|
that it would make you vomit. Luke's neglecting of the rest
|
||
|
of his family lead to more trouble for them. Bryson Bavarius needed
|
||
|
daily injections to keep his type X diabetes under control. The
|
||
|
injections never came. Bryson accidentally ate an entire bowl of
|
||
|
sugar. The moment the sugar touched his lips, Bryson's face
|
||
|
exploded like a pus filled vomit balloon. He died. When Luke found
|
||
|
his body weeks later, the room reeked of rotting vomit and glucose.
|
||
|
Luke told his wife that the boy could not make it to the hospital,
|
||
|
he was just too sad. His wife got worse with each passing
|
||
|
day.
|
||
|
|
||
|
|
||
|
|
||
|
Luke would never forget his wife's final words; it has
|
||
|
haunted him since that day. ``You lied.'' In her final
|
||
|
twitches a pressurized pocket of vomit burst from her mouth. Then
|
||
|
it was over and it was just Luke and his night shift.
|
||
|
|
||
|
|
||
|
|
||
|
The address dispatch sent Luke to was an empty lot; nothing there
|
||
|
but silence. Luke began circling around the lot. It was probably a
|
||
|
crank call. Out of nowhere the read door is yanked open and a
|
||
|
passenger jumps in.
|
||
|
|
||
|
``Christ, I didn't even see you! Gave me a scare there,
|
||
|
well where to?''
|
||
|
|
||
|
Luke looked into the rear view mirror. The passenger's
|
||
|
familiar eyes were empty and cold. The passenger smiled and
|
||
|
Luke's heart skipped a beat. The smile turned into a
|
||
|
grimace.
|
||
|
|
||
|
|
||
|
|
||
|
``Drive Luke, you're just going to drive.'' The
|
||
|
voice was hollow.
|
||
|
|
||
|
|
||
|
|
||
|
Luke's taxi pulled into gear. None of the streets were
|
||
|
familiar anymore. They turned into endless circles of blurred
|
||
|
buildings and drab scenery. Luke had never been so scared in his
|
||
|
entire life, and he did not know why. He vomited on his lap. The
|
||
|
taste was like the final taste he had of his dying wife.
|
||
|
Bile.
|
||
|
|
||
|
|
||
|
|
||
|
The same horrible voice broke Luke's confusion,
|
||
|
|
||
|
``Keep on driving Luke, we're almost there.''
|
||
|
|
||
|
|
||
|
|
||
|
They made it. Luke Bavarius didn't wake up.
|
||
|
|
||
|
|
||
|
|
||
|
|
||
|
|
||
|
%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
|
||
|
\by{ Livestock}
|
||
|
|
||
|
|
||
|
Obviously I'm exempt from winning (and not likely to anyway), but I
|
||
|
thought I'd give it a try.
|
||
|
|
||
|
|
||
|
|
||
|
{\bf Destiny Calls
|
||
|
|
||
|
A Luke Bavarius Mystery}
|
||
|
|
||
|
|
||
|
|
||
|
Luke Bavarius was on edge. For months he'd been receiving
|
||
|
terrifying phone calls from a mad man. The telephone would ring,
|
||
|
Bavarius would pick up, and that horrible voice would speak.
|
||
|
|
||
|
|
||
|
|
||
|
``You're dead, Luke Bavarius. {\em Deeaaaadddd{\ldots}}''
|
||
|
|
||
|
|
||
|
|
||
|
``Who is this?'' Luke would respond. ``I'll get you! I'm a cop, you
|
||
|
idiot!''
|
||
|
|
||
|
|
||
|
|
||
|
``It doesn't matter, Luke. The law cannot stop me.''
|
||
|
|
||
|
|
||
|
|
||
|
Luke wondered what the calls meant. They happened every night at
|
||
|
midnight. Luke knew that midnight held special significance to
|
||
|
satanic cults and the criminal element. In his work as a gritty New
|
||
|
York City detective he had made many enemies. He could scarcely
|
||
|
keep track of all the men he put behind bars, let alone which ones
|
||
|
still harbored a grudge.
|
||
|
|
||
|
|
||
|
|
||
|
Luke could barely sleep. In his dreams he was chased by shadows.
|
||
|
Glimpses of dark alleyways and shattered mirrors haunted his
|
||
|
slumber. Luke was near his breaking point. What did it all
|
||
|
mean?
|
||
|
|
||
|
|
||
|
|
||
|
{\em Ring!} The telephone rang. It was midnight again. Heavy beads
|
||
|
of sweat started oozing from Luke's forehead like anchors dropping
|
||
|
from ships at port.
|
||
|
|
||
|
|
||
|
|
||
|
``Who is it?'' Luke answered angrily.
|
||
|
|
||
|
|
||
|
|
||
|
``Now, now, Luke. Don't be so angry. It's just your old
|
||
|
friend.''
|
||
|
|
||
|
|
||
|
|
||
|
``You're no friend.''
|
||
|
|
||
|
|
||
|
|
||
|
``And you're dead, Luke Bavarius. {\em Deeaaaadddd{\ldots}}''
|
||
|
|
||
|
|
||
|
|
||
|
Luke slammed the phone down. His heart was racing like Big Brown in
|
||
|
the Kentucky Derby: fast and determined. Luke took a swig from his
|
||
|
flask. He knew he had to do something. How long could this go on?
|
||
|
Not much longer, Luke thought.
|
||
|
|
||
|
|
||
|
|
||
|
It was time to involve his friends at the station. Luke called in a
|
||
|
favor from Jim Centauri, an expert at tracing phone calls. Jim
|
||
|
hooked his equipment up to Luke's phones, and the two waited until
|
||
|
midnight. Nothing happened.
|
||
|
|
||
|
|
||
|
|
||
|
``Damnit!'' Luke yelled. ``He calls every night. {\em Every
|
||
|
night!}
|
||
|
|
||
|
|
||
|
|
||
|
''It's probably just a prankster, Luke. Don't let it get you down.
|
||
|
Anyway, maybe he got tired of calling you.``
|
||
|
|
||
|
|
||
|
|
||
|
Jim packed up his equipment and headed home. Luke thanked him, but
|
||
|
felt disappointed he had no answers. Then it happened. The thing
|
||
|
Luke was least prepared for.
|
||
|
|
||
|
|
||
|
|
||
|
{\em Ring!}
|
||
|
|
||
|
|
||
|
|
||
|
''Not again!`` Luke yelled, staring at the ringing telephone. He
|
||
|
debated answering, or letting it sing its horrible, shrill song.
|
||
|
Finally, Luke could wait no more. He reached his left hand out and
|
||
|
clutched the phone, squeezing so tight it would die if it were
|
||
|
alive.
|
||
|
|
||
|
|
||
|
|
||
|
''Nice try, Luke. But you'll have to figure out who I am on your
|
||
|
own.``
|
||
|
|
||
|
|
||
|
|
||
|
''Who are you?`` Luke demanded, his voice surging with anger.
|
||
|
|
||
|
|
||
|
|
||
|
''Don't you know, Luke. Don't you know who I am?``
|
||
|
|
||
|
|
||
|
|
||
|
''It's only a matter of time before I find out.``
|
||
|
|
||
|
|
||
|
|
||
|
''Sooner than that, Luke. Don't you recognize my voice?``
|
||
|
|
||
|
|
||
|
|
||
|
Suddenly a horrible realization came over Luke. ''No. No! No!!!`` he
|
||
|
cried out. He looked to his right, and he was holding a second
|
||
|
telephone.
|
||
|
|
||
|
|
||
|
|
||
|
''All this time, Luke. It was you. It was me. It was
|
||
|
{\em us}!"
|
||
|
|
||
|
|
||
|
|
||
|
Luke heard a click. He looked to his left. The telephone in his
|
||
|
left hand was gone. Now it was a cocked Beretta pointed at his
|
||
|
skull. Suddenly he gulped. {\em Click.}
|
||
|
|
||
|
|
||
|
|
||
|
|
||
|
|
||
|
%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
|
||
|
\by{JohnnyThreeToes}
|
||
|
|
||
|
|
||
|
{\em Horrid Transformation}
|
||
|
|
||
|
|
||
|
|
||
|
A man lives in that abandoned house at the end of the street. He is
|
||
|
old and secret, nobody knows that he is in there. Those that do
|
||
|
know don't suspect it is a man, but maybe a dog or a cat living in
|
||
|
the house. There is strange foggy weather over that house. Tonight
|
||
|
thunder rumbles all around the house in the air.
|
||
|
|
||
|
|
||
|
|
||
|
The man sits at his counter and does not say a word. There is no
|
||
|
one to say it to. He is alone. Pain is in his staring eyes. Pain
|
||
|
from loneliness. Depressed pain. A bowl of eaten cereal is in front
|
||
|
of him. He is frowning, not satisfied. Some open bags of dog food
|
||
|
surround him, too.
|
||
|
|
||
|
|
||
|
|
||
|
Horrid thunder surrounds his house and then there is a flash of
|
||
|
lightning. The man has had enough! Enough of this civilization
|
||
|
where people shun him for his talent. They could never understand.
|
||
|
The man grins and puts on a collar. There is another flash of
|
||
|
lightning and by the end of the flash the man has changed into a
|
||
|
dog. He will do what he always does tonight like every night. He
|
||
|
will wander around until somebody takes pity on him and pets him
|
||
|
and feed him. As a homeless human society hates him, but as a dog
|
||
|
he is the greatest thing ever to them. Life is funny that way, he
|
||
|
silently thinks, walking out the door into the lightning.
|
||
|
|
||
|
|
||
|
|
||
|
|
||
|
|
||
|
%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
|
||
|
\by{King Plum the Nth}
|
||
|
|
||
|
|
||
|
This is just too much fun to let go. If it's not kosher to enter
|
||
|
more than once, I apologize and will be happy to remove one of
|
||
|
these. Ben Biddick, you magnificent bastard, thank you for
|
||
|
providing such a rich literary vein to mine. E: correcting an
|
||
|
annoying number of typos.
|
||
|
|
||
|
* * *
|
||
|
|
||
|
|
||
|
|
||
|
{\bf Flow My Tears, the PI Said.}
|
||
|
|
||
|
|
||
|
|
||
|
The kids from the neighborhood pooled their money to hire me. All
|
||
|
the kids on that street in the Bronx, in New York. One slow day I
|
||
|
was getting ready to leave the office a bit early when a kid pushed
|
||
|
open the door with my name, Luke Bavarious, and my job, private
|
||
|
detective, painted in neat black letters on the gray pebbled
|
||
|
glass.
|
||
|
|
||
|
|
||
|
|
||
|
``Mr. Bavarious?'' he said.
|
||
|
|
||
|
``That's what it says on the door, kid.'' He looked
|
||
|
like he was about 12.
|
||
|
|
||
|
``My friends and I need to hire a private detective to find
|
||
|
Mikey.'' He walked across the room trying to look brave,
|
||
|
shoved a hand in his jeans pocket, pulled out a wad of crumpled
|
||
|
\$5's and \$10's, and set them on my desk.
|
||
|
|
||
|
|
||
|
|
||
|
I eyed the dough suspiciously. It looked sticky and damp. I
|
||
|
can't remember ever not wanting to touch money before. I
|
||
|
reached out gently and poked at it. Maybe \$45 bucks. Maybe less. It
|
||
|
wasn't enough to pay for the time it'd take me to take
|
||
|
a piss all over their sorry case. Whatever it was.
|
||
|
|
||
|
|
||
|
|
||
|
``Your mother know you're here, kid?''
|
||
|
|
||
|
``Mister, Mikey's been missing, and all our parents and
|
||
|
the cops say he ran away, but we know he got taken.''
|
||
|
|
||
|
``Taken by what, kid?''
|
||
|
|
||
|
``Taken by a nameless horror, sir.''
|
||
|
|
||
|
|
||
|
|
||
|
I looked at the dough again. ``I charge a hundred and fifty an
|
||
|
hour, kid. In this traffic it'd cost ya another two fifty
|
||
|
five just to get me to set foot in the Bronx.'' The kid looked
|
||
|
like he was going to cry. I swore under my breath, stood, and
|
||
|
grabbed the cash from my desk. Shoving it into my pocket I said,
|
||
|
``Never mind. I'll bill this Mikey's folks for the
|
||
|
difference if I find him alive.'' The kid started sobbing
|
||
|
then. Really hard. While he got it out of his system, I opened my
|
||
|
desk drawer, pulled out my trusty Beretta and checked the
|
||
|
magazine.
|
||
|
|
||
|
|
||
|
|
||
|
Once I got to the Bronx it didn't take me long to find out
|
||
|
what had happened. Sometimes my job calls on me to fight monsters
|
||
|
of a supernatural nature. Sometimes I find myself buried neck deep
|
||
|
in the blackest culture, the world of the gothic and occult. But
|
||
|
sometimes the monsters are more horrible than monsters because
|
||
|
sometimes the monsters are men. And this monster was a man. He was
|
||
|
a homeless pedophile. Mikey wasn't his first but, by god, he
|
||
|
was going to be the last. I pulled my revolver and pointed it at
|
||
|
him,
|
||
|
|
||
|
|
||
|
|
||
|
``This is the end of the line, hobo.''
|
||
|
|
||
|
``You won't kill me, Bavarious! I used to be a cop. Like
|
||
|
your father. It's against the law to kill me no matter how
|
||
|
many kids I raped and killed.''
|
||
|
|
||
|
He had me. I knew, and he know, and my father --- god rest him
|
||
|
--- had known, no matter how many kids you rape and kill it
|
||
|
only warrants murder in certain states and then only after a
|
||
|
lengthy judiciary process. But, looking at poor Mikey's
|
||
|
broken, rotten corpse, I just wasn't sure if any of that
|
||
|
really mattered.
|
||
|
|
||
|
|
||
|
|
||
|
The sick hobo followed my gaze to the body of his most recent
|
||
|
victim.
|
||
|
|
||
|
|
||
|
|
||
|
``Oh, him? Don't worry about him. He liked
|
||
|
it.''
|
||
|
|
||
|
|
||
|
|
||
|
And that's when I snapped. Everything became crystal clear. I
|
||
|
wasn't sure what was right or wrong anymore but there was one
|
||
|
thing I knew for damn sure. Mikey didn't like it.
|
||
|
|
||
|
|
||
|
|
||
|
I pulled my trigger. My Beretta belched hot lead. The shell hitting
|
||
|
the warehouse floor made a sound like a polite cough afterward. A
|
||
|
ragged, bloody hole exploded in the monster's gut. He
|
||
|
stopped, stared at his gory wound and began to vomit. Vomit flowed
|
||
|
from his mouth and, after a second, shot from the bullet wound in
|
||
|
his stomach too. I pulled the trigger again and again, each time it
|
||
|
was less for anger and more for mercy. I perforated his neck. He
|
||
|
kept vomiting. The vomit flowed from his mouth and gut and the hole
|
||
|
in his neck. I put a hole in his head --- right between the
|
||
|
eyes --- his eyes crossed looking up trying to see his death
|
||
|
wound. His body heaved again and again, and vomit poured from his
|
||
|
forehead too. Torrents of blood and bile and breakfast pouring from
|
||
|
four holes on his body, three of them man made.
|
||
|
|
||
|
|
||
|
|
||
|
Finally, I could take it no more, my stomach surrendered and I
|
||
|
vomited. As I vomited, my eyes slipped back to the body of the
|
||
|
monster's latest victim and I wept and my tears commingled
|
||
|
with the vomit. There we stood, the two of us, vomiting. The psudo
|
||
|
mythical hero and the psudo mythical monster over the poor broken
|
||
|
body that had so recently vomited a child's soul into the
|
||
|
afterlife. In a way, we were brothers, in vomit. He fell to his
|
||
|
knees. He died. And, although I stopped vomiting, eventually, I
|
||
|
could not stop sobbing. I cried so hard the flow of my tears washed
|
||
|
the vomit away.
|
||
|
|
||
|
|
||
|
|
||
|
|
||
|
%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
|
||
|
\by{Yogi Byron}
|
||
|
|
||
|
|
||
|
{\bf Horror D'oeuvres}
|
||
|
|
||
|
|
||
|
|
||
|
I am on the verge of tears by the time I arrive at Espace, as
|
||
|
I'm sure that I won't have a good table. However, the
|
||
|
maitre'd shows me my place, a cozy booth next to an aquarium,
|
||
|
and I feel relief wash over me in an awesome wave. I sit down. The
|
||
|
sound of knives scratching against bone china, however, sets my
|
||
|
nerves on edge. My name is Luke Bavarious. I am a private
|
||
|
detective. I like my work.
|
||
|
|
||
|
|
||
|
|
||
|
Complaints had been trickling in for a little over a year about
|
||
|
cases of food poisoning emanating from this restaurant. I look
|
||
|
carefully over the menu and order a lobster roll with arugula
|
||
|
bedding. I choose this food in particular because it is my
|
||
|
assignment to stop these complaints.
|
||
|
|
||
|
|
||
|
|
||
|
My suspicion is first aroused by a loud belch from the table
|
||
|
directly to my left. The gasses reverberate against the glass of
|
||
|
the aquarium and offend my nostrils. A dark and horrid man is
|
||
|
clutching his stomach, fork gripped tightly in his free hand. This
|
||
|
scene elicits a grimace of pain from his face, and, suddenly, he
|
||
|
shouts violently, jabbing the fork into his abdomen. A stream of
|
||
|
vile stomach acid and gastric juices billow forth, burning his
|
||
|
hands in acidic bile and causing him to vomit from behind pursed
|
||
|
lips onto the tablecloth in front of him. My Beretta is already
|
||
|
drawn as I attempt to calm the surprised crowd that is gaping at
|
||
|
the food-poisoned man. His wife has urinated onto the carpet and is
|
||
|
troubled by unwilling spasms that are shaking her body. I fire a
|
||
|
round into the plate of food that sits between them, while
|
||
|
grimacing. I snatch the ejected shell from my Beretta like
|
||
|
it's a flying bumblebee and place it in my mouth, clamping
|
||
|
down on the brass with my teeth to dull the pain of my miserable
|
||
|
and human, all too human, existence.
|
||
|
|
||
|
|
||
|
|
||
|
Blood is now mixing with the bile and urine into a disastrous
|
||
|
chemical. I fire a round with my Beretta into the man, who is
|
||
|
gripping the tablecloth in pain. He giggles as he is relieved of
|
||
|
his cruel fate, lapsing into the sweet embrace of untimely death. I
|
||
|
draw a bead on his poor wife, who is sitting in a pile of her own
|
||
|
waste like a squalid dog or cat. I fire twice. Three shells hit the
|
||
|
concrete. ``You!'' I yell at a waiter hiding behind the
|
||
|
aquarium. ``Let me speak to your manager!''
|
||
|
|
||
|
|
||
|
|
||
|
He wipes his miserable face with a cloth. ``Beggin' your
|
||
|
pardon, but{\ldots}I am the manager,'' he says. I motion
|
||
|
towards the table with my Beretta. ``Sit down.'' I say.
|
||
|
While he takes his seat before the lobster roll and arugula, I
|
||
|
catch a glimpse of myself reflected in the glass of the aquarium. A
|
||
|
white shirt and cummerbund are smoothed elegantly around my
|
||
|
midsection, and on my right side is a gleaming nametag. ``Luke
|
||
|
Bavarious, Head Waiter, Espace.'' Suddenly, I am sobbing.
|
||
|
|
||
|
|
||
|
|
||
|
|
||
|
|
||
|
%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
|
||
|
\chapter{I am NOT Luke Bavarius}
|
||
|
\by{Funk In Shoe}
|
||
|
|
||
|
|
||
|
Interviewee: LARRY BAVARIUS - 05/05/09
|
||
|
|
||
|
|
||
|
|
||
|
|
||
|
|
||
|
|
||
|
|
||
|
|
||
|
|
||
|
So what do you want to know?
|
||
|
|
||
|
|
||
|
|
||
|
{\em Question.}
|
||
|
|
||
|
|
||
|
|
||
|
Okay, see, this is something we're going to have to address
|
||
|
before it starts bugging me: You need to relax.
|
||
|
|
||
|
I see you're tensing up there, a little already, why is this?
|
||
|
When we spoke on the phone earlier - when you called me up and
|
||
|
asked for this interview and I told you it would be no problem and
|
||
|
to come right over whenever you saw fit --- earlier you came
|
||
|
off so easy going, on the phone. I made coffee, did I not?
|
||
|
|
||
|
Is this just a matter of you being the kind of person who really
|
||
|
knows her way around a phone but tends to come off sort of skittish
|
||
|
in person? No? Could you put that down Bic pen already? You know
|
||
|
the clicking, and all. I get skittish, too. Honestly it's
|
||
|
alright.
|
||
|
|
||
|
You DO seem horribly tense. I am not, let me assure you, Mr. Ehl
|
||
|
Bee. There is no need to go all star struck on me. I am as much of
|
||
|
a nobody as you are, probably more of a nobody.
|
||
|
|
||
|
Put the pen down, honey --- in lieu of that, just stop with the
|
||
|
clicking, please. I'm sorry. Do carry on.
|
||
|
|
||
|
|
||
|
|
||
|
{\em Question}.
|
||
|
|
||
|
|
||
|
|
||
|
Well the thing is, the way you're phrasing that is you want
|
||
|
me to tell you a certain mapped set of details about myself;
|
||
|
details you're likely more acutely familiar with than I am
|
||
|
myself.
|
||
|
|
||
|
I don't know that I am related to Luke, as such. We
|
||
|
haven't had much to do with each other since he published
|
||
|
that{\ldots} Oh. Don't make that face.
|
||
|
|
||
|
Okay, okay. Fine. So I am. Related. He's what you'd
|
||
|
call my identical half brother. I know right? It's a weird
|
||
|
way to put it and I apologize; I'm not trying to come off as
|
||
|
overly dramatic here or trying to yank you around or make myself
|
||
|
appear interesting or anything like that, really, it's just a
|
||
|
sort of neat way of recapping our shared genealogy.
|
||
|
|
||
|
And so but yes, I am a couple of years older than Luke and yes, we
|
||
|
do share a good amount of absolutely top notch DNA. I've
|
||
|
never been able to figure out exactly how much, you know,
|
||
|
percentagewise et cetera, it's sort of a stupendously tricky
|
||
|
prospect.
|
||
|
|
||
|
|
||
|
|
||
|
{\em Question.}
|
||
|
|
||
|
|
||
|
|
||
|
Because we got, obviously, the same mom and but so, as fate would
|
||
|
have it, different dads. Tricky, because while my own dear sweet
|
||
|
padre is an entity completely separated from Luke's ditto,
|
||
|
they are, nonetheless, identical twins. This, their twin-inicity,
|
||
|
if you will, is what has made all my attempts at coming to terms
|
||
|
with the whole DNA snafu so far pretty frustrating. By now
|
||
|
I've pretty much just given up. This, having the same mother
|
||
|
and two different fathers who happen to be {\em appear} completely
|
||
|
identical, is probably also why you're still fidgeting with
|
||
|
that {\em God damned Bic}, even when I asked you politely and
|
||
|
repeatedly to put it down, because it's freaking me
|
||
|
out.
|
||
|
|
||
|
I am not-I-repeat-not Luke Bavarius; and I am going to take the
|
||
|
fact that you're still not quite sure whether to believe me
|
||
|
or not on that, as a compliment that I am looking better than my
|
||
|
usual best today.
|
||
|
|
||
|
|
||
|
|
||
|
{\em Question.}
|
||
|
|
||
|
|
||
|
|
||
|
Well because look at me. Check out thith. See thith? Ow. This is
|
||
|
what the not-so-PC-crowd calls a hare lip. It's been fixed
|
||
|
up, but it's pretty obvious with the scar and all, especially
|
||
|
on the inside of the lip. Did you ever see a jacket photo of our
|
||
|
boy Luke with a scar like this? This male pattern baldness thing?
|
||
|
Luke dodged that bullet too. Where I'm 5.0 he's a good
|
||
|
6.1. It's a mystery, really. You should{\ldots}
|
||
|
|
||
|
|
||
|
|
||
|
Question.
|
||
|
|
||
|
|
||
|
|
||
|
{\ldots}I'm not finished, you should see our respective
|
||
|
family photos. For some reason he just turned out like a late and
|
||
|
slightly improved version of yours truly. Same parents, just
|
||
|
slightly better. It's bizarre. By the looks of it it's
|
||
|
the same parents in the same photo studio, doing the same awkward
|
||
|
pose with our respective and identical dads in the background, arms
|
||
|
wrapped around mom, wearing all red. Bizarre because so the kid in
|
||
|
the foreground is basically either me or, like, a really, really
|
||
|
pretty and tall and attractive {\em enhancement}of me. It's
|
||
|
just weird. I am not Luke. Convinced? Want me to whip out the
|
||
|
photos? No?
|
||
|
|
||
|
|
||
|
|
||
|
{\em Question}
|
||
|
|
||
|
|
||
|
|
||
|
Well I'm two years older. Dad and Not-Dad moved here together
|
||
|
and started a used car dealership on the eastside. You are aware of
|
||
|
all this, I am sure. Any profiler worth her salt, writing for such
|
||
|
a major magazine, will be aware of this. So but they moved here,
|
||
|
yes, opened up their dealership and started making good money right
|
||
|
off the bat. It was a couple of years after the bubble burst and
|
||
|
Dad and his brother were lucky-slash-clever enough to start their
|
||
|
business at a time when people were just starting to make money
|
||
|
again, but were still hesitant about, you know, spending it.
|
||
|
Everybody and their mom bought used cars back in those days.
|
||
|
|
||
|
And so Dad meets our mom some forty-odd years ago and they fall in
|
||
|
love pretty quick and Dad moves out of whatever east side apartment
|
||
|
he's sharing with his brother at the time, and in with
|
||
|
mom.
|
||
|
|
||
|
|
||
|
|
||
|
{\em Question}.
|
||
|
|
||
|
|
||
|
|
||
|
From what I've been able to ascertain, I came around some two
|
||
|
years later. Give or take. You'll have to --- stop
|
||
|
clicking --- you'll have to bear with me on the details.
|
||
|
At this point, the dealership is running like greased clockwork and
|
||
|
both Dad and Not-Dad are pulling in some serious moolah and Dad,
|
||
|
Not-Dad and mom start getting invited to you know, get-togethers,
|
||
|
shindigs, box socials, that sort of jazz around town with the
|
||
|
movers and shakers of whatever post-recession high society was in
|
||
|
function back in those days.
|
||
|
|
||
|
|
||
|
|
||
|
{\em Question}.
|
||
|
|
||
|
|
||
|
|
||
|
Well it started out as a sort of joke, you know.
|
||
|
Don't-You-Drink-Too-Much-Sweetie-Or-You'll-Get-Us-Mixed
|
||
|
up. Shits and giggles and lots of fun at parties with my Dad and
|
||
|
his brother showing up in identical suits and my mom pretending to
|
||
|
accidentally kiss the wrong clone et cetera.
|
||
|
|
||
|
Shits and giggles right up until, and you've seen this
|
||
|
coming, right up until the three of them actually go and get so
|
||
|
drunk that my Dad passes out in a bathroom at some fundraiser,
|
||
|
slumped over a toilet for hours so that to this day he's got
|
||
|
horrible problems with his back, and Mom goes and sticks her tongue
|
||
|
down the throat of Not-Dad by mistake and by the time he gets to
|
||
|
object they're both too drunk to even care and mom decides
|
||
|
right there that for whatever reason, Not-Dad is a much better
|
||
|
kisser than poor, passed out Dad ever was.
|
||
|
|
||
|
|
||
|
|
||
|
{\em Question.}
|
||
|
|
||
|
|
||
|
|
||
|
I don't remember much, except for him drinking a whole lot
|
||
|
and never wearing anything but his underwear around the house,
|
||
|
really. And the yelling-slash-stomping.
|
||
|
|
||
|
I remember asking him, once, like we're talking age three or
|
||
|
four here, where Mom had gone and he yelled at me. My dad is sort
|
||
|
of a dick. I told him he needed to stop yelling at me. He
|
||
|
didn't listen. I told him kids need to be respected and
|
||
|
listened to. No dice.
|
||
|
|
||
|
He would have to be, a dick, you know, to stick me with the short
|
||
|
end of the DNA stick like he's done. Thith fucking thplith
|
||
|
lip! Ow!
|
||
|
|
||
|
And so but Mom moves in with Not-Dad and lo and fucking behold THEY
|
||
|
spawn a kid too.
|
||
|
|
||
|
|
||
|
|
||
|
{\em Question}.
|
||
|
|
||
|
|
||
|
|
||
|
Yes. Luke. I see you have fathomed the basic concept of
|
||
|
{\em listening}, I am highly impressed. May I continue? Thank
|
||
|
you.
|
||
|
|
||
|
So naturally, with my Mom gone off to shack up with his Brother,
|
||
|
there's no fucking way in hell Dad's dealership is going to
|
||
|
stay afloat, these two guys can't stand the sight of each
|
||
|
other.
|
||
|
|
||
|
|
||
|
|
||
|
{\em Question}.
|
||
|
|
||
|
|
||
|
|
||
|
Just {\em imagine} that! It's like some bizarro-universe
|
||
|
incarnation of self-loathing. Imagine waking up, hung over, and
|
||
|
stumbling into the bathroom, looking into the mirror and seeing the
|
||
|
face of the guy your wife is currently fucking, who is not you.
|
||
|
Then, suddenly, you are sobbing. One cannot even be-fucking-GIN to
|
||
|
fathom{\ldots}
|
||
|
|
||
|
So yeah, anyway, there was that.
|
||
|
|
||
|
|
||
|
|
||
|
{\em Question}.
|
||
|
|
||
|
|
||
|
|
||
|
Well so they split it up. Put down a fuck-all huge chain fence
|
||
|
right down the middle of the store and the lot. Split the whole
|
||
|
place in two halves that were pretty much identical except for the
|
||
|
sign out front. Dad got the BAVA half, Not-Dad got RIUS.
|
||
|
|
||
|
And, foreseeably, they started harassing each other pretty much
|
||
|
right off the bat. He'd bring me with him to work every now
|
||
|
and then. I'd hang around in the lot and play in the oldest
|
||
|
most derelict cars, the ones he couldn't seem to get rid of
|
||
|
anyway, and I'd watch Dad scream his lungs off, whenever a
|
||
|
potential customer went the ``wrong'', if you will, way
|
||
|
around the fence and into the RIUS-lot.
|
||
|
|
||
|
|
||
|
|
||
|
{\em Question}.
|
||
|
|
||
|
|
||
|
|
||
|
Just insane stuff; like he had this thing where he'd jump
|
||
|
onto the fence and hang there shaking it like a fucking deranged
|
||
|
chimp, rattling the metal, shouting how the guy who owned the
|
||
|
RIUS-lot was a no-good-for-nothing wife-stealer who also happened
|
||
|
to sell exceptionally horrible cars that no man with half a fucking
|
||
|
brain would ever want to et cetera et cetera.
|
||
|
|
||
|
|
||
|
|
||
|
{\em Question}.
|
||
|
|
||
|
|
||
|
|
||
|
Well Not-Dad would do the exact same routine whenever one went into
|
||
|
the BAVA lot. Sticks and stones. I'm not going to sit here and
|
||
|
assign blame.
|
||
|
|
||
|
|
||
|
|
||
|
{\em Question}.
|
||
|
|
||
|
|
||
|
|
||
|
She never came around. I haven't seen her since she walked
|
||
|
out. He did bring Luke a whole bunch of times though. We'd
|
||
|
play. In the beginning, we'd play. There was always this
|
||
|
acute{\ldots} weirdness about it. Playing with him. Like seeing
|
||
|
yourself in a funhouse mirror that somehow made you just an eerily
|
||
|
tiny bit prettier than you are. We had to stop when they put up the
|
||
|
actual WALL --- as in the brick wall.
|
||
|
|
||
|
|
||
|
|
||
|
{\em Question}.
|
||
|
|
||
|
|
||
|
|
||
|
They put it up in a moment of clarity I guess? Business had gone
|
||
|
way downhill for both of them, what with all the shouting and
|
||
|
fence-rattling and whathaveyou. It was sort of a necessity. They
|
||
|
even split the bill.
|
||
|
|
||
|
|
||
|
|
||
|
{\em Question}.
|
||
|
|
||
|
|
||
|
|
||
|
Ah well so but it didn't stop there. Because after the wall,
|
||
|
Dad got into this habit of sneaking into the RIUS-lot and greeting
|
||
|
customers like he owned the place; he might as well could have,
|
||
|
it's not like anybody could tell the difference.
|
||
|
|
||
|
So he'd sneak into the RIUS-lot and greet potential buyers
|
||
|
and just do a hell of a good job at being the very worst salesman
|
||
|
he could possibly be, to scare them off.
|
||
|
|
||
|
He'd make a show of keeping an open bottle of Jack on his
|
||
|
person while talking to customers, luridly coming on to any female
|
||
|
buyers slash wives slash children --- this earned him a couple
|
||
|
of impressive beatings that had him just look an AWFUL lot like the
|
||
|
kind of person you would not buy a car from --- he would follow
|
||
|
the buyer around the RIUS-lot going ``oh heavens no, you
|
||
|
wouldn't want to buy THAT; two words: DEATH TRAPS'' et
|
||
|
cetera --- until Not-Dad would finally spot him from inside the
|
||
|
dealership and coming rushing it, swearing and screaming,
|
||
|
effectively scaring off pretty much everybody.
|
||
|
|
||
|
Of course, after a week or so, Not-Dad would reciprocate by pulling
|
||
|
the exact same kinds of stunts at the BAVA-lot and for a while
|
||
|
there everything was absolutely, completely apeshit. Care for a
|
||
|
drink?
|
||
|
|
||
|
|
||
|
|
||
|
{\em Question}.
|
||
|
|
||
|
|
||
|
|
||
|
Well Dad started getting up early in the morning to beat Not-Dad to
|
||
|
work and lurk around Not-Dad's lot, impersonating him.
|
||
|
Not-Dad started doing the exact same thing. After a year or so, Dad
|
||
|
would clock in at Not-Dad's lot at seven in the morning and
|
||
|
visa versa. After a year and a half, they'd pretty much
|
||
|
swapped lots and spent most of their days scaring off the other's
|
||
|
half's customers. They stopped selling cars over the course of a
|
||
|
couple of months, in order to make sure the other didn't sell any
|
||
|
either.
|
||
|
|
||
|
|
||
|
|
||
|
{\em Question}.
|
||
|
|
||
|
|
||
|
|
||
|
Well they went bankrupt. Both of them, and spectacularly so.
|
||
|
|
||
|
|
||
|
|
||
|
{\em Question}.
|
||
|
|
||
|
|
||
|
|
||
|
And so Luke beat me to it, is the gist of my story. He wrote this
|
||
|
entire thing down faster and much more eloquently than I found
|
||
|
myself able to. And don't think I did not try. I tried. The
|
||
|
day I heard that he'd gotten published, I had two hundred and
|
||
|
fifty type-written pages and was just about to finish up my own
|
||
|
rendition.
|
||
|
|
||
|
|
||
|
|
||
|
{\em Question}.
|
||
|
|
||
|
|
||
|
|
||
|
Just another matter in which Luke Bavarius has proved to be that
|
||
|
teeny, tiny bit better than me, I am afraid. He's the genius,
|
||
|
he's the author. He's the one with his god damed
|
||
|
non-split face on the cover of dust-jackets everywhere. And so here
|
||
|
we are. And here {\em you} are. Digging up the dirt for your
|
||
|
fucking profile.
|
||
|
|
||
|
|
||
|
|
||
|
{\em Question}.
|
||
|
|
||
|
|
||
|
|
||
|
I don't even fucking care. You think I haven't told
|
||
|
this story? Who {\em told} you this story? Was it Luke? Mr. Ehl
|
||
|
Bee, mr. Writing-under-a-Pseudonym-to-be-artsy-Biddick, with his
|
||
|
prodigious talent and his intense, {\em fucking} eyebrows that he
|
||
|
probably picks like a bitch? Was it? It wasn't. It was me. I
|
||
|
want you to stand up, walk over to that bookshelf right there. Go
|
||
|
ahead. Pull out his book. It's right there. Don't think
|
||
|
I haven't bought it. I'm not your average bitter fucking
|
||
|
idiot. I have money to spend. Pull it out of the shelf and look at
|
||
|
him, on the dust jacket. Monochrome and unsplit, brooding. Go
|
||
|
ahead. It's me.
|
||
|
|
||
|
Am I not the butt of a cruel, genealogical joke? My father
|
||
|
abandoned by love. I myself abanoned by fate. You want horror? Look
|
||
|
at his picture, then at me.
|
||
|
|
||
|
Do you not see this? Has the whole god forsaken world gone mad? I
|
||
|
am telling you this story. I am the first incarnation of this
|
||
|
story. Who is this Luke Bavarius? Go head. Look at his picture.
|
||
|
Look at this Davidesque, seemingly retouched rendition of yours
|
||
|
truly. See all that is shared between us. Am I not the narrator? I
|
||
|
am L. Bavarius. Do I not deserve recognition? Look at his
|
||
|
face.
|
||
|
|
||
|
Pick it up. Go the fuck ahead.
|
||
|
|
||
|
|
||
|
|
||
|
|
||
|
%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
|
||
|
\by{Zarimus}
|
||
|
|
||
|
|
||
|
{\bf Little Men}
|
||
|
|
||
|
|
||
|
|
||
|
``It has happened again.'' moaned the dark clad priest, his rosary
|
||
|
clenched in his left hand. With his right hand he held the old
|
||
|
phone handset indicative of the respectable poverty of the church
|
||
|
office. ``Can you come right away?'' Father Dennis almost sobbed into
|
||
|
the phone.
|
||
|
|
||
|
Evidently what he heard comforted him and he hung up with a
|
||
|
relieved laugh. He turned and smiled down at the silent young boy
|
||
|
playing with some small figures in the corner of the room. Father
|
||
|
Dennis stepped forward and patted the boy on the head in a friendly
|
||
|
way. ``Don't worry son, the detective will find out who brutally
|
||
|
murdered your father and that man in the alley.''
|
||
|
|
||
|
The boy did not look up, he was still playing with the small toys,
|
||
|
little metal figurines of soldiers and knights and trolls he had
|
||
|
been carrying in a small velvet purple bag ever since he and his
|
||
|
mother had arrived at the church.
|
||
|
|
||
|
In a short while there was a knock at the door and Father Dennis
|
||
|
rose to greet the gray coated figure who introduced himself as
|
||
|
Detective Luke Bavarious. ``The body is in the alley behind the
|
||
|
church building.'' offered Father Dennis. ``You remember Nick,
|
||
|
Detective?'' he said, pointing at the silent boy.
|
||
|
|
||
|
``Yes I do Father Dennis.'' said Luke Bavarious, gazing with intent
|
||
|
at the boy. ``Has he spoken yet?'' ``Not since his father was brutally
|
||
|
torn apart, just like the man in the alley.'' Father Dennis faced
|
||
|
the grim detective squarely. ``Is it a serial killer?''
|
||
|
|
||
|
Detective Bavarious said grimly, ``We don't know yet. Let me have a
|
||
|
look at that body.''
|
||
|
|
||
|
In the alleyway Luke nodded to the policeman guarding the crime
|
||
|
scene. ``Evening Bob. Know anything yet?''
|
||
|
|
||
|
The policeman shrugged. ``Just that he died in a lot of blood. His
|
||
|
arms ripped off.'' Luke raised an eyebrow in surprise. ``Just like
|
||
|
the boy's father. Who was this guy?'' The policeman didn't know, as
|
||
|
it turned out. Detective Bavarious wondered if they'd ever find out
|
||
|
who was responsible.
|
||
|
|
||
|
Back in the church office, the boy Nicholas carefully set down a
|
||
|
small metal figurine that resembled a policeman. He then opened a
|
||
|
tiny wooden box he took from his velvet bag and gazed silently at
|
||
|
the two broken figurines it held. Both had their arms torn off. The
|
||
|
boy picked up the policeman figurine and with a swift motion, tore
|
||
|
off both arms.
|
||
|
|
||
|
From the alley behind the church, he could already hear the
|
||
|
screaming.
|
||
|
|
||
|
|
||
|
|
||
|
{\bf The End}
|
||
|
|
||
|
|
||
|
|
||
|
|
||
|
%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
|
||
|
\by{CannedMacabre}
|
||
|
|
||
|
|
||
|
{\bf For the Children}
|
||
|
|
||
|
|
||
|
|
||
|
Norma's Diner is a horrible place to get a cup of joe. The only
|
||
|
reason I was there was to meet a mysterious client that had
|
||
|
insisted on anonymity. He had reached me twice by phone in the past
|
||
|
three weeks and only identified himself as Mr. M. I told him that I
|
||
|
would only take the case if we met face to face. Mr. M contacted me
|
||
|
again this morning by text message to say that we should meet here
|
||
|
at Norma's at 10:30 sharp.
|
||
|
|
||
|
|
||
|
|
||
|
Its now 10:45.
|
||
|
|
||
|
|
||
|
|
||
|
I'm Luke Bavarious, Private Detective, and I don't take a case
|
||
|
without knowing the client, and I don't like to wait.
|
||
|
|
||
|
|
||
|
|
||
|
The waitress pours me another cup of swill as I look over my notes
|
||
|
on Mr. M's case. He says he is being stalked and that threatening
|
||
|
messages are being sent to his e-mail and voice mail. He hints at
|
||
|
the fact that some people are trying to blackmail him. He even
|
||
|
casually ponders whether his life may be in danger. Its really not
|
||
|
much to go on but with the clock ticking, I am beginning to wonder
|
||
|
if someone might have already done the guy in.
|
||
|
|
||
|
|
||
|
|
||
|
Its 11:00.
|
||
|
|
||
|
|
||
|
|
||
|
The only reason that I haven't gotten up and walked out yet is that
|
||
|
a manila envelope with five 100 dollar bills was slipped under my
|
||
|
door this morning with the words ``from M'' on it. I figured that I
|
||
|
would at least wait out the hour before going about my day. Maybe I
|
||
|
will choke down another cup of the vomit they call coffee in this
|
||
|
dump. As I raise the cracked mug to my mouth I hear the little bell
|
||
|
on the door sound followed by a loud voice:
|
||
|
|
||
|
|
||
|
|
||
|
``HEY! What I tell you about those friggin skates in my
|
||
|
restaurant?''
|
||
|
|
||
|
I turn to see a smallish kid with a stunned look on his face nearly
|
||
|
crap himself. He has a giant book bag on his back and is wearing
|
||
|
those shoes with the wheels in the heels. Heelers? Heelies?
|
||
|
|
||
|
|
||
|
|
||
|
``S-sorry mister, I forgot.'' He says sheepishly and hangs his head
|
||
|
down in the embarrassment of all eyes being on him. He sits down at
|
||
|
the table across from me and takes out some school books and a
|
||
|
notebook. The waitress brings him a cherry Coke and puts a hand on
|
||
|
his shoulder for just a moment, then goes back to her cigarette
|
||
|
burning at the counter.
|
||
|
|
||
|
|
||
|
|
||
|
Poor kid.
|
||
|
|
||
|
|
||
|
|
||
|
I look down at my watch for a second and notice that ``M'' is now a
|
||
|
full hour late when I hear that sheepish little voice again.
|
||
|
|
||
|
|
||
|
|
||
|
``Sir, can I talk to you for a moment?'' the kid is right next to me
|
||
|
with his bag hanging half way off his shoulder.
|
||
|
|
||
|
|
||
|
|
||
|
``Uhhh{\ldots}Listen kid{\ldots}'' I start to say some rhetorical crap about
|
||
|
being a busy man or having some place to be, but something in my
|
||
|
gut tells me that not enough grown ups have made time for this
|
||
|
kid.
|
||
|
|
||
|
|
||
|
|
||
|
``You know what{\ldots}Yeah. Sure kid, have a seat.''
|
||
|
|
||
|
His eyes light up and he throws his bag into the seat next to me
|
||
|
and grabs his Coke form the other table.
|
||
|
|
||
|
|
||
|
|
||
|
``You're a private dick, right?'' The kid says.
|
||
|
|
||
|
|
||
|
|
||
|
``Uh{\ldots}yeah, Detective.'' I respond.
|
||
|
|
||
|
|
||
|
|
||
|
``Cooooool, I wanna be a P.I. too when I grow up. You carry a
|
||
|
gun?''
|
||
|
|
||
|
|
||
|
|
||
|
``Yeah, a Beretta, but it ain't all its cracked up to be. Sometimes
|
||
|
you gotta deal with a lot of scumballs and sometimes you just can't
|
||
|
help the people that hire you.'' I wasn't gonna BS the kid. If he
|
||
|
was keen on getting into this line of work, he better know
|
||
|
{\em exactly} what he was getting into.
|
||
|
|
||
|
|
||
|
|
||
|
``Besides, even if you do solve the case, you get the bad guy and he
|
||
|
gets what is coming to him, it can leave a bad taste in your
|
||
|
mouth.''
|
||
|
|
||
|
|
||
|
|
||
|
He nodded a bit in agreement and turned his eyes down towards his
|
||
|
drink. He was quiet for a moment and then suddenly he spoke in a
|
||
|
voice that was not at all sheepish or meek:
|
||
|
|
||
|
|
||
|
|
||
|
``Detective Bavarious, Mr. M wont be joining you today.'' he said in
|
||
|
a calm, controlled voice. ``In fact, I doubt that Mr. M will be
|
||
|
contacting you again at all.'' This statement chilled me to my bones
|
||
|
and instinctively I lowered one hand under the table to the Beretta
|
||
|
clipped to my belt.
|
||
|
|
||
|
|
||
|
|
||
|
I was all ears.
|
||
|
|
||
|
|
||
|
|
||
|
``You see, Det. Bavarious, Mr. M was being harassed, stalked and
|
||
|
blackmailed. and I am the one who was doing these things to him.''
|
||
|
The kid's voice was deeper now, and I must admit that he commanded
|
||
|
my attention as few others could.
|
||
|
|
||
|
|
||
|
|
||
|
``I targeted Mr. M for the crimes that he has committed against
|
||
|
children. He is a child molester and a murderer and I wish to see
|
||
|
him imprisoned for these crimes{\ldots}''
|
||
|
|
||
|
|
||
|
|
||
|
``Wait,'' I interrupted. ``A twelve year old kid has a man running so
|
||
|
scared that he pays a private investigator to find out who is
|
||
|
harassing him?''
|
||
|
|
||
|
|
||
|
|
||
|
``Det. Bavarious, my name is Nathaniel Stilling. On my twelfth
|
||
|
birthday my father beat me within an inch of my life and I spent
|
||
|
the next 4 months in a hospital. When I awoke from my coma I
|
||
|
promised myself two things: I would protect innocent children from
|
||
|
harm, and I would never have another birthday. That was 57 years
|
||
|
ago.''
|
||
|
|
||
|
|
||
|
|
||
|
I had no choice to believe him. From the beginning of our
|
||
|
conversation I had felt that I was in the presence of a wiser, more
|
||
|
virtuous man then myself. So when this kid, this small, sheepish
|
||
|
child told me he is a 69 year old man{\ldots} I believed him.
|
||
|
|
||
|
|
||
|
|
||
|
``Look son,'' he continued, ``I know that you have the power to put
|
||
|
this monster away.'' With that he pushed a DVD in an unmarked case
|
||
|
across the table.
|
||
|
|
||
|
|
||
|
|
||
|
``I wouldn't get curious about whats on that disc if I were you. The
|
||
|
things that man has done are not meant for our eyes.'' He slid out
|
||
|
of his chair and grabbed his book bag.
|
||
|
|
||
|
|
||
|
|
||
|
``Oh{\ldots} and Mr. M's real name is Michael Wilkinson. He is a biology
|
||
|
teacher at Washington Junior High School. When you give the cops
|
||
|
the disc, just tell them that it was given to you by another PI
|
||
|
that knew who your client is.''
|
||
|
|
||
|
|
||
|
|
||
|
The boy then gave himself a big push on one foot and skated towards
|
||
|
the door on his heel wheel.
|
||
|
|
||
|
|
||
|
|
||
|
``Dammit kid! I'm gonna skin your hide!'' The ape behind the counter
|
||
|
screamed.
|
||
|
|
||
|
|
||
|
|
||
|
``S-sorry mister{\ldots}I forgot again.''
|
||
|
|
||
|
|
||
|
|
||
|
The End.
|
||
|
|
||
|
|
||
|
|
||
|
|
||
|
%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
|
||
|
\by{BenBiddick}
|
||
|
|
||
|
|
||
|
you guys are phenomenal. I started going through these and am
|
||
|
loving it. dont worry about it Funk in Shoe. I'm just glad you put
|
||
|
something together for this event. Keep going all!
|
||
|
|
||
|
|
||
|
|
||
|
|
||
|
|
||
|
%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
|
||
|
\by{Ridgely\_Fan}
|
||
|
|
||
|
|
||
|
{\bf ****Part 1 of: The Cocoon****}
|
||
|
|
||
|
|
||
|
|
||
|
This place was new.
|
||
|
|
||
|
|
||
|
|
||
|
My eyes took several seconds to adjust to the dim light, while I
|
||
|
slowly drank in my surroundings. My head was throbbing, and my
|
||
|
throat was parched. And it was cold in here. Very, very cold.
|
||
|
|
||
|
|
||
|
|
||
|
I seemed to be in some sort of dungeon, as comical and absurd as
|
||
|
that sounds. Or the kind of thing an insane millionaire would build
|
||
|
to approximate a dungeon. Instead of cold, damp stone walls, there
|
||
|
were cold steel surfaces and unfinished concrete floors. Instead of
|
||
|
a brazier in the hallway, the ambient lighting was set low. They
|
||
|
got the stink right though, and of course the barred entryway that
|
||
|
looked like the door of a jail cell.
|
||
|
|
||
|
|
||
|
|
||
|
I began going through my head, trying to figure out whom I'd
|
||
|
pissed off enough to get myself into a place like this, when I
|
||
|
heard a voice from a hidden loudspeaker.
|
||
|
|
||
|
|
||
|
|
||
|
``Well well Mr. Landon. I see you're awake. I hope you
|
||
|
like your surroundings, you'll be here for some
|
||
|
time.''
|
||
|
|
||
|
|
||
|
|
||
|
``Who are you?'' I shouted. My voice was harsh and raspy.
|
||
|
``Why did you put me here?'' I was on the verge of tears.
|
||
|
If this was a prank or a trick, it was going way too far.
|
||
|
|
||
|
|
||
|
|
||
|
``My name is Bravarious. Luke Bravarious. It's my job to
|
||
|
keep the good people of this city safe, and that means keeping
|
||
|
horrid creatures like you locked up down here.''
|
||
|
|
||
|
|
||
|
|
||
|
This had to be a joke. But if it was a joke, why go to such
|
||
|
lengths? I put my hand to my forehead to think. There was something
|
||
|
slick there. As I retracted my hand I saw it: blood. This crazy
|
||
|
asshole must have knocked me unconscious to bring me here. The
|
||
|
speaker started again:
|
||
|
|
||
|
|
||
|
|
||
|
``Don't worry Mr. Landon, your headache shall soon pass.
|
||
|
Your kind heals quickly, even in your cocoon state. I can see
|
||
|
you're confused. All shall become clear shortly.''
|
||
|
|
||
|
|
||
|
|
||
|
This was some Silence of the Lambs shit. I remembered back to that
|
||
|
movie, the FBI agent said it was smart to get the serial killer to
|
||
|
recognize his victims as human. Maybe I can do something like that
|
||
|
here{\ldots}
|
||
|
|
||
|
|
||
|
|
||
|
``Mr. Bravarious, I can barely hear you through the speaker.
|
||
|
Why don't you come down and talk to me through the bars?
|
||
|
I'd like to talk man to man anyway.''
|
||
|
|
||
|
|
||
|
|
||
|
There was some silence. He seemed to be thinking it over. After a
|
||
|
short time (surprisingly short) I heard a familiar voice in the
|
||
|
doorway.
|
||
|
|
||
|
|
||
|
|
||
|
``I don't see a problem with that.''
|
||
|
|
||
|
|
||
|
|
||
|
|
||
|
|
||
|
%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
|
||
|
\by{Ridgely\_Fan}
|
||
|
|
||
|
|
||
|
{\bf **** Part 2 of: The Cocoon****}
|
||
|
|
||
|
|
||
|
|
||
|
The man in the doorway was short and stocky. Pudgy even, though it
|
||
|
was hard to tell in his trenchcoat. His hair was thinning, and had
|
||
|
been clumsily combed to the side. His face shone from sweat or
|
||
|
grease. This guy needed a bath. At least it gave me some idea of
|
||
|
who I was dealing with.
|
||
|
|
||
|
|
||
|
|
||
|
``Mr. Bravarious, why did you take me here? Is this a joke? If
|
||
|
it is, I'll keep it between just us guys, you got me good.
|
||
|
Just let me go.''
|
||
|
|
||
|
|
||
|
|
||
|
I hoped he couldn't hear the fear or despair in my
|
||
|
voice.
|
||
|
|
||
|
|
||
|
|
||
|
``I can tell that you're scared Mr. Landon, but that
|
||
|
fear too will pass, as you emerge from your cocoon.''
|
||
|
|
||
|
|
||
|
|
||
|
This guy was crazy, but he was not going to be easy to manipulate.
|
||
|
I know it's not a good idea to feed into the fantasy of a
|
||
|
schizophrenic or crazy person, but I had to know what he was
|
||
|
talking about.
|
||
|
|
||
|
|
||
|
|
||
|
``What do you mean cocoon? Is this some metaphorical
|
||
|
thing?''
|
||
|
|
||
|
|
||
|
|
||
|
``Not exactly, Mr. Landon. You are one of an ancient race. A
|
||
|
race that has hunted humans for millennia. A predator that acts
|
||
|
like a parasite. Your kind leave its offspring in the form of a
|
||
|
human for humans to raise. When that offspring reaches adulthood,
|
||
|
it abandons its cocoon and emerges a hunter. Fast, powerful,
|
||
|
unstoppable, and hungry.
|
||
|
|
||
|
|
||
|
|
||
|
``I'm saying that you are one of these offspring. In just a
|
||
|
few weeks you will emerge. But instead of hunting humans, you will
|
||
|
stay here. I have prepared food for you.''
|
||
|
|
||
|
|
||
|
|
||
|
Bravarious pointed to a corner of the room, where I could now make
|
||
|
out a pile of decaying meat scraps. That explained the cold and the
|
||
|
stench. I wretched and nearly threw up.
|
||
|
|
||
|
|
||
|
|
||
|
``That's disgusting!''
|
||
|
|
||
|
|
||
|
|
||
|
Bravarious appeared calm. ``I thought you liked uncooked
|
||
|
meat.''
|
||
|
|
||
|
|
||
|
|
||
|
``I like a rare steak, not a rotting pile!''
|
||
|
|
||
|
|
||
|
|
||
|
``So your transformation has not yet started.''
|
||
|
|
||
|
|
||
|
|
||
|
It seemed like he had some twisted explanation for
|
||
|
everything.
|
||
|
|
||
|
|
||
|
|
||
|
``How do you even know I'm one of these
|
||
|
things?''
|
||
|
|
||
|
|
||
|
|
||
|
Bravarious started to look self-satisfied. Maybe I'd struck
|
||
|
the right chord.
|
||
|
|
||
|
|
||
|
|
||
|
``It was a simple matter of checking the records at an
|
||
|
orphanage where the last of your kind was known to feed. You had
|
||
|
certain{\ldots} traits. I confirmed these traits by watching you
|
||
|
for the last two weeks. There is no uncertainty Mr. Landon, you are
|
||
|
the monster I was assigned to capture.''
|
||
|
|
||
|
|
||
|
|
||
|
I hadn't seen anyone following me. Who knows if he really
|
||
|
had. It was just as likely that he was lying or had just imagined
|
||
|
it.
|
||
|
|
||
|
|
||
|
|
||
|
Still, how did he know I was adopted? Did he know about my suicide
|
||
|
attempts as a youth, about me dreaming of harming the others in the
|
||
|
orphanage, my insane pleas for them to kill me? The years of
|
||
|
therapy that my adopted parents paid for? How could he know? He
|
||
|
spoke again before I could ask.
|
||
|
|
||
|
|
||
|
|
||
|
``Now Mr. Landon I have other duties to attend here. I must
|
||
|
assume you'll be alright.''
|
||
|
|
||
|
|
||
|
|
||
|
``No!''
|
||
|
|
||
|
|
||
|
|
||
|
I had to think of something quickly. I rubbed my forehead
|
||
|
absentmindedly, breaking the scab that had formed there. Blood
|
||
|
flowed anew. I had an idea.
|
||
|
|
||
|
|
||
|
|
||
|
``Mr. Bravarious, I haven't turned into one of these
|
||
|
monsters yet. That means I'm still human. I'm human and
|
||
|
I'm hurt, and I might die of thirst. Please just give me some
|
||
|
water and some bandages before you go.''
|
||
|
|
||
|
|
||
|
|
||
|
He appeared to think this over very carefully. ``Very well,
|
||
|
you cannot harm me in that state. I shall return
|
||
|
shortly.''
|
||
|
|
||
|
|
||
|
|
||
|
He was right, I couldn't hurt him. What was I going to do? I
|
||
|
started feeling angry at my predicament, angry at this crazy
|
||
|
bastard for locking me up. The anger dissolved my fear. I had to do
|
||
|
something myself, I couldn't wait for the police or
|
||
|
whoever.
|
||
|
|
||
|
|
||
|
|
||
|
I heard footsteps, and crept beside the doorway.
|
||
|
|
||
|
|
||
|
|
||
|
``Mr. Landon, I am leaving your supplies beside the
|
||
|
do-``
|
||
|
|
||
|
|
||
|
|
||
|
Bravarious didn't get a chance to finish his sentence before
|
||
|
I grabbed him through the bars. He struggled at first, but I put a
|
||
|
stop to that by smashing his face into the door several times. An
|
||
|
eye for an eye.
|
||
|
|
||
|
|
||
|
|
||
|
I found the key to the dungeon in his pocket. The maniac also had
|
||
|
an old filthy Beretta, loaded and with the safety off.
|
||
|
|
||
|
|
||
|
|
||
|
As I let myself out and stepped into the hallway, I slid Bravarious
|
||
|
into the room to take my place. I was feeling much better. The joy
|
||
|
at my freedom, and my survival, was starting to cure my
|
||
|
headache.
|
||
|
|
||
|
|
||
|
|
||
|
Just before I closed the door, I smelled the meat in the corner. I
|
||
|
hadn't eaten for days. I started salivating. Looking down at
|
||
|
Bravarious, I felt a new urge. An urge that was new to me and yet
|
||
|
felt timeless. Prehistoric. This all made sense now. Yes, he was
|
||
|
right, it would be several weeks before I emerged, but he
|
||
|
didn't realize that before that came the hunger. I would need
|
||
|
to feed before my transformation. And so feed I did.
|
||
|
|
||
|
|
||
|
|
||
|
|
||
|
|
||
|
%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
|
||
|
\by{Ridgely\_Fan}
|
||
|
|
||
|
|
||
|
Oops.
|
||
|
|
||
|
Uh, my story features Luke Bavarious' distant Romanian cousin, Luke
|
||
|
Bravarious, also private investigator.
|
||
|
|
||
|
|
||
|
|
||
|
Also:
|
||
|
|
||
|
Edited to include the main theme and to fix some grammatical
|
||
|
problems.
|
||
|
|
||
|
|
||
|
|
||
|
|
||
|
%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
|
||
|
\by{raptorred}
|
||
|
|
||
|
|
||
|
This turned out a lot longer than I expected, but I had more fun
|
||
|
writing it than I'm willing to admit. {\em Except I just
|
||
|
did.}
|
||
|
|
||
|
|
||
|
|
||
|
{\bf THE BLOOD GAME}
|
||
|
|
||
|
|
||
|
|
||
|
Once there lived a maniacally demented hag. The kind of person
|
||
|
whose cruelty made the blood run cold and the nose hairs stand on
|
||
|
end. She made her dwelling in a blood-red house in suburbia, rife
|
||
|
with infantile girlie crap like odiferous flowers. And those stupid
|
||
|
little porcelain cats which weren't even real cats so they
|
||
|
didn't have blood or guts or anything in them. Also it was
|
||
|
1992.
|
||
|
|
||
|
|
||
|
|
||
|
Fortunately for her, there was one element in her dark life that
|
||
|
kept her existence from being as miserable a waste as a Slip
|
||
|
`n' Slide in December: her perfect son, Luke. Luke was
|
||
|
the age of a 12-year-old, with brown hair and searing obsidian eyes
|
||
|
that were like pits down into his soul and his blood-filled
|
||
|
innards. As sons go, Luke was practically the best. He sometimes
|
||
|
took the trash out. And he hardly ever skipped school or beat up
|
||
|
his stupid little sister until she cried and pooped her pants with
|
||
|
grimy blossoms of baby turds which were sometimes reddish enough to
|
||
|
pretend they were blood. But they weren't.
|
||
|
|
||
|
|
||
|
|
||
|
Luke hardly ever asked for anything. At least not unless he really
|
||
|
really super duper wanted it. And every quivering droplet of blood
|
||
|
in his body boiled with agonizing desire for a Sega Genesis with
|
||
|
Sonic the Hedgehog 2. He wanted it so bad he could puke. Puke until
|
||
|
he shrieked with the euphoric laughter brought on by true
|
||
|
happiness. A happiness he would never know. Not if his scheming
|
||
|
mother had her way.
|
||
|
|
||
|
|
||
|
|
||
|
``Honey, we can't afford it right now,''
|
||
|
Luke's mother hissed from her blood-red lips. ``Maybe
|
||
|
for Christmas.''
|
||
|
|
||
|
|
||
|
|
||
|
But Luke was as clever as he was dashing. He could tell she
|
||
|
didn't really care. She didn't even look up from the
|
||
|
boring pieces of paper covering the kitchen table. She spent most
|
||
|
of her time with those papyrus slips. Far more than she ever did
|
||
|
with him. Luke had had enough.
|
||
|
|
||
|
|
||
|
|
||
|
``You will pay for your cruelty,'' he announced. His
|
||
|
veins bulged with brutal wrath. Blood wrath.
|
||
|
|
||
|
|
||
|
|
||
|
``Lucas Theodore Bavarious! Go to your room!!'' If he
|
||
|
could have, he would have vomited blood in her ugly face. If you
|
||
|
could call the grotesque mask of suburbia a face. But she was on
|
||
|
the other side of the kitchen so he'd probably just get it
|
||
|
all over the floor or something. So he went to his room.
|
||
|
|
||
|
|
||
|
|
||
|
In his room, Luke's eyes went dark, darker than the slick
|
||
|
polish of a brand new 16-bit gaming machine that had his name on
|
||
|
it. His heart contorted into something like a wad of coagulated
|
||
|
bubble gum. Except it wasn't really that much like bubble
|
||
|
gum, it was blacker and more pulsating and filled with the
|
||
|
trembling sobs of jillions of powerless kids before him who had
|
||
|
been denied justice. Also it probably would not have tasted like
|
||
|
watermelons, which was Luke's favorite flavor. It would have
|
||
|
tasted like blood.
|
||
|
|
||
|
|
||
|
|
||
|
Somewhere in Mobius, Sonic the Hedgehog heard his cry.
|
||
|
|
||
|
|
||
|
|
||
|
That night, Luke's mother went to bed. Nobody knew it, but
|
||
|
she had a twisted secret that was vile and also murky. To get ready
|
||
|
for bed, she took out a big secret pan of polish. The polish was
|
||
|
made out of blood. She polished all of the skulls of little adopted
|
||
|
boys who died because they were denied the latest in awesome gaming
|
||
|
technology. She collected little boys like this for a long time in
|
||
|
secret. It was because she was crazy and evil and liked breaking
|
||
|
kids' spirits and tricking them into thinking she loved them.
|
||
|
But Luke was smart. He already knew such a selfish blood creature
|
||
|
couldn't be his real mom.
|
||
|
|
||
|
|
||
|
|
||
|
But when she got into her bed, she heard a sound. It was a strange
|
||
|
sound. It sounded like buttons dribbling blood, only spookier. Then
|
||
|
she heard another, even stranger sound. It was the ghostly wail of
|
||
|
a Super Spin Dash, which was this awesome new move that they just
|
||
|
put in the new Sonic game that lets you go up hills and stuff and
|
||
|
any mom that wasn't pure evil would understand why her kid
|
||
|
had to have it. If a kid didn't have something like that, the
|
||
|
blood that coursed through his slimy organs would start shaking.
|
||
|
And the blood was so angry and so filled with sorrowful hate that
|
||
|
it would also turn into acid. Then his guts would get bigger and
|
||
|
bigger like water balloons, only water balloons filled with blood
|
||
|
instead of water. Until they exploded, spewing blood and guts and
|
||
|
acid everywhere. Then the whole room would melt and the mom's
|
||
|
stupid floral print wallpaper would be ruined.
|
||
|
|
||
|
|
||
|
|
||
|
That's what happened to those other boys.
|
||
|
|
||
|
|
||
|
|
||
|
``Who's there?'' she asked, because she
|
||
|
didn't know what a Super Spin Dash sounded like. If she were
|
||
|
a good mom who bought her son stuff, she would know. Maybe it would
|
||
|
have been enough to save her. She was so scared that a little bit
|
||
|
of blood trickled out of her nose. It smelled like blood.
|
||
|
|
||
|
|
||
|
|
||
|
Then something see-through flickered in the darkness. It was like a
|
||
|
whip, but really it was a cord attached to a controller. The
|
||
|
controller was attached to a terrifyingly awesome ghost Sega
|
||
|
Genesis. The ghost of the console that Luke should have
|
||
|
owned.
|
||
|
|
||
|
|
||
|
|
||
|
Luke's mom tried to scream, but she was so scared that her
|
||
|
blood started to gush into her throat. She gurgled on bloody vomit
|
||
|
as two controllers (because Luke read in a magazine that Sonic 2
|
||
|
would have {\em two player mode} and it'd be more awesome
|
||
|
than sliced blood and that was one of like a million reasons he had
|
||
|
to have it or he would implode into a pile of bloody guts) thrashed
|
||
|
out of the darkness and wound themselves around her neck. Then one
|
||
|
controller started whipping her in the head. She started crying
|
||
|
because it hurt. Then the controller started hitting her harder.
|
||
|
She cried bloody tears this time because it hurt even more. They
|
||
|
mixed with the bloody puke to make a sort of martini that was two
|
||
|
parts blood, one part tears, one part vomit. And all parts
|
||
|
terror.
|
||
|
|
||
|
|
||
|
|
||
|
Then she tried to tear the controller out of the socket. But the
|
||
|
Sega Genesis is way too well made for a mere Mom to be able to
|
||
|
destroy it. It laughed at her with ghost beeps as her skin started
|
||
|
oozing blood for some reason that was really gross and scary. Then
|
||
|
one controller wound itself around her feet. The other kept winding
|
||
|
around her head. Her hair was full of blood and vomit and tears and
|
||
|
spiders for some reason. The Sega Genesis pulled and pulled and
|
||
|
pulled.
|
||
|
|
||
|
|
||
|
|
||
|
``Luke,'' his mom gasped, a trickle of vomit seeping from
|
||
|
her hypothalamus. It made a gooey line in the blood that was
|
||
|
rupturing form her pores. ``I am so sorry.''
|
||
|
|
||
|
|
||
|
|
||
|
But it was too late. The Sega Genesis pulled her whole body in
|
||
|
half. Out of it fell a huge brick of hardened vomit-tear-blood that
|
||
|
was shaped like the inside of her body. It was because she'd
|
||
|
had so much vomit and blood and tears inside of her that it melted
|
||
|
all of her guts and hardened into a shell. The shell was shaped
|
||
|
exactly like a mean old mom. But the Sega Genesis wasn't
|
||
|
finished.
|
||
|
|
||
|
|
||
|
|
||
|
A bell tolled in the distance. The siren for the Red Cross's
|
||
|
Bloodmobile whistled in the night. And the shell started shifting.
|
||
|
When Luke went into his mom's room the next day, there was no
|
||
|
sign of her. Instead was a perfect Sega Genesis. Made entirely from
|
||
|
hard blood.
|
||
|
|
||
|
|
||
|
|
||
|
From the depths of his mom's dark closet a voice echoed. A
|
||
|
voice that sounded strangely like the Coolest Blue Dude with
|
||
|
`tude around:
|
||
|
|
||
|
|
||
|
|
||
|
{\em ``Kids need to be listened to and
|
||
|
respected.''}
|
||
|
|
||
|
|
||
|
|
||
|
Suddenly, Tails was sobbing.
|
||
|
|
||
|
|
||
|
|
||
|
|
||
|
%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
|
||
|
\by{Lorentz Factor}
|
||
|
|
||
|
|
||
|
Mind you, I've not done any creative writing since I was thirteen.
|
||
|
But figured, what the hell.
|
||
|
|
||
|
|
||
|
|
||
|
{\bf It's just me, 'Luke'}
|
||
|
|
||
|
|
||
|
|
||
|
I stepped from the shadows, those last shadows that were hastily
|
||
|
escaping as the sun pours over the cityscape. I had awoken only
|
||
|
moments ago, the sun's light entering my head like the scream of a
|
||
|
newborn during a hangover. I could not remember what had happened.
|
||
|
I was working on a case in the north end of the city, the details
|
||
|
still not coming to me. I remember driving, perhaps I had an
|
||
|
accident. I simply could not remember. Retrieving my shades from my
|
||
|
breast pocket to halt the screaming rays of sunlight that were
|
||
|
pounding at my spinning head, I noticed a door in side of the
|
||
|
building I had found myself next to. I needed a place to sit while
|
||
|
I waited off this pain in my skull.
|
||
|
|
||
|
|
||
|
|
||
|
Opening the door, I was greeted with soft music from the big beat
|
||
|
band inside what appeared to be a small bar. Odd time for them to
|
||
|
be playing, I thought, but, never mind. I sat down at a table near
|
||
|
the door and grabbed the drink list. Interesting, they only seem to
|
||
|
serve whiskey sours{\ldots}fine by me, it's all I drink anyhow. After
|
||
|
ordering, the bartender returned with my drink, I asked him, ``Where
|
||
|
exactly am I?'' He chuckled, ``It's only 11pm and you're already
|
||
|
smashed,'' he continued his guffaws as he wandered back to his bar.
|
||
|
Sipping my drink, something the bar tender had said bothered me.
|
||
|
``11pm,'' but the sun had just come up; I checked my watch and it
|
||
|
said nine thirty-eight. My watch breaking wasn't new to me, I get
|
||
|
into rough spots quite often that my watch never makes it out of. I
|
||
|
decided I needed to find my way back to the office.
|
||
|
|
||
|
|
||
|
|
||
|
As I left the bar it seemed that twilight was approaching. My car
|
||
|
was nowhere to be found. I walked south on the street looking for
|
||
|
anything that seemed familiar, when I came to an alley. Something
|
||
|
about this alley. I still could not remember. I walked towards the
|
||
|
opening between the two buildings to the alley. I heard a voice
|
||
|
behind me, ``Sir, I'm sure you don't want to go that way, won't you
|
||
|
continue down the street?'' It was a small kid, a strangely dressed
|
||
|
child. His pants were a grayish knee length trouser held up by
|
||
|
thick suspenders that draped over his cotton shirt. His boots also
|
||
|
were odd, laced up they met the short trousers leaving only an inch
|
||
|
of bare skin between them. ``Move along kid, I think this alley is
|
||
|
important.'' I told him. ``I'm thinkin' sir, you're going to be
|
||
|
sorry,'' he was saying as he wandered off around an
|
||
|
intersection.
|
||
|
|
||
|
|
||
|
|
||
|
After my short talk with the child, I realized the sun had already
|
||
|
dropped behind the buildings to my west. I tried to get my
|
||
|
bearings. I wandered into the alley and the pounding in my head had
|
||
|
become so intense that my knees buckled. I tried to cry out in
|
||
|
pain, though the intensity of it all left me with little strength
|
||
|
and the sound escaped as more of a gurgle. The pain in my head
|
||
|
retreated with the sun's last light. I slowly stood from the fetal
|
||
|
ball I'd formed in my pain. As I was was rising a light shown
|
||
|
through the ingress of the alleyway. It looked like two headlights,
|
||
|
they were bright and I turned away. A man approached I heard him
|
||
|
shuffling through the broken stone of the ground in this ill kept
|
||
|
thoroughfare.
|
||
|
|
||
|
|
||
|
|
||
|
``You there! What are you doing? Turn around!''. These words, that
|
||
|
voice. It all came back to me. ``Beggin' your pardon, but{\ldots} you
|
||
|
don't want me to turn around,'' I told him. ``Sure I do. I got a
|
||
|
pistol pointed at your back so ya better.'' I knew what he was in
|
||
|
for, I myself have seen this. It was my fault, it was his fault. If
|
||
|
I kill him, I won't have to go through this again. ``Okay, you asked
|
||
|
for it,'' I told him as I approached still hanging to the shadows.
|
||
|
He asked me to step out of the dark, what the hell. My life would
|
||
|
end soon maybe I can stop this cycle here and now. As I approached
|
||
|
the horror that twisted his face was intense. I doubt he recognized
|
||
|
me, I hadn't myself at first. I rushed him, hoping to reach him
|
||
|
before he fired his Beretta. I lunged as the first slug pierced my
|
||
|
skull. Several more rounds pierced me, the pain offset by my wish
|
||
|
to end this cyclic horror. Blackness was encroaching on my vision.
|
||
|
Things began to swim. I tried to warn him, but I doubt he
|
||
|
understood the wet blood filled, ``I am you, I am Luke
|
||
|
Bavarious{\ldots}''. I collided with him we smashed into a window.
|
||
|
Everything went dark. My nightmare was over, but had also just
|
||
|
begun.
|
||
|
|
||
|
|
||
|
|
||
|
|
||
|
%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
|
||
|
\by{BatsBjorg}
|
||
|
|
||
|
|
||
|
Hope nobody else took this tactic -- I read through a lot of the
|
||
|
excellent and awesome entires in the thread, but wanted to get this
|
||
|
posted before time ran out. Without further ado:
|
||
|
|
||
|
|
||
|
|
||
|
{\bf The Horrid Beginning of It All}
|
||
|
|
||
|
|
||
|
|
||
|
Eleven-year-old Luke Bavarious stood frozen in the doorway to his
|
||
|
bedroom. He couldn't turn the light on. He wouldn't be
|
||
|
able to turn it back off from his bed. But he couldn't get to
|
||
|
his bed without the light on. He was in a real pickel.
|
||
|
|
||
|
|
||
|
|
||
|
``Dad!'' Luke Bavarious yelled. Another year, another
|
||
|
month maybe, and he'd be too old to yell for his daddy. But
|
||
|
yell he did. ``Dad?''
|
||
|
|
||
|
|
||
|
|
||
|
Luke Bavarious could hear the sounds of the Mets game from the
|
||
|
living room. He could also hear the sound of another Coors popping
|
||
|
open. His father's alcoholism had become publicly known sense
|
||
|
his mother had left. Luke Bavarious thought his father was probably
|
||
|
about halfway through his Coors consumption. The Coors consumption
|
||
|
varied based on how poorly the Mets were playing, and right now
|
||
|
they were on a hell of a skid. Luke Bavarious got a not-unwelcome
|
||
|
rush from thinking the word ``hell.'' Hell, hell, hell,
|
||
|
he thought. Shit, hell.
|
||
|
|
||
|
|
||
|
|
||
|
``DAD?'' One more time.
|
||
|
|
||
|
|
||
|
|
||
|
``GODDAMMIT Luke! What is it now. I toldja gota bed fiteen
|
||
|
mints ago!'' Maybe more than halfway through the night's
|
||
|
Coors.
|
||
|
|
||
|
|
||
|
|
||
|
``C'mere a sec!'' Luke Bavarious wouldn't
|
||
|
tell Bartholomew Bavarious what he wanted until he came to the
|
||
|
bedroom.
|
||
|
|
||
|
|
||
|
|
||
|
``Goddammit{\ldots}'' Luke Bavarious heard his father
|
||
|
mumbling curses under his breath, heard his shuffling steps down
|
||
|
the hallway, and then he was there. Luke Bavarious could smell the
|
||
|
putrid stink of stale Coors and BO oozing from his father's pores.
|
||
|
Or maybe his unwashed undershirt.
|
||
|
|
||
|
|
||
|
|
||
|
``Will you turn the light off for me after I get into
|
||
|
bed?''
|
||
|
|
||
|
|
||
|
|
||
|
``Jayzus! Notiss shit `gin!'' Luke Bavarious
|
||
|
watched, horridfied, as his father drunkenly reeled into the pitch
|
||
|
black bedroom. His father wiggled his ass at the closed closet
|
||
|
doors. ``Scareduh monshters? Monshter inna
|
||
|
closet?''
|
||
|
|
||
|
|
||
|
|
||
|
Luke Bavarious felt a thin stream of vomit rise up in his mouth,
|
||
|
then burn his throat as he forced it back down. His voice cracked.
|
||
|
``Dad, don't. Just{\ldots} just.. get the light,
|
||
|
wouldya?''
|
||
|
|
||
|
|
||
|
|
||
|
Bartholomew Bavarious ignored his son. Or maybe didn't hear
|
||
|
him over his own drunken whoops. ``Monshter inna closET!
|
||
|
Monshter inna closET!'' He sang over and over, in a childish
|
||
|
rhythm. Luke Bavarious stood, unblinking, unbelieving in the
|
||
|
doorway. He saw the closet doors rattle slightly.
|
||
|
|
||
|
|
||
|
|
||
|
``Dad!'' His voice pitched upward, like a little
|
||
|
girl's would. It was the last time in his life his voice
|
||
|
would break like that. ``Dad, seriously. That's not a
|
||
|
good idea{\ldots}''
|
||
|
|
||
|
|
||
|
|
||
|
``NOTTA GUDDEA? Oh fuck you, Luke Bavarious.'' And with
|
||
|
that, his father threw open the closet doors, completely unprepared
|
||
|
for the horrid behind them.
|
||
|
|
||
|
|
||
|
|
||
|
Luke Bavarious couldn't turn away. He saw a fountain of vomit
|
||
|
bubble up and spew forth from his father's mouth, but he
|
||
|
didn't notice his own vomit until later. It got all over his
|
||
|
feet.
|
||
|
|
||
|
|
||
|
|
||
|
The horrid in the closet shot two tentacles out as fast as
|
||
|
lightning. Bartholomew Bavarious' eyes bulged, the Coors
|
||
|
leaving his body in a flood of beer-scented piss that soaked into
|
||
|
the carpet. The horrid's tentacles wrapped around Bartholomew
|
||
|
Bavarious' throat. Two more wrapped around his arms. A slimy,
|
||
|
barbed tongue eased from the horrid's mouth. It slashed
|
||
|
Bartholomew Bavarious' face open, clear from one cheek to the
|
||
|
other. Blood erupted from the face, mixing with the beer-piss in a
|
||
|
rusty puddle.
|
||
|
|
||
|
|
||
|
|
||
|
``Oh dad!'' Luke choked out. The horrid turned its horrid
|
||
|
head for one horrid second. A glimmer of recognition flashed in its
|
||
|
horrid eyes, but only for a horrid second. Then it unhinged its
|
||
|
horrid, terrible jaws, vomiting forth a horrid stream of green,
|
||
|
acidic vomit. Bartholomew Bavarious' clothes started to steam
|
||
|
and simmer. The last thing Luke Bavarious saw were his
|
||
|
father's eyes plucked out and eaten, first one, then the
|
||
|
other.
|
||
|
|
||
|
|
||
|
|
||
|
A single tear rolled down Luke Bavarious' cheek. Then
|
||
|
suddenly, he was not sobbing. He knew what to do.
|
||
|
|
||
|
|
||
|
|
||
|
He sprinted to the bedroom his parents had once shared, back before
|
||
|
the Coors and the publicly known alcoholism. He took his
|
||
|
father's Beretta from the nightstand, relishing the feel of
|
||
|
it in his small hand. It was cool, in every meaning of the word. A
|
||
|
shock of what he would later know as desire prickled at his belly.
|
||
|
He raised the Beretta, testing it. He grabbed ammo and shoved the
|
||
|
gun in the waistband of his pants.
|
||
|
|
||
|
|
||
|
|
||
|
From the bedroom that was once his, he heard slurping sounds. He
|
||
|
decided to take the shoes he'd left by the front door instead
|
||
|
of his favorite sneakers. Now that he thought about it, those were
|
||
|
kids' shoes anyway, and Luke Bavarious was a man.
|
||
|
|
||
|
|
||
|
|
||
|
**Quick edit to fix an {\em unintentional} typo**
|
||
|
|
||
|
|
||
|
|
||
|
|
||
|
|
||
|
%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
|
||
|
\by{Twigand Berries}
|
||
|
|
||
|
|
||
|
{\bf The Sack of Horrors}
|
||
|
|
||
|
|
||
|
|
||
|
I polished off another set of ten and felt that good, deep burn. I
|
||
|
sat up from the bench and flexed, noting with pride the hills and
|
||
|
valleys of my bulging musculature. My sweat caused my sleeveless
|
||
|
shirt to stick to my body, and I thought to myself, ``Damn, Luke.
|
||
|
You look good.'' That's right. My name is Luke Bavarious and I am a
|
||
|
private detective.
|
||
|
|
||
|
|
||
|
|
||
|
And let me tell you, smacking punks and thugs around, you need to
|
||
|
be in great shape. And when I'm not cracking the skulls of dopers
|
||
|
and adulterers, I hit the gym, pump some iron, and sculpt my body
|
||
|
into a machine.
|
||
|
|
||
|
|
||
|
|
||
|
I couldn't very well meet up with my clients covered in sweat, so
|
||
|
like always, I hit the showers to clean up. As I approached my
|
||
|
locker, filled with my fitted suit, trenchcoat, and my Beretta
|
||
|
snuggled in its holster, my eyes were literally destroyed by a
|
||
|
sight that plagues my visits to this mosty holy Temple of the Body.
|
||
|
Sure enough, some old man was standing at the sink, shaving,
|
||
|
completely buck naked.
|
||
|
|
||
|
|
||
|
|
||
|
His wrinkly body sagged in every place imaginable. Hair sprouted
|
||
|
from various places hair should probably not sprout from. His skin
|
||
|
was covered in spots and possibly sores. What he does at the gym is
|
||
|
a complete mystery, as his flabby body and gigantic swollen stomach
|
||
|
betrayed no evidence of any cardio or properly balanced muscle
|
||
|
training whatsoever. But the worst was his balls. His old, wrinkly,
|
||
|
sack hanging down from his groin farther than it would seem humanly
|
||
|
possible. I almost vomited all over the changing room floor.
|
||
|
|
||
|
|
||
|
|
||
|
I grabbed my towel and hit the showers, this monstrous image burned
|
||
|
into my brain. As the water steamed off my red, ripped body I tried
|
||
|
to come up with a reason why these old men would ruin my work out
|
||
|
in this way. I come here to feel good and make myself into a god,
|
||
|
but every day I am assailed by these geriatric sacks of downward
|
||
|
flowing flesh, and am constantly reminded where we are all headed.
|
||
|
I scrubbed myself down, lingering my gaze over my own perfection,
|
||
|
to banish thoughts of old, naked balls out of my head. I needed a
|
||
|
drink.
|
||
|
|
||
|
|
||
|
|
||
|
Instead of heading to my office and checking my messages for new
|
||
|
cases to crack, I headed down to my local pub hoping some old
|
||
|
friends would have the same idea. Sure enough, Brad and Hooksey
|
||
|
were draining some pints, and I sidled up to the bar next to them.
|
||
|
My mind was still spastic over the horrors from the gym, so I
|
||
|
broached the topic to my friends.
|
||
|
|
||
|
|
||
|
|
||
|
``Brad, Hooksey{\ldots}you guys work out, it shows by the way, and I'm
|
||
|
wondering if you two encounter the same problem as I do,'' I
|
||
|
said.
|
||
|
|
||
|
|
||
|
|
||
|
``Do tell, Luke.'' Brad leaned in, interested.
|
||
|
|
||
|
``Yes, Mr. Bavarious. I love your stories!'' Hooksey exclaimed,
|
||
|
excitedly.
|
||
|
|
||
|
|
||
|
|
||
|
``Well, friends, you know how after you burn through your reps and
|
||
|
it's time to clean yourself up, you go for a shower, right?'' I
|
||
|
asked.
|
||
|
|
||
|
|
||
|
|
||
|
``Always.'' Brad said.
|
||
|
|
||
|
``I like to shower.'' Hooksey replied.
|
||
|
|
||
|
|
||
|
|
||
|
``Well, why is it that every time you go into the locker room, there
|
||
|
is some disgusting old man doing stuff naked? Like, I know you have
|
||
|
to change your clothes in there, and there will be a point where
|
||
|
you're naked, but these old guys are ridiculous. They get naked,
|
||
|
and then it seems like they don't want to get dressed again. They
|
||
|
stand around talking. They shave. They comb their wispy hair. They
|
||
|
spend more time naked in the locker room than they do exercising I
|
||
|
bet! And here I am trying to perfect my body, and I have to gaze
|
||
|
upon these leathery sacks of fat!'' I explained!
|
||
|
|
||
|
|
||
|
|
||
|
``It makes me want to punch their faces off,'' Brad agreed.
|
||
|
|
||
|
``I think I will vomit my puke up just thinking about their
|
||
|
disgusting naked bodies,'' Hooksey chimed in.
|
||
|
|
||
|
|
||
|
|
||
|
Now, while I was telling this story, some young, scrawny punk came
|
||
|
into the bar trying to sell some candy bars for the Girl Scouts or
|
||
|
something and he overheard the whole thing. This punk felt the need
|
||
|
to chime in.
|
||
|
|
||
|
|
||
|
|
||
|
``I don't know you gentlemen, but I couldn't help but overhear what
|
||
|
you are discussing. I think you should be ashamed of yourselves
|
||
|
talking about the elderly in this manner. They are deserving of
|
||
|
your respect. They won World War II so you can be free, and shame
|
||
|
on you for talking about them this way,'' the punk admonished.
|
||
|
|
||
|
|
||
|
|
||
|
``Hey, now{\ldots}'' Brad exclaimed!
|
||
|
|
||
|
``There are old germans!'' Hooksey rebutted.
|
||
|
|
||
|
|
||
|
|
||
|
My friends were red in the face at the nerve of this punk, but I
|
||
|
knew how to end this argument. I slid off my bar stool, and turned
|
||
|
to the punk. He looked up at me with fear in his eyes, and I
|
||
|
casually opened up my trenchcoat. His eyes wandered down past my
|
||
|
ripped pecs and spied the Beretta casually hanging out in its
|
||
|
holster. The blood left the punk's face and he ran on out of the
|
||
|
bar, urine soaking his trousers.
|
||
|
|
||
|
|
||
|
|
||
|
``Hahahahahaha,'' Brad laughed.
|
||
|
|
||
|
``Hahahahahhaa,'' Hooksey laughed.
|
||
|
|
||
|
|
||
|
|
||
|
I smiled, and turned back to my beer, thoughts of disgusting flabby
|
||
|
old ass gone for the evening.
|
||
|
|
||
|
|
||
|
|
||
|
* * *
|
||
|
|
||
|
|
||
|
|
||
|
|
||
|
The next day I awoke with the urge to pump some iron again. I
|
||
|
hurried down to my gym and entered the locker room to change into
|
||
|
my work out clothes. As I was squeezing into my sleeveless tee, I
|
||
|
looked towards the sink.
|
||
|
|
||
|
|
||
|
|
||
|
You guessed it. Just standing there, naked, in front of a full
|
||
|
length mirror was the most disgusting specimen of humanity you
|
||
|
could ever encounter. I would regale you with details of his
|
||
|
mottled, paper thin skin, or his liver spotted, veiny scalp, or
|
||
|
even how his biceps swung in the breeze, but it all pales in
|
||
|
comparison to the most disgusting old man balls I have ever
|
||
|
seen.
|
||
|
|
||
|
|
||
|
|
||
|
I stood like a deer in headlights staring at this inverted mushroom
|
||
|
hanging for kilometers beneath an enormous, hanging gut. The gray,
|
||
|
crispy thicket that it sprouted from. The scraggly forest of pubes
|
||
|
that grew to ungodly lengths off the wrinkly, vein covered surface.
|
||
|
The swirl of reds and purples that colored its sagging surface. The
|
||
|
bumps and grooves. It was awful.
|
||
|
|
||
|
|
||
|
|
||
|
I was transfixed in my disgust. But slowly I got a hold of myself
|
||
|
and my eyes raised from his lower regions, over his disgusting
|
||
|
flabby body, and onto his wrinkly face in the mirror. And to my
|
||
|
horror, his eyes matched mine in the mirror. He was watching me
|
||
|
watch him!
|
||
|
|
||
|
|
||
|
|
||
|
And he smiled. A gap toothed smile framed in crusted lips.
|
||
|
|
||
|
|
||
|
|
||
|
I ran from there. I entered the gym proper, fighting back vomit and
|
||
|
the desire to unload my Beretta into his nasty, smiling food
|
||
|
hole.
|
||
|
|
||
|
|
||
|
|
||
|
The only way to recover from this was to focus every fiber of my
|
||
|
being into my workout. And I racked up an obscene amount of weight
|
||
|
onto the bar and reclined onto the bench. Screw warming up. I was
|
||
|
going to pump that disgusting image right out of my mind with the
|
||
|
sweet burn of my muscles pounding out ten reps of my maximum
|
||
|
benchpress.
|
||
|
|
||
|
|
||
|
|
||
|
I hefted the bar off the cradle, balancing the weight between my
|
||
|
two pistons of might. I closed my eyes, and began to work my way
|
||
|
into the set.
|
||
|
|
||
|
|
||
|
|
||
|
{\bf One.}
|
||
|
|
||
|
|
||
|
|
||
|
The bar was lowered to my chest and I shot it back up with a
|
||
|
groan.
|
||
|
|
||
|
|
||
|
|
||
|
{\bf Two.}
|
||
|
|
||
|
|
||
|
|
||
|
My blood raced into my chest and arms, filling me with energy and
|
||
|
purging weakness.
|
||
|
|
||
|
|
||
|
|
||
|
{\bf Three.}
|
||
|
|
||
|
|
||
|
|
||
|
The burn began. It felt magnificent.
|
||
|
|
||
|
|
||
|
|
||
|
{\bf Four.}
|
||
|
|
||
|
|
||
|
|
||
|
I began to imagine the bar was some punk who dared to pull a gun on
|
||
|
me. And I was shoving his punk face off a cliff.
|
||
|
|
||
|
|
||
|
|
||
|
{\bf Five.}
|
||
|
|
||
|
|
||
|
|
||
|
I could feel the muscles in my biceps and triceps begin to quiver
|
||
|
with sweet burn.
|
||
|
|
||
|
|
||
|
|
||
|
{\bf Six.}
|
||
|
|
||
|
|
||
|
|
||
|
Maybe the punk was that punk from the bar. That punk who likes old
|
||
|
guy balls. Heh.
|
||
|
|
||
|
|
||
|
|
||
|
{\bf Seven.}
|
||
|
|
||
|
|
||
|
|
||
|
A warmth spread across my upper body as I heaved the bar up and
|
||
|
down, bringing it within a centimeter of my chest.
|
||
|
|
||
|
|
||
|
|
||
|
{\bf Eight.}
|
||
|
|
||
|
|
||
|
|
||
|
Images of disgusting balls were burned from my mind as I imagined
|
||
|
that punk kid being riddled with bullets, bursting from his back in
|
||
|
miniature explosions of flesh.
|
||
|
|
||
|
|
||
|
|
||
|
{\bf Nine.}
|
||
|
|
||
|
|
||
|
|
||
|
As I crested my ninth rep, suddenly the bar seemed to become twice,
|
||
|
no, ten times as heavy! I locked my elbows and gasped. It was
|
||
|
unbelievable! My elbows gave out and my arms began to shake as the
|
||
|
bar began to lower to my chest. I opened my eyes and looked
|
||
|
up.
|
||
|
|
||
|
|
||
|
|
||
|
I moaned in horror! It was impossible!
|
||
|
|
||
|
|
||
|
|
||
|
The bar was still there with the normal amount of weight on either
|
||
|
end. But between my gripping fists, in the exact center of the bar,
|
||
|
hung what could only be the {\bf THE SAME PAIR OF BALLS THAT
|
||
|
PREVIOUSLY HAD BEEN ATTACHED TO THAT OLD MAN!}
|
||
|
|
||
|
|
||
|
|
||
|
And for the love of god, they weighed a ton! In fact, the weight
|
||
|
was so much that the bar was slowly being lowered down to my chest!
|
||
|
I stared in terror at this unholy scrotum that hung from the bar
|
||
|
just inches from my chest. It was all there. The unexplained bumps.
|
||
|
The crispy gray pubes. The mottled coloring. Oh my god! There was a
|
||
|
sore on the underside of one of its orbs! As my arms shook and
|
||
|
slowly lost control of this tremendous weight, I stared at
|
||
|
pulsating veins that throbbed in a spiderweb encasing the two
|
||
|
misshapened testicles that were contained within its leathery
|
||
|
pouch.
|
||
|
|
||
|
|
||
|
|
||
|
My arms began to feel a million miles away. The numbness spread
|
||
|
along my humerus, over my clavicles, and into my quivering chest.
|
||
|
Sweat began to pour off me in sheets. I heard a distant mewling
|
||
|
sound, and realized it was me.
|
||
|
|
||
|
|
||
|
|
||
|
The balls slowly descended. When they were inches from my chest,
|
||
|
the impossibly long gray pubes tickling and entwining with my own
|
||
|
chest hair, I saw a bead of brackish sweat appear from the patch of
|
||
|
hair that was located at the join of this evil ball sack and the
|
||
|
bar. It came as if from hell. It slowly tracked its way down the
|
||
|
elongated skin pouch, over wrinkles and around encrusted follicles.
|
||
|
As it beaded at the bottom of one hellish testicle, I began to
|
||
|
scream wildly for help.
|
||
|
|
||
|
|
||
|
|
||
|
Tears sprang forth from my eyes, and I felt all strength fade from
|
||
|
me. The bar swiftly began lowering, and I knew my chest was going
|
||
|
to be crushed and my unblemished skin covered in sweaty old meat
|
||
|
sack. My life flashed before my eyes, and I realized my beautifully
|
||
|
sculpted body was about to be defiled for all time.
|
||
|
|
||
|
|
||
|
|
||
|
``You need a spot, young man?'' came a voice from heaven.
|
||
|
|
||
|
|
||
|
|
||
|
``God yes!'' I pleaded. And suddenly the crushing weight was lifted
|
||
|
off me. I began to sob in relief. My body was broken. I pulled
|
||
|
myself up to a sitting position and gazed up at my savior.
|
||
|
|
||
|
|
||
|
|
||
|
It was the old man! He stood there, dressed now in ridiculous
|
||
|
shorts and v-neck white t-shirt, wiping his hands after racking the
|
||
|
devil bar. How could this be? I stared at the weight bar that had
|
||
|
almost killed me, and low and behold, the satanic ball sack still
|
||
|
dangled from its length.
|
||
|
|
||
|
|
||
|
|
||
|
My fury gave me strength again! I leaped from the bench and grabbed
|
||
|
the old man, screaming ``You bastard! Why would you crush me with
|
||
|
your balls? I'll kill you!'' His face whitened in surprise and
|
||
|
fear.
|
||
|
|
||
|
|
||
|
|
||
|
``What are you talking about, son?'' he stammered.
|
||
|
|
||
|
|
||
|
|
||
|
I pointed at his dirty nut sack hanging from the bar. ``Fiend! You
|
||
|
almost crushed my ribs! You tried to dirty me with your geriatric
|
||
|
filth!''
|
||
|
|
||
|
|
||
|
|
||
|
``I don't know what you are talking about!'' the old man lied.
|
||
|
|
||
|
|
||
|
|
||
|
``Trying to trick me, huh? I'll show you!'' I screamed.
|
||
|
|
||
|
|
||
|
|
||
|
At this point a crowd had gathered, curious as to what the
|
||
|
altercation was about. I had to prove to them that this evil thing
|
||
|
was the source of the sack of horrors hanging from my bar. I
|
||
|
reached down and pulled his filthy shorts down and stood back,
|
||
|
pointing to where his groin was missing its satchel of bulbous
|
||
|
evil!
|
||
|
|
||
|
|
||
|
|
||
|
The crowd gasped, and I smiled in triumph as I turned to face the
|
||
|
old man. My smile quickly left my face, for, suddenly, the scrotum
|
||
|
of Hell had reappeared in their proper disgusting place. I quickly
|
||
|
turned to the bar, and sure enough, it was no longer encumbered
|
||
|
with its evil payload.
|
||
|
|
||
|
|
||
|
|
||
|
The crowd turned on me. No one would believe the horrors I had
|
||
|
endured. I was thrown out from the gym, and, in my crushing defeat
|
||
|
by the horrors of Hell, {\bf they did not refund my membership
|
||
|
deposit!}
|
||
|
|
||
|
|
||
|
|
||
|
The end.
|
||
|
|
||
|
|
||
|
|
||
|
|
||
|
%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
|
||
|
\by{henpod}
|
||
|
|
||
|
|
||
|
I cant help but think some entries are too long. If we are writing
|
||
|
in the style of the notable Mr Biddick, surely it shouldnt be
|
||
|
longer than about 7-800 words?
|
||
|
|
||
|
|
||
|
|
||
|
|
||
|
%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
|
||
|
\by{Helmet}
|
||
|
|
||
|
|
||
|
{\bf Kindness of Strangers}
|
||
|
|
||
|
|
||
|
|
||
|
Luke Bavarious was driving his squad car on Old Pine Road. A little
|
||
|
while ago, he had given an important lecture on drug abuse at the
|
||
|
local Middle School. Then he saw it: a black car parked in a field
|
||
|
where cars had no business being. He stopped. He walked over to
|
||
|
investigate. The black car had crashed into a huge, unforgiving
|
||
|
pine tree! Pine cones littered the ground like corpses after a
|
||
|
massacre. From the shadowy wreckage emitted a small voice. A
|
||
|
child's voice. ``Help me-e,'' it begged.
|
||
|
|
||
|
|
||
|
|
||
|
Under his bullet-proof vest, Luke felt his guts tie in a series of
|
||
|
knots, each more complicated and painful than the last. ``Dear
|
||
|
God, not a child,'' he whispered. Around the car a moat was
|
||
|
forming of gasoline, battery acid and blood. Luke Bavarious blinked
|
||
|
back tears and inched forward.
|
||
|
|
||
|
|
||
|
|
||
|
Inside the car was a man, dead at the wheel. An empty whiskey
|
||
|
bottle sat in the cup holder. Blood was everywhere. During impact,
|
||
|
the steering wheel had pushed through the man's mouth,
|
||
|
decapitated his tongue and snapped his spine like a \#2 pencil. Luke
|
||
|
looked away to keep from vomiting forth the complimentary meal he
|
||
|
had received in the school cafeteria.
|
||
|
|
||
|
|
||
|
|
||
|
That's when Luke noticed the boy buckled in the back seat.
|
||
|
Possibly a seventh-grader, judging by his size. ``Dad, are you
|
||
|
okay? I told you not to drive drunk,'' the boy said.
|
||
|
|
||
|
|
||
|
|
||
|
Luke stared. Perspiration sweated from his face. The boy's
|
||
|
eyes were gone, long gone, having catapulted from their sockets by
|
||
|
the car's sudden stop and the tendency of objects in motion
|
||
|
to stay in motion. The boy wept tears of blood from his disfigured
|
||
|
face. Luke now observed two splattered milky blobs oozing down the
|
||
|
front windshield like two unholy eggs from the bowels of
|
||
|
Hell.
|
||
|
|
||
|
|
||
|
|
||
|
Afflicted with overwhelming instant insanity, Luke placed his
|
||
|
Beretta to his own temple and pulled the trigger. Nothing happened!
|
||
|
He looked at his firearm and realized the safety was on. Bavarious
|
||
|
giggled madly and flicked the safety off, then common sense
|
||
|
returned to his disturbed mind. ``Poor little fella,'' he
|
||
|
muttered between clenched teeth.
|
||
|
|
||
|
|
||
|
|
||
|
``Is somebody there?'' the boy asked. ``Will you
|
||
|
h-help me?''
|
||
|
|
||
|
|
||
|
|
||
|
Luke fired one bullet, doing the job.
|
||
|
|
||
|
|
||
|
|
||
|
|
||
|
|
||
|
%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
|
||
|
\by{invision}
|
||
|
|
||
|
|
||
|
{\bf Creature Of The Night}
|
||
|
|
||
|
|
||
|
|
||
|
|
||
|
|
||
|
Bavarious. Luke Bavarious. I'm a detective. I carry a baretta. A
|
||
|
baretta so powerful only one man can handle it. And that man's name
|
||
|
is Bavarious.
|
||
|
|
||
|
|
||
|
|
||
|
Luke Bavarious opened the door to exit the doughnut shop when he
|
||
|
heard it. Or at least he thought he heard it. He thought he was
|
||
|
hearing things again. Or was he thinking that he was thinking that
|
||
|
he was hearing things again? He glanced down the dark alley to his
|
||
|
right. He was definitely not thinking he was hearing things. The
|
||
|
creature exploded forth from his midnight fortress of cardboard
|
||
|
boxes oozing with the sludge from the rain soaked streets. The
|
||
|
creature exploded towards Luke Bavarious. The creature was vomiting
|
||
|
tears from its neck.
|
||
|
|
||
|
|
||
|
|
||
|
Luke Bavarious calmy took a drag from his Lucky Strike cigarette,
|
||
|
then flicked it lazily, as if patting a dog on the head. He then
|
||
|
drew his baretta. He aimed it. He slowly squeezed the trigger as
|
||
|
one would squeeze a small centipede or other insignificant animal.
|
||
|
The shots rang out through the night, with the force of a
|
||
|
jackhammer shredding through the creatures skull. The creature
|
||
|
stopped dead in its tracks and slowly fell to its knees. It fell
|
||
|
from its knees to its belly, all the while vomiting from every
|
||
|
available creature orifice it could muster.
|
||
|
|
||
|
|
||
|
|
||
|
Luke took a swig from his flask of EverClear 100% all natural grain
|
||
|
alcohol hidden inside his duster. He placed the flask back inside
|
||
|
his duster. He vomited. He approached the creature{\ldots}
|
||
|
|
||
|
|
||
|
|
||
|
``Oh no. Oh God, NO!''
|
||
|
|
||
|
|
||
|
|
||
|
It was grandma.
|
||
|
|
||
|
|
||
|
|
||
|
|
||
|
%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
|
||
|
\by{Scissorfighter}
|
||
|
|
||
|
|
||
|
I tried to make it authentic Biddick Style. It also uses the
|
||
|
canonical ``body swap'' interpretation of the ending of ``The Horrid
|
||
|
Reflection.''
|
||
|
|
||
|
|
||
|
|
||
|
{\bf The Book}
|
||
|
|
||
|
|
||
|
|
||
|
Trent Fencer was a bully{\ldots} He liked most to bully children. He
|
||
|
hated all children. Even little Timmy
|
||
|
|
||
|
Ontario. What Trent didn't know was Timmy had found a book. A
|
||
|
horrid book. Timmy was angry one morning and decided to walk around
|
||
|
to clear some steam. He found the book poking out from under the
|
||
|
stairs of the house that he had moved into as his parents had
|
||
|
boughten it recently at an auction for houses that had to be put up
|
||
|
for sale due to the owner of the house having recently been
|
||
|
murdered in the house. It was a horrid house.
|
||
|
|
||
|
|
||
|
|
||
|
The book had leathery bindings and a feint smell of some
|
||
|
body-emitted liquid he couldn't quite recall. He thought briefly of
|
||
|
pus or urine but decided that wasn't quite it. He then remembered
|
||
|
that he was angry. He angrily threw open the cover and looked at
|
||
|
the writing. It was in Latin so entirely hieroglyphic, but he saw
|
||
|
pictures of instructions{\ldots} Instructions on how to raise the dead.
|
||
|
It didn't take long before he thought of Trent Fencer and felt
|
||
|
angry. He was angry with Trent because Trent loved all of his
|
||
|
friends and hated only him.
|
||
|
|
||
|
|
||
|
|
||
|
Trent Fencer was walking outside some houses early one morning. He
|
||
|
had gotten a message from his girlfriend Trish. Or so he had
|
||
|
thought! It said:
|
||
|
|
||
|
|
||
|
|
||
|
``Hi Trent. Meet me in the graveyard. I'm horny, can you please
|
||
|
ravage my hot body with sex?''
|
||
|
|
||
|
|
||
|
|
||
|
Trent high-fived himself immediately after reading it and quickly
|
||
|
put his feet into a pattern of motion that would carry him to his
|
||
|
destination. He was happy to receive that letter. He had built up a
|
||
|
lot of power. Nuclear power, figuratively, where in this metaphor
|
||
|
his father was the nuclear power plant. His dad told him before he
|
||
|
left that his pants were too low and he should mow the lawn. With
|
||
|
every complaint or chore request, Trent got more and more charged.
|
||
|
His uranium was nearly at full capacity and he needed to pump out
|
||
|
some electricity to the general populous.
|
||
|
|
||
|
|
||
|
|
||
|
He got there and turned his eye-muscles to gaze around at the
|
||
|
landscape. No Trish, only Timmy. Only Timmy and a book that sent
|
||
|
chills deep down into his spinal discs and lodged there. Horrid
|
||
|
book or no, he felt he could find another way to distribute power,
|
||
|
so to speak. His feet had already moved him up to in front of
|
||
|
Timmy's face and he barely noticed. His fist coiled back like a
|
||
|
cobra then launched forward like the challenger shuttle, exploding
|
||
|
on Timmy's cheek. Timmy's eyelids exploded open in a shocked
|
||
|
expression, while his neck exploded out in veins and his mouth
|
||
|
exploded in a red stream of blood.
|
||
|
|
||
|
|
||
|
|
||
|
``What is this book? Why are you bleeding red?'' Trent asked. ``Wait a
|
||
|
minute, red is the color of satan{\ldots}'' His brain had started
|
||
|
figuring out the vicious plot that had fallen onto him. Timmy no
|
||
|
longer looked painfilled and merely stepped back, revealing a
|
||
|
circle that Trent was standing in. Timmy then chanted the
|
||
|
hieroglyphics carefully. It was suddenly a dark and stormy night.
|
||
|
Thunder ripped through the sky like an explosion. The ground
|
||
|
rumbled and out came a putrid hand. The hand grabbed Trent's leg.
|
||
|
The hand them moved up further to his thigh and then revealed it
|
||
|
was connected to a putrid head. The head came from the dirt, the
|
||
|
very embodiment of the word ``horrid.'' Its eyes were sharp and
|
||
|
glaring, its pores were wide open, its earlobes had bulging lumps,
|
||
|
and it was missing an eye.
|
||
|
|
||
|
|
||
|
|
||
|
It had finally stood up from its grave. On its chest was a shiny
|
||
|
badge with the name ``Bavarius'' featured on it. It looked up at
|
||
|
Trent and Trent screamed. Trent stood there, paralized and
|
||
|
screaming. Timmy kept shouting orders from the ancient book. The
|
||
|
water then forced the book to slip from his hand. He bent down to
|
||
|
pick it up then picked it up and held it back up. He took one sniff
|
||
|
of the cover and suddenly knew what the smell was from before. He
|
||
|
dropped the book in horror.
|
||
|
|
||
|
|
||
|
|
||
|
``OH MY GOD!'' Timmy screamed. ``The smell{\ldots} it smells of vomit.''
|
||
|
With this sudden revelation, he knew what was next. The Bavarius
|
||
|
thing turned around as he knew it would. It stepped up to Timmy,
|
||
|
its hands raised. As Timmy's dismembered head was flying
|
||
|
through the air, his last thought was that revenge is morally wrong
|
||
|
and often hurts the revenger more than the revengee, and it's best
|
||
|
to take the high road in all conflicts.
|
||
|
|
||
|
|
||
|
|
||
|
|
||
|
|
||
|
%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
|
||
|
\by{January}
|
||
|
|
||
|
|
||
|
{\bf The Journey}
|
||
|
|
||
|
|
||
|
|
||
|
The name's Luke Bavarious, private detective. I've seen
|
||
|
some gruesome things in my time. Enough to make a man vomit blood.
|
||
|
That's why I carry a loaded Beretta. Ready to deal expedient
|
||
|
death to a sucker that needs it, or any misshapen foe. But one
|
||
|
morning in 1991, I stumbled into a tragedy that wouldn't be
|
||
|
brought to such an easy conclusion.
|
||
|
|
||
|
|
||
|
|
||
|
It was a seemingly ordinary day. I turned on the TV as I ate my
|
||
|
breakfast. I usually checked the news for the violent crime du
|
||
|
jour, but I wasn't in the mood. I left the television dial to
|
||
|
linger on a children's program, an animated story called
|
||
|
``The Journey''.
|
||
|
|
||
|
|
||
|
|
||
|
A young man decided to go on an expedition to a foreign land. He
|
||
|
selected a group of friends and relatives to join him. The young
|
||
|
visionary's face shone with pride as the preparations began.
|
||
|
Loved ones provided plenty of supplies and all the financial things
|
||
|
for the trip. A celebration was held when the group was ready to
|
||
|
set out.
|
||
|
|
||
|
|
||
|
|
||
|
But some time into the journey, misery befell the adventuring
|
||
|
party. Everyone developed a horrid sickness, the likes of which
|
||
|
none had ever seen. Their eyes sunk into their heads as their
|
||
|
frames grew gaunt and skeletal. Still, they pushed on. It was too
|
||
|
far to turn back.
|
||
|
|
||
|
|
||
|
|
||
|
As they trudged onward, their skin thinned and the color diminished
|
||
|
to putrid green. Pustules developed, swelled, and exploded like
|
||
|
liquid landmines, coating them in moist blankets of rust colored
|
||
|
blood. In the end, every one of them drank of the bitter mercy of
|
||
|
death, as they were reduced to nothing but fetid corpses.
|
||
|
|
||
|
|
||
|
|
||
|
When the story came to its revolting conclusion, I vomited a
|
||
|
fountain of spew, transforming my breakfast cereal into a
|
||
|
despicable acidic cocktail. I couldn't explain the severity
|
||
|
of my reaction. But what were they airing on TV? This looked like a
|
||
|
chapter from the work of a deviant mind --- a day in the life
|
||
|
of Luke Bavarious, perhaps --- not a children's
|
||
|
show.
|
||
|
|
||
|
|
||
|
|
||
|
I grabbed a Coors to soothe my throbbing nerves before work. I was
|
||
|
already late. As I drove, I started to question whether the events
|
||
|
of the morning had really happened. Maybe it had been a
|
||
|
dream.
|
||
|
|
||
|
|
||
|
|
||
|
When I drove past City Hall, I was surprised to see a large
|
||
|
gathering. Something told me I needed to investigate this instead
|
||
|
of continuing to my office. I pushed my way through the crowd to
|
||
|
enter the doors. All around, the atmosphere was one of revelry. A
|
||
|
young man was giving a speech. Banners waved, and well-wishers
|
||
|
cheered.
|
||
|
|
||
|
|
||
|
|
||
|
It was the same man from the story I had just seen! My mouth
|
||
|
dropped open like a gaping black hole as I pondered his cruel fate.
|
||
|
Immediately my veins pulsed and pounded, popping instinctually out
|
||
|
of my neck!
|
||
|
|
||
|
|
||
|
|
||
|
I noticed one young lady whose silence was telling. Far removed
|
||
|
from the merriment, she seemed as out of place as I. Tears trickled
|
||
|
from her bloodshot eyes. I had to I ask. ``Who is that young
|
||
|
man?''
|
||
|
|
||
|
|
||
|
|
||
|
``He's my brother,'' she said.
|
||
|
|
||
|
|
||
|
|
||
|
``He's going to die and take others with him!'' I
|
||
|
exclaimed. ``His plan is foolishness! We must stop
|
||
|
him!''
|
||
|
|
||
|
|
||
|
|
||
|
She did not respond. Her expression was of resignation.
|
||
|
|
||
|
|
||
|
|
||
|
``I must act if no one else will,'' I thought.
|
||
|
``Better one bloody mess than many.'' I drew my Beretta
|
||
|
and aimed it at the young man to make the fatal shot. At the sight
|
||
|
of my weapon, the sister heaved violently. Vomitus sprayed all over
|
||
|
my pants and on my Beretta. I hesitated.
|
||
|
|
||
|
|
||
|
|
||
|
``Don't,'' the girl sobbed. ``I already tried
|
||
|
to convince them not to go, but no one will listen. If you kill my
|
||
|
brother, they'll probably go anyway. We just have to let it
|
||
|
happen.''
|
||
|
|
||
|
|
||
|
|
||
|
I felt the questions frozen in my mind like impending doom.
|
||
|
``How do you know this? How do you know they will
|
||
|
die?''
|
||
|
|
||
|
|
||
|
|
||
|
Tears cascading down her pale cheeks, she looked me in the eye. I
|
||
|
knew the true meaning of hopelessness when she
|
||
|
replied{\ldots}
|
||
|
|
||
|
|
||
|
|
||
|
``I saw it on TV.''
|
||
|
|
||
|
|
||
|
|
||
|
|
||
|
%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
|
||
|
\by{katiekawaii}
|
||
|
|
||
|
|
||
|
I dedicate this short story to the literary genius Ben Biddick. No
|
||
|
one could ever do you justice. But I think I gave it a good
|
||
|
shot.
|
||
|
|
||
|
|
||
|
|
||
|
{\bf Shiny Toy Gun}
|
||
|
|
||
|
|
||
|
|
||
|
I am a man. Some may call me a beast. I am also a detective.
|
||
|
Detective Luke Bavarious. I wasn't always a man. I used to be
|
||
|
a young boy. Carefree. But not for long.
|
||
|
|
||
|
|
||
|
|
||
|
It was said that when my mother gave birth I came out screaming. I
|
||
|
was just like that. Maybe it was a predictor of things to come.
|
||
|
Maybe. I got my first toy gun when I was nine. It was shiny
|
||
|
plastic, a Beretta. Fit in my hand like a glove. Like a glove fits
|
||
|
over a hand, that's how it fit in my hand. My mom
|
||
|
didn't want me to have it. It was my dad's idea. My
|
||
|
drunken father. He always came home late at night reeking of horrid
|
||
|
vomit. He wanted me to be tough. Tough like him.
|
||
|
|
||
|
|
||
|
|
||
|
I was always being bullied. A sixth grader, Max Attica. I told the
|
||
|
principal, but she didn't care. Sometimes it seemed like no
|
||
|
one did. My dad told me not to be so weak. He yelled at me one
|
||
|
night, ``Don't be so weak!'' he yelled. As he said
|
||
|
it I could smell the horrid stench of vomit and the stiff gin and
|
||
|
tonics he always drank. Hold the tonic. It made me want to puke. I
|
||
|
could see his neck exploding as his veins strained against the skin
|
||
|
with every syllable. ``You gonna let that Max Attica push you
|
||
|
`round, boy?''
|
||
|
|
||
|
|
||
|
|
||
|
``N-n-o S-s-ir,'' I stammered as I sobbed and cried and
|
||
|
held down my vomit. My father's vomit, which had been given
|
||
|
to me with the breathing of each horrid vomit- and gin-soaked
|
||
|
breath.
|
||
|
|
||
|
|
||
|
|
||
|
No, sir. Now I had my Beretta. It was just a toy, but I could
|
||
|
pretend. I had a good imagination. I took it to school with me in
|
||
|
my dark black backpack. Even then I favored the dark shade of the
|
||
|
night that would later be my beat in the city. It was 1953. Back
|
||
|
then nobody cared if a boy played with a toy gun at school back
|
||
|
then. Things are different now. I'm why things are
|
||
|
different.
|
||
|
|
||
|
|
||
|
|
||
|
It was a dark and cloudy day, the sun forced into shadow by the
|
||
|
ominous clouds overhead. Max's classroom was across from
|
||
|
mine, and as the bell rang and we filed inside he looked at me and
|
||
|
made the gesture children make to make a threat. A finger drawn
|
||
|
slowly across the neck. I imagined the blood gushing out of my neck
|
||
|
in a giant waterfall. He meant business.
|
||
|
|
||
|
|
||
|
|
||
|
I told the teacher, but like all grown-ups she didn't listen.
|
||
|
Nobody listened. This was my fight and mine alone. So I made it
|
||
|
mine. We came out of the classrooms for lunch. Our eyes met across
|
||
|
the hall. Eyes are the windows to the soul. Mine were black. He
|
||
|
came towards me with his hand twisted into a grotesque fist. I
|
||
|
pulled out my toy Beretta and aimed for his face, which was twisted
|
||
|
with hatred. He laughed. I pulled the trigger. There was a loud
|
||
|
sound, and Max's shirt turned rust. A real bullet.
|
||
|
That's impossible.
|
||
|
|
||
|
|
||
|
|
||
|
Suddenly, I was screaming.
|
||
|
|
||
|
|
||
|
|
||
|
|
||
|
%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
|
||
|
\by{rinski}
|
||
|
|
||
|
|
||
|
{\bf The Monsters in the Night}
|
||
|
|
||
|
|
||
|
|
||
|
Some would say I have seen it all. They luckily don't know
|
||
|
the half of it. I have both seen it all and then I have
|
||
|
additionally seen some more things. Unspeakably horrible things.
|
||
|
Things that would shatter your mind like a car wreck. For me,
|
||
|
it's just part of the job. You see, I am a monster hunter.
|
||
|
The name's Luke Bavarius. And I love my job. Because I hate
|
||
|
monsters.
|
||
|
|
||
|
|
||
|
|
||
|
I was at my office desk. I poured a cup of dark coffee. I
|
||
|
accidentally burned the coffee, making my office smelled like a
|
||
|
raging inferno. I drank the acrid blackness anyway. It tasted like
|
||
|
a punch in the throat. But it's pungency and aroma would keep
|
||
|
me awake. Awake through a night as black as coffee itself. I needed
|
||
|
it: I felt tired and dizzy for some reason. I put my feet up on the
|
||
|
desk. I took another sip of bitter liquid. Then the phone
|
||
|
rang.
|
||
|
|
||
|
|
||
|
|
||
|
My son's voice echoed through the cold, lifeless plastic of
|
||
|
the phone's receiver. I have three sons. They are volunteer
|
||
|
fire fighters. Usually they can't make calls while
|
||
|
volunteering. The call was therefore perplexing.
|
||
|
|
||
|
|
||
|
|
||
|
``Dad? Dad, you are in terrible danger!''
|
||
|
|
||
|
``Terrible danger? Me?'' I scoffed at his
|
||
|
insinuation.
|
||
|
|
||
|
``Son, don't you understand? I have seen it all. What
|
||
|
dangerous fate could possibly surprise me?''
|
||
|
|
||
|
|
||
|
|
||
|
Before anything else could even happen, a smash caught my
|
||
|
awareness. A window vomited glass fragments from its mahogany
|
||
|
frame. A terrible entity was intruding through a now-broken window!
|
||
|
Glass hit the ground like shells from my Baretta. Speaking of
|
||
|
which, I withdrew my steel companion from its sheath. Time to
|
||
|
investigate.
|
||
|
|
||
|
|
||
|
|
||
|
The commotion was caused by a horrid foe indeed. It was a seething
|
||
|
mass of tentacles attached to a pair of sickening butterfly wings.
|
||
|
Parts of it glowed like certain eels can glow.
|
||
|
|
||
|
|
||
|
|
||
|
``Son? I'm gonna have to put you on hold!'' I
|
||
|
predicted, stabbing the ``hold'' button with my left
|
||
|
index finger. I unholstered out my Baretta and flicked off the
|
||
|
safety because there was nothing safe about the situation.
|
||
|
|
||
|
|
||
|
|
||
|
Before the fight had begun, it was over. A mere twenty bullets
|
||
|
reduced the monster to a twitching heap of calamari. The
|
||
|
bullet-riddled monster could have made swiss cheese jealous. An
|
||
|
acrid stench filled the office. The stinks of vomit and blood and
|
||
|
putrid smoke and diherria mingled in an unholy potpurri. Its
|
||
|
pungency induced nausea. My eyes watered protective tears. The
|
||
|
atmosphere of my office was now more stench than oxygen, making
|
||
|
respiration difficult.
|
||
|
|
||
|
|
||
|
|
||
|
I coughed. I holstered my Baretta in its sheath. I picked up the
|
||
|
phone.
|
||
|
|
||
|
``Dad, you have got to get out of your office because you are
|
||
|
in terrible danger!''
|
||
|
|
||
|
|
||
|
|
||
|
SMASH! Another creature erupted into my office. The window
|
||
|
atomized. Glass fragments splashed the floor like razor sharp
|
||
|
raindrops.
|
||
|
|
||
|
|
||
|
|
||
|
``I appreciate your concern, son. But your ol' D-A-D can
|
||
|
handle a few monsters. I am a monster hunter by trade. And the hunt
|
||
|
is on.'' I hung up the phone with confidence.
|
||
|
|
||
|
|
||
|
|
||
|
This monster was no ordinary panther. It was covered in poison
|
||
|
quills that rustled like amber waves of death. Its face was that of
|
||
|
the common fly. Its arms were like a nefarious---suddenly, the
|
||
|
beast attacked, interrupting my mental registration of its
|
||
|
descriptive traits. No matter. My index finger instinctively
|
||
|
triggered the Beretta's firing mechanism. A steel barrage
|
||
|
sonic boomed towards the fiend. Soon it was just another lifeless
|
||
|
object cluttering up my office floor. Blood gushed from its wounds
|
||
|
like a Nile River of rusty fluid, courtesy of Luke Bavarius.
|
||
|
|
||
|
|
||
|
|
||
|
The stench staggered. I coughed, gritting back vomit.
|
||
|
|
||
|
|
||
|
|
||
|
Suddenly, a cacophony of smashes erupted. My remaining windows
|
||
|
exploded in a crystalline supernova. The air was thick with a
|
||
|
dangerous confetti of glass shards and monsters. Eight more
|
||
|
monsters had broken in, causing this turmoil.
|
||
|
|
||
|
|
||
|
|
||
|
``My property value has gone `out the
|
||
|
window.''' I said with gallows humor.
|
||
|
|
||
|
|
||
|
|
||
|
The odor elevated to a living nightmare about burning corpses. It
|
||
|
consumed my senses. I vomited. Twice. Some came out my nose. My
|
||
|
eyes burned. Tears stained my face with anguish and despair. I
|
||
|
faced my impeding annihilation with eternal sadness and morbid
|
||
|
frustration.
|
||
|
|
||
|
|
||
|
|
||
|
``N-N-NOOOO-O!'' I puked out sobs and some of the coffee
|
||
|
from before. I shot blindly, managing to kill one last monster. The
|
||
|
remainder closed on me like a curtain of death. Knowing I was done
|
||
|
for, I vomited one last time. Then passed out.
|
||
|
|
||
|
|
||
|
|
||
|
I awoke later with a start in a hospital. I coughed. The cough
|
||
|
tasted like ash and my mouth felt like a chimney. I called to a
|
||
|
nurse, ``Nurse what is going on?''
|
||
|
|
||
|
|
||
|
|
||
|
``I don't know how to tell you this, Luke{\ldots} but
|
||
|
there was a fire in your office. You inhaled the smoke and
|
||
|
hallucinated. Your son called to warn you, but by that point you
|
||
|
were virtually insane from fumes. Your other two sons were the
|
||
|
first ones one the scene. You{\ldots}''
|
||
|
|
||
|
|
||
|
|
||
|
Suddenly, she was sobbing. I sobbed too. For I had known all
|
||
|
along.
|
||
|
|
||
|
|
||
|
|
||
|
``Y-you murd-urdered th-them with-with your Barett-etta. Then
|
||
|
your third son showed up with more firefighters and you killed him
|
||
|
too.''
|
||
|
|
||
|
|
||
|
|
||
|
I thought I had seen it all. But none of the horrid monstrosities I
|
||
|
had seen could have prepared me. Not for this. Not for a
|
||
|
realization that hit me like the weight of a neutron star full of
|
||
|
freight trains that were carrying my murdered sons. I was the only
|
||
|
monster in this tale.
|
||
|
|
||
|
|
||
|
|
||
|
When I heard the news, my mind shattered like a car wreck. And I
|
||
|
screamed and screamed and screamed{\ldots}
|
||
|
|
||
|
|
||
|
|
||
|
|
||
|
|
||
|
|
||
|
%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
|
||
|
\by{BigSkillet}
|
||
|
|
||
|
|
||
|
Too obscure?
|
||
|
|
||
|
|
||
|
|
||
|
{\bf The Screw That Turned}
|
||
|
|
||
|
|
||
|
|
||
|
``{\ldots}and his little heart, dispossessed, had stopped,'' said a man in
|
||
|
a powdered wig that was reading a story to a group of people.
|
||
|
Everyone else in the group was scared except for one, and he stood
|
||
|
up.
|
||
|
|
||
|
|
||
|
|
||
|
``That story sucked and the ghosts were gay,'' said the standing man,
|
||
|
who took a badge from his coat and showed it to the storyteller. It
|
||
|
read 'Luke Bavarious, P.I. PhD.'
|
||
|
|
||
|
|
||
|
|
||
|
``I should arrest you for being so boring,'' he said, drawing his gun
|
||
|
and aiming it at the storyteller.
|
||
|
|
||
|
|
||
|
|
||
|
``Oh bother, please don't, old chap,'' said the storyteller, who was
|
||
|
British. ``It isn't my fault, it's a true story and it really
|
||
|
happened that way. And it all happened in this very same house on
|
||
|
this day ten years ago!''
|
||
|
|
||
|
|
||
|
|
||
|
When he said that everybody else got scared because it meant they
|
||
|
were in a haunted house, but not Luke Bavarious. He just grinned
|
||
|
and put a cigarette in his mouth.
|
||
|
|
||
|
|
||
|
|
||
|
``You all stay here, I can handle this. I can arrest those ghosts,
|
||
|
and I'll show them the letter of the law the hard way.''
|
||
|
|
||
|
|
||
|
|
||
|
``Oh Luke, you're so brave,'' said one of the ladies who was sitting
|
||
|
in the room.
|
||
|
|
||
|
|
||
|
|
||
|
Luke Bavarious fired his gun into the air and then lit his
|
||
|
cigarette on the still-hot barrel. ``It's all in a day's work,
|
||
|
ma'am,'' he said, ``and I like my work.'' With that, he left the
|
||
|
room.
|
||
|
|
||
|
|
||
|
|
||
|
Luke Bavarious walked down the hallway with his gun drawn. The hall
|
||
|
was dark with shadows, but his glowing cigarette gave him all the
|
||
|
light he needed. Suddenly, outside of a window, he saw a shape.
|
||
|
Luke recognized it as a man, but the hallway was on the third
|
||
|
floor. There was nothing outside for him to stand on except the
|
||
|
darkness. It was one of the ghosts that the storyteller had warned
|
||
|
him about.
|
||
|
|
||
|
|
||
|
|
||
|
``Stop where you are!'' said Luke Bavarious, aiming his gun at the
|
||
|
window. The ghost stayed outside the window, an evil glimmer in his
|
||
|
ghostly British eyes.
|
||
|
|
||
|
|
||
|
|
||
|
``Put your hands up. You're under arrest for haunting this house and
|
||
|
I think you molested a kid in that story,'' Luke continued, but the
|
||
|
ghost ignored his order. Luke fired at the ghost, two bullets
|
||
|
shattering the window with a thunderous crash. When the smoke
|
||
|
cleared, the ghost had vanished.
|
||
|
|
||
|
|
||
|
|
||
|
Suddenly, he turned, and at the end of the hallway was another
|
||
|
ghost. It was smaller but still British, and Luke recognized it as
|
||
|
the ghost of the boy that had died.
|
||
|
|
||
|
|
||
|
|
||
|
``I've defeated the ghost that killed you, there's nothing to be
|
||
|
afraid of now,'' Luke said, approaching the boy.
|
||
|
|
||
|
|
||
|
|
||
|
``Please don't feel that I've been bad,'' said the boy. Luke stopped
|
||
|
and aimed his gun at the boy because his sixth sense told him it
|
||
|
was a trick. ``I had no intent to harm when I stole that
|
||
|
letter.''
|
||
|
|
||
|
|
||
|
|
||
|
``You're under arrest for stealing,'' Luke said. Two shells hit the
|
||
|
floor as he fired into the boy's ghost. When he went to inspect the
|
||
|
boy ghost's body he found a letter in his hand. It said: ``To my
|
||
|
dearest Luke. Please forgive me my son. Sincerely, the
|
||
|
ghost.''
|
||
|
|
||
|
|
||
|
|
||
|
Luke Bavarious dropped the letter and screamed as he felt his heart
|
||
|
stop from the true horror that was his fate all along.
|
||
|
|
||
|
|
||
|
|
||
|
|
||
|
|
||
|
%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
|
||
|
\by{HastyDeparture}
|
||
|
|
||
|
|
||
|
{\bf A Red Sky at Night}
|
||
|
|
||
|
|
||
|
|
||
|
The sun slowly sinks in the sky, an orange halo telling of the the
|
||
|
morrow's forecast. The forecast is always the same.
|
||
|
|
||
|
|
||
|
|
||
|
The forecast never changes, not for me, at least. Every day, I rise
|
||
|
with the sun, and step out the door of my small ranch-style home as
|
||
|
the sun clears the trees of my small suburban neighborhood. Every
|
||
|
day, I grab a large, black coffee and the morning paper from the
|
||
|
gas station on the corner. Every day, I park my black and white in
|
||
|
the side lot of Lakeview Central High School. Every day, I sit down
|
||
|
at my desk as Connie waltzes in the door, says, ``morning, Officer
|
||
|
Bavarious'', and moseys on over to the copy machine.
|
||
|
|
||
|
|
||
|
|
||
|
My name is Luke Bavarious, and I am a School Resource Officer. I'm
|
||
|
a cop in a high school. I wear a badge, I carry a Beretta, and I
|
||
|
don't take shit from anyone, especially not people half my
|
||
|
size.
|
||
|
|
||
|
|
||
|
|
||
|
They said that the regular doughnut-munchers weren't close enough
|
||
|
to the people, not tied-in with the community, and unfamiliar with
|
||
|
the hooligans in our fair town. They said that we needed someone to
|
||
|
fill that role, to keep tabs on the kids, to keep our children in
|
||
|
school and out of trouble. That's where I come in. I deal with the
|
||
|
kids who have a streak, and who, without help, are likely to become
|
||
|
the next generation of scum that plagues our streets. I keep the
|
||
|
peace; I enforce the law.
|
||
|
|
||
|
|
||
|
|
||
|
I know all the bad seeds, the troubled families, the broken homes.
|
||
|
I get to know them, I lend them a hand, and I set them straight. I
|
||
|
know them all like family. So when a young voice says ``hey, Officer
|
||
|
B'' as I'm looking out the window at the setting sun, it's no
|
||
|
surprise that I know who it is before I turn to face the teenage
|
||
|
boy in a hoodie and baggy jeans.
|
||
|
|
||
|
|
||
|
|
||
|
``Hello, Marcus. How was your day today? You go to class?''
|
||
|
|
||
|
``Of course, Officer B. You know me.''
|
||
|
|
||
|
``I know I know you. That's why I'm asking. You go to every
|
||
|
one?''
|
||
|
|
||
|
``Yes, Officer.''
|
||
|
|
||
|
|
||
|
|
||
|
Marcus was a good kid with a bad streak. I've known him since he
|
||
|
moved here his freshman year of high school. He moved out of a
|
||
|
trailer park with his mom and younger sister to avoid their
|
||
|
drunken, estranged husband. A rough upbringing; not uncommon. He's
|
||
|
got a record like many of the others I've helped, ranging from
|
||
|
little things like skipped classes and tardiness to a few more
|
||
|
serious infractions involving alchohol and marijuana. The same old,
|
||
|
tired shit. But he's been getting better.
|
||
|
|
||
|
|
||
|
|
||
|
``That's good, kiddo. That's good. You heading home? You know
|
||
|
nobody's supposed to be in the school this late. You gotta study
|
||
|
for those tests next week.''
|
||
|
|
||
|
``Well, you see{\ldots} I was wondering if you could, uh{\ldots} come look at
|
||
|
something.''
|
||
|
|
||
|
``What is it? You getting into trouble again?''
|
||
|
|
||
|
``I don't know, Officer B. That's what I want to you come
|
||
|
see.''
|
||
|
|
||
|
|
||
|
|
||
|
I look back out at the flaming ball in the sky, and remember that
|
||
|
even though my day is coming to a close, my job never ends.
|
||
|
|
||
|
|
||
|
|
||
|
``OK, Marcus. Show me.'' He nods solemnly. We walk out the door of my
|
||
|
office.
|
||
|
|
||
|
|
||
|
|
||
|
In silence, he leads me down the hall to the right, and up the
|
||
|
stairs to the second floor. We make a left, and start down the next
|
||
|
hallway. Marcus jogs ahead, and stops when he gets to the boys'
|
||
|
bathroom halfway down on the left. ``In here,'' he mumbles, almost
|
||
|
inaudibly. He goes in.
|
||
|
|
||
|
|
||
|
|
||
|
I step up to the door, held open from the inside by a beat-up
|
||
|
garbage can. It's almost pitch black inside; the lights are
|
||
|
out.
|
||
|
|
||
|
|
||
|
|
||
|
``Marcus?'' No answer. ``Marcus? You in here?''
|
||
|
|
||
|
|
||
|
|
||
|
A chill creeps up my spine, an unwelcome feeling that's all too
|
||
|
familiar for someone in my line of work.
|
||
|
|
||
|
|
||
|
|
||
|
I step into the shadows, and undo the strap on my holster. I hope
|
||
|
I'm just being paranoid, just feeling a little scared, but I know
|
||
|
it's not true. The door suddenly swings shut with a slam, and the
|
||
|
world as I know it is plunged into darkness. In an instant, I'm
|
||
|
gripping the Beretta tight in my sweaty hands; exactly the last
|
||
|
thing I want to have to do.
|
||
|
|
||
|
|
||
|
|
||
|
``What's going on, Marcus?'' I call out. The void answers, ``What's
|
||
|
going on, Marcus?'' It sounds just like my voice; an echo. A soft
|
||
|
sound appends the response; a shoe scraping the floor in the dark.
|
||
|
My eyes slowly adjust to the dark, and I notice a small window on
|
||
|
the far wall, just below the ceiling. The faint light coming
|
||
|
through reflects off something to my right - mirrors above the
|
||
|
dirty sinks. Another noise; my eyes dart back to the left.
|
||
|
|
||
|
|
||
|
|
||
|
I should have seen it coming, but it's too late; I feel the breath
|
||
|
in my lungs explode. I'm slammed into the nearest mirror. The glass
|
||
|
cracks, and so does my skull. I push away from the wall, repulsing
|
||
|
the weight of two, maybe three kids. I should have known. The
|
||
|
weight shifts, and my body hits the opposite wall and the urinals.
|
||
|
The nasty water splashes across my hands and stomach. Disgusting. I
|
||
|
turn away from the wall, to face the kids. Disgusting. The weight
|
||
|
hits my stomach, shots ring out in the darkness, and my breath
|
||
|
bursts forth like doves from a magician's hat. I'm no
|
||
|
magician.
|
||
|
|
||
|
|
||
|
|
||
|
I drop to one knee, my head turns toward the mirrors above the
|
||
|
brown stained sinks, and in an instant, I see all those young faces
|
||
|
I've helped staring back at me, their faces blank, emotionless. I
|
||
|
collapse on the floor.
|
||
|
|
||
|
|
||
|
|
||
|
As I lay on the cold, damp tile, I can see out the window. The sun
|
||
|
slowly dips below the horizon, painting luscious red streaks across
|
||
|
the sky. Red streaks the color of blood. Red streaks like the ones
|
||
|
painted across the walls of the boys' bathroom on the second
|
||
|
floor.
|
||
|
|
||
|
|
||
|
|
||
|
|
||
|
|
||
|
e: As I wrote it, the story drifted away from the theme, but that's
|
||
|
what happens. I'm sticking to it.
|
||
|
|
||
|
|
||
|
|
||
|
|
||
|
%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
|
||
|
\by{lucifer chikken}
|
||
|
|
||
|
|
||
|
{\bf The Warehouse}
|
||
|
|
||
|
|
||
|
|
||
|
Dripping water echoed through the empty warehouse. I stepped into a
|
||
|
slant of light thrown by security spotlights outside. The sliver of
|
||
|
light was intermittently chopped by an exhaust fan set into the
|
||
|
wall. I checked my old automatic watch, lost in meditation as the
|
||
|
second hand whirred smoothly around the dial. It was late. I wound
|
||
|
up at the old warehouse in the harbor on a hunch, there was a lot
|
||
|
of money riding on the investigation, and Luke Bavarius, P.I.
|
||
|
listened to hunches when it meant keeping the freezer flush with
|
||
|
starchy Hungry Man dinners.
|
||
|
|
||
|
|
||
|
|
||
|
In the distance, a low grunt crept through the darkness accompanied
|
||
|
by the clang of metal. The sound rattled me down to the very
|
||
|
marrow. Instinctively, my hand flew to my Beretta, two fingers
|
||
|
rubbing the sleek metal for security. I'd seen a lot of horrors in
|
||
|
the Big Apple, some things I'd never shake. The Beretta was my
|
||
|
partner through each of them.
|
||
|
|
||
|
|
||
|
|
||
|
Gritty footsteps crossed the dirty cement floor some distance in
|
||
|
front of me. Squinting, I caught a flash of pale skin, a glint of
|
||
|
metal. I pulled my gun from its holster, admiring its length as it
|
||
|
was unsheathed. Stalking forward, back tight against shipping
|
||
|
containers, I disengaged the safety and cocked the gun. Footsteps
|
||
|
scurried further into the depths of the warehouse.
|
||
|
|
||
|
|
||
|
|
||
|
I spoke to the darkness. ``Show yourself,
|
||
|
asshole.''
|
||
|
|
||
|
|
||
|
|
||
|
Legs flashed across a slit of light.
|
||
|
|
||
|
|
||
|
|
||
|
``No one should be here now,'' I muttered. My heart fired
|
||
|
adrenaline through my body. ``Shoot first, ask questions
|
||
|
later, Bavarius.''
|
||
|
|
||
|
|
||
|
|
||
|
I raised my weapon, aiming it at the sound. ``Stop right
|
||
|
there!'' I shouted, firing two shots into the darkness. An
|
||
|
anguished cry echoed off the tin ceiling, followed closely by a
|
||
|
thick thud of a body hitting the floor.
|
||
|
|
||
|
|
||
|
|
||
|
I honed in on the sound and stalked toward it. In the shadows,
|
||
|
another hulking figure loomed. ``What the fuck is
|
||
|
that?''
|
||
|
|
||
|
|
||
|
|
||
|
It emitted a low sound and moved. Its form seemed unearthly. My
|
||
|
colon clenched in response to the adrenaline rush. Must've drank
|
||
|
too much muddy coffee before this stakeout.
|
||
|
|
||
|
|
||
|
|
||
|
Again, my Beretta found itself ready to fire as I aimed at the
|
||
|
hulking figure. The sounds it was making, the low groans, were
|
||
|
unearthly. Whatever it was, it had to be done away with. My finger
|
||
|
twitched on the trigger.
|
||
|
|
||
|
|
||
|
|
||
|
``Don't do it, Mister.'' The weak voice came from my
|
||
|
right. My eyes darted between the veiled voice and the shadows in
|
||
|
front of me.
|
||
|
|
||
|
|
||
|
|
||
|
``What the hell are you?'' I called.
|
||
|
|
||
|
|
||
|
|
||
|
The voice didn't answer immediately. It just whimpered.
|
||
|
|
||
|
|
||
|
|
||
|
``What are you?!'' I demanded again, pouring all of the
|
||
|
testosterone pooled my balls into my voice.
|
||
|
|
||
|
|
||
|
|
||
|
``I'm{\ldots} hurt. Don't shoot it.''
|
||
|
|
||
|
|
||
|
|
||
|
``Shoot what?'' There was a pause. ``Shoot
|
||
|
what!''
|
||
|
|
||
|
|
||
|
|
||
|
``Please{\ldots} I'm just a kid{\ldots}''
|
||
|
|
||
|
|
||
|
|
||
|
Oh, hell. A kid. I bit the inside of my cheek to stave off the
|
||
|
encroaching vomit. I could envision the bile on its rise from my
|
||
|
ulcerated stomach. My hand shook. The figure groaned low again and
|
||
|
my finger impulsively squeezed away at the trigger. Violence
|
||
|
exploded once more, echoing through the tin-paneled warehouse. The
|
||
|
figure received my bullet, still unsure of its identity, I watched
|
||
|
its shadowed form waver in the shadows.
|
||
|
|
||
|
|
||
|
|
||
|
``No!'' The kid cried, his pubescent voice cracking with
|
||
|
pain and disgust. He had dragged his body toward me. My gun hand
|
||
|
fell limply to my side; I looked down at the kid with pity and
|
||
|
shame. A gleaming snail trail of blood darkened the cement floor
|
||
|
behind him.
|
||
|
|
||
|
|
||
|
|
||
|
``Why are you in here?''
|
||
|
|
||
|
|
||
|
|
||
|
The kids eyes were pale with death. You could almost hear the blood
|
||
|
draining from him in sick little spurts.
|
||
|
|
||
|
|
||
|
|
||
|
``You shot the giraffe,'' he wailed, low.
|
||
|
|
||
|
|
||
|
|
||
|
My attention snapped from the kid to the darkness in front of me. I
|
||
|
squinted, deciphering the dark figure wavering before me. Its long
|
||
|
neck gradually came into focus. I stepped closer to the beast. It
|
||
|
was vomiting blood from its neck, muscular spasms shooting through
|
||
|
the six foot long tube of meat; its long blue tongue drooped to the
|
||
|
side flaccidly. Long eyelashes fluttered over its cow-like brown
|
||
|
eyes.
|
||
|
|
||
|
|
||
|
|
||
|
Woozy, the giraffe suddenly dropped to its knobby knees, its neck
|
||
|
lolled dramatically to the side. The neck snapped over a row of
|
||
|
container drums, folding thickly like a bag of sand. The sound
|
||
|
reverberated through the hollow spaces in my bones. It wasn't
|
||
|
likely to be forgotten, to abandon those spaces, any time soon. I
|
||
|
clutched desperately at my stomach, trying not to vomit my liver
|
||
|
and onion dinner all over the floor.
|
||
|
|
||
|
|
||
|
|
||
|
I glanced at the kid. Exhalations escaped him in a long rattling
|
||
|
breaths. He'd be a goner without help.
|
||
|
|
||
|
|
||
|
|
||
|
``Ah shit,'' my chest heaved. ``Should've listened
|
||
|
to the kid, Bavarius.''
|
||
|
|
||
|
|
||
|
|
||
|
Sirens screamed toward the warehouse. From the wide doorway, the
|
||
|
rain-slicked streets of the Empire City opened their arms to me. I
|
||
|
pulled a Pall Mall from the emergency pack stashed in my pocket and
|
||
|
lit it up, muttering to myself, the cigarette bouncing between my
|
||
|
lips. ``New York. I ream her and ruin her, but the whore keeps
|
||
|
taking me back.''
|
||
|
|
||
|
|
||
|
|
||
|
Red lights whirled closer. Suddenly, I was sobbing.
|
||
|
|
||
|
|
||
|
|
||
|
|
||
|
|
||
|
%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
|
||
|
\by{ding dang doo}
|
||
|
|
||
|
|
||
|
I awoke from my slumber. The breeze of wind gently blowing wind
|
||
|
across my face. Sitting in the darkness, I thought of only one
|
||
|
thing: Luke Bavarious. The name. Repeating throughout my head,
|
||
|
puking it's mantra into my mind. Who was this man? I did not know,
|
||
|
but I intended to find out. I lit a Pall Mall cigarette and
|
||
|
proceeded to smoke it. Meanwhile, I dressed myself.
|
||
|
|
||
|
|
||
|
|
||
|
Into the dark and dimly lit night I wandered, smoking a Pall Mall
|
||
|
cigarette with my iips. I inhaled, and let my hate seethe. I
|
||
|
exhaled and let my hatred for love grow. Luke Bavarious. The name
|
||
|
echoed in my face. This name. A name like no other. I reached into
|
||
|
my pants and gripped my Baretta, and let a long sigh of relief.
|
||
|
Sometimes I forgot to put my Baretta in my pants. Tonight, I
|
||
|
remembered to do it. Strolling down the street in the dimly lit
|
||
|
night of darkness, I began to wander down the sidewalk. Luke
|
||
|
Bavarious. Why? Was this part of my grim imagination? Was he the
|
||
|
reason teachers and parents were afraid of me? This I had to find
|
||
|
out.
|
||
|
|
||
|
|
||
|
|
||
|
Finishing my Pall Mall cigarette, I crushed the butt of it against
|
||
|
a newborn baby, and slowly walked down a dimly lit dark alley. I
|
||
|
saw a shadowy figure of a man, or maybe it could've even been a
|
||
|
leopard. He let out a gasp of shock and started to ran into the
|
||
|
opposite direction. I quickly vomited and soon began chasing him.
|
||
|
Chase him I did, and I ran as fast as a machine with cyborg legs.
|
||
|
The chase was long and hard, and arduous. He ducked through
|
||
|
alleyways and jumped rooftops, but I had the scent of blood and
|
||
|
murder and puke in my nostrils, I was on his tail every step of the
|
||
|
way.
|
||
|
|
||
|
|
||
|
|
||
|
Until he stopped.
|
||
|
|
||
|
|
||
|
|
||
|
|
||
|
|
||
|
|
||
|
|
||
|
I found myself at my lousy apartment. Empty cans of beer littered
|
||
|
my floor. Numerous tissues surrounding my computer. The butts of
|
||
|
endless Pall Mall cigarettes emptied into countless newborn babies.
|
||
|
And he was standing in the corner. I cocked my head like a curious
|
||
|
dog, and asked, ``Who are you? And why are we here?''
|
||
|
|
||
|
|
||
|
|
||
|
Suddenly, he turned around, Pall Mall cigarette in his mouth. Luke
|
||
|
Bavarious. He chuckled and shot at me. And shot again. Then he shot
|
||
|
me again. With a Baretta. Then he shot me with his Baretta.
|
||
|
|
||
|
|
||
|
|
||
|
And as my neck puked blood from my neck and vomit spewed from every
|
||
|
faucet in my apartment, I heard the words, ``Did you hear Micheal
|
||
|
Jackson died?''
|
||
|
|
||
|
|
||
|
|
||
|
With my final breath, I sobbed, ``{\ldots}Don't stop{\ldots}till{\ldots}you get
|
||
|
enough.''
|
||
|
|
||
|
|
||
|
|
||
|
|
||
|
%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
|
||
|
\by{Dominic Bones}
|
||
|
|
||
|
|
||
|
It'll happen tonight. Happens every night. Never stops.
|
||
|
|
||
|
|
||
|
|
||
|
{\bf AGAIN}
|
||
|
|
||
|
|
||
|
|
||
|
I sat on the edge of my bed, drinking a glass of water I had just
|
||
|
gotten from the kitchen. My dog Bud was laying at the foot of the
|
||
|
bed. I stared into the glass, watching my own reflection, and
|
||
|
watching the reflection of the creature behind me.
|
||
|
|
||
|
|
||
|
|
||
|
With a long face and empty eyes, and a mouth that could only be
|
||
|
described as slender. It stared over my shoulder, it's hands at its
|
||
|
sides. Sometimes I would think it was speaking to me, only to find
|
||
|
that it was Bud whimpering.
|
||
|
|
||
|
|
||
|
|
||
|
It always stared, yet when i turned I could not see it. when I
|
||
|
closed my eyes it would be there, clear as day, yet when I opened
|
||
|
them the creature would be gone. I could not explain it. The Dogs
|
||
|
howls were going through the night sometimes.
|
||
|
|
||
|
|
||
|
|
||
|
Why I could not say. Happened since I moved into this house. My
|
||
|
girlfriend and child had left me because I would just lie awake at
|
||
|
night. She said I had no emotion anymore. Said i should see a
|
||
|
therapist. my kid said he loved me but said that he couldnt have a
|
||
|
father that never helped him. he encouraged me to hug him and
|
||
|
promise him I'd always be there and to leave the house with mommy.
|
||
|
But he didn't really like that idea, so I didn't. Dog barked. Hear
|
||
|
the name Luke.
|
||
|
|
||
|
|
||
|
|
||
|
my dresser was an elegant wood paneling, and my floor had a lush
|
||
|
red carpet. Sometimes he would seep onto it and make it seem black.
|
||
|
i didn't know why, he just told me it would show me the way if i
|
||
|
followed him. I always just sat on the bed though. The dog was
|
||
|
scratching the bedpost now. heard the name Luke ringing in the back
|
||
|
of my head.
|
||
|
|
||
|
|
||
|
|
||
|
my glass of water was almost out. i looked out my window and saw
|
||
|
him there, and he asked for me. i would just shake my head, as i
|
||
|
had stopped spaeking. i had recieved a letter the other day that
|
||
|
said i had to mkae my payments, but he told me it wouldnt be an
|
||
|
issue. The dog attempted to lay on my lap. Heard ``Luke'', nothing
|
||
|
but Luke and white noise.
|
||
|
|
||
|
|
||
|
|
||
|
i told myself to go to sleep, but something was bothering me as if
|
||
|
something was buried deep in my head. i kenw that i couldnt just
|
||
|
take aspirin to get rid of it. i felt something at my foot but when
|
||
|
i looekd down it wasnt there. my bathroom mirror could be seen in
|
||
|
the crnoer of my eye, and he could be seen in the mirror. his
|
||
|
fingers pointed at the bed, thuogh i didnt turn t see what he was
|
||
|
pointing at. The dog jumped on the ground and stared at me.
|
||
|
|
||
|
|
||
|
|
||
|
he came up to me and mvoed my hand. he put it on the dogs back and
|
||
|
squeezed. i ddint know what was going on exactly but he asuserd me
|
||
|
it wuold all be arlihgt. my hand ddint stop suqeezing for an hour.
|
||
|
the dog didnt make any noise except the word ``Luke''.
|
||
|
|
||
|
|
||
|
|
||
|
soon i had began laying down and fell asleep. i suddenly felt
|
||
|
better. he had told me that i would soon be able to go to sleep. i
|
||
|
remembered this feeling happening the day before my girlfriend left
|
||
|
me. i fgiured that he just knew how to clam me down. i layed down
|
||
|
and put my haed to rest.
|
||
|
|
||
|
|
||
|
|
||
|
wehn the men came in the morning, i awkoe and walked down to the
|
||
|
mess hlal with them. tehy dont think hes real. the dcotor said i
|
||
|
was imagninig thnigs. she ddint know me thuogh. only he understood.
|
||
|
soon i flet a relaxation in her office like lsat night,before i saw
|
||
|
the lghit coming from the wnidow. he told me taht i cuold be in the
|
||
|
lghit. but i ddint want to. i olny wanted to be wehre he guided me
|
||
|
to. He spoke but I did not hear.
|
||
|
|
||
|
|
||
|
|
||
|
atfer i stppoed suqeezing i haerd the men come in and guided me
|
||
|
away. but it was oaky, because as long as i clsoed my eyes, i saw
|
||
|
his fcae. what did he say his name was? {\em Luke Bavarius}. as i
|
||
|
was dragged, soon i saw my snos face, and it was the same. Luke
|
||
|
just tlod me it wuold all be alright. so i colsed my eyes, and
|
||
|
dreamt of my childs face.
|
||
|
|
||
|
|
||
|
|
||
|
All
|
||
|
spelling errors on purpose. Not drunk, I swear.
|
||
|
|
||
|
|
||
|
|
||
|
|
||
|
|
||
|
%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
|
||
|
\by{ding dang doo}
|
||
|
|
||
|
|
||
|
|
||
|
Dominic Bones posted:
|
||
|
{\ldots}words?
|
||
|
|
||
|
|
||
|
|
||
|
|
||
|
Yeah, let's go ahead and not get drunk and write stories, k?
|
||
|
|
||
|
|
||
|
|
||
|
|
||
|
|