2009-07-09 10:06:35 -06:00
|
|
|
%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
|
2009-07-09 11:01:21 -06:00
|
|
|
\chapter{A Cursed Memory}
|
2009-07-09 10:06:35 -06:00
|
|
|
|
2009-07-09 11:01:21 -06:00
|
|
|
\by{Quovak}
|
2009-07-09 10:06:35 -06:00
|
|
|
|
2009-07-09 11:01:21 -06:00
|
|
|
%--bz i dunno if the following is in the right spot after the fix
|
2009-07-09 10:06:35 -06:00
|
|
|
As with most entries, all grammar errors are intentional. Also,
|
|
|
|
edited to better fit the rules.
|
2009-07-09 11:01:21 -06:00
|
|
|
%bz--
|
2009-07-09 10:06:35 -06:00
|
|
|
|
|
|
|
|
|
|
|
My name is Luke Bavarious. I am a policeman. Recently my wife Vixie
|
|
|
|
Bavarious committed suicide. I've been sent in to deal with
|
|
|
|
Jack Rogue. He was supposed to be at the courthouse. I walked up to
|
|
|
|
the 162nd street mansion where he lived in New York. I slowly
|
|
|
|
walked up the dark creaking stairs slowly. I drew my trusty
|
|
|
|
Beretta. I knocked at the man's door. ``Open up!''
|
|
|
|
I said.
|
|
|
|
|
|
|
|
``What do you want?'' He said.
|
|
|
|
|
|
|
|
I screamed. ``It doesn't matter. If you don't open
|
|
|
|
this door, I'll shoot the the lock off with my
|
|
|
|
Beretta!''
|
|
|
|
|
|
|
|
``Fine. Hold on a second.''
|
|
|
|
|
|
|
|
``Too late!'' I shot the lock off with my Beretta. The
|
|
|
|
sharp kick of the gun was like a wave up my arm. It felt good. I
|
|
|
|
opened the door and went inside. In the entryway I saw a thirteen
|
|
|
|
year old boy standing in the middle of the room.
|
|
|
|
|
|
|
|
``Why weren't you at court?'' I said.
|
|
|
|
|
|
|
|
``You don't want to find out what I know.'' He
|
|
|
|
whispered.
|
|
|
|
|
|
|
|
``I think I do.'' I said, aiming my Beretta.
|
|
|
|
|
|
|
|
``My parents are getting a divorce. I don't want to have
|
|
|
|
to choose who has custody.''
|
|
|
|
|
|
|
|
The memory of my girlfriend killing herself rushed back to
|
|
|
|
me.
|
|
|
|
|
|
|
|
``Did you see your dad kill your mom? Or did you only hear the
|
|
|
|
shot?'' I called.
|
|
|
|
|
|
|
|
The kid screamed a bloodcurdling scream and ran upstairs. I raised
|
|
|
|
my Beretta and fired the first shot. He pulled out a gun and shot
|
|
|
|
me in my eye. The pain stung as the blood pooled onto the floor. I
|
|
|
|
couldn't help but vomit. The fluids mixed in the pool. He
|
|
|
|
shot again.
|
|
|
|
|
|
|
|
``Why are you doing this?'' I screamed. The blood kept
|
|
|
|
running down my face. The bullets tore it open. I fired again. The
|
|
|
|
bullets from my Beretta took the kid's balance. He screamed.
|
|
|
|
I heard the kid scream as he fell off the balcony into his rose
|
|
|
|
bushes. The thorns cut through his skin. His blood oozed out of
|
|
|
|
their holes. I walked over. ``You were subpoenaed. That means
|
|
|
|
you should have been in court.'' I said. My wounds were still
|
|
|
|
terribly dripping rusted blood from the wounds.
|
|
|
|
|
|
|
|
The kid was screaming and vomit left his torn lips. As he died he
|
|
|
|
called out. ``Vixie Bavarious didn't kill herself. Your
|
|
|
|
wife was killed{\ldots} by you.'' He knelt to the floor and
|
|
|
|
screamed again as he died.
|
|
|
|
|
|
|
|
I looked back at a mirror. Past the blood. And the scars, And the
|
|
|
|
vomit. And I remembered. The sound of the bullet I fired into my
|
|
|
|
girlfriend's chest. I remembered her blood falling onto the
|
|
|
|
carpet. Her spine snapping from the force of my Beretta. Her cries
|
|
|
|
of pain. Her corpse hitting the ground.
|
|
|
|
|
|
|
|
I walked past the kid's cut up body. His blood had dried up.
|
|
|
|
The vomit had caked on his torn vomit-stained pants. A chill rose
|
|
|
|
up my back. I started sobbing. I would turn in my badge the next
|
|
|
|
day and become a private detective. Anything to stop my
|
|
|
|
grief.
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
|
|
|
|
|
|
|
|
|
2009-07-09 11:01:21 -06:00
|
|
|
\chapter{SATANIC RED: The Third to Last Case of Det. Luke
|
2009-07-09 10:06:35 -06:00
|
|
|
Bavarious}
|
|
|
|
|
2009-07-09 11:01:21 -06:00
|
|
|
\by{Anal Surgery}
|
2009-07-09 10:06:35 -06:00
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
I polished my Baretta with a rust-colored rag. I own both the gun
|
|
|
|
and the rag because I am a private detective. People come to me to
|
|
|
|
solve problems. Problems given to them by others with every sort of
|
|
|
|
type. I am a problem solver for them, the people to whom problems
|
|
|
|
were given. Today (9am on a Monday) was no different than last
|
|
|
|
Monday, until she walked in.
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Anastasia Rexenstein. She poured into my office like a sexual
|
|
|
|
cocktail, her dress the color of rusty bulging neck-muscles. Her
|
|
|
|
eyes peered into your soul like a peering soul-seeing sage. Her
|
|
|
|
smile twisted like a grapevine as she threw a stack of cash in
|
|
|
|
front of me. ``I want you to find my daughter,
|
|
|
|
Bella-Monica'' she intoned. My eyes grew wider than
|
|
|
|
dictionaries as I looked at the financial stuff in front of
|
|
|
|
me.
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
``Okay'' I murmured.
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Bella-Monica Rexenstein was last seen in the company of noted town
|
|
|
|
drunk, Firth Rockwell, at his sea-side cabin near the sea. Speeding
|
|
|
|
towards the location at 56 miles an hour, I began to hear the
|
|
|
|
giggle of destiny around me. Night spread across the sky like a
|
|
|
|
grape-juice stain, the color of darkness, and other dark things.
|
|
|
|
Rockwell was probably up to no good, so I triple-checked my
|
|
|
|
Baretta, which was given to me when I started my detective
|
|
|
|
business. It was loaded. So was I. With alcohol. The sea-side cabin
|
|
|
|
approached like a sick cat. ``Let's do this'' I said to
|
|
|
|
no one in particular.
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
I parked my vehicle and surreptitiously slunk towards the windows.
|
|
|
|
A light was on, red, the color the Devil lists as his favorite. My
|
|
|
|
eyes narrowed --- I hate the Devil. There was no sign of
|
|
|
|
Bella-Monica from the first window, so I approached the second
|
|
|
|
window as stealthified as I had the first. I still didn't see her,
|
|
|
|
so I proceeded to the west side of cabin and looked in that window.
|
|
|
|
I didn't see her there either, so I went to the south side to look
|
|
|
|
in that window. Nothing, just like what I thought came after death,
|
|
|
|
because I am an atheist detective, because of my experiences, which
|
|
|
|
are horrid. But as I came to the east side, I saw movement.
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Inside, Firth Rockwell was wearing apparel, apparel which fluttered
|
|
|
|
wavily in the breeze of a fan. He was sharpening a knife, and
|
|
|
|
humming the old Irish folk-tune ``I Murder Down a Path''.
|
|
|
|
Inadvertently, I hummed along, as it brought back memories of my
|
|
|
|
drunken father, who would hum it after four Bud Lights. I felt
|
|
|
|
steam rising in me, which I wanted to blow off, in the form of
|
|
|
|
shooting Rockwell. But before I could Rockwell left the room.
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Sneaking in through the backdoor, I heard footsteps stepping down
|
|
|
|
the steps to the basement. Furtively, I snuck down the same steps,
|
|
|
|
hoping to see something. But when I arrived in the underground
|
|
|
|
chamber, what I saw was a sight which I didn't want to see.
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Bella-Monica was tied to a chair, with Firth Rockwell placing a
|
|
|
|
knife to her throat. I yelled at him ``Stop right there!
|
|
|
|
Villain!''. But he just smiled at me. And then he put on a
|
|
|
|
wig, and I realized the horrid truth. I vomited a rusty stream from
|
|
|
|
my lips, which included burning bile erupting from my nose. For
|
|
|
|
with the wig on, Firth Rockwell was Anastasia Rexenstein.
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
But then, she pulled the a wig off of Bella-Monica, and I vomited
|
|
|
|
again. For Bella-Monica was actually me! Bella-Monica screamed
|
|
|
|
harshly ``LISTEN TO ME-'' but I fired my gun at both of them,
|
|
|
|
exploding their faces in a shower of blood, brain matter, skull
|
|
|
|
bits, and gristle. I fled upstairs and vomited in the sink. For I
|
|
|
|
realized, I had just killed my twin brother. I was the last
|
|
|
|
Bavarious now. All I could do was sob.
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
|
|
|
|
|
|
|
|
|
2009-07-09 11:01:21 -06:00
|
|
|
\chapter{ I, Lucius Baiuvarius}
|
2009-07-09 10:06:35 -06:00
|
|
|
|
2009-07-09 11:01:21 -06:00
|
|
|
\by{Hantu}
|
2009-07-09 10:06:35 -06:00
|
|
|
|
|
|
|
|
|
|
|
It is mid winter in the year 177 of the Christian god. As I write
|
|
|
|
this, I, Lucius, son of Baiuvarius of Aalen am recovering from my
|
|
|
|
injuries. My grandfather and his father before him fought against
|
|
|
|
the Romans and their foreign ways. Both of them are long dead,
|
|
|
|
slain by Roman sword. My father was no warrior. He is a herder and
|
|
|
|
did his best to bring me up in the Roman ways so that I might
|
|
|
|
ingrain myself with the Romans and profit by it. Yet the warrior
|
|
|
|
blood runs deep. On my 17th birthday, I said goodbye to my family
|
|
|
|
and travelled to the new Roman fort of Castra Regina. There I
|
|
|
|
joined a ragtag unit of foederatus, made up of people of many
|
|
|
|
tribes.
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
My company consisted of 20 men, only a few I made friends with. We
|
|
|
|
were employed as light infantry or as Uhlan, my Swabian commander
|
|
|
|
calls it, arrow fodder for the Legio Tertia Italica against the
|
|
|
|
rebellious Marcomanni tribes. The pay was not much, but my youthful
|
|
|
|
adventurism was satiated. In my fifth year of service, I have been
|
|
|
|
in many battles. Many we won, others we lost. I have seen acts of
|
|
|
|
extreme bravery, worthy of the old gods. I have also seen villages
|
|
|
|
burned to the ground, the women raped, the men beheaded, the
|
|
|
|
children enslaved. Yet what I saw during my last encounter was
|
|
|
|
beyond anything a mortal should see.
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
It was two months ago. The first flakes of snow had fallen. The
|
|
|
|
campaigning season was over and I looked forward to a few months of
|
|
|
|
rest. I was sitting by the campfire with several others when a
|
|
|
|
legionnaire guard came to our encampment and talked to Uhlan. They
|
|
|
|
were out of earshot but I saw him gave Uhlan a piece of scroll and
|
|
|
|
left. Uhlan shook his head and walked towards us. ``By Belenus
|
|
|
|
and Camulus!'' he swore, ``A Roman patrol is lost in the
|
|
|
|
Black Marshes and we are to look for them.'' He spat on the
|
|
|
|
ground and swore again. ``It's not enough that we fight
|
|
|
|
and die for them, now we have to baby sit them too! Lucius, Hauff,
|
|
|
|
and Dumnorix, pack your gear and come with me. We will have to go
|
|
|
|
on foot as the ground is too rough.''
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
I reluctantly moved away from the comfortable fire and found my
|
|
|
|
longsword, leather armour and metal helmet. For some reason, I also
|
|
|
|
decided to bring along my long knife that I don't usually
|
|
|
|
carry on missions. I tied the knife in its scabbard around my torso
|
|
|
|
and put on my leather armour. This decision will end up saving my
|
|
|
|
life. Our small band of four sets out of the camp just as the
|
|
|
|
snowfall was beginning to get heavy. We made slow progress, even on
|
|
|
|
the Roman roads. After 2 days, we arrived at the edges of the Black
|
|
|
|
Marshes, tired and cold. Uhlan was unusually taciturn during the
|
|
|
|
journey. He was not a jocular man by any means but he seems to be
|
|
|
|
even more troubled than usual. Finally, I decided to ask him what
|
|
|
|
it is that's troubling him. He fell silent, only the
|
|
|
|
condensation from his breathing betraying his thoughts. ``Do
|
|
|
|
you know anything about the Black Marshes lad?'' he finally
|
|
|
|
spoke. I replied in the negative. ``The locals stayed away
|
|
|
|
from this place and for a good reason. None who ventured in ever
|
|
|
|
came out again. Those Roman fools are too arrogant to believe in
|
|
|
|
folk tales and look what happened to them. Yet here we are, on a
|
|
|
|
fool's errand. May Belenus protect us all.''
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
We camped in a clearing near the Black Marshes for a day while
|
|
|
|
Dumnorix and I scouted around for tracks. The fresh snow made this
|
|
|
|
task even more difficult. The afternoon sun was falling when out of
|
|
|
|
the corner of my eyes, I saw a glint of metal among the bushes, 20
|
|
|
|
yards away. I silently signalled to Dumnorix to come near and we
|
|
|
|
cautiously moved towards it, swords drawn. There is no doubt about
|
|
|
|
it. It is a Roman scutum, cleaved in half, not cleanly like by an
|
|
|
|
axe or sword but as if it was ripped into two by some great force.
|
|
|
|
On the ground, there were drag marks and copious blood and it let
|
|
|
|
deeper into the Black Marshes. I debated with Dumnorix about what
|
|
|
|
to do next. The Helvetian wants to follow the tracks into the marsh
|
|
|
|
before the snow completely covered it while I wanted to report our
|
|
|
|
discovery to Uhlan. We argued for a while until we decided on a
|
|
|
|
compromise. We will follow the tracks a little deeper until dusk
|
|
|
|
falls and then turn back.
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
The both of us cautiously moved into the marshes. Why I agreed to
|
|
|
|
this, I never knew. Every ten yards or so, I broke a twig and
|
|
|
|
pointed it towards the direction that we came. After an hour or
|
|
|
|
walking, we came to a small cave where the tracks and blood trail
|
|
|
|
thinned out suddenly. The sun was setting rapidly and an ominous
|
|
|
|
hush descended on the Black Marshes. I told Dumnorix that this is
|
|
|
|
as far as I will go and we should turn back before it gets too
|
|
|
|
dark. He agreed though he wanted to mark the location first. We
|
|
|
|
looked around in search of a large rock or stick that we can use as
|
|
|
|
a marker when the wind suddenly picked up. I was digging through
|
|
|
|
the snow cover when Dumnorix gave a sudden shout. I looked back but
|
|
|
|
he was no longer there. Snow was now being blown sideways and
|
|
|
|
quickly, I could see no further than my hands. I shouted for
|
|
|
|
Dumnorix many times but there was no reply, only the howling of the
|
|
|
|
wind. I clutched my longsword tightly and readied for battle.
|
|
|
|
Warily, I crouched towards the small cave to seek shelter from the
|
|
|
|
storm, my senses on alert for trouble.
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
The cave entrance was about 7 foot high and just wide enough to let
|
|
|
|
two man through. The surface was covered in lichen and the dank air
|
|
|
|
smelled of rotten vegetation or worse things. Inside was pitch
|
|
|
|
black with pools of stagnant water looking like broken shards of
|
|
|
|
mirrors. I hesitated but staying out here meant certain death by
|
|
|
|
freezing. Muttering a prayer to Lovantucarus, I went into the cave,
|
|
|
|
my trusty longsword drawn at the front. The howling of the wind
|
|
|
|
took on a haunting aspect in the cave, as if thousands of lost
|
|
|
|
souls whispering together. The hairs on my neck pricked up while my
|
|
|
|
heart was beating loudly in my ears. I could no longer see
|
|
|
|
anything, only vague shadows. A movement! Where? Was it my
|
|
|
|
imagination? Calm down. Trust my instincts. Another movement, this
|
|
|
|
time, closer! There is no more doubt. Someone or something is here
|
|
|
|
in the cave with me. ``Come out and show your self!'' I
|
|
|
|
yelled into the darkness. ``Come out you coward and fight like
|
|
|
|
a man!''
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
A sudden rush of air smelling of carrion and an inhuman growl went
|
|
|
|
directly towards my face. I instinctively crouched but something
|
|
|
|
hit hard on my right shoulder, just missing my head, causing me to
|
|
|
|
fall and end up face down on the damp cave floor. My sense of
|
|
|
|
direction is now gone. In the commotion, I lost grip of my
|
|
|
|
longsword. I grabbed my right shoulder and it was bleeding
|
|
|
|
profusely. My leather armour torn in pieces. I've had enough.
|
|
|
|
I tried to scramble up and run but a vaguely man-shaped thing
|
|
|
|
pounced on my torso pushing me down again with great force while
|
|
|
|
shredding at my chest. I nearly passed out from the impact but I
|
|
|
|
called upon strength buried deep inside me, the strength of a
|
|
|
|
cornered animal and flailed at my attacker with my fists. I must
|
|
|
|
have landed a lucky hit, as the thing jumped off and howled.
|
|
|
|
Remembering my hidden long knife, I tore away the shredded remnants
|
|
|
|
of my leather armour and unsheathed the knife. The thing lunged
|
|
|
|
again with an ear piercing shriek but this time I was ready. I
|
|
|
|
waited to the last second before, with a rapid thrust, I stabbed
|
|
|
|
the thing in its chest. My knife made contact and hot blood spewed
|
|
|
|
on my face.
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
The full moon was probably out now and dim light reflecting on the
|
|
|
|
pools of water lit up the scene. For the first time, inches from my
|
|
|
|
face, I could see my assailant. The horror that I saw could never
|
|
|
|
be truly described. It was vaguely human but where the eyes should
|
|
|
|
be, there were only blood soaked sockets. Hot carrion stench
|
|
|
|
emanated from the mucus filled holes where the nose should have
|
|
|
|
been and the face was also covered with leprous purple scars. There
|
|
|
|
were no lips, only a gaping putrid mouth dripping with venomous
|
|
|
|
saliva. I let out a scream of horror and kicked the thing away. The
|
|
|
|
thing was breathing heavily and so was I. It clutched at its chest
|
|
|
|
where the knife was stuck while blood sputtered from its mouth. I
|
|
|
|
saw my longsword lying on the cave floor and quickly picked it up.
|
|
|
|
I cautiously advanced towards the prone creature when with a
|
|
|
|
gurgling voice, it spoke. `` You have beaten me but I lay a
|
|
|
|
curse on your sons and their sons for eternity. Once every
|
|
|
|
generation, they will face a horrid enemy and that enemy will be
|
|
|
|
themselves!'' At the final word, it let out a final putrid
|
|
|
|
breath and ceased moving.
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
I slumped on the ground and stared at the corpse. I must have
|
|
|
|
stayed that way for an eternity when the pain of my injuries
|
|
|
|
reasserted. I crawled my way towards the cave entrance, trying to
|
|
|
|
understand what had happened. I was almost out of the cave when I
|
|
|
|
caught my reflection in a pool of water. Suddenly I was sobbing.
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
|
2009-07-09 11:01:21 -06:00
|
|
|
\chapter{ Chamber Pop}
|
2009-07-09 10:06:35 -06:00
|
|
|
\by{Brushingworth}
|
|
|
|
|
2009-07-09 11:01:21 -06:00
|
|
|
%--bz - should this part be in itallics or something?
|
2009-07-09 10:06:35 -06:00
|
|
|
This is gonna be long, I apologize. I also started to write in
|
|
|
|
first person like the Biddick work but it was just annoying to read
|
|
|
|
so hopefully you'll forgive me for slipping into third. I tried to
|
|
|
|
keep most of the other Biddick writing styles intact.
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
I know its been done but this story takes place right after The
|
|
|
|
Horrid Reflection.
|
2009-07-09 11:01:21 -06:00
|
|
|
% bz--
|
2009-07-09 10:06:35 -06:00
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Feebly, Luke Bavarious reached into his mouth and pushed on his
|
|
|
|
molar. He winced as it shifted unpleasantly in its socket. Pain
|
|
|
|
shot down his jaw and Bavarious clenched the edge of the sink. The
|
|
|
|
dried blood caked onto his hand cracked and fell into the sink in
|
|
|
|
large flat scabs. Bavarious raised his head and turned on the
|
|
|
|
water, hot all the way. Steam rose from the large sink. Bavarious
|
|
|
|
was in the basement of his office building. The door he had just
|
|
|
|
stumbled through was still open, letting in the night's
|
|
|
|
biting cold air; Bavarious didn't notice. He spat twice,
|
|
|
|
three times, into the sink and plunged his hands into the water,
|
|
|
|
clenching his fists at the near boiling temperature. The liquid was
|
|
|
|
quickly polluted to a dark red.
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
``Shit,'' Bavarious let out as he finally opened his
|
|
|
|
office door on the sixth floor. Inside the lamp on his desk lit the
|
|
|
|
dim room. Someone in the plastic chair preceding his desk turned.
|
|
|
|
What the fuck, Bavarious thought suddenly, but he let out no sound.
|
|
|
|
``Ah, you're back,'' said the small boy sitting in
|
|
|
|
front of him. ``I've been waiting almost an hour.''
|
|
|
|
``Well sorry kid,'' Bavarious responded as he trudged to
|
|
|
|
his desk chair, ``I've just about had enough people for
|
|
|
|
today.'' The kid stared at him unblinking. He was probably
|
|
|
|
thirteen or fourteen. ``Mr. Bavarious? I need to speak with
|
|
|
|
you about an important matter. Don't you think it's a
|
|
|
|
little funny that a kid like me is here to see you? Let me
|
|
|
|
introduce myself, I'm Oscar Crowley.'' While the kid was
|
|
|
|
talking, Bavarious unloaded his Berretta and gave the kid a
|
|
|
|
sarcastic glace every now and then. ``Alright listen
|
|
|
|
punk.'' Bavarious gestured with his Berretta as he spoke,
|
|
|
|
``Today's over. Finished. All that's left for me
|
|
|
|
is a bottle of Jack back home. If you've got some sort of way
|
|
|
|
of paying me outside of Monopoly money and lemonade stands than
|
|
|
|
tomorrow you can come back and give me your sob stories, tonight go
|
|
|
|
home. It's passed your bedtime anyways.''
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Bavarious was spread eagle hanging upside down on the moldy couch.
|
|
|
|
He watched Law and Order on the TV upside down in front of him and
|
|
|
|
sipped whiskey from a bottle, most of which by this point dribbled
|
|
|
|
down his forehead. He didn't hear anything when the figure
|
|
|
|
slid open the kitchen window. From the fire escape a dark and dim
|
|
|
|
figure in combat boots stepped into the apartment. Bavarious, due
|
|
|
|
to an insurance commercial that annoyed him even in his inebriated
|
|
|
|
state, lifted the bottle for another swig and saw in the reflection
|
|
|
|
of the moving glass a dark figure lunging toward him. Bavarious
|
|
|
|
raised his hand to stop the intruder but the figure quickly batted
|
|
|
|
away his drunken defenses and closed two gloved hands around the
|
|
|
|
detective's throat. Bavarious' eyes bulged and he
|
|
|
|
coughed a mixture of alcohol and vomit. Flailing, Bavarious saw
|
|
|
|
that he was still holding the bottle of Jack and quickly smashed it
|
|
|
|
over the head of his assailant. After gasping for several minutes,
|
|
|
|
Bavarious got up to check on his unconscious prisoner. The man, if
|
|
|
|
it was a man, was clothed only in a long brown overcoat. His head
|
|
|
|
and face was covered by the coat's large hood. The
|
|
|
|
man's head was completely devoid of hair, Bavarious
|
|
|
|
couldn't tell if he was shaved or simply never grew any. His
|
|
|
|
face was what made Bavarious recoil. Under what should have been
|
|
|
|
the man's eyebrows (which were also missing) was nothing but
|
|
|
|
a series of gashes and burns. Large scars ripped up and down the
|
|
|
|
man's face, the larger ones continuing down into the robe
|
|
|
|
that Bavarious didn't want to look under. The only human
|
|
|
|
feature about the man's face was a vertical gash, about three
|
|
|
|
inches wide and four inches tall, where the intruder breathed
|
|
|
|
harshly.
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
{\em I need some coffee}. Bavarious walked unsteadily in the
|
|
|
|
gutter. He had left the man/thing in his apartment exactly where he
|
|
|
|
had fallen. Probably not something he would have done sober but,
|
|
|
|
tonight he wasn't in the mood for procedure. His boot caught
|
|
|
|
the edge of a storm drain and he tumbled, scraping his hand on the
|
|
|
|
concrete. He sat that way for awhile. Watching the dirty water
|
|
|
|
funnel into the sewer. When he was ready to keep moving, he looked
|
|
|
|
up. Standing right next to him was Oscar Crowley. ``I told
|
|
|
|
you,'' said Oscar disappointedly. ``What the fuck are you
|
|
|
|
talking about kid,'' Bavarious spat, feeling only slightly
|
|
|
|
embarrassed at his language in front of the boy. Turning, Oscar
|
|
|
|
walked away from Bavarious. ``You're gonna lose yourself
|
|
|
|
in darkness, man.''
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
{\em What?} Bavarious watched the little boy walk away and thought
|
|
|
|
about the cryptic message. Did the boy know something about the
|
|
|
|
monstrosity that had just attacked him? He had to find out. Getting
|
|
|
|
up, he stumbled down the street and turned into the alley he had
|
|
|
|
seen the boy enter. Suddenly, he halted. Down the three foot wide
|
|
|
|
alley was nothing but a couple of garbage cans, a dumpster and some
|
|
|
|
wires running through the water on the ground. What slowly dawned
|
|
|
|
on Bavarious was that this was the very same alley that he had
|
|
|
|
encountered the monstrous noise violator early that day. He slowly
|
|
|
|
walked to the end of the alley and back three times, looking for
|
|
|
|
any way the boy could have left the alley without him seeing. On
|
|
|
|
the third trip back he gave up and decided to go for that coffee
|
|
|
|
after all, but stopped halfway out. He had been running his hand
|
|
|
|
down the eastern brick wall of the alley and this time he felt a
|
|
|
|
faint vibration in the stone. He put his ear up to the wall and
|
|
|
|
listened. At first he didn't hear anything and the wall
|
|
|
|
seemed to have settled, but a few seconds later he hear a slight
|
|
|
|
thudding sound and felt the wall shake once again. Bavarious
|
|
|
|
scanned the wall for a window or drain that might lead inside the
|
|
|
|
building. Seeing nothing left the alley.
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
From the street the building didn't look like much. He
|
|
|
|
couldn't hear the thudding from this far, and the front wall
|
|
|
|
didn't seem to be shaking. The front had an old-fashioned
|
|
|
|
lighted sign that read ``Larry's RR'' and offered a
|
|
|
|
jukebox, soda fountain, and coffee. The front windows were broken
|
|
|
|
but had been boarded up by strong looking wood. BLACKOUT ARMISTICE
|
|
|
|
was splashed across the left board in black spray-paint. After
|
|
|
|
trying and failing to make sense of this felonious abstrusity,
|
|
|
|
Bavarious looked up to examine the upper floors of the building.
|
|
|
|
Most of the windows were boarded, plenty were broken, through a few
|
|
|
|
he saw a spare bookcase or desk but nothing was moving in any of
|
|
|
|
them. The longer he contemplated the lofts; he began to notice
|
|
|
|
something about the rooms. He couldn't quite focus on it
|
|
|
|
immediately, probably thanks to the last of the Jack still
|
|
|
|
digesting in his stomach. Suddenly he caught it. In a few of the
|
|
|
|
rooms he could see the same orange-tinted light faintly. Every so
|
|
|
|
often the light would flicker or go out altogether for a few
|
|
|
|
seconds. While this could have been attributed to a bad electrical
|
|
|
|
line, Bavarious noticed that in every one of the rooms the light
|
|
|
|
responded identically, as if the same bulb was burning out at the
|
|
|
|
end of every kitchen socket.
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Bavarious pulled his Beretta. {\em I'm going in}. He
|
|
|
|
wasn't sure why he was going in, but he was sure he was
|
|
|
|
going. He leapt up onto the right display window and landed on
|
|
|
|
broken glass. With the butt of his gun, Bavarious smashed into the
|
|
|
|
wood. Chips flew away but the barricade seemed unharmed. He tried
|
|
|
|
several more times and then went the front door. Bavarious
|
|
|
|
couldn't see through the glass door but it seemed to be
|
|
|
|
blocked only by paper. I hope I'm not gonna regret this. He
|
|
|
|
pulled his leather sleeve over his right hand and slammed the butt
|
|
|
|
of the gun through the glass door. It shattered and the glass fell
|
|
|
|
on both sides of the door. Through the paper he could see the decay
|
|
|
|
of an old caf\'e and the same orange light. He reached through
|
|
|
|
the tear and tried to unlock the door. The lock seemed to be
|
|
|
|
rusted. Sighing, Bavarious steeped one leg then the other through
|
|
|
|
the door, kicking away the rest of the paper.
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
On the other side of the dining room the orange light poured
|
|
|
|
underneath a door that Bavarious thought looked like a bathroom. He
|
|
|
|
crossed the space quickly and approached the door. It was indeed a
|
|
|
|
bathroom, but the sign had been defaced. What had once been a
|
|
|
|
standard female figure had some sort of black stain on the front of
|
|
|
|
her skirt and was dripping black liquid from between her legs.
|
|
|
|
Bavarious thought it was the same spray-paint as the outside
|
|
|
|
proverb but he didn't examine it closely. He stood with his
|
|
|
|
hand on the door for a moment and suddenly he hear the same
|
|
|
|
thudding, much louder now, and a shuffling murmuring. Inhaling,
|
|
|
|
Bavarious opened the door with his Beretta drawn.
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Inside Bavarious took one and a half steps before stopping dead in
|
|
|
|
his tracks. His eyes glazed over and the orange light of the room
|
|
|
|
shined off them like blisters. The room was cavernous. The entirety
|
|
|
|
of the building had been hollowed out and Bavarious could see the
|
|
|
|
rooms he had seen from the streets above. They seemed to be
|
|
|
|
perfectly untouched until they simply ran out of floor. They gaped
|
|
|
|
out into sepulchral like pockmarks as if someone with a wrecking
|
|
|
|
ball had tried to demolish the building from the inside out. On the
|
|
|
|
floor of the room were fold-out metal chairs arranged in rows
|
|
|
|
giving the building a church-like atmosphere. The chairs were
|
|
|
|
almost completely filled with people. Bavarious couldn't tell
|
|
|
|
much about them due to the brown hoods they were all wearing.
|
|
|
|
Somewhere in his brain Bavarious recognized them as the same that
|
|
|
|
the man who had tried to kill him had worn. The same part of his
|
|
|
|
brain that realized there were over four hundred of them. That part
|
|
|
|
of his brain wasn't really important to Bavarious at that
|
|
|
|
moment. In fact he barely even noticed the room or the people in
|
|
|
|
the chairs. His eyes swept past them and were drawn to the sight
|
|
|
|
they were all apparently there to witness.
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
At the far end of the room, a few yards to Bavarious' left,
|
|
|
|
was a man standing like an accursed teacher at a rusted wooden
|
|
|
|
fold-up table. Lying on the table were various medical instruments
|
|
|
|
and a small girl. Bavarious thought she might have been seven. She
|
|
|
|
had long tangled blonde hair that stretched past her shoulders and
|
|
|
|
ended soiled in the puddle of blood that she was lying in. The girl
|
|
|
|
had been split open vertically from neck down; the cut had not been
|
|
|
|
clean. The man at the table had removed most of the contents from
|
|
|
|
inside her but apparently left the connections. Spare blood vessels
|
|
|
|
and muscle ligaments crisscrossed over her and draped down to
|
|
|
|
various organs that were spread out on the table. Terrified,
|
|
|
|
Bavarious noticed that the girl was breathing slowly into a mask
|
|
|
|
that was connected to a makeshift airtank below the table.
|
|
|
|
Bavarious looked away and saw that at the front of the table, a few
|
|
|
|
feet from the first row of chairs, was the body of the man he had
|
|
|
|
shot earlier. The body was similarly dissected and seemed to be
|
|
|
|
waiting for some sort of terrible transplant procedure.
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Bavarious stood frozen. He mouth was slightly open. Suddenly, he
|
|
|
|
saw a door across the room open and Oscar Crowley step out. He was
|
|
|
|
also petrified by the scene and stood standing for several moments.
|
|
|
|
When he saw the girl on the table, however, he shouted
|
|
|
|
``Sam!'' and charged up the room. The onlookers seemed
|
|
|
|
shocked as well and Oscar made it almost all the way to the front
|
|
|
|
of the room before one of the men in robes reached out and grabbed
|
|
|
|
the back of his shirt. He was stopped dead by the strength of the
|
|
|
|
man. Slowly the nearest of the congregation raised from their seats
|
|
|
|
and helped subdue the boy. He kicked and bit at all that came near
|
|
|
|
him but eventually they dragged him to the front of the room in
|
|
|
|
custody where the standing man removed the mask from the girl and
|
|
|
|
placed it over Oscar who spat into the mouthpiece but eventually
|
|
|
|
slowed his thrashing and eventually closed his eyes. From there
|
|
|
|
most of the group returned to their seats while a few laid Oscar
|
|
|
|
next to the splayed corpse. Suddenly, Bavarious realized he was
|
|
|
|
sobbing.
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
|
|
|
|
|
|
|
|
|
2009-07-09 11:01:21 -06:00
|
|
|
\chapter{ LUKE KILLS AN AMERICAN}
|
2009-07-09 10:06:35 -06:00
|
|
|
|
2009-07-09 11:01:21 -06:00
|
|
|
\by{duck monster}
|
2009-07-09 10:06:35 -06:00
|
|
|
|
|
|
|
|
|
|
|
Luke Barvarious stumbled into his classroom in Ho Chi Minh city.
|
|
|
|
Today they would be learning about the teachings of Chairman Mao,
|
|
|
|
the great Oarsman.
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
It was different here, ever since he was abandoned by his pot
|
|
|
|
smoking hippy father back in the 80s, nothing was the same as it
|
|
|
|
was back home.
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
And most of all he missed his father. Luke stayed up at night,
|
|
|
|
dreaming of the adventures through europe he took as a child with
|
|
|
|
his father, the musty streets of Spain, the wonderful aromas of
|
|
|
|
Paris, the cosmopolitain airs of venice. He enjoyed too the journey
|
|
|
|
through south east asia, visiting the big old temples and watching
|
|
|
|
father get blind drunk on Laotian rice wine.
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
But then one day father disappeared , and Luke was taken by the
|
|
|
|
police and given to a stern family in the Vietnamese communist
|
|
|
|
party. He tried to be a good son to his new family, but they would
|
|
|
|
never let him forget that he was from the people that had murdered
|
|
|
|
so many before.
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
And at school the children would taunt him, mocking his skin, his
|
|
|
|
eyes, his accent and his poor language skills. He couldn't remember
|
|
|
|
much of america, it was so long ago, but they'd never let him
|
|
|
|
forget he wasn't from here.
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
But one day Luke was walking into the local bar, where he was
|
|
|
|
earning some pocket money serving the Japanese businessmen and
|
|
|
|
local Communist party officials, when a white man called him
|
|
|
|
over.
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
``Hey kid, you look American. Wheres your folks?'', the man
|
|
|
|
said.
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
``Uh. I was orphaned and I live with a family here now.''
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
``Oh, thats too bad. Tell ya what kid, meet me after closing and
|
|
|
|
we'll have a talk about America!''
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Lukes heart skipped. Maybe this kind man could tell him about the
|
|
|
|
land he could barely remember. Maybe this man could tell him what
|
|
|
|
happened to father.
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Later that day Luke met the white man, and they went up to his
|
|
|
|
hotel room. The man showed him photos of Disney land, the white
|
|
|
|
house, and Luke marvelled at how rich and happy every one
|
|
|
|
seemed.
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
``If only..'' , he said, ``.. If only I had a way to get
|
|
|
|
there.''.
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
``Well son, I guess that'd cost money''.
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
``Yeah{\ldots} '' said luke.
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
``I know, I can give you money, but first you must do something for
|
|
|
|
me.''
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
The man hesitated then,
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
``Kid. Ever heard of a blowjob?''
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
With that , the man unclipped his belt, and his pants fell to his
|
|
|
|
feet. Luke immediately froze up. He might be a naive kid, but he
|
|
|
|
knew what this meant.
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
``DOWN DOWN AMERICAN PIG! DOWN WITH IMPERIALISM! DOWN WITH YANKEE
|
|
|
|
PERVERTS'' Luke shouted as he stuck the man in the groin with his
|
|
|
|
fist and suddenly a team of Viet Cong burst into the room and
|
|
|
|
pumped the old pervert with lead.
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
As the man lied dying he looked up at luke and whispered ``I never
|
|
|
|
stopped loving you son.''. His eyes shed a tear, rolled back , and
|
|
|
|
he passed away.
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Luke realised then, that America is the father of the world. But
|
|
|
|
now he was growing up, truly a child of vietnam. Having defeated
|
|
|
|
the Imperialist, the adults would surely respect and honor him now.
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
|
|
|
|
|
|
|
|
|
|
|
|
{\bf Make My Day}
|
|
|
|
|
2009-07-09 11:01:21 -06:00
|
|
|
\by{Orgasmo}
|
2009-07-09 10:06:35 -06:00
|
|
|
|
|
|
|
|
|
|
|
The telephone rings. The cacophony breaks through the utter silence
|
|
|
|
of my New York flat overlooking Times Square.
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
I can barely move. Even breathing hurts. These late night bar
|
|
|
|
fights are getting rougher each night and one of these nights
|
|
|
|
I'm going to wake up at a hospital instead of my warm
|
|
|
|
bed.
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
I recalled earlier events. I was at a bar doing some recon on a
|
|
|
|
street gang by the name of the Dark Hawks, a gang of murderous
|
|
|
|
thieves. Their leader tried to make off with Lori's handbag
|
|
|
|
before I intervened. I grabbed the large man before he could make
|
|
|
|
off with it.
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
``What is your name, villain?!''
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
``The name is Brickwall. Let me show you why.'' All of a
|
|
|
|
sudden I was thrown through a brick wall. Through the rubble I
|
|
|
|
grabbed a sleek, unyielding object and showed him the business end
|
|
|
|
of my pool cue, cracking him and his four goons out cold. These bar
|
|
|
|
fights are often brutal. But I always win. My name is Luke
|
|
|
|
Bavarious.
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
The phone rings again. I let it go to voicemails.
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
My rippling muscles ached as I turn over to address the device that
|
|
|
|
is emitting the noise.
|
|
|
|
|
|
|
|
The caller ID showed that it was Marty. Who left the message. I hit
|
|
|
|
play.
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
``Luke, listen, I don't have much time. I'm down
|
|
|
|
here in the South Street Seaport and shit's about to go
|
|
|
|
dow-``
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Click. The line went into an eerie quiet like a tombstone. He
|
|
|
|
sounded frantic. Perhaps I should have taken his call.
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
I got up, careful to not wake up Lori, and headed to the restroom.
|
|
|
|
I take a rough inventory of the various bleeding cuts and bruises
|
|
|
|
Brickwall had incurred upon me the night before.
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Back in the room, I grabbed my Beretta from the nightstand. The
|
|
|
|
sleek black metal filled my hand and I felt its power coursing
|
|
|
|
through my veins. I cocked the hammer and chambered a bullet. Who
|
|
|
|
knows what evil darkness will be faced.
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
I set out into the dark and macabre night. I turned on my Walkman
|
|
|
|
and played the same song I listen to before I embark on all my
|
|
|
|
dangerous missions. I howled into the night:
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
{\em ``Pump up the jam
|
|
|
|
|
|
|
|
Pump it up
|
|
|
|
|
|
|
|
A pump it up - yo pump it
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Pump up the jam
|
|
|
|
|
|
|
|
Pump it up
|
|
|
|
|
|
|
|
A pump it up - yo pump it
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
I don't want
|
|
|
|
|
|
|
|
A place to stay
|
|
|
|
|
|
|
|
Get - your booty - on the floor tonight
|
|
|
|
|
|
|
|
Make my day
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
I don't want
|
|
|
|
|
|
|
|
A place to stay
|
|
|
|
|
|
|
|
Get - your booty - on the floor tonight
|
|
|
|
|
|
|
|
Make my -}
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
A kid stepped out onto the path. His clothes were in tatters and he
|
|
|
|
smelled like an outhouse. Snot ran profusely down his nose and he
|
|
|
|
slurped it with his tongue.
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
''Sir, please don't go out to the docks. I foresee something
|
|
|
|
terrible happening.``
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
''Beat it, kid." I glared down at the rapscallion and pushed him
|
|
|
|
aside. He lost his balance and fell backwards into an open manhole
|
|
|
|
cover. His yelp was cut off when he landed on a mangled shopping
|
|
|
|
cart that lay at the bottom of the sewer and blood flew out of the
|
|
|
|
open manhole, landing all over Bavarious. The noxious mixture of
|
|
|
|
blood, snot, and the liquefied shit of the entire Lower East Side
|
|
|
|
sewer system covered my face and I vomited back into the sewer. I
|
|
|
|
lost control of all bodily function and for several minutes vomit
|
|
|
|
came out of my mouth and shit came out of my ass. Everytime I
|
|
|
|
turned around I resembled a human sprinkler of shit and vomit. With
|
|
|
|
the help of a lemon-scented wipee I regained my composure after
|
|
|
|
this unexpected ordeal and continued on my way.
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
At the Seaport, an eerie quiet abounded. One boat had some lights
|
|
|
|
on but it was offshore. I rappelled down the Brooklyn Bridge and
|
|
|
|
back-flipped onto the deck. I lay crouched for a few minutes, my
|
|
|
|
duster billowing in the wind, eyes scanning the deck for
|
|
|
|
movement.
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
I maneuvered towards one of the lit ports. Inside, several thugs
|
|
|
|
were playing poker. The guy nearest me had a deuce and a seven
|
|
|
|
off-suit. ``I'm all in,'' he growled.
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
I announced, to their shock, ``and I'm all
|
|
|
|
out{\ldots}'' and proceeded to open fire into the room,
|
|
|
|
spraying metal and lead into their shocked bodies. My Beretta rang
|
|
|
|
into the still night.
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
``{\ldots}of bullets.''
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
The scene before me was of utter horror. Dead or dying men lay
|
|
|
|
everywhere. Where chips used to be, brains now covered the table.
|
|
|
|
One man was choking as rust-colored blood sprayed intermittently
|
|
|
|
out of his neck. He looked at me in a shocked way and giggled. This
|
|
|
|
grotesque scene played out for a few minutes. Suddenly, he was
|
|
|
|
dead.
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
After the carnal scene was complete, I made my way down the stairs
|
|
|
|
stepping with my feet sideways like a ninja would take a flight of
|
|
|
|
stairs. I grabbed the sides of my duster so as to not give away my
|
|
|
|
whereabouts.
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
In the darkness, a hand gripped down upon my shoulder. Suddenly, I
|
|
|
|
was thrown through a brick wall and blacked out. The last thing I
|
|
|
|
heard was a terrible laugh that sounded like a burp.
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
When I awoke Marty was standing over me with a sneer. ``You
|
|
|
|
stupid son of a bitch. Did you think I'd really turn
|
|
|
|
informant? You've pissed off a lot of people, Bavarious. A
|
|
|
|
lot of people who wouldn't be sad if you took a long drink in
|
|
|
|
the Hudson.''
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
I tried to move but was stuck. My feet were incased in
|
|
|
|
cement.
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
``Ok, Brick, drop `im.''
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
With a sneer, the large man behind him pulled a lever and the floor
|
|
|
|
opened up beneath me. The cold water shocked me as I hurtled to the
|
|
|
|
bottom of the riverbed. When I finally hit bottom the force was so
|
|
|
|
large that my cellphone flipped open and accidentally called
|
|
|
|
Lori.
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Back in the flat, Lori groggily picked up her cellphone in the
|
|
|
|
darkness.
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
``hello..?''
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
``MUGLARHGHARGH''
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
``I'm sorry?''
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
``RHUGLUGLRAH''
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Click.
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
When her phone rang again, she let it go to voicemails.
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
|
2009-07-09 11:01:21 -06:00
|
|
|
%--bz
|
|
|
|
%\by{cruft}
|
|
|
|
%
|
|
|
|
%
|
|
|
|
%If the goons are up for it, I'd like to take the winning stories
|
|
|
|
%and drawings, typeset them, and bind them into an actual book. I
|
|
|
|
%can either do the cereal box cover pictured below, or I can use a
|
|
|
|
%heavier cardboard, glue some cloth to it, and try to make it look
|
|
|
|
%like an actual hardcover book. Then I'll mail it to Mr Biddick,
|
|
|
|
%with maybe some horrible knick nacks.
|
|
|
|
%
|
|
|
|
%
|
|
|
|
%
|
|
|
|
%I'll also make a thread about putting it all together, in case
|
|
|
|
%other goons want to bind their own books.
|
|
|
|
%
|
|
|
|
%
|
|
|
|
%
|
|
|
|
%
|
|
|
|
%
|
|
|
|
%
|
|
|
|
%
|
|
|
|
%
|
|
|
|
%
|
|
|
|
%
|
|
|
|
%
|
|
|
|
%
|
2009-07-09 10:06:35 -06:00
|
|
|
%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
|
2009-07-09 11:01:21 -06:00
|
|
|
%--bz
|
|
|
|
%\by{lemonlime}
|
|
|
|
%
|
|
|
|
%
|
|
|
|
%Oooh that sounds bitchin, cruft. It needs a dedications page, too,
|
|
|
|
%one that's just like the original. Maybe the honor of composing the
|
|
|
|
%dedication could be granted to the winner, along with the other
|
|
|
|
%prizes?
|
|
|
|
%
|
|
|
|
%
|
|
|
|
%
|
|
|
|
%And I would totally read an A/T about homegrown bookbinding. Your
|
|
|
|
%whole idea is
|
|
|
|
%
|
|
|
|
%
|
|
|
|
%
|
|
|
|
%bz--
|
2009-07-09 10:06:35 -06:00
|
|
|
%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
|
|
|
|
|
2009-07-09 11:01:21 -06:00
|
|
|
\chapter{ White}
|
|
|
|
\by{kerimeton}
|
2009-07-09 10:06:35 -06:00
|
|
|
|
|
|
|
When the white ward doors opened on that chestnut autumn day I was
|
|
|
|
reminded of the front doors of my garden shed in Vermont. I
|
|
|
|
remember feeling cold the same way I did that day, not in a
|
|
|
|
classical sense but down to the bone. I was feeling an abominable
|
|
|
|
chill as if I had been pumped full of antifreeze the moment the
|
|
|
|
doors came into view. And also, much like my garden shed, I was
|
|
|
|
afraid was what was there. Whether my fears were tangible or not
|
|
|
|
was to be proven, I myself, I no longer cared for the suffering
|
|
|
|
trumped any fear or loathing I felt.
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
I walked down the plasticine hallways and kept my head down; chin
|
|
|
|
on chest. It was as if a weight of shame had been strapped to my
|
|
|
|
neck and my only option was to walk like a sorry prisoner.
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
``Admission?`` the barrel-chested nurse asked behind her oak
|
|
|
|
podium.
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
``Yes''
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
``Which ward`` she continued with the expression of an aghast
|
|
|
|
ape.
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
''Psychiatry``
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
``Name.'' She was curt and unwavering. No doubt the brain
|
|
|
|
behind that placid face was as rudimentary as a record
|
|
|
|
player.
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
"Luke Barvarious'' I paused. ``Barvarious,
|
|
|
|
Luke''
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
She nodded curtly as if to suggest that I had somehow made that
|
|
|
|
record player run more smoothly.
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
``Reason for admission''
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
It was neither a question nor a statement. She prattled it off as
|
|
|
|
if she was in bored haze.
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
``I don't know''
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
She paused and stared at me. It was hard and cold as if she was
|
|
|
|
trying to read my ill intentions. She failed due to a lack of
|
|
|
|
any.
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
``Mr.Barvarian''
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
``Barvarious''
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
``Mr. Barvarious'' she repeated, still saying it wrong,
|
|
|
|
``I suppose I can admit you to a psychologist but I cannot do
|
|
|
|
further for now.''
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
``I see''
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
``You understand'' she said with a matte expression,
|
|
|
|
``that is the procedure for all self admissions''
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
I took a seat in front of the office and waited. I was soon called
|
|
|
|
in and immediately expressed my distaste for the poor classical
|
|
|
|
music on the loudspeakers. The psychiatrist ignored me on that
|
|
|
|
point. She reminded me of a wooden plank in personality and
|
|
|
|
stature.
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
``The report says your 25?''
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
``Yes''
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
She seemed puzzled.
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
``Well, can I ask why you admitted yourself?''
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
``It started years ago'' I said in deep thought, ``I
|
|
|
|
remember that my mother was ill and the doctor was recommending
|
|
|
|
some futile medicine. I was barely 12 then but I knew he was
|
|
|
|
wrong.''
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
``I see''
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
I proceeded, ``I insisted and insisted but I failed to be
|
|
|
|
heard.''
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
``Interesting'', at this moment her assistant came in and
|
|
|
|
a word was whispered into her ear. I failed to realize the
|
|
|
|
significance of this and continued.
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
``It turns out I was right, but due to the fact of my age my
|
|
|
|
words were ignored and cast aside.''
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
The physiatrist seemed puzzled again but told me to continue.
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
``It's been going on even since a younger age. Nobody
|
|
|
|
takes me seriously. When I was young is was due to my youth and in
|
|
|
|
my older years it was because of my youthful
|
|
|
|
appearance.''
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
``I see''
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
``I recall observing a fire being put out on a Sunday evening.
|
|
|
|
I remember pleading the firemen to take the back route but I was
|
|
|
|
continually ignored,'' I paused in repose. ``Do you see
|
|
|
|
what I mean, where I'm coming from?''
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
The lady got up and treaded lightly on the floor. It appeared as if
|
|
|
|
she had taken a tome of information from what I had said. She
|
|
|
|
walked to the alcove and poured herself a glass of water. She told
|
|
|
|
me quietly that she wondered why this was affecting me now and why
|
|
|
|
it took so long for me to come to her. I replied that I
|
|
|
|
didn't think that was much help, to which the doctor replied
|
|
|
|
that she was the trained psychiatrist here.
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
We paused in stifling silence and I realized that the meeting was
|
|
|
|
over long before I came in. I felt choked in the stuffy room as if
|
|
|
|
I was wearing a sweater in a sauna. There was an uncomfortable aura
|
|
|
|
around the couch and the plants that I felt uncomfortable with. The
|
|
|
|
urge to stand up ran through my legs but was confronted with the
|
|
|
|
sound of a knock on the door.
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
The doctor stood up and led the uniformed men in, they held me down
|
|
|
|
and I knew resistance was futile. I could not understand the
|
|
|
|
predicament though I understood the pain of the tightened
|
|
|
|
straitjacket. Once again I was muffled and thrown in the room
|
|
|
|
leaving them only to wonder how I had escaped in the first place.
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
|
2009-07-09 11:01:21 -06:00
|
|
|
%--bz
|
|
|
|
%\by{rinski}
|
|
|
|
%
|
|
|
|
%
|
|
|
|
%I just got caught up on all the entries. I predict Horrors II will
|
|
|
|
%legitimize the genre of ``horror, as written by a 13
|
|
|
|
%year-old.''
|
|
|
|
%
|
|
|
|
%
|
|
|
|
%
|
|
|
|
%Ben, how does it feel to have inspired a literary movement?
|
|
|
|
%
|
|
|
|
%
|
|
|
|
%
|
|
|
|
%
|
|
|
|
% bz--
|
2009-07-09 10:06:35 -06:00
|
|
|
%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
|
2009-07-09 11:01:21 -06:00
|
|
|
%--bz
|
|
|
|
%\by{Dr. Mulholland}
|
|
|
|
%
|
|
|
|
%
|
|
|
|
%
|
|
|
|
%rinski posted:
|
|
|
|
%I predict Horrors II will legitimize the genre of
|
|
|
|
%``horror, as written by a 13 year-old.''
|
|
|
|
%
|
|
|
|
%
|
|
|
|
%
|
|
|
|
%Biddickian literature.
|
|
|
|
%
|
|
|
|
%
|
|
|
|
%
|
|
|
|
%bz--
|
2009-07-09 10:06:35 -06:00
|
|
|
%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
|
|
|
|
|
|
|
|
|
2009-07-09 11:01:21 -06:00
|
|
|
\chapter{ The Pus-Stained Email from Hell}
|
|
|
|
\by{Zahgaegun}
|
2009-07-09 10:06:35 -06:00
|
|
|
|
|
|
|
|
|
|
|
The sweat dripped off my forehead, running down my face and forming
|
|
|
|
salty pools on the ground. Pools like the pools of blood that
|
|
|
|
always form after I kill someone. I have seen a lot of blood pools
|
|
|
|
in my lifetime for I have killed a lot of people in a lot of very
|
|
|
|
messy ways.
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
It's what I do. My name is Luke Bavarious; hitman, soldier,
|
|
|
|
{\em killer}.
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
I had been called to this sweaty place, Arabia, to kill some guys.
|
|
|
|
This was an honorable job, a soldier's mission. ``We need some guys
|
|
|
|
killed so we called you'', they said on the phone. And here I was,
|
|
|
|
in this God-forsaken hellhole, hunched over this screen, hoping for
|
|
|
|
a morsel of communication from Home, something to feed my rotting
|
|
|
|
brain, to let me know that there was a Reason To Fight, To
|
|
|
|
Live.
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Suddenly, the machine screamed out a bing-bong. New mail. It made
|
|
|
|
me smile because it reminded me of the time that I told that hooker
|
|
|
|
``You've got Male!'' while we did the sex. Now she's dead. That wiped
|
|
|
|
the smile off my face.
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
``I'm from the Internet'', the letter moaned onto the screen. ``We
|
|
|
|
have found your Hidden Stash of Writings from Long Ago.'' Dang, I
|
|
|
|
thought, I had hoped that no one would find that. The sweat drips
|
|
|
|
came faster now, the pools getting bigger like a child vomiting
|
|
|
|
blood{\ldots}-red cherry slurpees from the fear of riding the Viking
|
|
|
|
Ship at the county fair.
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
``Hurry'', it continued to moan, ``there are already many people here
|
|
|
|
pretending to be you.'' I typed fast as I could, pus-filled blisters
|
|
|
|
rising from the friction of the keyboard on my gnarled fingertips.
|
|
|
|
``I am coming'', I typed, ``Prepare the way.'' I tried to log in, but
|
|
|
|
the passwords they used were too long, too complicated for my
|
|
|
|
gnarled brain. I may only be thirteen, but my soul is almost 100
|
|
|
|
years old, due to all the killing.
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Before I could get there, the sergeant bellowed my name. ``It is
|
|
|
|
time to kill'', he said while handing me a beretta and a knife.
|
|
|
|
``This is all we have left. Are you a bad enough dude to kill
|
|
|
|
everyone with just this?'' ``Yes'', said I, the cold steel of the
|
|
|
|
knife blade glinting off my eyeballs. ``Did you warn them?'', I
|
|
|
|
asked. ``Yes'', the sergeant burped. ``We flew over them and dropped
|
|
|
|
fliers warning them in whatever language they speak.'' ``Good. Then
|
|
|
|
it is fair.'', I said and walked off towards the gate of the
|
|
|
|
compound, the gate of my future and their destiny.
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
As he walked away, a private leaned towards the sergeant and said
|
|
|
|
``Warn them of what?''
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
``I warned them that The Writer is coming.'', he said. ``God have
|
|
|
|
mercy on their souls.''
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
|
2009-07-09 11:01:21 -06:00
|
|
|
%--bz
|
|
|
|
%\by{Quovak}
|
|
|
|
%
|
|
|
|
%
|
|
|
|
%
|
|
|
|
%cruft posted:
|
|
|
|
%If the goons are up for it, I'd like to take the
|
|
|
|
%winning stories and drawings, typeset them, and bind them into an
|
|
|
|
%actual book.
|
|
|
|
%
|
|
|
|
%
|
|
|
|
%
|
|
|
|
%
|
|
|
|
%I also love this idea. It would be even better if we could actually
|
|
|
|
%get the final anthology vanity published, but not spending a lot of
|
|
|
|
%money also works. Discount Bees needs to do cover art, though.
|
|
|
|
%
|
|
|
|
%
|
|
|
|
%
|
|
|
|
% bz--
|
2009-07-09 10:06:35 -06:00
|
|
|
|
|
|
|
%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
|
|
|
|
|
|
|
|
|
2009-07-09 11:01:21 -06:00
|
|
|
\chapter{The Horrid Reflection II: Horrider Reflections}
|
2009-07-09 10:06:35 -06:00
|
|
|
|
2009-07-09 11:01:21 -06:00
|
|
|
\by{Bonaventure}
|
2009-07-09 10:06:35 -06:00
|
|
|
|
|
|
|
|
|
|
|
The screamers screamed past with a screaming scream that screamed
|
|
|
|
in the ears of Luke Bavarious Junior. They were horrid and horrible
|
|
|
|
beings of indescribable horror. But if you had to describe one then
|
|
|
|
they looked exactly like Ghost Face the famous killer from the
|
|
|
|
Scream movies. Luke Bavarious Junior woke up with a scream because
|
|
|
|
he had been screaming in his dream when he was dreaming of the
|
|
|
|
screamers. ``What are ya screamin' for?'' said Luke
|
|
|
|
Bavarious Senior who is the protagonist of the story and who is
|
|
|
|
Luke Bavarious Junior's father and who came into the room
|
|
|
|
where Luke Bavarious was screaming.
|
|
|
|
|
|
|
|
``I saw the screamers again dad,'' Luke Bavarious Junior
|
|
|
|
whimpered.
|
|
|
|
|
|
|
|
``Gah!'' his dad Luke Bavarious, paranormal P.I. said. He
|
|
|
|
said ``Gah! You've been watching too much Scream. I told
|
|
|
|
you that stuff rots up your brains into blood. Now I'm going
|
|
|
|
to burn your Scream DVDs so you stop having
|
|
|
|
nightmares.''
|
|
|
|
|
|
|
|
``No! Not my Scream DVDs!'' screamed Luke Bavarious
|
|
|
|
Junior. ``I'll show you, dad{\ldots} I'll show you
|
|
|
|
that kids should be respected and listened to'' he grit his
|
|
|
|
teeth until they bled blood all over his chin.
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
``I'm off to work honey'' Luke Bavarious said to
|
|
|
|
his hot wife who was still in bed because---heh, women. Am I
|
|
|
|
right, fellas? Then he put a donut on his pillow next to the wife,
|
|
|
|
he got the donut from the donut shop across the street and every
|
|
|
|
day he put a donut on his pillow for his wife to eat, this is
|
|
|
|
important information to remember because it foreshadows the twist
|
|
|
|
ending that's coming up.
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Luke Bavarious had been known as the paranormal detective ever
|
|
|
|
since The Case of the Horrid Reflection where he killed a
|
|
|
|
doppelganger. ``So you're Luke Bavarious.'' The
|
|
|
|
words vomited out of the mouth of the police chief. ``I hear
|
|
|
|
you've been known as the paranormal detective ever since you
|
|
|
|
killed a doppelganger.'' Luke nodded and chewed on his
|
|
|
|
noir-as-hell cigar. ``That's impressive stuff.
|
|
|
|
Dopplegangers are tough to beat cause they have the same moveset
|
|
|
|
and equipment you do.''
|
|
|
|
|
|
|
|
``Tell me about it, chief.'' Bavarious crammed a fist
|
|
|
|
into his mouth that was full of peanuts and then he chewed down the
|
|
|
|
peanuts into a horrid gloopy paste that slid down his disgusting
|
|
|
|
horrible throat.
|
|
|
|
|
|
|
|
``Well, you're just the man I need,'' said the
|
|
|
|
chief. ``We got reports of a doppelganger factory that's
|
|
|
|
taken over the old Frankenstein-making factory out on
|
|
|
|
I-45.''
|
|
|
|
|
|
|
|
``Say no more, chief.'' Bavarious cocked his Beretta and
|
|
|
|
doffed his really sweet fedora. Then he drove to the doppleganger
|
|
|
|
factory.
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
The doppelganger factory was filled with bile and amniotic fluid
|
|
|
|
and all sorts of gross blood and vomit. The dopplegangers were
|
|
|
|
being made in sacs of pus. Bavarious shot up the sacs of pus and
|
|
|
|
was covered in sheets of vomit and fat as the baby dopplegangers
|
|
|
|
writhed on the floor in a scary way. ``Luke Bavarious''
|
|
|
|
said the head doppelganger who had set up the doppelganger factory.
|
|
|
|
Bavarious narrowed his eyes. The doppelganger was horrid with
|
|
|
|
horrible pus scars all over his purpley face screwed up looking
|
|
|
|
gross.
|
|
|
|
|
|
|
|
``I thought I killed you, Luke Bavarious,'' said Luke
|
|
|
|
Bavarious, when he recognized himself as the doppelganger he
|
|
|
|
thought he killed but he didn't really.
|
|
|
|
|
|
|
|
``You thought you killed me, Luke Bavarious, but you
|
|
|
|
didn't really. I just feigned death by copying a dead guy at
|
|
|
|
that moment. We dopplegangers are good at copying stuff. Here,
|
|
|
|
I'll copy a guy vomiting acid at you!'' then he vomited
|
|
|
|
acid at Luke Bavarious, and boy it just stank to high heaven, ugh!
|
|
|
|
Bavarious was ready though and he shot the doppelganger making
|
|
|
|
machinery above the doppelganger and then the factory started to
|
|
|
|
explode in sparks and blood and black bile and white pus as the
|
|
|
|
doppelganger sacs all exploded and a billion baby dopplegangers
|
|
|
|
screamed out in dying death forever. The head doppelganger screamed
|
|
|
|
as all the blood and pus and bones exploded out of him like in a
|
|
|
|
Mortal Kombat fatality.
|
|
|
|
|
|
|
|
``Another day another time the earth was saved from
|
|
|
|
dopplegangers by Luke Bavarious'' said Luke Bavarious as he
|
|
|
|
walked away in slow motion. Behind him, the factory exploded.
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
That night in his home Luke Bavarious slept asleep, but Luke
|
|
|
|
Bavarious Junior was up and he sneaked off to the kitchen and
|
|
|
|
turned on the deep fryer. He had evil red eyes and he laughed,
|
|
|
|
``Haw, haw!'' He raised a voodoo doll in the air although
|
|
|
|
more accurately it's a European witchcraft doll because the
|
|
|
|
idea of sympathetic magic used through dolls doesn't have
|
|
|
|
anything to do with traditional voodoo but was instead an idea from
|
|
|
|
European ideas about witchcraft that was conflated with rumors
|
|
|
|
about voodoo okay but ANYWAY he takes the doll and he raises it
|
|
|
|
over the deep fryer and then he monologues: ``Haw, haw! Dad,
|
|
|
|
you might have saved the world from those dopplegangers but
|
|
|
|
I'll teach you to burn my Scream DVDs. Now when I want to
|
|
|
|
watch Sarah Michelle Gellar get killed in Scream 2 and masturbate
|
|
|
|
to it I'm going to have to search for ``Sarah Michelle
|
|
|
|
Gellar death Scream 2'' on youtube and like half of them are
|
|
|
|
going to be music videos and none of them are going to be good
|
|
|
|
quality and it's going to be a real pain in the neck!
|
|
|
|
I'll get revenge for that! You're going to learn a
|
|
|
|
lesson, dad. Kids should be respected and listened to, because if
|
|
|
|
you mess with them, maybe they have a voodoo doll---although
|
|
|
|
really it should be called a European witchcraft doll but
|
|
|
|
I'll get into that later---and then they'll do
|
|
|
|
THIS!'' and he threw the doll into the deep fryer and
|
|
|
|
uproariously began to cackle softly to himself with a silent
|
|
|
|
``Haw, haw, haw!''
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
The next morning, Mrs. Bavarious woke up and found a donut on Luke
|
|
|
|
Bavarius' bed. ``Oh, he must have already left!''
|
|
|
|
she pooed, and then she bit into the donut. A scream of horrid
|
|
|
|
terror burst her throat open as she bit into the donut and, like in
|
|
|
|
a sex scene starring one of the Wayans brothers, she was splayed
|
|
|
|
against the wall by a torrent of blood, guts, and Bavarian cream.
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
|
|
|
|
|
|
|
|
|
2009-07-09 11:01:21 -06:00
|
|
|
\chapter{ Wicked Workout}
|
|
|
|
\by{Akbar}
|
2009-07-09 10:06:35 -06:00
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Luke Bavarious was on the prowl. Earlier that night, the detective
|
|
|
|
had received notice from the chief that some unidentified killer
|
|
|
|
was stalking the Upper East Side. Already five had been found dead.
|
|
|
|
Each was murdered in the same gruesome fashion: arms hyperextended,
|
|
|
|
hair ripped out to the follicle, legs bowed at the knees as if the
|
|
|
|
ligaments were carefully torn, and finally, a smile carved across
|
|
|
|
the face wide enough to completely cover the corpse in its own
|
|
|
|
liquid lifeforce.
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
{\em What kind of goddamn maniac are we dealing with here? The
|
|
|
|
Joker?} Bavarious thinks to himself as he carefully primes his
|
|
|
|
trusty Baretta, referencing the recent Batman film. He tenderly
|
|
|
|
fingers the safety. He steps out of his Ford Pinto into the cool
|
|
|
|
New York night.
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
He stalks the sidewalks seeing nothing but the steam rising out of
|
|
|
|
the sewers onto the dim streets. His eyes are optic daggers,
|
|
|
|
piercing into the darkness. His muscles are taut, ready to unleash
|
|
|
|
the leaden payload of his sidearm into villainous flesh. He sees
|
|
|
|
the telltale trail of fresh blood on the pavement.
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
{\em It's on.}
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
As he follows the sanguine highway into the alley behind a 24-Hour
|
|
|
|
Fitness, he begins to hear a slow pounding in the night air. Slowly
|
|
|
|
but surely, it grows louder and louder as he approaches the
|
|
|
|
wellspring of the molten vein-magma. Before, it was just a
|
|
|
|
thumping. Now, however, it is more recognizable: a beat. A melody.
|
|
|
|
A hot sensation rushes through Bavarious' body.
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
``Dance music!'' he ejaculates softly as he creeps to the
|
|
|
|
source: a partially-open doorway flooding the shadowy alleyway with
|
|
|
|
light. He nudges the door with his foot and peers into the hell
|
|
|
|
below. Bodies! Dozens of them. Strung up by the arms on chains
|
|
|
|
attached to huge meathooks, their feet barely reaching the ground.
|
|
|
|
The bodies were jerked hardily up and down to the cadence of the
|
|
|
|
music. Their arms strained against the tension. Their legs slapped
|
|
|
|
against the concrete floor over and over, as if horrifically
|
|
|
|
tapping along to the beat. The battered limbs heaved droplets of
|
|
|
|
blood and pulverized bone into the air. In front of them all was a
|
|
|
|
horrid taskmaster.
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
``Up and kick and down and step and up and kick
|
|
|
|
and{\ldots}REMEMBER TO SMILE!''
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Bavarious could only see the back of the man, but he was already
|
|
|
|
repulsed to the point of vomiting. Dressed only in a red jersey,
|
|
|
|
dolphin shorts, and running shoes, the short man runs to and fro in
|
|
|
|
front of his victims, only a handful of which that were still
|
|
|
|
conscious or alive. The tormentor's bouffant hair bounces as
|
|
|
|
he taunts the wounded. The killer then takes out a wicked curve
|
|
|
|
blade out of his shorts and carves open a pleading woman's
|
|
|
|
face, laughing as he watches her throw up her fluid
|
|
|
|
existence.
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
{\em What the hell is this?} Bavarious thinks as he makes sure
|
|
|
|
that his Baretta is locked and loaded, regurgitated chicken dinner
|
|
|
|
still spewing out of his mouth. Jumping up, he yells out:
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
``FREEZE! THIS IS DETECTIVE BAVARIOUS OF THE NYPD! I HAVE A
|
|
|
|
BARETTA LOCKED ONTO YOUR HEAD AND I WILL FIRE IF YOU DO NOT
|
|
|
|
COMPLY!''
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
The demon in front of him does not. Instead, he leaps otherwordly
|
|
|
|
to the right, launching his disgusting body as approximately
|
|
|
|
fifty-five miles per hour. Bavarious reacts with equal speed,
|
|
|
|
letting loose with half a score of death slugs. All of them hit as
|
|
|
|
the swiss-cheesed body hits the floor with a thud. Bavarious races
|
|
|
|
up to confirm his kill, wiping away the now-crusty sick on his
|
|
|
|
chin.
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Rather than a cadaver, however, he sees only the man, still facing
|
|
|
|
away from him. Still on his feet. Still alive. Filled with dread,
|
|
|
|
Bavarious unloads another barrage of rounds from his only true
|
|
|
|
friend, the Baretta he keeps on his hip. The bullets zip through
|
|
|
|
the gym teacher from hell as if nothing was there. In their wake,
|
|
|
|
they leave gaping holes that eject a clear liquid. The vitreous
|
|
|
|
material tumbles out of the entry wounds like a rain. A shower of
|
|
|
|
translucent gymnasts somersaulting through the air. The gashes
|
|
|
|
slowly close and leave no trace of their former existence, even in
|
|
|
|
the man's clothing.
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
``WHAT THE HELL ARE YOU?!'' the detective screams as he
|
|
|
|
discharges the rest of his lethal cargo, again to no avail. The man
|
|
|
|
finally slowly begins to turn around, revealing his bloated
|
|
|
|
face.
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
``Richard{\ldots}Simmons{\ldots}?'' Bavarious murmurs
|
|
|
|
into the air, putrid with aerosolized human body parts.
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
``No,'' the man says as he fully presents himself, and
|
|
|
|
then rips off his face revealing another underneath. It is an oddly
|
|
|
|
familiar visage. ``I'm you.''
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Both Luke Bavariouses vomit. Tears.
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
|
2009-07-09 11:01:21 -06:00
|
|
|
%--bz
|
|
|
|
%\by{Zahgaegun}
|
|
|
|
%
|
|
|
|
%
|
|
|
|
%
|
|
|
|
%Akbar posted:
|
|
|
|
%Placeholder for entry - COMING SOON
|
|
|
|
%
|
|
|
|
%
|
|
|
|
%
|
|
|
|
%
|
|
|
|
%Tick tock tick tock.
|
|
|
|
%
|
|
|
|
%
|
|
|
|
%
|
|
|
|
%bz--
|
2009-07-09 10:06:35 -06:00
|
|
|
%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
|
2009-07-09 11:01:21 -06:00
|
|
|
%\by{Paracetamol Boy}
|
|
|
|
%
|
|
|
|
%
|
|
|
|
%I love all the entries where Luke Bavarius ends up crying.
|
|
|
|
%
|
|
|
|
%
|
|
|
|
%
|
|
|
|
%
|
|
|
|
%
|
2009-07-09 10:06:35 -06:00
|
|
|
%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
|
2009-07-09 11:01:21 -06:00
|
|
|
%\by{Twigand Berries}
|
|
|
|
%
|
|
|
|
%
|
|
|
|
%
|
|
|
|
%Akbar posted:
|
|
|
|
%Placeholder for entry - COMING SOON
|
|
|
|
%
|
|
|
|
%
|
|
|
|
%
|
|
|
|
%
|
|
|
|
%My favorite.
|
|
|
|
%
|
|
|
|
%
|
|
|
|
%
|
|
|
|
%
|
2009-07-09 10:06:35 -06:00
|
|
|
%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
|
2009-07-09 11:01:21 -06:00
|
|
|
%\by{antiloquax}
|
|
|
|
%
|
|
|
|
%
|
|
|
|
%
|
|
|
|
%Twigand Berries posted:
|
|
|
|
%My favorite.
|
|
|
|
%
|
|
|
|
%
|
|
|
|
%
|
|
|
|
%
|
|
|
|
%You're right. They need to lower the word count, because damn.
|
|
|
|
%
|
|
|
|
%
|
|
|
|
%
|
|
|
|
%
|
|
|
|
%
|
2009-07-09 10:06:35 -06:00
|
|
|
%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
|
2009-07-09 11:01:21 -06:00
|
|
|
%\by{HastyDeparture}
|
|
|
|
%
|
|
|
|
%
|
|
|
|
%
|
|
|
|
%Akbar posted:
|
|
|
|
%Placeholder for entry - COMING SOON
|
|
|
|
%
|
|
|
|
%It had me on the edge of my seat, it had me on the verge of tears,
|
|
|
|
%it left me wanting more.
|
|
|
|
%
|
|
|
|
%
|
|
|
|
%
|
|
|
|
%
|
2009-07-09 10:06:35 -06:00
|
|
|
%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
|
2009-07-09 11:01:21 -06:00
|
|
|
%\by{Akbar}
|
|
|
|
%
|
|
|
|
%
|
|
|
|
%I just wanted to make sure AYBraham didn't close the contest on me.
|
|
|
|
%Enjoy.
|
|
|
|
%
|
|
|
|
%
|
|
|
|
%
|
|
|
|
%
|
|
|
|
%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
|
|
|
|
%\by{Akbar}
|
|
|
|
%
|
|
|
|
%
|
|
|
|
%E: Shit doublepost.
|
|
|
|
%
|
|
|
|
%
|
|
|
|
%
|
|
|
|
%
|
|
|
|
%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
|
|
|
|
%\by{Twigand Berries}
|
|
|
|
%
|
|
|
|
%
|
|
|
|
%
|
|
|
|
%Akbar posted:
|
|
|
|
%E: Shit doublepost.
|
|
|
|
%
|
|
|
|
%
|
|
|
|
%
|
|
|
|
%
|
|
|
|
%New favorite.
|
|
|
|
%
|
|
|
|
%
|
|
|
|
%
|
|
|
|
%
|
|
|
|
%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
|
|
|
|
%\by{Akbar}
|
|
|
|
%
|
|
|
|
%
|
|
|
|
%
|
|
|
|
%Twigand Berries posted:
|
|
|
|
%New favorite.
|
|
|
|
%
|
|
|
|
%
|
|
|
|
%
|
|
|
|
%
|
|
|
|
% You're going to make me vomit tears.
|
|
|
|
%
|
|
|
|
%
|
|
|
|
%
|
|
|
|
%
|
|
|
|
%
|
2009-07-09 10:06:35 -06:00
|
|
|
%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
|
|
|
|
|
|
|
|
|
2009-07-09 11:01:21 -06:00
|
|
|
\chapter{ ``Gold Ribbon''}
|
2009-07-09 10:06:35 -06:00
|
|
|
\by{Swanky}
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
``Those things will kill you, ya know'', Percival
|
|
|
|
growled, spitting up blood onto his rope-bound hands.
|
|
|
|
|
|
|
|
``Don't worry; they're filtered'', Bavarious
|
|
|
|
coyly said as he blew smoke into Percival's battered
|
|
|
|
face.
|
|
|
|
|
|
|
|
Luke Bavarious wiped his hands of blood, as he had spent the better
|
|
|
|
part of the past six hours trying to coax the safe combo out of
|
|
|
|
this man. The night before Bavarious received a clean manilla
|
|
|
|
envelope on his doorstep. Inside that envelope was a picture of a
|
|
|
|
boy, inside a large safe, a bandana in his mouth with the words
|
|
|
|
``Wednesday, 8 PM 50,000 in a duffle bag at 1st and 1st or he
|
|
|
|
runs out of oxygen''.
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Bavarious knew he was a go-to guy, but nothing got his gib like an
|
|
|
|
innocent kid whose life lie in his hands. Especially little Johnny
|
|
|
|
Powell, a doe-eyed kid he knew through a local Big Brother's,
|
|
|
|
Big Sister's program he used to participate in. Johnny loved
|
|
|
|
to talk, and just ramble on about science and school. He was one
|
|
|
|
bright kid. He might as well have been his own brother. Or even his
|
|
|
|
own son. Percival didn't have the money, and he knew that if
|
|
|
|
he went to the police that kid would be as good as dead. This kid
|
|
|
|
wanted to be a scientist when he grew up. Not a ball player or
|
|
|
|
astronaut, but a guy who does experiments. He was just a kid, after
|
|
|
|
all.
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
He recognized the handwriting of the note, and the brown shag
|
|
|
|
carpeting on the bottom of the picture clenched it. It was Percival
|
|
|
|
Johnson's house. Timmy Johnson's father. A good man, a
|
|
|
|
family man, but who knows what was going on in his head. Could have
|
|
|
|
been just money problems or even something worse. But that
|
|
|
|
doesn't matter. What's important is that he knows the
|
|
|
|
guy behind that picture. And where he lives.
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Shortly after receiving that picture, Luke got in his black,
|
|
|
|
tinted-window sedan and scoped out Percival's house. The plan
|
|
|
|
was to camp out near Percival's home, then when Percival was
|
|
|
|
coming home from work, catch him while he's getting
|
|
|
|
undressed. Luke had his trusty sidearm and no regrets, save for
|
|
|
|
what poor Timmy might see. Scarring one life is better than ending
|
|
|
|
another, he repeated to himself.
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Once he made his break into the house, everything was a blur.
|
|
|
|
Percival was shocked, but gave up a curiously easy fight.
|
|
|
|
Bavarious' heart was beating out of his chest as he dragged
|
|
|
|
the man, having been pistol-whipped and dazed, towards his basement
|
|
|
|
and that unmistakable brown shag carpet. Sure enough, as he threw
|
|
|
|
Percival down the stairs, he could see the safe out of the corner
|
|
|
|
of his eye. He just hoped poor Johnny was still alive.
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
He dragged Percival's laughing and oddly limp body over to
|
|
|
|
the safe, bound his hands and started a routine of inquiry as to
|
|
|
|
the combo of the safe.
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
He put the cigarette out on the shag carpet.
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
``I'm running out of patience, and soon my knife will
|
|
|
|
begin to ask questions. And he makes me look like a
|
|
|
|
gentleman.''
|
|
|
|
|
|
|
|
Percival began to come to a bit out of whatever stupor he seemed to
|
|
|
|
be in.
|
|
|
|
|
|
|
|
``Wait, what? Where{\ldots}where am I?''
|
|
|
|
|
|
|
|
``You're a few minutes away from losing your life unless
|
|
|
|
you give me your safe combo, pal.''
|
|
|
|
|
|
|
|
``But I'm{\ldots}oh, god, I'm so
|
|
|
|
sorry{\ldots}okay, 35{\ldots}35, 29, 53''
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Luke looked at Percival like a lost kitten covered in flour, but he
|
|
|
|
had no time to ask why this man suddenly came-to. He propped up
|
|
|
|
Percival against the wall, but wondered if there was something even
|
|
|
|
more fishy than he originally thought. He positioned himself near
|
|
|
|
the safe expecting his journey to be nearly over.
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
He tapped on the safe like a father-to-be gently tapping on the
|
|
|
|
pregnant belly of his wife.
|
|
|
|
|
|
|
|
``Don't worry buddy, I'll get you out soon''.
|
|
|
|
He heard nothing.
|
|
|
|
|
|
|
|
``35{\ldots}29{\ldots}53''.
|
|
|
|
|
|
|
|
Click.
|
|
|
|
|
|
|
|
He turned the handle and opened the safe. Just as he was about to
|
|
|
|
look inside, expecting a sense of relief unlike anything he had
|
|
|
|
heard before, something happened.
|
|
|
|
|
|
|
|
Thud.
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Luke slowly came back to consciousness, he found himself sitting
|
|
|
|
next to Percival, his hands, legs, thighs all bound very tightly
|
|
|
|
with wire. His head was pounding to hard to try to move, but he
|
|
|
|
knew he knew small, nimble fingers tied those knots. As he
|
|
|
|
struggled to raise his head to see the two figures coming towards
|
|
|
|
the lit part of the basement, he noticed it was little Tommy
|
|
|
|
holding a clip-board and, perfectly healthy, holding a wrench, was
|
|
|
|
little Johnny.
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
``Johnny{\ldots}what is this?'' Luke whispered, his eyes
|
|
|
|
begin to tear with his inevitable realization.
|
|
|
|
|
|
|
|
``Tommy and I are doing our science fair project, remember? He
|
|
|
|
was testing the effects of his mother's pills on Mr. Johnson.
|
|
|
|
We ground it up in his orange juice.''
|
|
|
|
|
|
|
|
``But{\ldots}what{\ldots}about{\ldots}''
|
|
|
|
|
|
|
|
``Part of my experiment was testing the effects of fear on
|
|
|
|
head injury''
|
|
|
|
|
|
|
|
``{\em Part}?'', Percival asked, his tone ever more
|
|
|
|
hopeless.
|
|
|
|
|
|
|
|
The unmistakable sound of a dentist drill could be heard in the
|
|
|
|
background.
|
|
|
|
|
|
|
|
``Yes, Mr. Bavarious. Part.''
|
|
|
|
|
|
|
|
Bavarious wept uncontrollably.
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
|
|
|
|
|
|
|
|
|
2009-07-09 11:01:21 -06:00
|
|
|
\chapter{ The Smoker}
|
|
|
|
\by{Cruo}
|
2009-07-09 10:06:35 -06:00
|
|
|
|
|
|
|
I stepped up to the door. The smell of the smoke was leaking
|
|
|
|
through the door. I was at the front door of Gus's Bar and
|
|
|
|
Grill. My hand started to shake a bit as I reached toward the
|
|
|
|
handle. I paused. I reached for my Beretta instead. My name is Luke
|
|
|
|
Bavarious, I am a private detective called in to investigate a
|
|
|
|
smoking complaint. I love my job.
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
I kicked in the front door with my boot, my Beretta ready for any
|
|
|
|
trouble I might find myself in. All I see is the bartender washing
|
|
|
|
out a mug at the bar with a terrified look on his face. With his
|
|
|
|
head he gestures to the corner. I follow his jerks and find my eyes
|
|
|
|
looking on the face of a boy. The boy was the age of a fifth
|
|
|
|
grader. At last, the source of the smoke has been discovered. I
|
|
|
|
yelled to the boy, ``Hey you! Yeah you in the corner, drop the
|
|
|
|
cigarette now!'' The boy only smiled and waved me to come
|
|
|
|
closer.
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
As I walked closer I got this horrid feeling that I knew the boy,
|
|
|
|
but I couldn't quite place it. I asked him why he thought it
|
|
|
|
was okay to smoke in this bar when the law clearly says it is
|
|
|
|
against the law. He flashed me another of his mischievous smiles
|
|
|
|
and asked, ``What's the matter Luke you don't
|
|
|
|
recognize me?''
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Suddenly the thought came to me but I couldn't believe in my
|
|
|
|
own thought. ``I.. I.. wha.. who are you?''
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
``Really Luke, when was the last time you've looked in
|
|
|
|
the mirror?''
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
``No! This is impossible! You can't be!''
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
``Oh but I am Luke, I am you and you know it. Well{\ldots} I
|
|
|
|
was you.''
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
I was staring into the face of myself as a fifth grader. I
|
|
|
|
tentatively asked, ``Why are you here, what do you
|
|
|
|
want?''
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
``Luke, I was sent from the future to warn you of
|
|
|
|
something.''
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
``What do you mean the future, you're from the
|
|
|
|
past?''
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
``Shut up Luke, I was sent from the future, you wouldn't
|
|
|
|
understand so let me get back to my warning. I was sent to warn you
|
|
|
|
about finishing your little project.'' I was building a robot
|
|
|
|
in my garage in my spare time, that had to be what he was talking
|
|
|
|
about. ``Your little project may seem innocent enough now, but
|
|
|
|
it will be the end of mankind as you know it, and you must destroy
|
|
|
|
it before you finish, you must!''
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Suddenly I saw a blue flash next to the boy who was myself from the
|
|
|
|
past but from the future. Some acid like substance sprayed out
|
|
|
|
through the flash instantly and the boys face started melting in
|
|
|
|
front of my eyes. It was terrifying, the skin and the blood and his
|
|
|
|
eyes and his tongue were all fusing together in a horrid tangle of
|
|
|
|
disgusting gore. I could see his bones through his melting face and
|
|
|
|
his screams were the stuff of nightmare. I started to intensely
|
|
|
|
vomit all that was held in my stomach, so intense that blood
|
|
|
|
started pouring out alongside the sick substance. My eyes were
|
|
|
|
bulging and my ears were pumping hard with the beat of my heart.
|
|
|
|
The boy was now a pile of melted flesh and blood and gore.
|
|
|
|
|
|
|
|
I dropped to my knees and scooped the pile of the once past future
|
|
|
|
self into my arms. Suddenly, I was sobbing.
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
|
2009-07-09 11:01:21 -06:00
|
|
|
\chapter{The Homeless Monster}
|
2009-07-09 10:06:35 -06:00
|
|
|
\by{TarDolphinorShark}
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Luke Bavarious sat weeping in his rust colored apartment. The kind
|
|
|
|
of apartment that wept pain and vomited sorrow from every bowed
|
|
|
|
ceiling tile to every dinged and dingy wall. It had been three
|
|
|
|
weeks since that fatal night and he just couldn't get it out
|
|
|
|
of his head. His once normal life was twisted into a tormented and
|
|
|
|
nightmareish existence. As he sat cleaning his Beretta, the very
|
|
|
|
Beretta he was issued from the precinct, he remembered that fateful
|
|
|
|
evening. Rain was vomiting from the sky and it sounded as if a
|
|
|
|
thousand wounds were spilling mucus and pus from their pierced
|
|
|
|
membranes. Luke walked down the street when suddenly he saw a
|
|
|
|
sobbing mess of a man. Homeless scum he thought. This man was
|
|
|
|
wearing a disheveled burlap sack with tears that looked like the
|
|
|
|
ripped flesh of a person who was left for dead long ago. Luke
|
|
|
|
grimaced at the homeless man, thinking to himself ``I'll
|
|
|
|
bet this is the guy the chief told me about, I won't have any
|
|
|
|
noise complaints on my watch!'' Suddenly he exploded into
|
|
|
|
action drawing his Beretta he steadied it at the homeless man who
|
|
|
|
whimpered at first, but gradually started to let loose a blood
|
|
|
|
curdling scream that smelled of death and reeked of vengeance.
|
|
|
|
``YOU LET ME BECOME THIS MESS OF A HUMAN!'' the homeless
|
|
|
|
man shouted. He leaped at Luke arms flailing wildly and razor sharp
|
|
|
|
fingernails digging into Luke's arm and revealing the rust
|
|
|
|
colored life force within him. Luke's Beretta skittered
|
|
|
|
across the alley just out of reach. ``Without my Beretta I
|
|
|
|
will have to handle this mad man using my bare hands'' Luke
|
|
|
|
thought to himself. As he exploded forward lungs heaving and arms
|
|
|
|
outstretched he made contact with the man. Wrapping his arms around
|
|
|
|
the homeless man's neck he wrenched and wrenched until the
|
|
|
|
neck split like a ripened banana, spilling a vibrant rouge all over
|
|
|
|
the asphalt. The gore was thick, and layered in between
|
|
|
|
Luke's fists which made it harder to grip his now reclaimed
|
|
|
|
Beretta. As he steadied his shot, he kept feeling a nagging
|
|
|
|
suspicion in the back of his Anger filled mind. He knew this man
|
|
|
|
once, but he could not place it. ``No matter.'' Luke
|
|
|
|
thought, This man is a burden on society and must be dealt with.
|
|
|
|
Luke cocked the hammer of his Beretta and as the hammer of justice
|
|
|
|
falls on those who do wrong, so did the hammer of the Beretta fall
|
|
|
|
on the firing pin launching round after round into what Luke
|
|
|
|
considered human garbage. The man's skull exploded and his
|
|
|
|
chest lit up with the continuous barrage of hot lead pouring from
|
|
|
|
the only real friend Luke had, his Beretta. The homeless man winced
|
|
|
|
one last time as snot and spit and vomit erupted from his mouth,
|
|
|
|
eyes, and nose like a morbid fountain. As he rolled over to die,
|
|
|
|
Luke saw something in his hand. Luke crouched down to gaze upon the
|
|
|
|
item, and noticed it was a picture, a picture of a familiar person.
|
|
|
|
LUKE BAVARIOUS, but who was the man in that picture? Luke stared at
|
|
|
|
the man, and then the photograph, the pieces finally coming
|
|
|
|
together. ``Father'' he thought, as he clutched the
|
|
|
|
picture in his hands like a hawk clutches a dying mouse. If I would
|
|
|
|
have known you'd end up like this I would have dropped out of
|
|
|
|
the academy, but I made my choice, and you made yours.
|
|
|
|
``Nobody makes noise on Luke Bavarious' watch!''
|
|
|
|
Luke said as he chambered one last round, and placed it right
|
|
|
|
between his rotting father's eyes.
|
|
|
|
|
|
|
|
e: for title
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
|
|
|
|
|
|
|
|
{\bf Monstrous}
|
|
|
|
|
2009-07-09 11:01:21 -06:00
|
|
|
\by{Blurry Gray Thing}
|
|
|
|
%--bz
|
|
|
|
%I have no idea how my story stacks up with the other entries. I did
|
|
|
|
%not read them yet to try and keep my entry as pure ``Ben Biddick'' as
|
|
|
|
%I could get. It's not a parody, it's not a mockery - it is an
|
|
|
|
%honest attempt to write a story that could sit in the original
|
|
|
|
%``Horrors'' without looking out of place.
|
|
|
|
%
|
|
|
|
%
|
|
|
|
%
|
|
|
|
%I may have permanently crippled my writing skill. I look at this
|
|
|
|
%thing before me, and vomit tears.
|
|
|
|
%
|
|
|
|
%bz--
|
|
|
|
|
2009-07-09 10:06:35 -06:00
|
|
|
|
|
|
|
|
|
|
|
In the shadows of our overcrowded cities lurk unspeakable horrors.
|
|
|
|
No one knows or can imagine the horrid reality that lurks beneath
|
|
|
|
our wholesome fa\,cade. I am one of the few people who does. I
|
|
|
|
am a private detective. My name is Luke Bavarious. These are my
|
|
|
|
stories.
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
I was investigating a brutal serial killer operating in the bad
|
|
|
|
side of New York. When I saw his latest victim, I was stricken by
|
|
|
|
the horrid brutality of his violence. The murderer cut out the
|
|
|
|
homeless man's heart, stabbed him through the eyes, and
|
|
|
|
carved him open from buttocks to head. Vomit forced its way past my
|
|
|
|
teeth, and poured into the gutter, mixing with the unfortunate
|
|
|
|
victim's blood. That night, I went home and drank whiskey
|
|
|
|
until the alcoholic poison killed all the feeling in my
|
|
|
|
brain.
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
I used my detective skills to track the murderer to a warehouse in
|
|
|
|
the worst part of the city. I knew the killer had to be there. All
|
|
|
|
of the monstrous murders pointed to it. As I walked there, I felt
|
|
|
|
nauseous. The people all around me were garbage. Prostitutes and
|
|
|
|
thieves. They did not deserve to live. But they did not deserve to
|
|
|
|
be brutally murdered.
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
I stalked carefully into the warehouse. My combat boots carried me
|
|
|
|
silently through the shadows. I heard a man ranting and I saw a dim
|
|
|
|
light coming from a small room. It had to be him.
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
``Why are there so many of you now? Where are you all coming
|
|
|
|
from!?'' The man was insane. Whoever he was talking to
|
|
|
|
grunted.
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
``You can stop pretending! I know what you really are. I
|
|
|
|
won't let you get away with it! I'll kill all of
|
|
|
|
you!'' he was screaming. I had to save his victim.
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
I smashed open the door with my shoulder. There was an old man in
|
|
|
|
horribly ragged clothing tied to a chair. There was also a thin,
|
|
|
|
pale man with pitch-dark hair, holding a knife. The knife was rusty
|
|
|
|
and fat from all the blood it had drank. I raised my Beretta at his
|
|
|
|
head.
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
``Hold it! Let him go!'' I ordered the killer.
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
``No! Please, you don't understand,'' he said. His
|
|
|
|
face was twisted by tears and rage. He raised his knife to impale
|
|
|
|
the victim's face.
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
``No, you don't understand. Put down your weapon, or I
|
|
|
|
will shoot you,'' I ordered again. The rust-colored knife fell
|
|
|
|
out of his hands. He was sobbing. I started untying the old man.
|
|
|
|
The old man smelled like blood. I thought it was because he was
|
|
|
|
injured.
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
``No!'' screamed the murderer. ``Don't let him
|
|
|
|
loose! He'll kill us both! He's a monster! You
|
|
|
|
don't understand!''
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
``You are the only monster here, pal!'' I untied the old
|
|
|
|
man completely.
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Suddenly, the homeless man let out a horrid roar. It almost
|
|
|
|
deafened me. I could not do anything to stop him. He flew at the
|
|
|
|
murderer teeth-first, like a human-sized vulture, and tore at his
|
|
|
|
neck. Blood the color of ripened apples exploded all over the tiny
|
|
|
|
room, and shone bright red in the light of a single bulb. I fired
|
|
|
|
my Beretta at what I had so incorrectly assumed was a victim. The
|
|
|
|
recoil shot through my arm but he did not stop. He tore apart the
|
|
|
|
man's skin, muscles, and arteries with horrible strength,
|
|
|
|
even as I squeezed round after round into his back. His growls
|
|
|
|
mixed with the sound of shells hitting the floor. Soon, the
|
|
|
|
murderer was a pile of ruined meat.
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
He turned around and looked at me with eyes dark as dry blood. I
|
|
|
|
knew my gun could not stop him. I dove to grab the murderer's
|
|
|
|
knife. I knew what I had to do. The old man dove to grab my
|
|
|
|
throat.
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
No one had ever solved that crime. I told the Chief of Police that
|
|
|
|
I found two more victims in an old warehouse, but couldn't
|
|
|
|
handle working the case any longer. The murders continued. Every
|
|
|
|
month, a new homeless man was found cut open, with his heart carved
|
|
|
|
out. The police knew it was all done with the same knife, but no
|
|
|
|
one knew who was doing it.
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
|
2009-07-09 11:01:21 -06:00
|
|
|
%\by{Gestalt Pie}
|
|
|
|
%
|
|
|
|
%
|
|
|
|
%
|
|
|
|
%cruft posted:
|
|
|
|
%I'll also make a thread about putting it all together,
|
|
|
|
%in case other goons want to bind their own
|
|
|
|
%books.
|
|
|
|
%
|
|
|
|
%
|
|
|
|
%
|
|
|
|
%
|
|
|
|
%Please, please link to your thread. This sounds fantastic.
|
|
|
|
%
|
|
|
|
%
|
|
|
|
%
|
|
|
|
%
|
|
|
|
%
|
2009-07-09 10:06:35 -06:00
|
|
|
%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
|
|
|
|
|
|
|
|
{\bf Deja Vu}
|
2009-07-09 11:01:21 -06:00
|
|
|
\by{The Bananana}
|
2009-07-09 10:06:35 -06:00
|
|
|
|
2009-07-09 11:01:21 -06:00
|
|
|
%--bz
|
|
|
|
%Want to quickly apologize for not being well aquainted with the
|
|
|
|
%source material, and for any grammer errors, but this is pretty
|
|
|
|
%last minute, also, please consider my entry even though it is a
|
|
|
|
%little late.
|
|
|
|
%bz--
|
2009-07-09 10:06:35 -06:00
|
|
|
|
|
|
|
|
|
|
|
Luke awoke in a bed. He stared at the ceiling and searched his mind
|
|
|
|
for his surroundings. He couldn't remember a thing. His head
|
|
|
|
ached, pounded as he struggled to sit up. He was in a clean white
|
|
|
|
room.
|
|
|
|
|
|
|
|
There was a noise. Familiar. Welcome.
|
|
|
|
|
|
|
|
Beneath the door drifted the smell of home. Of warm bread. Of eggs.
|
|
|
|
The sounds and clatter of morning seeped through as well. He swung
|
|
|
|
his legs over the side of the bed. His head was still aching, but
|
|
|
|
it was lessening.
|
|
|
|
|
|
|
|
He stood.
|
|
|
|
|
|
|
|
The sun's beams had warmed the floor. He stretched, lost his
|
|
|
|
balance, and feel back to the bed. He lay there, lying in the
|
|
|
|
light, when he began to listen.
|
|
|
|
|
|
|
|
A voice, He recognized it. Then another. He knew them both.
|
|
|
|
|
|
|
|
No, he thought, he must be dreaming.
|
|
|
|
|
|
|
|
He got up and turned towards the door. Behind him, through the
|
|
|
|
windows, the trees began dancing lightly in a sudden fresh
|
|
|
|
breeze.
|
|
|
|
|
|
|
|
He inched to the door, and reached for the knob, and recoiled in
|
|
|
|
pain, as the hot door burned his hand.
|
|
|
|
|
|
|
|
``What are you doing'' asked a young boy from the corner
|
|
|
|
of the room, surprising Luke.
|
|
|
|
|
|
|
|
He was small. Pale. He looked unwell.
|
|
|
|
|
|
|
|
``Wha{\ldots}who are you''? Luke said, studying the
|
|
|
|
stranger.
|
|
|
|
|
|
|
|
``That wasn't part of the deal'' the boy
|
|
|
|
replied.
|
|
|
|
|
|
|
|
Deal? Luke didn't know what the kid was talking about.
|
|
|
|
|
|
|
|
``Don't open the door'' the boy warned.
|
|
|
|
|
|
|
|
Luke knew what was on the other side. His family. His wife. His
|
|
|
|
son. Sitting, waiting. Her red locks swaying and bouncing as she
|
|
|
|
prepared their breakfast. His boy, sitting at the table, his feet
|
|
|
|
dangling from the chair, smiling and laughing.
|
|
|
|
|
|
|
|
The young boy persisted.
|
|
|
|
|
|
|
|
Don't open the door.'' He said again.
|
|
|
|
|
|
|
|
The room grew dark.
|
|
|
|
|
|
|
|
Luke looked outside, and watched as the trees now shook and swayed
|
|
|
|
violently amidst an angry grass sea, heaving beneath the dark sky,
|
|
|
|
as rain began to pelt the glass.
|
|
|
|
|
|
|
|
``What are you doing here? Who are you?'' Luke tried
|
|
|
|
again.
|
|
|
|
|
|
|
|
``You're not listening.'' the boy's eyes
|
|
|
|
narrowed and he continued,
|
|
|
|
|
|
|
|
``Enjoy it. Lay down this time. Stay and enjoy
|
|
|
|
it.''
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
The kid must have been sick. He wasn't making any
|
|
|
|
sense.
|
|
|
|
|
|
|
|
``I've got a son about your age, he's right in
|
|
|
|
there'' Luke said pointing to the door.
|
|
|
|
|
|
|
|
``Do you have any friends? I'm sure my boy will play
|
|
|
|
with you. Do you like pancakes? My wife, she makes the best
|
|
|
|
pancakes.''
|
|
|
|
|
|
|
|
``Luke'', the boy cut him off, ``Your son and wife
|
|
|
|
are dead. They've been dead, since the fire. You know the
|
|
|
|
deal. Stay here. Enjoy it.''
|
|
|
|
|
|
|
|
``What do you know about my wife and son? What do you mean
|
|
|
|
they're dead.'' He stared at the child
|
|
|
|
|
|
|
|
``Boy, I know your sick but you can't talk like that,
|
|
|
|
it's not right. Listen, listen to them, can't you hear
|
|
|
|
them, they're in there right now, look I'll show
|
|
|
|
you'' Luke turned to the door.
|
|
|
|
|
|
|
|
``Please Luke,'' The boys face was unchanged, his voice
|
|
|
|
placid but firm and sure. ``Don't open the
|
|
|
|
do{\ldots}''
|
|
|
|
|
|
|
|
``Hey!'' Luke interrupted, ``now I don't know
|
|
|
|
what in the hell you're going on about, but it ends right
|
|
|
|
now. Get out of here you sick freak, get out''! And the boy
|
|
|
|
was gone.
|
|
|
|
|
|
|
|
Luke rubbed his eyes. Had the boy really just vanished? As he
|
|
|
|
wondered what had just happened, he noticed that his head
|
|
|
|
didn't hurt any more. Outside the air was now enraged,
|
|
|
|
thrashing about flinging rain and debris everywhere. It made Luke
|
|
|
|
more even more uneasy, but he remembered the door, and he shook the
|
|
|
|
feeling off. He reached once again for the knob, as the roar filled
|
|
|
|
his ears.
|
|
|
|
|
|
|
|
And he grasped the knob and suddenly it was deafeningly quiet. He
|
|
|
|
turned and looked back outside. It was bright, very bright out, and
|
|
|
|
the trees and sky were calm. The door was cool to the touch, and
|
|
|
|
Luke pulled open the door, eager to see his family.
|
|
|
|
|
|
|
|
Black. Charred wood. Everything, all of it, consumed. HE steeped
|
|
|
|
through the crumbling doorway. The burnt skeleton of walls now
|
|
|
|
surrounded all the ash and rubble that was once his home. Outside,
|
|
|
|
surrounding the house were hundreds of people, just starring. Near
|
|
|
|
the pipes where the sink had been, lay the dark remains of a woman
|
|
|
|
clutching a child.
|
|
|
|
|
|
|
|
He couldn't breathe, he couldn't swallow. Grief and
|
|
|
|
sorrow were throttling him, and suddenly he let loose in heaving
|
|
|
|
spasms as he ran to his family. He knelt, sobbing, over what was
|
|
|
|
left of them.
|
|
|
|
|
|
|
|
``No'' he uttered
|
|
|
|
|
|
|
|
The crowd erupted in a bellowing barrage of whispers
|
|
|
|
|
|
|
|
``You did this''
|
|
|
|
|
|
|
|
``This is your fault''
|
|
|
|
|
|
|
|
``They came for you''
|
|
|
|
|
|
|
|
``Why did you let them die?''
|
|
|
|
|
|
|
|
``They came for you''
|
|
|
|
|
|
|
|
``No{\ldots}NO!'' Luke screamed, ``I couldn't
|
|
|
|
stop them{\ldots}''
|
|
|
|
|
|
|
|
``I tried to save them'', he continued.
|
|
|
|
|
|
|
|
Amidst the churning crowd suddenly stood the boy again.
|
|
|
|
|
|
|
|
``I asked you not to open the door this time. I asked you to
|
|
|
|
stay on the other side.''
|
|
|
|
|
|
|
|
``I{\ldots}I tried to save them'' Luke sputtered
|
|
|
|
out
|
|
|
|
|
|
|
|
``No'' reasoned the boy, ``no, you damned them. You
|
|
|
|
dug too deep into our affairs; you stuck your nose in our business.
|
|
|
|
It was you that did this to your wife. To your son. You are
|
|
|
|
responsible.''
|
|
|
|
|
|
|
|
``I tried{\ldots}I came home{\ldots}the flames, they were
|
|
|
|
everywhere'' Luke carried on, distantly.
|
|
|
|
|
|
|
|
``There's more.'' Said the boy,
|
|
|
|
``there's more for you''
|
|
|
|
|
|
|
|
``No, it doesn't matter now'', Luke said sitting
|
|
|
|
up, looking at the boy
|
|
|
|
|
|
|
|
His hollowed eyes and emotionless gaze should have terrified
|
|
|
|
Luke.
|
|
|
|
|
|
|
|
``You can't do anything to me now{\ldots}just kill me.
|
|
|
|
Kill me''
|
|
|
|
|
|
|
|
The boy's brows furrowed, his face twisted, pulled and broke.
|
|
|
|
He smiled, and then began to laugh.
|
|
|
|
|
|
|
|
``Kill you?'' He said regaining his composure,
|
|
|
|
``Why? Why would I kill you? No. We have something much worse
|
|
|
|
for you.'' And the crowd's accusing chants began to
|
|
|
|
bleed through the boy's speech. They screamed now. Angry,
|
|
|
|
haunting, they pierced through Luke's hands as he covered his
|
|
|
|
ears.
|
|
|
|
|
|
|
|
``No, NOO!'' he screamed as he began to beat his head
|
|
|
|
against the rubble. But it did nothing to lessen the shrieking
|
|
|
|
crowd. He had to end it. He saw the pipe, sticking out of the
|
|
|
|
foundation. Its jagged end would easily drive through his
|
|
|
|
head.
|
|
|
|
|
|
|
|
He stood, the cries and screams still pursuing and punishing him.
|
|
|
|
He took a breath and slammed his head down.
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Luke awoke in a bed. He stared at the ceiling and searched his mind
|
|
|
|
for his surroundings. He couldn't remember a thing. His head
|
|
|
|
ached, pounded as he struggled to sit up. He was in a clean white
|
|
|
|
room.
|
|
|
|
|
|
|
|
There was a noise. Familiar. Welcome.
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
|
|
|
|
|
2009-07-09 11:01:21 -06:00
|
|
|
{\bf The Truly Horrid Reflection}
|
|
|
|
\by{and Into}
|
2009-07-09 10:06:35 -06:00
|
|
|
|
2009-07-09 11:01:21 -06:00
|
|
|
%--bz
|
|
|
|
%Kind of a long one{\ldots}
|
|
|
|
%bz--
|
2009-07-09 10:06:35 -06:00
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
The shadows trickled through the alley like the breath of an aging,
|
|
|
|
slightly obese hard-boiled cop in the middle of extending an
|
|
|
|
over-wrought metaphor. But even in the face of a dark alley opening
|
|
|
|
up like the maw of blackest Death itself, I wasn't afraid--I
|
|
|
|
have a Beretta, and I have the name Bavarious. Luke Bavarious,
|
|
|
|
NYPD.
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
My partner Rogue was busy working a tough murder case. Rogue was
|
|
|
|
chosen as part of a task force to catch the Bronx Butcher, a serial
|
|
|
|
killer with a hobby of hunting and taunting his would-be pursuers.
|
|
|
|
Some men have all the luck. I've been put on the toughest
|
|
|
|
beat of all: noise complaints.
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
There are noises out there--a car door slammed, an alarm in the
|
|
|
|
night, a clown horn comically honked too loud--noises that wait in
|
|
|
|
the shadows, only to surprise and rape the sweet ears of the
|
|
|
|
innocent citizens of New York. But not if Bavarious has anything to
|
|
|
|
say about it. Luke Bavarious.
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
The alley off 42nd street is home to many things. And apparently
|
|
|
|
some of them make noise, because I've been called to
|
|
|
|
investigate. Staying just inside the cold cloak of the shadows I
|
|
|
|
edge down the alley. I saw a figure perched on a dumpster, his back
|
|
|
|
to me. He was sobbing and crying.
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
It's for nights like this I joined the force.
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
``New York Ordinances state that excessive noise is punishable
|
|
|
|
by fines not exceeding one hundred dollars for the first
|
|
|
|
offense,'' I said, smirking. ``But I bet that
|
|
|
|
you're a repeat offender, huh? You should have picked just
|
|
|
|
one: sobbing OR crying. But you've just gotta be a loud son
|
|
|
|
of a bitch and do both, don't ya? Well, I guess you just
|
|
|
|
weren't planning on the icy justice of Bavarious--Luke
|
|
|
|
Bavarious--were you? Now turn around.''
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
I raised my loaded Beretta, cocked it, and pointed it directly at
|
|
|
|
the figure's back, as per the NYPD protocols for how to
|
|
|
|
handle the grief-stricken.
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
``I said, `Turn around,''' I repeated, more
|
|
|
|
loudly and even more smirkingly. But still at a reasonable decibel
|
|
|
|
level, so as not to disturb the peace. The peace I've been
|
|
|
|
hired to protect.
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
``Excuse me, sir,'' the crying figure said between,
|
|
|
|
frankly, unnecessarily loud sobs. ``But you don't want
|
|
|
|
me to turn around{\ldots}.''
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
``Sure I do. I have a loaded, sleek, cocked Beretta pointed at
|
|
|
|
your back, so you better turn around,'' I said. I went ahead
|
|
|
|
and cocked the Beretta again, just for the effect, and because I
|
|
|
|
goddamn love me a good Beretta-cocking.
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
``Okay, you asked for it,'' the thing mumbled,
|
|
|
|
uncharacteristically low in volume.
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
From the gutter above, water-trickles breezed through the alley as
|
|
|
|
it turned toward me, and began slowly inching into the light.
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
First its combat boots emerged from the darkness. Then its knee.
|
|
|
|
Then its leg. Then its pelvis and hips. Then its chest actually
|
|
|
|
seemed to emerge slightly before its stomach, oddly, but its
|
|
|
|
shoulders came out next, just as one would anatomically expect.
|
|
|
|
Then its neck (it is kind of limboing now, for some reason).
|
|
|
|
Finally, its head came into clarity in the dim light.
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
If you could call it a head. His face was horrid. There was a
|
|
|
|
superfluity of purple scars. There was blood trickling from an
|
|
|
|
empty eye socket and his sole ear was ugly. There was no nose.
|
|
|
|
There were no lips. There were bruises and lumps all over the
|
|
|
|
cheeks. There was only thin stubble for eyebrows. Although there
|
|
|
|
was a well groomed and handsome mustache, this could not make up
|
|
|
|
for the fact that there were deep gashes and uneven scar tissue
|
|
|
|
across the forehead, the chin, the mandible{\ldots}
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
I really could go on, but the point is, he is an ugly motherfucker,
|
|
|
|
like burn-ward ugly, and the still-sobbing thing stared at me for
|
|
|
|
quite some time while I noted, like an obsessive cartographer,
|
|
|
|
every curve and contour of its face. In {\em excruciating} detail.
|
|
|
|
The thing's neck was a bit small in circumcrence compared to
|
|
|
|
its body, too, by the way. About 17% too small.
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
My exhaustive cataloguing of the ugly bastard complete, I finally
|
|
|
|
took a step back, in narratively delayed astonishment. I had to
|
|
|
|
grit my teeth to keep the vomit down. Damn bourbon and peyote
|
|
|
|
cocktails.
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
He took three more steps forward. ``I told ya,'' it
|
|
|
|
said.
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
If there's one thing Luke Bavarious hates more than loudness,
|
|
|
|
it is people or things that rub it in your face when they are
|
|
|
|
right. I shot the sad, monstrous I-told-ya-so in the jaw a few
|
|
|
|
times, adding more holes to the disfigured jerk. The bullets hit
|
|
|
|
the face terribly powerful. The gunshots rang out, more audible
|
|
|
|
than I would have preferred--but it is a necessary evil. Lifeless,
|
|
|
|
the beastly thing slunk anticlimactically to the asphalt.
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
But at his side some object fell--what is this--Strunk and
|
|
|
|
White's {\em Elements of Style}? Its pages unfurl, revealing
|
|
|
|
a check, signed ``Luke Bavarious, NYPD.''
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
I now recognize at my feet the broken body of the copy editor I had
|
|
|
|
hired to read over a draft of my memoir, the man who had
|
|
|
|
disappeared after receiving my papers and my first payment, the man
|
|
|
|
I thought had conned me and run off. I see him and what I have done
|
|
|
|
to him, what every mixed metaphor, switched tense, and redundant
|
|
|
|
adjective had driven him to become, what it drove him to do to
|
|
|
|
himself.
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
I tasted my tears and vomit mix into a martini of misery. I saw a
|
|
|
|
horrid reflection. Suddenly, I was sobbing. And crying.
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
|
2009-07-09 11:01:21 -06:00
|
|
|
%--bz
|
|
|
|
%\by{BenBiddick}
|
|
|
|
%
|
|
|
|
%
|
|
|
|
%thanks to everyone who put in an entry! this has been a mindblowing
|
|
|
|
%event and I will be reading through each entry. I want to give each
|
|
|
|
%one the time it deserves so bear with me!
|
|
|
|
%
|
|
|
|
%
|
|
|
|
%
|
|
|
|
%
|
|
|
|
%
|
|
|
|
%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
|
|
|
|
%\by{katiekawaii}
|
|
|
|
%
|
|
|
|
%
|
|
|
|
%
|
|
|
|
%BenBiddick posted:
|
|
|
|
%thanks to everyone who put in an entry! this has been a
|
|
|
|
%mindblowing event and I will be reading through each entry. I want
|
|
|
|
%to give each one the time it deserves so bear with
|
|
|
|
%me!
|
|
|
|
%
|
|
|
|
%
|
|
|
|
%
|
|
|
|
%
|
|
|
|
%Thank you for indulging us and having such an awesome sense of
|
|
|
|
%humor! (People usually try to internet sue us in internet court.)
|
|
|
|
%Your book has been one of our forum's greatest discoveries. We're
|
|
|
|
%all seriously big fans of Ben Biddick and the emerging genre Horror
|
|
|
|
%As Written By A 13-Year-Old.
|
|
|
|
%
|
|
|
|
%
|
|
|
|
%
|
|
|
|
%I can't wait to see the results! It's almost as tense as ``The
|
|
|
|
%Horrid Reflection.''
|
|
|
|
%
|
|
|
|
%
|
|
|
|
%
|
|
|
|
%
|
|
|
|
%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
|
|
|
|
%\by{fishguzzler}
|
|
|
|
%
|
|
|
|
%
|
|
|
|
%Waiting for someone to dig up the lost Biddick manuscript.
|
|
|
|
%
|
|
|
|
%
|
|
|
|
%
|
|
|
|
%Notice how the ``Horrors'' series focuses on the nasty things society
|
|
|
|
%actually {\em encourages} young boys to contemplate? Most of the
|
|
|
|
%violence, pus, and vomit themes could have been gleaned by a young
|
|
|
|
%Biddick through culturally accepted, even lauded classics, such as
|
|
|
|
%Battletoads in Battlemaniacs.
|
|
|
|
%
|
|
|
|
%
|
|
|
|
%
|
|
|
|
%But where are the other manuscripts, the ones too taboo for Biddick
|
|
|
|
%to disclose to parents and school? The dark and fuzzy underbelly of
|
|
|
|
%Puritanical culture may partially obscure the most revolting sexual
|
|
|
|
%themes, yet can never eradicate them. Always there will be
|
|
|
|
%sociopathic outlier pieces in the so-called ``artistic'' world, such
|
|
|
|
%as the Victoria's Secret catalogue.
|
|
|
|
%
|
|
|
|
%
|
|
|
|
%
|
|
|
|
%All boys will eventually attempt to acquire such a thing, because
|
|
|
|
%it is there - because it is forbidden. When, through audacity and
|
|
|
|
%luck boys succeed in such ventures, they contemplate a sticky chasm
|
|
|
|
%wherein lies only madness, to ultimately skirt its edge and become
|
|
|
|
%men.
|
|
|
|
%
|
|
|
|
%
|
|
|
|
%
|
|
|
|
%In 1992 there was a book lacking the slick veneer of ``Horrors''. In
|
|
|
|
%fact it was written in pencil on greasy and sweatstained wide-rule,
|
|
|
|
%and tentatively titled ``Whorrors'' [sic]. Yet it too is a masterwork
|
|
|
|
%of fiction, a self-exploration of the blasted landscape in the
|
|
|
|
%developing psyche of a late-pubescent American Biddick.
|
|
|
|
%
|
|
|
|
%
|
|
|
|
%
|
|
|
|
%I call on Mr. Biddick to release this secret text, complete and
|
|
|
|
%unedited. The gratuitous profusion of fluids {\em will be
|
|
|
|
%glorious}.
|
|
|
|
%
|
|
|
|
%
|
|
|
|
%
|
|
|
|
%I call on you, Benjamin Suddenly-I-Was-Fisting Biddick, and I thank
|
|
|
|
%you for all that you have already given us.
|
|
|
|
%
|
|
|
|
%
|
|
|
|
%
|
|
|
|
%
|
2009-07-09 10:06:35 -06:00
|
|
|
%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
|
2009-07-09 11:01:21 -06:00
|
|
|
%\by{Paracetamol Boy}
|
|
|
|
%
|
|
|
|
%
|
|
|
|
%
|
|
|
|
%fishguzzler posted:
|
|
|
|
%Waiting for someone to dig up the lost Biddick
|
|
|
|
%manuscript.
|
|
|
|
%
|
|
|
|
%
|
|
|
|
%
|
|
|
|
%Notice how the ``Horrors'' series focuses on the nasty things society
|
|
|
|
%actually {\em encourages} young boys to contemplate? Most of the
|
|
|
|
%violence, pus, and vomit themes could have been gleaned by a young
|
|
|
|
%Biddick through culturally accepted, even lauded classics, such as
|
|
|
|
%Battletoads in Battlemaniacs.
|
|
|
|
%
|
|
|
|
%
|
|
|
|
%
|
|
|
|
%But where are the other manuscripts, the ones too taboo for Biddick
|
|
|
|
%to disclose to parents and school? The dark and fuzzy underbelly of
|
|
|
|
%Puritanical culture may partially obscure the most revolting sexual
|
|
|
|
%themes, yet can never eradicate them. Always there will be
|
|
|
|
%sociopathic outlier pieces in the so-called ``artistic'' world, such
|
|
|
|
%as the Victoria's Secret catalogue.
|
|
|
|
%
|
|
|
|
%
|
|
|
|
%
|
|
|
|
%All boys will eventually attempt to acquire such a thing, because
|
|
|
|
%it is there - because it is forbidden. When, through audacity and
|
|
|
|
%luck boys succeed in such ventures, they contemplate a sticky chasm
|
|
|
|
%wherein lies only madness, to ultimately skirt its edge and become
|
|
|
|
%men.
|
|
|
|
%
|
|
|
|
%
|
|
|
|
%
|
|
|
|
%In 1992 there was a book lacking the slick veneer of ``Horrors''. In
|
|
|
|
%fact it was written in pencil on greasy and sweatstained wide-rule,
|
|
|
|
%and tentatively titled ``Whorrors'' [sic]. Yet it too is a masterwork
|
|
|
|
%of fiction, a self-exploration of the blasted landscape in the
|
|
|
|
%developing psyche of a late-pubescent American Biddick.
|
|
|
|
%
|
|
|
|
%
|
|
|
|
%
|
|
|
|
%I call on Mr. Biddick to release this secret text, complete and
|
|
|
|
%unedited. The gratuitous profusion of fluids {\em will be
|
|
|
|
%glorious}.
|
|
|
|
%
|
|
|
|
%
|
|
|
|
%
|
|
|
|
%I call on you, Benjamin Suddenly-I-Was-Fisting Biddick, and I thank
|
|
|
|
%you for all that you have already given us.
|
|
|
|
%
|
|
|
|
%
|
|
|
|
%
|
|
|
|
%
|
|
|
|
%I'm sorry but the only fluids that will be profusing from me
|
|
|
|
%gratuitously will be tears.
|
|
|
|
%
|
|
|
|
%
|
|
|
|
%
|
|
|
|
%
|
|
|
|
%
|
|
|
|
%
|
|
|
|
%
|
|
|
|
%
|
|
|
|
%
|
|
|
|
%
|
|
|
|
%
|
|
|
|
%{\ldots}of laughter
|
|
|
|
%
|
|
|
|
%
|
|
|
|
%
|
|
|
|
%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
|
|
|
|
%\by{JuicedSixFo}
|
|
|
|
%
|
|
|
|
%
|
|
|
|
%Aw fuck I posted my story in the thread and left,
|
|
|
|
%didn't see the contest thread. These submissions are awesome.
|
|
|
|
%
|
|
|
|
%
|
|
|
|
%
|
|
|
|
%
|
|
|
|
%
|
2009-07-09 10:06:35 -06:00
|
|
|
%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
|
2009-07-09 11:01:21 -06:00
|
|
|
%\by{Syphilicious!}
|
|
|
|
%
|
|
|
|
%
|
|
|
|
%Gotta keep this thread alive, people!
|
|
|
|
%
|
|
|
|
%
|
|
|
|
%
|
|
|
|
%I was surprised at the turnout for stories, but how many people
|
|
|
|
%that contributed come from CC or actually have previous writing
|
|
|
|
%experience? I'd imagine most people are like me and just are
|
|
|
|
%interested in writing or wanted to contribute to the humor of it
|
|
|
|
%all or perhaps just get the prizes.
|
|
|
|
%
|
|
|
|
%
|
|
|
|
%
|
|
|
|
%
|
|
|
|
%bz--
|
2009-07-09 10:06:35 -06:00
|
|
|
%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
|
|
|
|
|
2009-07-09 11:01:21 -06:00
|
|
|
{\bf The Horrid Realization}
|
2009-07-09 10:06:35 -06:00
|
|
|
\by{Baron von Eevl}
|
|
|
|
|
2009-07-09 11:01:21 -06:00
|
|
|
%--bz
|
|
|
|
%So I know the contest is over, but I already have an autographed copy of Horrors so
|
|
|
|
%I'm not really interested in winning. I just had a brainstorm a few
|
|
|
|
%hours ago and felt I needed to contribute.
|
|
|
|
%
|
|
|
|
%bz--
|
2009-07-09 10:06:35 -06:00
|
|
|
|
2009-07-09 11:01:21 -06:00
|
|
|
%--bz italics? comment out totally?
|
2009-07-09 10:06:35 -06:00
|
|
|
This is a prequel of sorts to The Horrid Reflection, entitled The
|
|
|
|
Horrid Realization. In it, we learn how Luke Bavarious left his
|
|
|
|
post as New York's finest and struck off on his own as a Private
|
|
|
|
Detective. We also learn about lost friendship straight from
|
|
|
|
God.
|
2009-07-09 11:01:21 -06:00
|
|
|
%bz--
|
2009-07-09 10:06:35 -06:00
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
I stepped from the glare of traffic. The time had come again. I was
|
|
|
|
in the police station on 42nd street in New York. My hand shook
|
|
|
|
slightly with the bic pen I held in my hand. The matte white pen
|
|
|
|
had leaked in my pocket. Another shirt ruined. I am a desk jockey.
|
|
|
|
My name is Detective Luke Bavarious. I dislike this work.
|
|
|
|
|
|
|
|
People had been complaining about a drunken officer in their
|
|
|
|
neighborhood on his beat. I was transferred off the streets because
|
|
|
|
of these disturbances.
|
|
|
|
|
|
|
|
I edged into the Sergeant's office. I saw the tall, handsome figure
|
|
|
|
of the man I once respected sitting in his chair, facing towards
|
|
|
|
me. He was sighing. I raised my finger and slurred a series of
|
|
|
|
vulgar insults at the sitting figure.
|
|
|
|
|
|
|
|
``Bavarious, you drunken fool.'' The captain bellowed.
|
|
|
|
|
|
|
|
``Turn around!'' I shouted.
|
|
|
|
|
|
|
|
``Beggin' your pardon, Detective,'' he said, ``I'm already facing you.
|
|
|
|
If I turn around I would be facing a wall.''
|
|
|
|
|
|
|
|
``Sure I do. I'm a better cop than you could ever be, McClenaghan'' I
|
|
|
|
replied.
|
|
|
|
|
|
|
|
``Okay, that didn't even make sense,'' the sarge mumbled as he began
|
|
|
|
to turn red.
|
|
|
|
|
|
|
|
Fabian McClenaghan was my Sergeant. He and I joined the academy
|
|
|
|
together years ago and quickly became friends. He and I would share
|
|
|
|
all our secrets together at the shooting range and promised when we
|
|
|
|
died we'd be buried together there with our trusty barettas, shiny
|
|
|
|
sleek and deadly.
|
|
|
|
|
|
|
|
``Give me your badge, Bavarious.''
|
|
|
|
|
|
|
|
I inched forward and began to sweat all over. My ductile muscles
|
|
|
|
clenched and began to shiver. First my feet, deep in non-uniform
|
|
|
|
combat boots. Then my legs. Then my chest. Then my head. If you
|
|
|
|
call it a head. My head was so clouded with liquor I could barely
|
|
|
|
think. Was that what you called it? A head? It's that thing on top
|
|
|
|
of your neck. The one with all the holes.
|
|
|
|
|
|
|
|
I took a step back in astonishment. I gritted my teeth to keep the
|
|
|
|
vomit down.
|
|
|
|
|
|
|
|
McClenaghan stared at me with unbridled hate and shame. Ashamed of
|
|
|
|
hate.
|
|
|
|
|
|
|
|
``You look like you're going to be sick, Bavarious'' he grumbled,
|
|
|
|
concerned. ``Do you need me to grab my trashcan for you to throw up
|
|
|
|
in?''
|
|
|
|
|
|
|
|
``Hey buddy!'' I screamed. ``I don't need no trashcan from the likes
|
|
|
|
of you!'' I then vomited. The horrid cocktail of blood and last
|
|
|
|
night's spaghetti dinner came up and spilled all over the
|
|
|
|
Sergeant's floor, looking like some alien had died and it's guts
|
|
|
|
were spilled all over the floor of the Sergeant's office on the
|
|
|
|
floor.
|
|
|
|
|
|
|
|
``I told ya,'' he said.
|
|
|
|
|
|
|
|
I screamed and began to run away from him. He waved his hand high
|
|
|
|
in the air and screamed after me.
|
|
|
|
|
|
|
|
``Bavarious, give me your gun and your badge, you drunken fool!'' He
|
|
|
|
screamed.
|
|
|
|
|
|
|
|
``McClenaghaaaaaan!'' I screamed right back at him.
|
|
|
|
|
|
|
|
It was too late. I was running through an endless maze of cublicles
|
|
|
|
each as similar as the last. I ran faster. As I ran, I vomitted a
|
|
|
|
horrid smelling liquid of putrefaction all over my pen-ruined
|
|
|
|
shirt. Pen and vomit ruined. And spaghetti sauce. As I ran, others
|
|
|
|
began to run too, running from the awful weird vomit. The first
|
|
|
|
person ran faster than the second. The second person ran faster
|
|
|
|
than the third. The third person was not running very fast because
|
|
|
|
she was a woman and I'm not comfortable describing her further. The
|
|
|
|
second person slipped in the vomit and the first person easily
|
|
|
|
outpaced him. The third person was elsewhere at that point. Maybe
|
|
|
|
vomiting.
|
|
|
|
|
|
|
|
Being drunk, I began to see horribly awful images. A spider. A
|
|
|
|
person who is also part spider. A butcher's knife. A young boy, to
|
|
|
|
be respected and listened to, lit from below and looking very much
|
|
|
|
serious and respected. These were the typical hallucinations I had
|
|
|
|
when drunk, which causes horrible hallucinations.
|
|
|
|
|
|
|
|
My head smashed into the door terribly powerful. Muscles were
|
|
|
|
strained and torn as my head jerked to the side, smearing the
|
|
|
|
glass. I fell and landed on the hard linoleum flooring. Dazed I
|
|
|
|
vomited again and again. I felt the surge pushing back
|
|
|
|
rhythmically. I ran outside but continued to vomit. Spaghetti
|
|
|
|
hitting the pavement. Splatter hitting my shirt. Blood showering
|
|
|
|
me. I felt my own blood from the side of my mouth fall and drip. I
|
|
|
|
kept vomiting. My stomach was empty. I staggered. I tasted my
|
|
|
|
dinner and blood mixed into a horrid cocktail. It tasted like
|
|
|
|
vomit. My badge sparkled on the side of my waistband.
|
|
|
|
Bavarious.
|
|
|
|
|
|
|
|
I picked myself up and stumbled over to a mirror. Suddenly, I was
|
|
|
|
in my apartment. Suddenly, I was sobbing.
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
2009-07-09 11:01:21 -06:00
|
|
|
%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
|
|
|
|
%--bz
|
|
|
|
%\by{MariusMcG}
|
|
|
|
%
|
|
|
|
%
|
|
|
|
%
|
|
|
|
%Quovak posted:
|
|
|
|
%I also love this idea. It would be even better if we
|
|
|
|
%could actually get the final anthology vanity published, but not
|
|
|
|
%spending a lot of money also works. Discount Bees needs to do cover
|
|
|
|
%art, though.
|
|
|
|
%
|
|
|
|
%
|
|
|
|
%
|
|
|
|
%
|
|
|
|
%Let it be titled {\em The Chronicles of Biddick}.
|
|
|
|
%
|
|
|
|
%
|
|
|
|
%
|
|
|
|
%
|
|
|
|
%
|
|
|
|
%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
|
|
|
|
%\by{HastyDeparture}
|
|
|
|
%
|
|
|
|
%
|
|
|
|
%
|
|
|
|
%MariusMcG posted:
|
|
|
|
%Let it be titled {\em The Chronicles of
|
|
|
|
%Biddick}.
|
|
|
|
%
|
|
|
|
%Seconding this motion.
|
|
|
|
%
|
|
|
|
%
|
|
|
|
%
|
|
|
|
%bz--
|