mirror of https://github.com/nealey/Horrors2
328 lines
18 KiB
TeX
328 lines
18 KiB
TeX
\chapauth{Syphilicious!}
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\chapter[What Lurks Behind Our Eyes]{What Lurks Behind Our Eyes: The Horrid Reflection Revisited}
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Thursday night, and everything is quiet. Unusual for me, but in my
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current settings it should be expected; instead of walking my beat in
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the thug-infested alleys of our dear city, I am far out in the country,
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at Old Woman McCannshire's place, engaged in a staring contest with the
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termites that crawl in and out of the floor of her porch as I wait for
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her to answer the door. The middle of nowhere does not properly describe
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my location; I'd been driving so long that I'm probably already halfway
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out. My name is Luke Bavarius, and I'm a detective, but tonight I appear
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to be the guy that drives around checking under old biddies' beds for
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monsters.
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Even the pranks get men sent out these days. A prank is what I would
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have thought this would be if I didn't know the old woman calling was
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too addled to even have a teenager's sense of humor. McCannshire thinks
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her house is haunted by spirits, and wants one of us ``wonderful young
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men you have working down there'' to come check it out. I'm almost glad I
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forgot to bring my spare ammunition for my Beretta out here; I've used
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that thing enough today considering my nerves are just about as shot as
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those three bank robbers, and if this goose chase got any more boring
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I'd probably put it in my mouth and make brain gumbo.
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The unlatching of bolts awakens me from my reverie, and my head snaps
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back up into the proper position. ``You win this time, termites,'' I
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mutter, wiping a thin string of drool from my chin. Slowly, the door
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creaks open, and I am treated to the sight of Mrs. McCannshire in a
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wispy white nightgown. Perhaps in the prime of her youth this might have
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been something I could have tolerated or even enjoyed, but the broad has
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long been in her more tender years of age, her face has more wrinkles
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than the wandering Jew's underwear, and her nightgown is greasy with the
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mysterious secretions of the elderly. I try to focus on the mangy grey
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poodle she cradles in one arm, a dirty little mutt that she probably
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pampers like nobody's business. She really fits the picture of an old
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bag of bones, and as soon as she opens her mouth I can tell how far gone
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she really she is.
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``Are you the detective Officer Dent sent over to help with the spirits
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in my house?'' She speaks slowly and clearly, her eyes twin moons of
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gawkish innocence. I don't know which kind of dementia would be worse:
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the flavor Mrs. McCannshire possesses where one is magically returned to
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the age of nine or the other one where you think the walls are talking
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to you. Although, considering why I was here, it's possible she suffered
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from the latter too.
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``Uh\ldots yes. Yes, ma'am. Officer Dent is my, uh, superior.'' I step past
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her and walk inside, trying to ignore the subdued growl the mutt in her
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hands has started up upon sight of me. The place is clean to a point;
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there are numerous tables and shelves bedecked with pictures and family
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heirlooms, all meticulously dusted, but the carpet is smeared with dirty
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pawprints and general dust and filth, it's frayed and ragged material
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likely not blessed by the gentle touch of a vaccuum cleaner for
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years. The carpet and walls are an ugly matching beige and all the
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miscellaneous objects, despite constant care, have lost their
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luster. The only sign of real color comes from the bathroom behind the
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door opposite the one I had come in, wherein an even more hideous bright
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lime green covers the small amount of wall I can see around the door.
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I turn to face her, reaching into the folds of my trenchcoat and drawing
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out a pack of cigarettes and my lighter. ``Now, what seems to be the
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problem here?'' A lazy puff of smoke floats serenely past my raised
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eyebrow from my now lit cigarette.
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``Well,'' she says, setting the dog down onto the carpet where it does an
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annoying little dance around our legs, barking and whining, ``I've been
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noticing things for several days now, but only this morning did it get
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really bad. You see, every time I use the bathroom I feel someone is
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watching me.''
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``How can you tell?''
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``Well, at first it was just an uneasy feeling. But then I started
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hearing voices that would say things that I couldn't make out. Then I
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started seeing faces out of the corner of my eye or in a reflection. And
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this is happening quite often, mind you. It's happened every time I go
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in there, and these days I tend to\ldots oh, how should I say it\ldots
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do my business more often, mostly because my--''
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``I understand, I understand,'' I say hurriedly. ``Please, continue.''
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``Well, uh, this morning, I saw a face in the mirror behind me. And I
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didn't just see it, either; it was directly behind me, an entire person,
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and he didn't go away until I turned round.''
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My eyebrow, having just started to head home for the day, turned
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right back around and marched up my forehead. This sounded legitimately
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interesting. Whatever had actually happened, seeing a person plain as
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day is a lot better than imaginary sounds or tricks of light that even
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happened to people who weren't sitting outside Death's doorstep in
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motorized wheelchairs. There is really only one thing to do.
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``Well, I guess you'll have to show me the bathroom then,
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Mrs. McCannshire.''
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``Right you are, dear.'' She seems to notice that my gaze has strayed to
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the pictures on the small table next to the front door, and as she
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hobbles past me towards the bathroom she begins to talk about her dead
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husband. Half listening to her talk about the dangers of late term
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prostate cancer and wincing at the intimate descriptions she gives of
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the times she went with him for his checkups, I search for an ashtray
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and find one nestled in between boxes of tissue and stack of gardening
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books. I rub the flame out and leave the stub, resolving not to smoke
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any more until I leave the house. The old woman doesn't need all that
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smoke.
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As I join her in the bathroom, I see that her poodle has the same
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idea. It flies past me and sits whining at her feet until she relents
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and picks it up again. I stand next to her and look around the room. The
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mirror is old but clean, and the porcelain throne in the corner is the
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same. I look into the sink, and from the short, curly gray hairs lining
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the rim I deduce that she washes the dog in it; either that or she's
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more up on the trends of women of today than you'd think of a gal her
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age.
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The horror of the thought further distracts me, and I begin to develop
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that thousand yard stare as she tells me about the various scary
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encounters she has experienced while voiding her bowels, unnecessarily
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clueing me in on the second part in her stories too. Technically I am
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looking at the hot water handle, but I am miles away, back on a real
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cop's beat or in the arms of a good woman, whichever one does a better
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job of distracting me from her current tale of a mysterious voice
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whispering in what she thinks is Latin and the effects of the creamed
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corn she had with lunch two days ago. Suddenly I spy in the reflection
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from the mirror that the dog has the same idea. The yappy little thing
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now sits silent and unmoving in her arms, staring intently into the eyes
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of its reflection.
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At first I am grateful for the relative silence that its new object of
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interest has provided, but after a minute it begins to make my skin go
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all goosey. I've never seen a dog sit that still for anything. I slowly
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move my hand in front of its face, nodding to show Mrs. McCannshire I am
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listening at a pause in her latest story involving the cupboard swinging
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open and almost hitting her in the head and how the fright really helped
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``loosen things, down there''. I pass my hand back in forth in front of
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the dog's vision to no effect. In a moment of clarity I drudge up the
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dog's name out of its owner's ramblings.
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``Jasper! Hey, Jasper!'' At once the dog is a flurry of motion, leaping
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out of her hands and latching onto the watch around my wrist with its
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teeth. I stumble backwards into the main room and fall to the floor,
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frantically batting at the hideous ball of fur as it growls like a
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recently castrated bear. Instinct takes over; my mind recognizes when I
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am in a fight for my life even when the opponent is a 15-pound owl
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pellet. Without thinking I wrap the palm of the hand it grips around its
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head and bash it repeatedly against the edge of a bookshelf next to me,
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then stagger to my feet and swing it around the room, screaming to match
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its rabid cries. All of a sudden it flies free with a high pitched yelp
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and collides with the table on which the ashtray rested and the table
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and its contents tumble to the ground.
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I approach cautiously, waiting for my opponent to make some sign of
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life. At once the small pile of picture frames and knicknacks erupts as
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Jasper flies straight towards my face.
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I have anticipated it; it passes fruitlessly over my head as I lean
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backwards almost parallel to the floor, and I hear its frenzied growling
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suddenly muffled. I push my spine back into place with one hand and spin
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around only to see Jasper hanging from the ledge of a desk, his jaw
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wrapped around it and his teeth grinding into it as if he imagined it to
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be my arm. I act quickly, sparing no mercy. With several steps I come
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upon the helpless creature and I lift a booted foot to hover a foot away
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from the back of its skull.
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``Chew on this, pooch.''
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There is a loud, wet crack as its skull explodes like a balloon filled
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with bones and blood. It's corpse falls silently to the floor, followed
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by the lower half of his jaw and head. The top half rests on top of the
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desk, firmly embedded into the wood. I curse silently to myself and wipe
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my foot off on the carpet, leaving behind a red smear flecked with hair
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and bits of bone.
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All at once I come to my senses, and I turn to see Mrs. McCannshire
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standing at the bathroom door. For a second we both stand staring
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wordlessly at each other, then she utters a soft cry and flees back into
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the bathroom. I hear a soft click as she locks the door behind her.
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I sigh and walk over, knocking on the door. ``Mrs. McCannshire, I'm sorry
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about Jasper, okay? I shouldn't have\ldots{} done that, but he was, I mean he
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was attacking me. There was nothing else I could do.''
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I continued to apologize while I listened to her sobs, trying to look
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anywhere but back at that head, or that part of it, those sightless eyes
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silently judging me. I've killed people before in my line of work, and I
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see their faces when I close my eyes, but now this mutt was getting to
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me more than any of them ever did. It was an irritable little thing, but
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why did it up and attack me like that? What did it see in that mirror?
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I notice that the crying on the other side of the door has stopped, and
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for a moment I feel relief. ``Mrs. McCannshire, if you can just come out
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here we can talk about this. Again, I'm sorry about your dog, but--''
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I am interrupted by the click of the lock, and as the door slowly comes
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ajar I help her open it. She stands there, head down, and she looks so
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depressed that I can't help but resume my apologies. ``If there's
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anything I can do to pay you back for what I did, you name it. I really
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can't tell you how sorry I am, I'll get you a new dog, whatever you
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want. I'm sure I\ldots{}''
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The look in her eyes when she raises her head is different than what
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you'd think a hysterical old woman would have. They're more intelligent
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than they were before, those eyes, and they seem to possess more menace
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than I assume an old lady like that would be able to muster.
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A bony hand wraps around my throat with otherworldy strength, choking
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off the rest of the sentence. She lifts me off my feet, pulls back, and
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for a brief moment everything is serene.
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Then I hit the wall. I slide down next to the open front door, and after
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my eyes uncross and the black in front of my eyes goes away I use the
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knob to pull myself up. I check for broken bones and don't find good
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news in the ribs area, but other than that I am fine, if bruised.
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``Well, you've got a good arm, I have to give you that.'' I think over my
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options, running my tongue over my teeth. I can't hurt her; she's
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obviously just possessed by whateve possessed that dog in the mirror. I
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have to get the spirit out of her, or incapacitate her, but I don't know
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how to perform exorcisms and at her age a gust of wind could kill
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her. Although if she's able to throw like that maybe she's a lot
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stronger in other ways too. What if I tied her up?
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Something makes my train of thought come to a screeching halt. It hasn't
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reached the station, it's gone straight off the tracks. There were no
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survivors.
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My brain is recieving messages my tongue shouldn't be sending. It's not
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finding something that should be there. I grab a polished silver cup off
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a table and flash my teeth at my reflection. There's a black square
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where there should be a nice little white one.
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I've lost a tooth.
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This bitch is going to die.
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I toss the cup and pull my piece, my finger already on the
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trigger. Worse men talk about how their guns sing songs that only ever
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have a few notes; that's played out, and anyway my Beretta never saw the
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appeal in singing. It yells, and it only ever needs to raise its voice
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once to win an argument with someone.
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As I aim down the sights at the old girl now barrelling towards me from
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accross the room with a horrifying screech, I recall something about not
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having ammunition, and I anticipate the empty little click. Cursing
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wildly, I hurl the gun at her, and it bounces off her forehead
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ineffectively. I reach for the knife strapped to my leg down at my
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ankle, but it is too late; she knocks it out of my hand with one swift
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strike just as I am bringing it up and it clatters against the wall. She
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slams me up against the same patch of wall that I'd said hello to twenty
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seconds ago and holds me at arm's length against the wall, my head more
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than two feet higher than hers and my feet off the ground clattering
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against the wall. Both hands are wrapped around my neck and I am rapidly
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losing oxygen. You need to do something now, I think. Or you're done,
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Luke. You're done.
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Frantically my hands search for something, anything, to fight her off
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with, finding nothing. I'm simply too far off the ground to reach
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anything. I turn my head as much as her steel fingers allow, and through
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my darkening vision I can barely see an umbrella stand with one large
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black umbrella in it. In vain I stretch my left hand towards the handle,
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my fingers finding air and then brushing the handle. I strain as hard as
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I can as the pain advances and my sight blackens, and suddenly I have a
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grip, I grasp it with the very tips of my fingers, bring it up to my
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hand. She is laughing now, piercing and mocking, delighting in her
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triumph. She doesn't keep it up for long. I raise the umbrella high
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above my head then stab it down into her open mouth and throat, pushing
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it into her esophagus as she spits and gurgles, her hands clutching even
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tighter at my neck. The handle is just past her teeth, my hand gripping
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it firmly even as she bites into my wrist. I use my thumb to find the
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release and push it up.
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The umbrella is spring operated, the fabric edged with sharp metal. Her
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neck evaporates in a cloud of blood and her head shoots up into the
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hair, twirling in the air like a basketball and falling to the ground
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with I and the rest of her body.
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After a while, coughing and wheezing, I push her corpse off of me and
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use the blood-soaked umbrella to stand up. As soon as I try to walk
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towards the nearest chair, I stumble and trip over her head. Standing up
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again, I look back down at the bloody mess on the carpet and on me. I
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feel bile rising in my throat, and I turn to run to the bathroom.
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I push past the door and stagger to the sink, where I vomit noisily and
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stand for a while, staring into this puddle of my own sick. After what
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seems like forever I look up and into my reflection in the mirror. I am
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hunched over the sink, my hands still grasping the sides, my mouth
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hanging open and a thin trail of vomit hanging from my lower lip. My
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eyes are wet with tears from the choking and the vomiting.
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Truly I am a pitiful sight. I give myself a weak smile, as if it will
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cheer me up. I can't help but notice that something is off in my
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reflection, but I can't think what. Then I tongue the gap where my tooth
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used to be. My reflection does not. It still has the full set.
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The reflection straightens its back and wipes the vomit away, dries its
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eyes with the sleeve of its shirt, and all I can do is stare in dumb
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incomprehension. It is the same short black hair, the same baby blue
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eyes, the same trenchcoat, the same man, yet it moves of its own free
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will. It is me and yet it is not me.
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It has an almost condecending look in its eyes as it reaches down below
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the sink, to its ankle. It comes back up, my knife in its hands, its
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knife, and I cannot move a muscle.
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There is a flash of metal. He cuts through my throat like
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cheesecake. The arterial spray gives a good portion of the shitty green
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paint job a new coat from the opposite side of the color wheel. There is
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a brief sense of motion, and I taste ceramic, my body thudding to the
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bathroom floor. I move my mouth wordlessly as red begins to creep along
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the grout in between the white tiles. I hear a shuffle of fabic as my
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other self steps through the mirror and lowers himself from the sink to
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the floor. He steps over my body, taking care to not step in the
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advancing pool of blood.
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My vision begins to cloud for the last time as he casts the knife
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absentmindedly down in front me. It slides to a halt next to my
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forehead. He begins to walk towards the front door, then stops, turns
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around. He walks cooly back to me, crouches in front of me, grimacing at
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the blood that is in danger of soiling the knee of his pants. He looks
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me in the eyes, and begins to say something, then thinks better of
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it. He does nothing for a second, simply watches me dying, then reaches
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over, placing an index and middle finger on my eyelids, and then he
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slides them shut.
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``Good night, Luke.''
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