Make haiku thing use blockquote, not pre
This commit is contained in:
parent
e0f519e08f
commit
e7b8fb87c2
|
@ -26,8 +26,6 @@ body>h1:first-child, td.main {
|
||||||
}
|
}
|
||||||
|
|
||||||
h1, h2, h3, h4, h5, h6 {
|
h1, h2, h3, h4, h5, h6 {
|
||||||
font-family: "URW Gothic L", sans-serif;
|
|
||||||
font-weight: normal;
|
|
||||||
color: #fa6900;
|
color: #fa6900;
|
||||||
}
|
}
|
||||||
|
|
||||||
|
@ -58,10 +56,16 @@ img.face {
|
||||||
}
|
}
|
||||||
|
|
||||||
pre {
|
pre {
|
||||||
background: #ccc;
|
background: #e0e4cc;
|
||||||
overflow-x: auto;
|
overflow-x: auto;
|
||||||
}
|
}
|
||||||
|
|
||||||
|
blockquote {
|
||||||
|
background: #e0e4cc;
|
||||||
|
padding: 0.1em 1em;
|
||||||
|
border-radius: 0.4em;
|
||||||
|
}
|
||||||
|
|
||||||
#nav {
|
#nav {
|
||||||
padding: 0;
|
padding: 0;
|
||||||
text-align: center;
|
text-align: center;
|
||||||
|
@ -73,17 +77,3 @@ pre {
|
||||||
#nav li + li:before {
|
#nav li + li:before {
|
||||||
content: " | ";
|
content: " | ";
|
||||||
}
|
}
|
||||||
|
|
||||||
address {
|
|
||||||
clear: both;
|
|
||||||
font-size: small;
|
|
||||||
}
|
|
||||||
|
|
||||||
address a {
|
|
||||||
margin: 0 2em;
|
|
||||||
}
|
|
||||||
|
|
||||||
address a:before {
|
|
||||||
padding: 0.5em;
|
|
||||||
}
|
|
||||||
|
|
||||||
|
|
|
@ -1,3 +1,7 @@
|
||||||
|
body {
|
||||||
|
font-family: "URW Palladio L", serif;
|
||||||
|
}
|
||||||
|
|
||||||
p, li, dd {
|
p, li, dd {
|
||||||
text-align: justify;
|
text-align: justify;
|
||||||
}
|
}
|
||||||
|
@ -12,6 +16,7 @@ h1 + p, h2 + p, h3 + p, h4 + p, h5 + p, h6 + p {
|
||||||
|
|
||||||
h1, h2, h3, h4, h5, h6 {
|
h1, h2, h3, h4, h5, h6 {
|
||||||
font-family: "URW Gothic L", sans-serif;
|
font-family: "URW Gothic L", sans-serif;
|
||||||
|
font-weight: normal;
|
||||||
}
|
}
|
||||||
|
|
||||||
pre {
|
pre {
|
||||||
|
@ -27,3 +32,17 @@ pre {
|
||||||
font-size: small;
|
font-size: small;
|
||||||
border: solid black 1px;
|
border: solid black 1px;
|
||||||
}
|
}
|
||||||
|
|
||||||
|
address {
|
||||||
|
clear: both;
|
||||||
|
font-size: small;
|
||||||
|
}
|
||||||
|
|
||||||
|
address a {
|
||||||
|
margin: 0 2em;
|
||||||
|
}
|
||||||
|
|
||||||
|
address a:before {
|
||||||
|
padding: 0.5em;
|
||||||
|
}
|
||||||
|
|
||||||
|
|
|
@ -81,16 +81,16 @@ wisdom.
|
||||||
The problem is that it doesn't take a genius to come up with seventeen
|
The problem is that it doesn't take a genius to come up with seventeen
|
||||||
syllables about anything. For example:
|
syllables about anything. For example:
|
||||||
|
|
||||||
Lame flying saucers
|
> Lame flying saucers
|
||||||
You can see the fishing line
|
> You can see the fishing line
|
||||||
What a bad movie.
|
> What a bad movie.
|
||||||
|
|
||||||
It took me all of about ten seconds to write that. Here, I'll do
|
It took me all of about ten seconds to write that. Here, I'll do
|
||||||
another one:
|
another one:
|
||||||
|
|
||||||
Where's my other sock?
|
> Where's my other sock?
|
||||||
It disappeared in the wash
|
> It disappeared in the wash
|
||||||
How did that happen?
|
> How did that happen?
|
||||||
|
|
||||||
I hardly feel that these two stupid poems mark me as being clever or
|
I hardly feel that these two stupid poems mark me as being clever or
|
||||||
witty in any way, yet I defy anyone to show that they're any less
|
witty in any way, yet I defy anyone to show that they're any less
|
||||||
|
@ -153,15 +153,15 @@ the remainder of the poem. Jennifer Jensen points to
|
||||||
[a fine example of cutting](http://www.peavine.com/haiku/cuttingwords.html),
|
[a fine example of cutting](http://www.peavine.com/haiku/cuttingwords.html),
|
||||||
from the 17th century haiku master Basho:
|
from the 17th century haiku master Basho:
|
||||||
|
|
||||||
Kutabirete
|
> Kutabirete
|
||||||
yado karu koro ya
|
> yado karu koro ya
|
||||||
fuji no hana
|
> fuji no hana
|
||||||
|
|
||||||
which in English is translated:
|
which in English is translated:
|
||||||
|
|
||||||
When worn out
|
> When worn out
|
||||||
And seeking an inn:
|
> And seeking an inn:
|
||||||
Wisteria flowers!
|
> Wisteria flowers!
|
||||||
|
|
||||||
The cutting word above is the Japanese ya, which doesn't translate to
|
The cutting word above is the Japanese ya, which doesn't translate to
|
||||||
English well; it more or less signals a break in thought,
|
English well; it more or less signals a break in thought,
|
||||||
|
@ -175,9 +175,9 @@ another. By comparison, joke haiku writers typically bull through to
|
||||||
the end at maximum speed as though they're trying to get home before
|
the end at maximum speed as though they're trying to get home before
|
||||||
WWF Thursday Night Smackdown starts:
|
WWF Thursday Night Smackdown starts:
|
||||||
|
|
||||||
Cutting my toenails
|
> Cutting my toenails
|
||||||
I cut too deep and I bleed
|
> I cut too deep and I bleed
|
||||||
all over the rug.
|
> all over the rug.
|
||||||
|
|
||||||
Ironically, the one rule to which every joke haiku does
|
Ironically, the one rule to which every joke haiku does
|
||||||
conform—seventeen syllables in three metrical units of five, seven,
|
conform—seventeen syllables in three metrical units of five, seven,
|
||||||
|
@ -226,9 +226,9 @@ art form to pass it off as inspired quirkiness.
|
||||||
|
|
||||||
Consider this example:
|
Consider this example:
|
||||||
|
|
||||||
Milk after five months
|
> Milk after five months
|
||||||
in my refrigerator
|
> in my refrigerator
|
||||||
tastes just horrible.
|
> tastes just horrible.
|
||||||
|
|
||||||
The point being made here is that sour milk tastes bad. Yet if I were
|
The point being made here is that sour milk tastes bad. Yet if I were
|
||||||
to post it to a joke haiku bulletin board, or scribble it on a napkin
|
to post it to a joke haiku bulletin board, or scribble it on a napkin
|
||||||
|
@ -259,15 +259,15 @@ shorn of its haiku form, its true banality emerges.
|
||||||
|
|
||||||
Consider the example I posted above:
|
Consider the example I posted above:
|
||||||
|
|
||||||
Milk after five months
|
> Milk after five months
|
||||||
in my refrigerator
|
> in my refrigerator
|
||||||
tastes just horrible.
|
> tastes just horrible.
|
||||||
|
|
||||||
This poem is easily the equal of any number of joke haiku posted or
|
This poem is easily the equal of any number of joke haiku posted or
|
||||||
e-mailed anywhere on the Internet. Yet look at what happens when I
|
e-mailed anywhere on the Internet. Yet look at what happens when I
|
||||||
remove the line breaks:
|
remove the line breaks:
|
||||||
|
|
||||||
Milk after five months in my refrigerator tastes just horrible.
|
> Milk after five months in my refrigerator tastes just horrible.
|
||||||
|
|
||||||
What once might have elicited satisfied chuckles from joke haiku
|
What once might have elicited satisfied chuckles from joke haiku
|
||||||
aficionados becomes an excruciatingly average observation that
|
aficionados becomes an excruciatingly average observation that
|
||||||
|
@ -351,18 +351,18 @@ as a creative force.
|
||||||
|
|
||||||
Consider this haiku about commuting:
|
Consider this haiku about commuting:
|
||||||
|
|
||||||
Sitting in my car
|
> Sitting in my car
|
||||||
I watch the time tick away
|
> I watch the time tick away
|
||||||
This traffic sure sucks.
|
> This traffic sure sucks.
|
||||||
|
|
||||||
Pedestrian and boring, it took all of ten seconds to write. To write
|
Pedestrian and boring, it took all of ten seconds to write. To write
|
||||||
a limerick on the same subject, one must work much harder:
|
a limerick on the same subject, one must work much harder:
|
||||||
|
|
||||||
Nothing's worse, there can be no dispute,
|
> Nothing's worse, there can be no dispute,
|
||||||
Than my everyday average commute.
|
> Than my everyday average commute.
|
||||||
In my car long I sit.
|
> In my car long I sit.
|
||||||
I just might throw a fit
|
> I just might throw a fit
|
||||||
If I can't find an alternate route.
|
> If I can't find an alternate route.
|
||||||
|
|
||||||
Okay, so it's not the best limerick that's ever been written, but in a
|
Okay, so it's not the best limerick that's ever been written, but in a
|
||||||
way that's exactly my point. This stuff's not easy to do. Do it well
|
way that's exactly my point. This stuff's not easy to do. Do it well
|
||||||
|
|
Loading…
Reference in New Issue